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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32D28C it is the complementary color #CD2D73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32D28C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32D28C shade: #37D287, #48E49A, #59F6AD, #6AFFC0 and #7BFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32D28C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32D28C shade: #32D28C, #21C079, #10AE66, #009C53 and #008A40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32D28C shade: #32D28C, #32D260, #32D235, #59D232 and #84D232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32D28C shade: #32D28C, #32D2B7, #32C1D2, #3296D2 and #326BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32D28C shade matches the following richer shades: #32D28C, #1DE68E and #09FA91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32D28C shade: #32D28C, #46BD89, #5AA986, #6E9584 and #828181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32D28C shade: #32D234, #32D25F, #32D28A, #32D2B4 and #32C4D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32D28C shade: #1F915F, #27B376, #32D28C, #53D99F and #75E0B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32D28C shade: #32D28C, #325AD2 and #D24A32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32D28C shade: #32D28C, #8A32D2 and #D28A32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32D28C shade: #32D28C, #325AD2, #D2327A and #D2AA32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32D28C shade: #32D28C, #3A32D2, #D2327A and #CAD232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 33 / 18

HEX #32D28C

RGB 50 210 140

HSL 153.75, 0.64%, 0.51%

LAB 75.24, -56.31, 23.42

 

Complementary color

CMYK 0 / 78 / 44 / 20

HEX #CD2D73

RGB 205 45 115

HSL 333.75, 0.64%, 0.49%

LAB 47.1, 65.45, -0.54

 

CMYK 74 / 0 / 36 / 18

HEX #37D287

RGB 55 210 135

HSL 150.97, 0.63%, 0.52%

LAB 75.24, -56.67, 26.04

 

CMYK 68 / 0 / 32 / 11

HEX #48E49A

RGB 72 228 154

HSL 151.54, 0.74%, 0.59%

LAB 81.4, -57.23, 24.59

 

CMYK 64 / 0 / 30 / 4

HEX #59F6AD

RGB 89 246 173

HSL 152.1, 0.9%, 0.66%

LAB 87.51, -57.57, 23.25

 

CMYK 58 / 0 / 25 / 0

HEX #6AFFC0

RGB 106 255 192

HSL 154.63, 1%, 0.71%

LAB 90.96, -54.14, 18.37

 

CMYK 52 / 0 / 17 / 0

HEX #7BFFD3

RGB 123 255 211

HSL 160, 1%, 0.74%

LAB 91.88, -46.61, 9.98

 

CMYK 76 / 0 / 33 / 18

HEX #32D28C

RGB 50 210 140

HSL 153.75, 0.64%, 0.51%

LAB 75.24, -56.31, 23.42

 

CMYK 83 / 0 / 37 / 25

HEX #21C079

RGB 33 192 121

HSL 153.21, 0.71%, 0.44%

LAB 69.04, -55.31, 25

 

CMYK 91 / 0 / 41 / 32

HEX #10AE66

RGB 16 174 102

HSL 152.66, 0.83%, 0.37%

LAB 62.79, -53.85, 26.73

 

CMYK 100 / 0 / 47 / 39

HEX #009C53

RGB 0 156 83

HSL 151.92, 1%, 0.31%

LAB 56.49, -51.89, 28.6

 

CMYK 100 / 0 / 54 / 46

HEX #008A40

RGB 0 138 64

HSL 147.83, 1%, 0.27%

LAB 50.15, -48.99, 30.63

 

CMYK 76 / 0 / 33 / 18

HEX #32D28C

RGB 50 210 140

HSL 153.75, 0.64%, 0.51%

LAB 75.24, -56.31, 23.42

 

CMYK 76 / 0 / 54 / 18

HEX #32D260

RGB 50 210 96

HSL 137.25, 0.64%, 0.51%

LAB 74.58, -63.91, 44.69

 

CMYK 76 / 0 / 75 / 18

HEX #32D235

RGB 50 210 53

HSL 121.13, 0.64%, 0.51%

LAB 74.21, -68.45, 62.02

 

CMYK 58 / 0 / 76 / 18

HEX #59D232

RGB 89 210 50

HSL 105.38, 0.64%, 0.51%

LAB 75.11, -61.03, 64.2

 

CMYK 37 / 0 / 76 / 18

HEX #84D232

RGB 132 210 50

HSL 89.25, 0.64%, 0.51%

LAB 76.82, -48.16, 66.43

 

CMYK 76 / 0 / 33 / 18

HEX #32D28C

RGB 50 210 140

HSL 153.75, 0.64%, 0.51%

LAB 75.24, -56.31, 23.42

 

CMYK 76 / 0 / 13 / 18

HEX #32D2B7

RGB 50 210 183

HSL 169.88, 0.64%, 0.51%

LAB 76.19, -46.25, 1.86

 

CMYK 76 / 8 / 0 / 18

HEX #32C1D2

RGB 50 193 210

HSL 186.38, 0.64%, 0.51%

LAB 71.87, -30.86, -19.18

 

CMYK 76 / 29 / 0 / 18

HEX #3296D2

RGB 50 150 210

HSL 202.5, 0.64%, 0.51%

LAB 59.11, -8.35, -38.87

 

CMYK 76 / 49 / 0 / 18

HEX #326BD2

RGB 50 107 210

HSL 218.63, 0.64%, 0.51%

LAB 46.77, 17.65, -58.49

 

CMYK 76 / 0 / 33 / 18

HEX #32D28C

RGB 50 210 140

HSL 153.75, 0.64%, 0.51%

LAB 75.24, -56.31, 23.42

 

CMYK 87 / 0 / 38 / 10

HEX #1DE68E

RGB 29 230 142

HSL 153.73, 0.8%, 0.51%

LAB 81.19, -65.06, 30.34

 

CMYK 96 / 0 / 42 / 2

HEX #09FA91

RGB 9 250 145

HSL 153.86, 0.96%, 0.51%

LAB 87.23, -72.11, 36.78

 

CMYK 76 / 0 / 33 / 18

HEX #32D28C

RGB 50 210 140

HSL 153.75, 0.64%, 0.51%

LAB 75.24, -56.31, 23.42

 

CMYK 63 / 0 / 28 / 26

HEX #46BD89

RGB 70 189 137

HSL 153.78, 0.47%, 0.51%

LAB 69.11, -45.5, 16.66

 

CMYK 47 / 0 / 21 / 34

HEX #5AA986

RGB 90 169 134

HSL 153.42, 0.31%, 0.51%

LAB 63.57, -32.71, 10.63

 

CMYK 26 / 0 / 11 / 42

HEX #6E9584

RGB 110 149 132

HSL 153.85, 0.16%, 0.51%

LAB 58.49, -17.15, 4.64

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 76 / 0 / 75 / 18

HEX #32D234

RGB 50 210 52

HSL 120.75, 0.64%, 0.51%

LAB 74.2, -68.52, 62.35

 

CMYK 76 / 0 / 55 / 18

HEX #32D25F

RGB 50 210 95

HSL 136.88, 0.64%, 0.51%

LAB 74.57, -64.05, 45.14

 

CMYK 76 / 0 / 34 / 18

HEX #32D28A

RGB 50 210 138

HSL 153, 0.64%, 0.51%

LAB 75.21, -56.72, 24.42

 

CMYK 76 / 0 / 14 / 18

HEX #32D2B4

RGB 50 210 180

HSL 168.75, 0.64%, 0.51%

LAB 76.11, -47.03, 3.36

 

CMYK 76 / 7 / 0 / 18

HEX #32C4D2

RGB 50 196 210

HSL 185.25, 0.64%, 0.51%

LAB 72.77, -32.31, -17.82

 

CMYK 79 / 0 / 34 / 43

HEX #1F915F

RGB 31 145 95

HSL 153.68, 0.65%, 0.35%

LAB 53.35, -42.93, 17.96

 

CMYK 78 / 0 / 34 / 30

HEX #27B376

RGB 39 179 118

HSL 153.86, 0.64%, 0.43%

LAB 64.95, -50.39, 21.09

 

CMYK 76 / 0 / 33 / 18

HEX #32D28C

RGB 50 210 140

HSL 153.75, 0.64%, 0.51%

LAB 75.24, -56.31, 23.42

 

CMYK 62 / 0 / 27 / 15

HEX #53D99F

RGB 83 217 159

HSL 154.03, 0.64%, 0.59%

LAB 78.44, -49.94, 17.95

 

CMYK 48 / 0 / 21 / 12

HEX #75E0B2

RGB 117 224 178

HSL 154.21, 0.63%, 0.67%

LAB 82.01, -41.51, 13.1

 

CMYK 76 / 0 / 33 / 18

HEX #32D28C

RGB 50 210 140

HSL 153.75, 0.64%, 0.51%

LAB 75.24, -56.31, 23.42

 

CMYK 76 / 57 / 0 / 18

HEX #325AD2

RGB 50 90 210

HSL 225, 0.64%, 0.51%

LAB 42.22, 28.56, -65.87

 

CMYK 0 / 65 / 76 / 18

HEX #D24A32

RGB 210 74 50

HSL 9, 0.64%, 0.51%

LAB 50.49, 52.34, 42.58

 

CMYK 76 / 0 / 33 / 18

HEX #32D28C

RGB 50 210 140

HSL 153.75, 0.64%, 0.51%

LAB 75.24, -56.31, 23.42

 

CMYK 34 / 76 / 0 / 18

HEX #8A32D2

RGB 138 50 210

HSL 273, 0.64%, 0.51%

LAB 41.75, 63.81, -66.32

 

CMYK 0 / 34 / 76 / 18

HEX #D28A32

RGB 210 138 50

HSL 33, 0.64%, 0.51%

LAB 63.43, 20.19, 55.69

 

CMYK 76 / 0 / 33 / 18

HEX #32D28C

RGB 50 210 140

HSL 153.75, 0.64%, 0.51%

LAB 75.24, -56.31, 23.42

 

CMYK 76 / 57 / 0 / 18

HEX #325AD2

RGB 50 90 210

HSL 225, 0.64%, 0.51%

LAB 42.22, 28.56, -65.87

 

CMYK 0 / 76 / 42 / 18

HEX #D2327A

RGB 210 50 122

HSL 333, 0.64%, 0.51%

LAB 48.75, 65.96, -2.29

 

CMYK 0 / 19 / 76 / 18

HEX #D2AA32

RGB 210 170 50

HSL 45, 0.64%, 0.51%

LAB 71.34, 2.95, 63.25

 

CMYK 76 / 0 / 33 / 18

HEX #32D28C

RGB 50 210 140

HSL 153.75, 0.64%, 0.51%

LAB 75.24, -56.31, 23.42

 

CMYK 72 / 76 / 0 / 18

HEX #3A32D2

RGB 58 50 210

HSL 243, 0.64%, 0.51%

LAB 33.63, 53.34, -79.94

 

CMYK 0 / 76 / 42 / 18

HEX #D2327A

RGB 210 50 122

HSL 333, 0.64%, 0.51%

LAB 48.75, 65.96, -2.29

 

CMYK 4 / 0 / 76 / 18

HEX #CAD232

RGB 202 210 50

HSL 63, 0.64%, 0.51%

LAB 81.23, -20.96, 72.13

 

Description

Color code: HEX #32D28C | qconv.com Color code: HEX #32D28C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 210 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 210 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 33 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 33% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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