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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32E7D8 it is the complementary color #CD1827. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32E7D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32E7D8 shade: #37E7D3, #48F9E6, #59FFF9, #6AFFFF and #7BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32E7D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32E7D8 shade: #32E7D8, #21D5C5, #10C3B2, #00B19F and #009F8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32E7D8 shade: #31E6D7, #31E6A6, #31E676, #31E645 and #4EE631

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32E7D8 shade: #31E6D7, #31C5E6, #3194E6, #3163E6 and #3132E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32E7D8 shade matches the following richer shades: #31E6D7 and #1FF9E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32E7D8 shade: #31E6D7, #44D4C8, #56C1B8, #69AFA9 and #7B9C99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32E7D8 shade: #31E677, #31E6A7, #31E6D7, #31C5E6 and #3195E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32E7D8 shade: #14B1A4, #19D6C6, #31E6D7, #56EBDE and #7BEFE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32E7D8 shade: #32E7D8, #4631E6 and #E68F31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32E7D8 shade: #32E7D8, #D731E6 and #E6D731

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32E7D8 shade: #32E7D8, #4631E6, #E63140 and #D1E631

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32E7D8 shade: #32E7D8, #7D31E6, #E63140 and #9BE631

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 6 / 9

HEX #32E7D8

RGB 50 231 216

HSL 175.03, 0.79%, 0.55%

LAB 83.33, -46.45, -5.26

 

Complementary color

CMYK 0 / 88 / 81 / 20

HEX #CD1827

RGB 205 24 39

HSL 355.03, 0.79%, 0.45%

LAB 43.91, 65.78, 41.48

 

CMYK 76 / 0 / 9 / 9

HEX #37E7D3

RGB 55 231 211

HSL 173.18, 0.79%, 0.56%

LAB 83.27, -47.31, -2.7

 

CMYK 71 / 0 / 8 / 2

HEX #48F9E6

RGB 72 249 230

HSL 173.56, 0.94%, 0.63%

LAB 89.32, -48.11, -3.74

 

CMYK 65 / 0 / 2 / 0

HEX #59FFF9

RGB 89 255 249

HSL 177.83, 1%, 0.67%

LAB 91.9, -43.5, -9.76

 

CMYK 58 / 0 / 0 / 0

HEX #6AFFFF

RGB 106 255 255

HSL 180, 1%, 0.71%

LAB 92.49, -39.29, -11.95

 

CMYK 52 / 0 / 0 / 0

HEX #7BFFFF

RGB 123 255 255

HSL 180, 1%, 0.74%

LAB 92.99, -36.22, -11.14

 

CMYK 78 / 0 / 6 / 9

HEX #32E7D8

RGB 50 231 216

HSL 175.03, 0.79%, 0.55%

LAB 83.33, -46.45, -5.26

 

CMYK 85 / 0 / 8 / 16

HEX #21D5C5

RGB 33 213 197

HSL 174.67, 0.73%, 0.48%

LAB 77.25, -45.26, -4.13

 

CMYK 92 / 0 / 9 / 24

HEX #10C3B2

RGB 16 195 178

HSL 174.3, 0.85%, 0.41%

LAB 71.11, -43.74, -2.89

 

CMYK 100 / 0 / 10 / 31

HEX #00B19F

RGB 0 177 159

HSL 173.9, 1%, 0.35%

LAB 64.92, -41.89, -1.53

 

CMYK 100 / 0 / 12 / 38

HEX #009F8C

RGB 0 159 140

HSL 172.83, 1%, 0.31%

LAB 58.69, -39.48, 0

 

CMYK 79 / 0 / 7 / 10

HEX #31E6D7

RGB 49 230 215

HSL 175.03, 0.78%, 0.55%

LAB 82.99, -46.38, -5.23

 

CMYK 79 / 0 / 28 / 10

HEX #31E6A6

RGB 49 230 166

HSL 158.78, 0.78%, 0.55%

LAB 81.84, -58.46, 18.9

 

CMYK 79 / 0 / 49 / 10

HEX #31E676

RGB 49 230 118

HSL 142.87, 0.78%, 0.55%

LAB 81.05, -67.47, 42.12

 

CMYK 79 / 0 / 70 / 10

HEX #31E645

RGB 49 230 69

HSL 126.63, 0.78%, 0.55%

LAB 80.56, -73.37, 62.85

 

CMYK 66 / 0 / 79 / 10

HEX #4EE631

RGB 78 230 49

HSL 110.39, 0.78%, 0.55%

LAB 80.98, -70.21, 70.01

 

CMYK 79 / 0 / 7 / 10

HEX #31E6D7

RGB 49 230 215

HSL 175.03, 0.78%, 0.55%

LAB 82.99, -46.38, -5.23

 

CMYK 79 / 14 / 0 / 10

HEX #31C5E6

RGB 49 197 230

HSL 190.94, 0.78%, 0.55%

LAB 73.74, -26.67, -27.19

 

CMYK 79 / 36 / 0 / 10

HEX #3194E6

RGB 49 148 230

HSL 207.18, 0.78%, 0.55%

LAB 59.48, -0.17, -49.43

 

CMYK 79 / 57 / 0 / 10

HEX #3163E6

RGB 49 99 230

HSL 223.43, 0.78%, 0.55%

LAB 46.03, 30.09, -71.05

 

CMYK 79 / 78 / 0 / 10

HEX #3132E6

RGB 49 50 230

HSL 239.67, 0.78%, 0.55%

LAB 35.3, 58.89, -88.7

 

CMYK 79 / 0 / 7 / 10

HEX #31E6D7

RGB 49 230 215

HSL 175.03, 0.78%, 0.55%

LAB 82.99, -46.38, -5.23

 

CMYK 88 / 0 / 7 / 2

HEX #1FF9E7

RGB 31 249 231

HSL 175.05, 0.95%, 0.55%

LAB 88.83, -51.32, -5.03

 

CMYK 79 / 0 / 7 / 10

HEX #31E6D7

RGB 49 230 215

HSL 175.03, 0.78%, 0.55%

LAB 82.99, -46.38, -5.23

 

CMYK 68 / 0 / 6 / 17

HEX #44D4C8

RGB 68 212 200

HSL 175, 0.63%, 0.55%

LAB 77.57, -40.38, -5.2

 

CMYK 55 / 0 / 5 / 24

HEX #56C1B8

RGB 86 193 184

HSL 174.95, 0.46%, 0.55%

LAB 71.95, -32.85, -4.8

 

CMYK 40 / 0 / 3 / 31

HEX #69AFA9

RGB 105 175 169

HSL 174.86, 0.3%, 0.55%

LAB 66.92, -23.48, -3.87

 

CMYK 21 / 0 / 2 / 39

HEX #7B9C99

RGB 123 156 153

HSL 174.55, 0.14%, 0.55%

LAB 61.9, -12.02, -2.2

 

CMYK 79 / 0 / 48 / 10

HEX #31E677

RGB 49 230 119

HSL 143.2, 0.78%, 0.55%

LAB 81.06, -67.32, 41.65

 

CMYK 79 / 0 / 27 / 10

HEX #31E6A7

RGB 49 230 167

HSL 159.12, 0.78%, 0.55%

LAB 81.86, -58.24, 18.41

 

CMYK 79 / 0 / 7 / 10

HEX #31E6D7

RGB 49 230 215

HSL 175.03, 0.78%, 0.55%

LAB 82.99, -46.38, -5.23

 

CMYK 79 / 14 / 0 / 10

HEX #31C5E6

RGB 49 197 230

HSL 190.94, 0.78%, 0.55%

LAB 73.74, -26.67, -27.19

 

CMYK 79 / 35 / 0 / 10

HEX #3195E6

RGB 49 149 230

HSL 206.85, 0.78%, 0.55%

LAB 59.76, -0.76, -48.98

 

CMYK 89 / 0 / 7 / 31

HEX #14B1A4

RGB 20 177 164

HSL 175.03, 0.8%, 0.39%

LAB 65.18, -39.64, -3.92

 

CMYK 88 / 0 / 7 / 16

HEX #19D6C6

RGB 25 214 198

HSL 174.92, 0.79%, 0.47%

LAB 77.51, -45.89, -4.29

 

CMYK 79 / 0 / 7 / 10

HEX #31E6D7

RGB 49 230 215

HSL 175.03, 0.78%, 0.55%

LAB 82.99, -46.38, -5.23

 

CMYK 63 / 0 / 6 / 8

HEX #56EBDE

RGB 86 235 222

HSL 174.77, 0.79%, 0.63%

LAB 85.34, -42.16, -5.39

 

CMYK 49 / 0 / 4 / 6

HEX #7BEFE5

RGB 123 239 229

HSL 174.83, 0.78%, 0.71%

LAB 87.78, -35.31, -5.34

 

CMYK 78 / 0 / 6 / 9

HEX #32E7D8

RGB 50 231 216

HSL 175.03, 0.79%, 0.55%

LAB 83.33, -46.45, -5.26

 

CMYK 70 / 79 / 0 / 10

HEX #4631E6

RGB 70 49 230

HSL 246.96, 0.78%, 0.55%

LAB 36.39, 60.82, -86.85

 

CMYK 0 / 38 / 79 / 10

HEX #E68F31

RGB 230 143 49

HSL 31.16, 0.78%, 0.55%

LAB 67.04, 25.92, 60.4

 

CMYK 78 / 0 / 6 / 9

HEX #32E7D8

RGB 50 231 216

HSL 175.03, 0.79%, 0.55%

LAB 83.33, -46.45, -5.26

 

CMYK 7 / 79 / 0 / 10

HEX #D731E6

RGB 215 49 230

HSL 295.03, 0.78%, 0.55%

LAB 54.4, 81.58, -56.72

 

CMYK 0 / 7 / 79 / 10

HEX #E6D731

RGB 230 215 49

HSL 55.03, 0.78%, 0.55%

LAB 84.82, -11.7, 76.5

 

CMYK 78 / 0 / 6 / 9

HEX #32E7D8

RGB 50 231 216

HSL 175.03, 0.79%, 0.55%

LAB 83.33, -46.45, -5.26

 

CMYK 70 / 79 / 0 / 10

HEX #4631E6

RGB 70 49 230

HSL 246.96, 0.78%, 0.55%

LAB 36.39, 60.82, -86.85

 

CMYK 0 / 79 / 72 / 10

HEX #E63140

RGB 230 49 64

HSL 355.03, 0.78%, 0.55%

LAB 51.14, 67.81, 36.54

 

CMYK 9 / 0 / 79 / 10

HEX #D1E631

RGB 209 230 49

HSL 66.96, 0.78%, 0.55%

LAB 87.18, -27.71, 77.96

 

CMYK 78 / 0 / 6 / 9

HEX #32E7D8

RGB 50 231 216

HSL 175.03, 0.79%, 0.55%

LAB 83.33, -46.45, -5.26

 

CMYK 46 / 79 / 0 / 10

HEX #7D31E6

RGB 125 49 230

HSL 265.19, 0.78%, 0.55%

LAB 41.64, 66.86, -78.01

 

CMYK 0 / 79 / 72 / 10

HEX #E63140

RGB 230 49 64

HSL 355.03, 0.78%, 0.55%

LAB 51.14, 67.81, 36.54

 

CMYK 33 / 0 / 79 / 10

HEX #9BE631

RGB 155 230 49

HSL 84.86, 0.78%, 0.55%

LAB 83.85, -48.45, 73.72

 

Description

Color code: HEX #32E7D8 | qconv.com Color code: HEX #32E7D8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 231 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 231 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 6 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 6% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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