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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32D6AD it is the complementary color #CD2952. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32D6AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32D6AD shade: #37D6A8, #48E8BB, #59FACE, #6AFFE1 and #7BFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32D6AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32D6AD shade: #32D6AD, #21C49A, #10B287, #00A074 and #008E61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32D6AD shade: #32D6AD, #32D681, #32D655, #3CD632 and #68D632

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32D6AD shade: #32D6AD, #32D3D6, #32A7D6, #327AD6 and #324ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32D6AD shade matches the following richer shades: #32D6AD, #1EEAB7 and #0AFEC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32D6AD shade: #32D6AD, #46C2A3, #5AAE99, #6E9B8F and #818785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32D6AD shade: #32D656, #32D681, #32D6AD, #32D3D6 and #32A8D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32D6AD shade: #1E9879, #24BA95, #32D6AD, #55DDBB and #77E4C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32D6AD shade: #32D6AD, #323AD6 and #D66B32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32D6AD shade: #32D6AD, #AD32D6 and #D6AD32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32D6AD shade: #32D6AD, #323AD6, #D6325B and #D6CE32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32D6AD shade: #32D6AD, #5B32D6, #D6325B and #ADD632

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 19 / 16

HEX #32D6AD

RGB 50 214 173

HSL 165, 0.67%, 0.52%

LAB 77.15, -50.44, 8.61

 

Complementary color

CMYK 0 / 80 / 60 / 20

HEX #CD2952

RGB 205 41 82

HSL 345, 0.67%, 0.48%

LAB 45.87, 63.98, 18.09

 

CMYK 74 / 0 / 21 / 16

HEX #37D6A8

RGB 55 214 168

HSL 162.64, 0.66%, 0.53%

LAB 77.12, -51.06, 11.24

 

CMYK 69 / 0 / 19 / 9

HEX #48E8BB

RGB 72 232 187

HSL 163.13, 0.78%, 0.6%

LAB 83.27, -51.66, 9.99

 

CMYK 64 / 0 / 18 / 2

HEX #59FACE

RGB 89 250 206

HSL 163.6, 0.94%, 0.66%

LAB 89.37, -52.05, 8.85

 

CMYK 58 / 0 / 12 / 0

HEX #6AFFE1

RGB 106 255 225

HSL 167.92, 1%, 0.71%

LAB 91.69, -46.8, 2.42

 

CMYK 52 / 0 / 4 / 0

HEX #7BFFF4

RGB 123 255 244

HSL 175, 1%, 0.74%

LAB 92.69, -38.96, -5.89

 

CMYK 77 / 0 / 19 / 16

HEX #32D6AD

RGB 50 214 173

HSL 165, 0.67%, 0.52%

LAB 77.15, -50.44, 8.61

 

CMYK 83 / 0 / 21 / 23

HEX #21C49A

RGB 33 196 154

HSL 164.54, 0.71%, 0.45%

LAB 70.96, -49.44, 9.97

 

CMYK 91 / 0 / 24 / 30

HEX #10B287

RGB 16 178 135

HSL 164.07, 0.84%, 0.38%

LAB 64.72, -48.06, 11.47

 

CMYK 100 / 0 / 28 / 37

HEX #00A074

RGB 0 160 116

HSL 163.5, 1%, 0.31%

LAB 58.42, -46.29, 13.14

 

CMYK 100 / 0 / 32 / 44

HEX #008E61

RGB 0 142 97

HSL 160.99, 1%, 0.28%

LAB 52.07, -43.77, 15.03

 

CMYK 77 / 0 / 19 / 16

HEX #32D6AD

RGB 50 214 173

HSL 165, 0.67%, 0.52%

LAB 77.15, -50.44, 8.61

 

CMYK 77 / 0 / 40 / 16

HEX #32D681

RGB 50 214 129

HSL 148.9, 0.67%, 0.52%

LAB 76.29, -59.93, 30.52

 

CMYK 77 / 0 / 60 / 16

HEX #32D655

RGB 50 214 85

HSL 132.8, 0.67%, 0.52%

LAB 75.72, -66.64, 51.05

 

CMYK 72 / 0 / 77 / 16

HEX #3CD632

RGB 60 214 50

HSL 116.34, 0.67%, 0.52%

LAB 75.63, -68.36, 64.45

 

CMYK 51 / 0 / 77 / 16

HEX #68D632

RGB 104 214 50

HSL 100.24, 0.67%, 0.52%

LAB 76.84, -58.49, 66.04

 

CMYK 77 / 0 / 19 / 16

HEX #32D6AD

RGB 50 214 173

HSL 165, 0.67%, 0.52%

LAB 77.15, -50.44, 8.61

 

CMYK 77 / 1 / 0 / 16

HEX #32D3D6

RGB 50 211 214

HSL 181.1, 0.67%, 0.52%

LAB 77.35, -38.14, -13.08

 

CMYK 77 / 22 / 0 / 16

HEX #32A7D6

RGB 50 167 214

HSL 197.2, 0.67%, 0.52%

LAB 64.3, -16.33, -33

 

CMYK 77 / 43 / 0 / 16

HEX #327AD6

RGB 50 122 214

HSL 213.66, 0.67%, 0.52%

LAB 51.21, 9.72, -53.63

 

CMYK 77 / 64 / 0 / 16

HEX #324ED6

RGB 50 78 214

HSL 229.76, 0.67%, 0.52%

LAB 39.55, 37.65, -72.53

 

CMYK 77 / 0 / 19 / 16

HEX #32D6AD

RGB 50 214 173

HSL 165, 0.67%, 0.52%

LAB 77.15, -50.44, 8.61

 

CMYK 87 / 0 / 22 / 8

HEX #1EEAB7

RGB 30 234 183

HSL 165, 0.83%, 0.52%

LAB 83.2, -57.62, 11.91

 

CMYK 96 / 0 / 24 / 0

HEX #0AFEC1

RGB 10 254 193

HSL 165, 0.99%, 0.52%

LAB 89.3, -63.62, 15.33

 

CMYK 77 / 0 / 19 / 16

HEX #32D6AD

RGB 50 214 173

HSL 165, 0.67%, 0.52%

LAB 77.15, -50.44, 8.61

 

CMYK 64 / 0 / 16 / 24

HEX #46C2A3

RGB 70 194 163

HSL 165, 0.5%, 0.52%

LAB 71.23, -41.63, 5.56

 

CMYK 48 / 0 / 12 / 32

HEX #5AAE99

RGB 90 174 153

HSL 165, 0.34%, 0.52%

LAB 65.55, -30.71, 2.92

 

CMYK 29 / 0 / 8 / 39

HEX #6E9B8F

RGB 110 155 143

HSL 164, 0.18%, 0.52%

LAB 60.55, -17.89, 1.39

 

CMYK 4 / 0 / 1 / 47

HEX #818785

RGB 129 135 133

HSL 160, 0.02%, 0.52%

LAB 55.77, -2.61, 0.3

 

CMYK 77 / 0 / 60 / 16

HEX #32D656

RGB 50 214 86

HSL 133.17, 0.67%, 0.52%

LAB 75.73, -66.52, 50.62

 

CMYK 77 / 0 / 40 / 16

HEX #32D681

RGB 50 214 129

HSL 148.9, 0.67%, 0.52%

LAB 76.29, -59.93, 30.52

 

CMYK 77 / 0 / 19 / 16

HEX #32D6AD

RGB 50 214 173

HSL 165, 0.67%, 0.52%

LAB 77.15, -50.44, 8.61

 

CMYK 77 / 1 / 0 / 16

HEX #32D3D6

RGB 50 211 214

HSL 181.1, 0.67%, 0.52%

LAB 77.35, -38.14, -13.08

 

CMYK 77 / 21 / 0 / 16

HEX #32A8D6

RGB 50 168 214

HSL 196.83, 0.67%, 0.52%

LAB 64.59, -16.87, -32.54

 

CMYK 80 / 0 / 20 / 40

HEX #1E9879

RGB 30 152 121

HSL 164.75, 0.67%, 0.36%

LAB 56.2, -39.72, 7.23

 

CMYK 81 / 0 / 20 / 27

HEX #24BA95

RGB 36 186 149

HSL 165.2, 0.68%, 0.44%

LAB 67.77, -46.33, 8.15

 

CMYK 77 / 0 / 19 / 16

HEX #32D6AD

RGB 50 214 173

HSL 165, 0.67%, 0.52%

LAB 77.15, -50.44, 8.61

 

CMYK 62 / 0 / 15 / 13

HEX #55DDBB

RGB 85 221 187

HSL 165, 0.67%, 0.6%

LAB 80.31, -44.95, 5.78

 

CMYK 48 / 0 / 12 / 11

HEX #77E4C9

RGB 119 228 201

HSL 165.14, 0.67%, 0.68%

LAB 83.77, -37.78, 3.51

 

CMYK 77 / 0 / 19 / 16

HEX #32D6AD

RGB 50 214 173

HSL 165, 0.67%, 0.52%

LAB 77.15, -50.44, 8.61

 

CMYK 77 / 73 / 0 / 16

HEX #323AD6

RGB 50 58 214

HSL 237.07, 0.67%, 0.52%

LAB 35.12, 49.65, -79.81

 

CMYK 0 / 50 / 77 / 16

HEX #D66B32

RGB 214 107 50

HSL 20.85, 0.67%, 0.52%

LAB 57.12, 38.26, 49.61

 

CMYK 77 / 0 / 19 / 16

HEX #32D6AD

RGB 50 214 173

HSL 165, 0.67%, 0.52%

LAB 77.15, -50.44, 8.61

 

CMYK 19 / 77 / 0 / 16

HEX #AD32D6

RGB 173 50 214

HSL 285, 0.67%, 0.52%

LAB 47, 70.8, -59.87

 

CMYK 0 / 19 / 77 / 16

HEX #D6AD32

RGB 214 173 50

HSL 45, 0.67%, 0.52%

LAB 72.5, 3.1, 64.48

 

CMYK 77 / 0 / 19 / 16

HEX #32D6AD

RGB 50 214 173

HSL 165, 0.67%, 0.52%

LAB 77.15, -50.44, 8.61

 

CMYK 77 / 73 / 0 / 16

HEX #323AD6

RGB 50 58 214

HSL 237.07, 0.67%, 0.52%

LAB 35.12, 49.65, -79.81

 

CMYK 0 / 77 / 57 / 16

HEX #D6325B

RGB 214 50 91

HSL 345, 0.67%, 0.52%

LAB 48.68, 64.51, 16.64

 

CMYK 0 / 4 / 77 / 16

HEX #D6CE32

RGB 214 206 50

HSL 57.07, 0.67%, 0.52%

LAB 81.11, -13.93, 72.38

 

CMYK 77 / 0 / 19 / 16

HEX #32D6AD

RGB 50 214 173

HSL 165, 0.67%, 0.52%

LAB 77.15, -50.44, 8.61

 

CMYK 57 / 77 / 0 / 16

HEX #5B32D6

RGB 91 50 214

HSL 255, 0.67%, 0.52%

LAB 36.67, 57.93, -77.16

 

CMYK 0 / 77 / 57 / 16

HEX #D6325B

RGB 214 50 91

HSL 345, 0.67%, 0.52%

LAB 48.68, 64.51, 16.64

 

CMYK 19 / 0 / 77 / 16

HEX #ADD632

RGB 173 214 50

HSL 75, 0.67%, 0.52%

LAB 80.3, -34.67, 70.53

 

Description

Color code: HEX #32D6AD | qconv.com Color code: HEX #32D6AD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 214 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 214 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 19 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 19% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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