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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #330A51 it is the complementary color #CCF5AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #330A51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #330A51 shade: #380A4C, #491C5F, #5A2E72, #6B4085 and #7C5298

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #330A51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #330A51 shade: #330A51, #22003E, #11002B, #000018 and #000005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #330A51 shade: #330A51, #460A51, #510A49, #510A36 and #510A22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #330A51 shade: #330A51, #200A51, #0C0A51 and #0A0A51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #330A51 shade matches the following richer shades: #330A51 and #340259

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #330A51 shade: #330A51, #32114A, #311842, #2F203B and #2E2733

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #330A51 shade: #0C0A51, #1F0A51, #320A51, #450A51 and #510A4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #330A51 shade: #050108, #1C052C, #330A51, #4A0E76 and #61139B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #330A51 shade: #330A51, #510A1A and #0A5116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #330A51 shade: #330A51, #51320A and #0A5132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #330A51 shade: #330A51, #510A1A, #29510A and #0A5140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #330A51 shade: #330A51, #510E0A, #29510A and #0A4C51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 88 / 0 / 68

HEX #330A51

RGB 51 10 81

HSL 274.65, 0.78%, 0.18%

LAB 12.7, 33.57, -34

 

Complementary color

CMYK 17 / 0 / 29 / 4

HEX #CCF5AE

RGB 204 245 174

HSL 94.65, 0.78%, 0.82%

LAB 92.22, -25.51, 29.97

 

CMYK 26 / 87 / 0 / 70

HEX #380A4C

RGB 56 10 76

HSL 281.82, 0.77%, 0.17%

LAB 13.11, 33.33, -29.87

 

CMYK 23 / 71 / 0 / 63

HEX #491C5F

RGB 73 28 95

HSL 280.3, 0.54%, 0.24%

LAB 20.33, 33.54, -30.91

 

CMYK 21 / 60 / 0 / 55

HEX #5A2E72

RGB 90 46 114

HSL 278.82, 0.43%, 0.31%

LAB 27.69, 32.89, -31.34

 

CMYK 20 / 52 / 0 / 48

HEX #6B4085

RGB 107 64 133

HSL 277.39, 0.35%, 0.39%

LAB 34.98, 32.02, -31.55

 

CMYK 18 / 46 / 0 / 40

HEX #7C5298

RGB 124 82 152

HSL 276, 0.3%, 0.46%

LAB 42.13, 31.12, -31.68

 

CMYK 37 / 88 / 0 / 68

HEX #330A51

RGB 51 10 81

HSL 274.65, 0.78%, 0.18%

LAB 12.7, 33.57, -34

 

CMYK 45 / 100 / 0 / 76

HEX #22003E

RGB 34 0 62

HSL 272.9, 1%, 0.12%

LAB 6.21, 30.48, -31.41

 

CMYK 60 / 100 / 0 / 83

HEX #11002B

RGB 17 0 43

HSL 263.72, 1%, 0.08%

LAB 2.65, 15.9, -23.18

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 37 / 88 / 0 / 68

HEX #330A51

RGB 51 10 81

HSL 274.65, 0.78%, 0.18%

LAB 12.7, 33.57, -34

 

CMYK 14 / 88 / 0 / 68

HEX #460A51

RGB 70 10 81

HSL 290.7, 0.78%, 0.18%

LAB 16.07, 37.4, -28.39

 

CMYK 0 / 88 / 10 / 68

HEX #510A49

RGB 81 10 73

HSL 306.76, 0.78%, 0.18%

LAB 17.68, 38.41, -20.21

 

CMYK 0 / 88 / 33 / 68

HEX #510A36

RGB 81 10 54

HSL 322.82, 0.78%, 0.18%

LAB 16.66, 35.52, -8.47

 

CMYK 0 / 88 / 58 / 68

HEX #510A22

RGB 81 10 34

HSL 339.72, 0.78%, 0.18%

LAB 15.91, 33.28, 4.88

 

CMYK 37 / 88 / 0 / 68

HEX #330A51

RGB 51 10 81

HSL 274.65, 0.78%, 0.18%

LAB 12.7, 33.57, -34

 

CMYK 60 / 88 / 0 / 68

HEX #200A51

RGB 32 10 81

HSL 258.59, 0.78%, 0.18%

LAB 9.94, 30.46, -38.64

 

CMYK 85 / 88 / 0 / 68

HEX #0C0A51

RGB 12 10 81

HSL 241.69, 0.78%, 0.18%

LAB 8.03, 28.32, -41.85

 

CMYK 88 / 88 / 0 / 68

HEX #0A0A51

RGB 10 10 81

HSL 240, 0.78%, 0.18%

LAB 7.91, 28.18, -42.06

 

CMYK 37 / 88 / 0 / 68

HEX #330A51

RGB 51 10 81

HSL 274.65, 0.78%, 0.18%

LAB 12.7, 33.57, -34

 

CMYK 42 / 98 / 0 / 65

HEX #340259

RGB 52 2 89

HSL 274.48, 0.96%, 0.18%

LAB 12.57, 38.97, -39.65

 

CMYK 37 / 88 / 0 / 68

HEX #330A51

RGB 51 10 81

HSL 274.65, 0.78%, 0.18%

LAB 12.7, 33.57, -34

 

CMYK 32 / 77 / 0 / 71

HEX #32114A

RGB 50 17 74

HSL 274.74, 0.63%, 0.18%

LAB 13.07, 28.24, -28.6

 

CMYK 26 / 64 / 0 / 74

HEX #311842

RGB 49 24 66

HSL 275.71, 0.47%, 0.18%

LAB 13.82, 21.65, -21.82

 

CMYK 20 / 46 / 0 / 77

HEX #2F203B

RGB 47 32 59

HSL 273.33, 0.3%, 0.18%

LAB 15.24, 13.61, -14.69

 

CMYK 10 / 24 / 0 / 80

HEX #2E2733

RGB 46 39 51

HSL 275, 0.13%, 0.18%

LAB 16.85, 6.1, -6.6

 

CMYK 85 / 88 / 0 / 68

HEX #0C0A51

RGB 12 10 81

HSL 241.69, 0.78%, 0.18%

LAB 8.03, 28.32, -41.85

 

CMYK 62 / 88 / 0 / 68

HEX #1F0A51

RGB 31 10 81

HSL 257.75, 0.78%, 0.18%

LAB 9.82, 30.32, -38.85

 

CMYK 38 / 88 / 0 / 68

HEX #320A51

RGB 50 10 81

HSL 273.8, 0.78%, 0.18%

LAB 12.54, 33.39, -34.28

 

CMYK 15 / 88 / 0 / 68

HEX #450A51

RGB 69 10 81

HSL 289.86, 0.78%, 0.18%

LAB 15.88, 37.18, -28.7

 

CMYK 0 / 88 / 9 / 68

HEX #510A4A

RGB 81 10 74

HSL 305.92, 0.78%, 0.18%

LAB 17.74, 38.58, -20.8

 

CMYK 37 / 88 / 0 / 97

HEX #050108

RGB 5 1 8

HSL 274.29, 0.78%, 0.02%

LAB 0.65, 2.02, -2.28

 

CMYK 36 / 89 / 0 / 83

HEX #1C052C

RGB 28 5 44

HSL 275.38, 0.8%, 0.1%

LAB 4.85, 19.23, -20.39

 

CMYK 37 / 88 / 0 / 68

HEX #330A51

RGB 51 10 81

HSL 274.65, 0.78%, 0.18%

LAB 12.7, 33.57, -34

 

CMYK 37 / 88 / 0 / 54

HEX #4A0E76

RGB 74 14 118

HSL 274.62, 0.79%, 0.26%

LAB 20.35, 45.13, -45.86

 

CMYK 37 / 88 / 0 / 39

HEX #61139B

RGB 97 19 155

HSL 274.41, 0.78%, 0.34%

LAB 27.77, 55.56, -56.75

 

CMYK 37 / 88 / 0 / 68

HEX #330A51

RGB 51 10 81

HSL 274.65, 0.78%, 0.18%

LAB 12.7, 33.57, -34

 

CMYK 0 / 88 / 68 / 68

HEX #510A1A

RGB 81 10 26

HSL 346.48, 0.78%, 0.18%

LAB 15.7, 32.64, 10.44

 

CMYK 88 / 0 / 73 / 68

HEX #0A5116

RGB 10 81 22

HSL 130.14, 0.78%, 0.18%

LAB 29.43, -34.16, 27.86

 

CMYK 37 / 88 / 0 / 68

HEX #330A51

RGB 51 10 81

HSL 274.65, 0.78%, 0.18%

LAB 12.7, 33.57, -34

 

CMYK 0 / 38 / 88 / 68

HEX #51320A

RGB 81 50 10

HSL 33.8, 0.78%, 0.18%

LAB 23.84, 10.32, 29.27

 

CMYK 88 / 0 / 38 / 68

HEX #0A5132

RGB 10 81 50

HSL 153.8, 0.78%, 0.18%

LAB 29.86, -29.09, 12.48

 

CMYK 37 / 88 / 0 / 68

HEX #330A51

RGB 51 10 81

HSL 274.65, 0.78%, 0.18%

LAB 12.7, 33.57, -34

 

CMYK 0 / 88 / 68 / 68

HEX #510A1A

RGB 81 10 26

HSL 346.48, 0.78%, 0.18%

LAB 15.7, 32.64, 10.44

 

CMYK 49 / 0 / 88 / 68

HEX #29510A

RGB 41 81 10

HSL 93.8, 0.78%, 0.18%

LAB 30.35, -27.14, 34.06

 

CMYK 88 / 0 / 21 / 68

HEX #0A5140

RGB 10 81 64

HSL 165.63, 0.78%, 0.18%

LAB 30.2, -25.34, 4.15

 

CMYK 37 / 88 / 0 / 68

HEX #330A51

RGB 51 10 81

HSL 274.65, 0.78%, 0.18%

LAB 12.7, 33.57, -34

 

CMYK 0 / 83 / 88 / 68

HEX #510E0A

RGB 81 14 10

HSL 3.38, 0.78%, 0.18%

LAB 15.93, 30.37, 20.32

 

CMYK 49 / 0 / 88 / 68

HEX #29510A

RGB 41 81 10

HSL 93.8, 0.78%, 0.18%

LAB 30.35, -27.14, 34.06

 

CMYK 88 / 6 / 0 / 68

HEX #0A4C51

RGB 10 76 81

HSL 184.23, 0.78%, 0.18%

LAB 28.97, -17.15, -8.56

 

Description

Color code: HEX #330A51 | qconv.com Color code: HEX #330A51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 10 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 10 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 88 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 88% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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