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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32D2CE it is the complementary color #CD2D31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32D2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32D2CE shade: #37D2C9, #48E4DC, #59F6EF, #6AFFFF and #7BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32D2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32D2CE shade: #32D2CE, #21C0BB, #10AEA8, #009C95 and #008A82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32D2CE shade: #32D2CE, #32D2A2, #32D277, #32D24C and #42D232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32D2CE shade: #32D2CE, #32AAD2, #327FD2, #3254D2 and #3232D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32D2CE shade matches the following richer shades: #32D2CE, #1DE6E1 and #09FAF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32D2CE shade: #32D2CE, #46BDBA, #5AA9A7, #6E9594 and #828181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32D2CE shade: #32D277, #32D2A2, #32D2CC, #32ACD2 and #3282D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32D2CE shade: #1F918E, #27B3AF, #32D2CE, #53D9D6 and #75E0DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32D2CE shade: #32D2CE, #4C32D2 and #D28C32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32D2CE shade: #32D2CE, #CC32D2 and #D2CC32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32D2CE shade: #32D2CE, #4C32D2, #D23237 and #B7D232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32D2CE shade: #32D2CE, #7C32D2, #D23237 and #87D232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 2 / 18

HEX #32D2CE

RGB 50 210 206

HSL 178.5, 0.64%, 0.51%

LAB 76.82, -39.98, -9.58

 

Complementary color

CMYK 0 / 78 / 76 / 20

HEX #CD2D31

RGB 205 45 49

HSL 358.5, 0.64%, 0.49%

LAB 45.74, 61.22, 37.76

 

CMYK 74 / 0 / 4 / 18

HEX #37D2C9

RGB 55 210 201

HSL 176.52, 0.63%, 0.52%

LAB 76.75, -40.85, -6.98

 

CMYK 68 / 0 / 4 / 11

HEX #48E4DC

RGB 72 228 220

HSL 176.92, 0.74%, 0.59%

LAB 82.93, -41.6, -7.92

 

CMYK 64 / 0 / 3 / 4

HEX #59F6EF

RGB 89 246 239

HSL 177.32, 0.9%, 0.66%

LAB 89.05, -42.15, -8.79

 

CMYK 58 / 0 / 0 / 0

HEX #6AFFFF

RGB 106 255 255

HSL 180, 1%, 0.71%

LAB 92.49, -39.29, -11.95

 

CMYK 52 / 0 / 0 / 0

HEX #7BFFFF

RGB 123 255 255

HSL 180, 1%, 0.74%

LAB 92.99, -36.22, -11.14

 

CMYK 76 / 0 / 2 / 18

HEX #32D2CE

RGB 50 210 206

HSL 178.5, 0.64%, 0.51%

LAB 76.82, -39.98, -9.58

 

CMYK 83 / 0 / 3 / 25

HEX #21C0BB

RGB 33 192 187

HSL 178.11, 0.71%, 0.44%

LAB 70.6, -38.83, -8.55

 

CMYK 91 / 0 / 3 / 32

HEX #10AEA8

RGB 16 174 168

HSL 177.72, 0.83%, 0.37%

LAB 64.33, -37.33, -7.4

 

CMYK 100 / 0 / 4 / 39

HEX #009C95

RGB 0 156 149

HSL 177.31, 1%, 0.31%

LAB 57.99, -35.47, -6.14

 

CMYK 100 / 0 / 6 / 46

HEX #008A82

RGB 0 138 130

HSL 176.52, 1%, 0.27%

LAB 51.6, -32.98, -4.68

 

CMYK 76 / 0 / 2 / 18

HEX #32D2CE

RGB 50 210 206

HSL 178.5, 0.64%, 0.51%

LAB 76.82, -39.98, -9.58

 

CMYK 76 / 0 / 23 / 18

HEX #32D2A2

RGB 50 210 162

HSL 162, 0.64%, 0.51%

LAB 75.69, -51.46, 12.39

 

CMYK 76 / 0 / 43 / 18

HEX #32D277

RGB 50 210 119

HSL 145.88, 0.64%, 0.51%

LAB 74.89, -60.3, 33.79

 

CMYK 76 / 0 / 64 / 18

HEX #32D24C

RGB 50 210 76

HSL 129.75, 0.64%, 0.51%

LAB 74.38, -66.37, 53.42

 

CMYK 69 / 0 / 76 / 18

HEX #42D232

RGB 66 210 50

HSL 114, 0.64%, 0.51%

LAB 74.5, -66.04, 63.39

 

CMYK 76 / 0 / 2 / 18

HEX #32D2CE

RGB 50 210 206

HSL 178.5, 0.64%, 0.51%

LAB 76.82, -39.98, -9.58

 

CMYK 76 / 19 / 0 / 18

HEX #32AAD2

RGB 50 170 210

HSL 195, 0.64%, 0.51%

LAB 65.03, -19.26, -29.66

 

CMYK 76 / 40 / 0 / 18

HEX #327FD2

RGB 50 127 210

HSL 211.13, 0.64%, 0.51%

LAB 52.41, 5.17, -49.46

 

CMYK 76 / 60 / 0 / 18

HEX #3254D2

RGB 50 84 210

HSL 227.25, 0.64%, 0.51%

LAB 40.69, 32.4, -68.36

 

CMYK 76 / 76 / 0 / 18

HEX #3232D2

RGB 50 50 210

HSL 240, 0.64%, 0.51%

LAB 33.16, 52.71, -80.74

 

CMYK 76 / 0 / 2 / 18

HEX #32D2CE

RGB 50 210 206

HSL 178.5, 0.64%, 0.51%

LAB 76.82, -39.98, -9.58

 

CMYK 87 / 0 / 2 / 10

HEX #1DE6E1

RGB 29 230 225

HSL 178.51, 0.8%, 0.51%

LAB 83.07, -44.99, -10.43

 

CMYK 96 / 0 / 2 / 2

HEX #09FAF4

RGB 9 250 244

HSL 178.51, 0.96%, 0.51%

LAB 89.37, -48.89, -11.02

 

CMYK 76 / 0 / 2 / 18

HEX #32D2CE

RGB 50 210 206

HSL 178.5, 0.64%, 0.51%

LAB 76.82, -39.98, -9.58

 

CMYK 63 / 0 / 2 / 26

HEX #46BDBA

RGB 70 189 186

HSL 178.49, 0.47%, 0.51%

LAB 70.35, -33.32, -8.31

 

CMYK 47 / 0 / 1 / 34

HEX #5AA9A7

RGB 90 169 167

HSL 178.48, 0.31%, 0.51%

LAB 64.43, -24.73, -6.51

 

CMYK 26 / 0 / 1 / 42

HEX #6E9594

RGB 110 149 148

HSL 178.46, 0.16%, 0.51%

LAB 58.93, -13.55, -3.83

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 76 / 0 / 43 / 18

HEX #32D277

RGB 50 210 119

HSL 145.88, 0.64%, 0.51%

LAB 74.89, -60.3, 33.79

 

CMYK 76 / 0 / 23 / 18

HEX #32D2A2

RGB 50 210 162

HSL 162, 0.64%, 0.51%

LAB 75.69, -51.46, 12.39

 

CMYK 76 / 0 / 3 / 18

HEX #32D2CC

RGB 50 210 204

HSL 177.75, 0.64%, 0.51%

LAB 76.76, -40.55, -8.59

 

CMYK 76 / 18 / 0 / 18

HEX #32ACD2

RGB 50 172 210

HSL 194.25, 0.64%, 0.51%

LAB 65.62, -20.31, -28.74

 

CMYK 76 / 38 / 0 / 18

HEX #3282D2

RGB 50 130 210

HSL 210, 0.64%, 0.51%

LAB 53.27, 3.35, -48.08

 

CMYK 79 / 0 / 2 / 43

HEX #1F918E

RGB 31 145 142

HSL 178.42, 0.65%, 0.35%

LAB 54.55, -30.49, -7.21

 

CMYK 78 / 0 / 2 / 30

HEX #27B3AF

RGB 39 179 175

HSL 178.29, 0.64%, 0.43%

LAB 66.34, -35.87, -8.28

 

CMYK 76 / 0 / 2 / 18

HEX #32D2CE

RGB 50 210 206

HSL 178.5, 0.64%, 0.51%

LAB 76.82, -39.98, -9.58

 

CMYK 62 / 0 / 1 / 15

HEX #53D9D6

RGB 83 217 214

HSL 178.66, 0.64%, 0.59%

LAB 79.8, -36.61, -9.36

 

CMYK 48 / 0 / 1 / 12

HEX #75E0DE

RGB 117 224 222

HSL 178.88, 0.63%, 0.67%

LAB 83.11, -31.31, -8.58

 

CMYK 76 / 0 / 2 / 18

HEX #32D2CE

RGB 50 210 206

HSL 178.5, 0.64%, 0.51%

LAB 76.82, -39.98, -9.58

 

CMYK 64 / 76 / 0 / 18

HEX #4C32D2

RGB 76 50 210

HSL 249.75, 0.64%, 0.51%

LAB 34.94, 55.06, -77.74

 

CMYK 0 / 33 / 76 / 18

HEX #D28C32

RGB 210 140 50

HSL 33.75, 0.64%, 0.51%

LAB 63.91, 19.11, 56.15

 

CMYK 76 / 0 / 2 / 18

HEX #32D2CE

RGB 50 210 206

HSL 178.5, 0.64%, 0.51%

LAB 76.82, -39.98, -9.58

 

CMYK 3 / 76 / 0 / 18

HEX #CC32D2

RGB 204 50 210

HSL 297.75, 0.64%, 0.51%

LAB 51.58, 76.01, -49.97

 

CMYK 0 / 3 / 76 / 18

HEX #D2CC32

RGB 210 204 50

HSL 57.75, 0.64%, 0.51%

LAB 80.25, -14.63, 71.48

 

CMYK 76 / 0 / 2 / 18

HEX #32D2CE

RGB 50 210 206

HSL 178.5, 0.64%, 0.51%

LAB 76.82, -39.98, -9.58

 

CMYK 64 / 76 / 0 / 18

HEX #4C32D2

RGB 76 50 210

HSL 249.75, 0.64%, 0.51%

LAB 34.94, 55.06, -77.74

 

CMYK 0 / 76 / 74 / 18

HEX #D23237

RGB 210 50 55

HSL 358.13, 0.64%, 0.51%

LAB 47.31, 61.41, 36.34

 

CMYK 13 / 0 / 76 / 18

HEX #B7D232

RGB 183 210 50

HSL 70.13, 0.64%, 0.51%

LAB 79.84, -28.8, 70.35

 

CMYK 76 / 0 / 2 / 18

HEX #32D2CE

RGB 50 210 206

HSL 178.5, 0.64%, 0.51%

LAB 76.82, -39.98, -9.58

 

CMYK 41 / 76 / 0 / 18

HEX #7C32D2

RGB 124 50 210

HSL 267.75, 0.64%, 0.51%

LAB 39.95, 61.53, -69.33

 

CMYK 0 / 76 / 74 / 18

HEX #D23237

RGB 210 50 55

HSL 358.13, 0.64%, 0.51%

LAB 47.31, 61.41, 36.34

 

CMYK 36 / 0 / 76 / 18

HEX #87D232

RGB 135 210 50

HSL 88.13, 0.64%, 0.51%

LAB 76.97, -47.13, 66.63

 

Description

Color code: HEX #32D2CE | qconv.com Color code: HEX #32D2CE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 210 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 210 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 2 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 2% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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