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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32E121 it is the complementary color #CD1EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32E121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32E121 shade: #37E11C, #48F32F, #59FF42, #6AFF55 and #7BFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32E121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32E121 shade: #32E121, #21CF0E, #10BD00, #00AB00 and #009900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32E121 shade: #33E123, #67E123, #9AE123, #CDE123 and #E1C123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32E121 shade: #33E123, #23E145, #23E178, #23E1AB and #23E1DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32E121 shade matches the following richer shades: #33E123 and #23F50E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32E121 shade: #33E123, #44CC37, #55B84B, #65A45F and #769073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32E121 shade: #9BE123, #68E123, #36E123, #23E142 and #23E175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32E121 shade: #219C15, #28C01A, #33E123, #55E547 and #76EA6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32E121 shade: #32E121, #23CEE1 and #E12382

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32E121 shade: #32E121, #2336E1 and #E12336

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32E121 shade: #32E121, #23CEE1, #CE23E1 and #E13623

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32E121 shade: #32E121, #2395E1, #CE23E1 and #E16F23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 85 / 12

HEX #32E121

RGB 50 225 33

HSL 114.69, 0.76%, 0.51%

LAB 78.83, -74.04, 71.84

 

Complementary color

CMYK 8 / 86 / 0 / 13

HEX #CD1EDE

RGB 205 30 222

HSL 294.69, 0.76%, 0.49%

LAB 50.9, 82.63, -57.9

 

CMYK 76 / 0 / 88 / 12

HEX #37E11C

RGB 55 225 28

HSL 111.78, 0.78%, 0.5%

LAB 78.9, -73.55, 72.92

 

CMYK 70 / 0 / 81 / 5

HEX #48F32F

RGB 72 243 47

HSL 112.35, 0.89%, 0.57%

LAB 84.84, -75.45, 74.1

 

CMYK 65 / 0 / 74 / 0

HEX #59FF42

RGB 89 255 66

HSL 112.7, 1%, 0.63%

LAB 88.94, -74.96, 72.63

 

CMYK 58 / 0 / 67 / 0

HEX #6AFF55

RGB 106 255 85

HSL 112.59, 1%, 0.67%

LAB 89.51, -69.91, 66.66

 

CMYK 52 / 0 / 59 / 0

HEX #7BFF68

RGB 123 255 104

HSL 112.45, 1%, 0.7%

LAB 90.2, -63.97, 59.88

 

CMYK 78 / 0 / 85 / 12

HEX #32E121

RGB 50 225 33

HSL 114.69, 0.76%, 0.51%

LAB 78.83, -74.04, 71.84

 

CMYK 84 / 0 / 93 / 19

HEX #21CF0E

RGB 33 207 14

HSL 114.09, 0.87%, 0.43%

LAB 72.88, -71.44, 69.88

 

CMYK 92 / 0 / 100 / 26

HEX #10BD00

RGB 16 189 0

HSL 114.92, 1%, 0.37%

LAB 66.9, -68.04, 66.51

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 77 / 0 / 84 / 12

HEX #33E123

RGB 51 225 35

HSL 114.95, 0.76%, 0.51%

LAB 78.85, -73.83, 71.43

 

CMYK 54 / 0 / 84 / 12

HEX #67E123

RGB 103 225 35

HSL 98.53, 0.76%, 0.51%

LAB 80.1, -63.43, 73.01

 

CMYK 32 / 0 / 84 / 12

HEX #9AE123

RGB 154 225 35

HSL 82.42, 0.76%, 0.51%

LAB 82.29, -47.26, 75.77

 

CMYK 9 / 0 / 84 / 12

HEX #CDE123

RGB 205 225 35

HSL 66.32, 0.76%, 0.51%

LAB 85.48, -27.41, 79.74

 

CMYK 0 / 14 / 84 / 12

HEX #E1C123

RGB 225 193 35

HSL 49.89, 0.76%, 0.51%

LAB 78.62, -3.07, 74.72

 

CMYK 77 / 0 / 84 / 12

HEX #33E123

RGB 51 225 35

HSL 114.95, 0.76%, 0.51%

LAB 78.85, -73.83, 71.43

 

CMYK 84 / 0 / 69 / 12

HEX #23E145

RGB 35 225 69

HSL 130.74, 0.76%, 0.51%

LAB 78.83, -73.35, 60.99

 

CMYK 84 / 0 / 47 / 12

HEX #23E178

RGB 35 225 120

HSL 146.84, 0.76%, 0.51%

LAB 79.36, -66.85, 38.99

 

CMYK 84 / 0 / 24 / 12

HEX #23E1AB

RGB 35 225 171

HSL 162.95, 0.76%, 0.51%

LAB 80.26, -56.65, 14.06

 

CMYK 84 / 0 / 1 / 12

HEX #23E1DF

RGB 35 225 223

HSL 179.37, 0.76%, 0.51%

LAB 81.59, -43.03, -11.58

 

CMYK 77 / 0 / 84 / 12

HEX #33E123

RGB 51 225 35

HSL 114.95, 0.76%, 0.51%

LAB 78.85, -73.83, 71.43

 

CMYK 86 / 0 / 94 / 4

HEX #23F50E

RGB 35 245 14

HSL 114.55, 0.92%, 0.51%

LAB 84.84, -81.73, 79.78

 

CMYK 77 / 0 / 84 / 12

HEX #33E123

RGB 51 225 35

HSL 114.95, 0.76%, 0.51%

LAB 78.85, -73.83, 71.43

 

CMYK 67 / 0 / 73 / 20

HEX #44CC37

RGB 68 204 55

HSL 114.77, 0.59%, 0.51%

LAB 72.69, -63.35, 59.93

 

CMYK 54 / 0 / 59 / 28

HEX #55B84B

RGB 85 184 75

HSL 114.5, 0.43%, 0.51%

LAB 67.07, -50.32, 45.82

 

CMYK 38 / 0 / 42 / 36

HEX #65A45F

RGB 101 164 95

HSL 114.78, 0.27%, 0.51%

LAB 61.78, -34.39, 29.55

 

CMYK 18 / 0 / 20 / 44

HEX #769073

RGB 118 144 115

HSL 113.79, 0.12%, 0.51%

LAB 57.11, -15.09, 12.42

 

CMYK 31 / 0 / 84 / 12

HEX #9BE123

RGB 155 225 35

HSL 82.11, 0.76%, 0.51%

LAB 82.35, -46.9, 75.84

 

CMYK 54 / 0 / 84 / 12

HEX #68E123

RGB 104 225 35

HSL 98.21, 0.76%, 0.51%

LAB 80.13, -63.16, 73.05

 

CMYK 76 / 0 / 84 / 12

HEX #36E123

RGB 54 225 35

HSL 114, 0.76%, 0.51%

LAB 78.9, -73.42, 71.49

 

CMYK 84 / 0 / 71 / 12

HEX #23E142

RGB 35 225 66

HSL 129.79, 0.76%, 0.51%

LAB 78.81, -73.61, 62.08

 

CMYK 84 / 0 / 48 / 12

HEX #23E175

RGB 35 225 117

HSL 145.89, 0.76%, 0.51%

LAB 79.32, -67.34, 40.41

 

CMYK 79 / 0 / 87 / 39

HEX #219C15

RGB 33 156 21

HSL 114.67, 0.76%, 0.35%

LAB 56.24, -56.1, 54.37

 

CMYK 79 / 0 / 86 / 25

HEX #28C01A

RGB 40 192 26

HSL 114.94, 0.76%, 0.43%

LAB 68.19, -65.92, 63.88

 

CMYK 77 / 0 / 84 / 12

HEX #33E123

RGB 51 225 35

HSL 114.95, 0.76%, 0.51%

LAB 78.85, -73.83, 71.43

 

CMYK 63 / 0 / 69 / 10

HEX #55E547

RGB 85 229 71

HSL 114.68, 0.75%, 0.59%

LAB 80.97, -66.92, 62.76

 

CMYK 50 / 0 / 54 / 8

HEX #76EA6B

RGB 118 234 107

HSL 114.8, 0.75%, 0.67%

LAB 83.84, -57.07, 51.1

 

CMYK 78 / 0 / 85 / 12

HEX #32E121

RGB 50 225 33

HSL 114.69, 0.76%, 0.51%

LAB 78.83, -74.04, 71.84

 

CMYK 84 / 8 / 0 / 12

HEX #23CEE1

RGB 35 206 225

HSL 186, 0.76%, 0.51%

LAB 76.03, -33.73, -21.01

 

CMYK 0 / 84 / 42 / 12

HEX #E12382

RGB 225 35 130

HSL 330, 0.76%, 0.51%

LAB 50.48, 74.15, -4.27

 

CMYK 78 / 0 / 85 / 12

HEX #32E121

RGB 50 225 33

HSL 114.69, 0.76%, 0.51%

LAB 78.83, -74.04, 71.84

 

CMYK 84 / 76 / 0 / 12

HEX #2336E1

RGB 35 54 225

HSL 234, 0.76%, 0.51%

LAB 34.87, 54.52, -86.57

 

CMYK 0 / 84 / 76 / 12

HEX #E12336

RGB 225 35 54

HSL 354, 0.76%, 0.51%

LAB 48.85, 69.44, 39.44

 

CMYK 78 / 0 / 85 / 12

HEX #32E121

RGB 50 225 33

HSL 114.69, 0.76%, 0.51%

LAB 78.83, -74.04, 71.84

 

CMYK 84 / 8 / 0 / 12

HEX #23CEE1

RGB 35 206 225

HSL 186, 0.76%, 0.51%

LAB 76.03, -33.73, -21.01

 

CMYK 8 / 84 / 0 / 12

HEX #CE23E1

RGB 206 35 225

HSL 294, 0.76%, 0.51%

LAB 51.56, 82.36, -58.52

 

CMYK 0 / 76 / 84 / 12

HEX #E13623

RGB 225 54 35

HSL 6, 0.76%, 0.51%

LAB 50.41, 63.99, 50.97

 

CMYK 78 / 0 / 85 / 12

HEX #32E121

RGB 50 225 33

HSL 114.69, 0.76%, 0.51%

LAB 78.83, -74.04, 71.84

 

CMYK 84 / 34 / 0 / 12

HEX #2395E1

RGB 35 149 225

HSL 204, 0.76%, 0.51%

LAB 59.24, -3.82, -47.05

 

CMYK 8 / 84 / 0 / 12

HEX #CE23E1

RGB 206 35 225

HSL 294, 0.76%, 0.51%

LAB 51.56, 82.36, -58.52

 

CMYK 0 / 51 / 84 / 12

HEX #E16F23

RGB 225 111 35

HSL 24, 0.76%, 0.51%

LAB 59.43, 40.07, 58.7

 

Description

Color code: HEX #32E121 | qconv.com Color code: HEX #32E121 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 225 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 225 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 85 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 85% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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