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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #330F60 it is the complementary color #CCF09F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #330F60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #330F60 shade: #380F5B, #49216E, #5A3381, #6B4594 and #7C57A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #330F60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #330F60 shade: #330F60, #22004D, #11003A, #000027 and #000014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #330F60 shade: #330F61, #490F61, #5F0F61, #610F4C and #610F36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #330F60 shade: #330F61, #1D0F61 and #0F0F61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #330F60 shade matches the following richer shades: #330F61 and #32066A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #330F60 shade: #330F61, #341857, #35214E, #362A45 and #37333C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #330F60 shade: #0F1761, #1C0F61, #320F61, #480F61 and #5E0F61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #330F60 shade: #0D0419, #20093D, #330F61, #461484 and #591AA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #330F60 shade: #330F60, #610F2D and #0F6111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #330F60 shade: #330F60, #61320F and #0F6132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #330F60 shade: #330F60, #610F2D, #3D610F and #0F6143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #330F60 shade: #330F60, #610F14, #3D610F and #0F615B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 84 / 0 / 62

HEX #330F60

RGB 51 15 96

HSL 266.67, 0.73%, 0.22%

LAB 14.9, 35.46, -40.54

 

Complementary color

CMYK 15 / 0 / 34 / 6

HEX #CCF09F

RGB 204 240 159

HSL 86.67, 0.73%, 0.78%

LAB 90.62, -25.21, 35.41

 

CMYK 38 / 84 / 0 / 64

HEX #380F5B

RGB 56 15 91

HSL 272.37, 0.72%, 0.21%

LAB 15.16, 35.01, -36.75

 

CMYK 34 / 70 / 0 / 57

HEX #49216E

RGB 73 33 110

HSL 271.17, 0.54%, 0.28%

LAB 22.41, 34.7, -37.37

 

CMYK 30 / 60 / 0 / 49

HEX #5A3381

RGB 90 51 129

HSL 270, 0.43%, 0.35%

LAB 29.73, 33.81, -37.54

 

CMYK 28 / 53 / 0 / 42

HEX #6B4594

RGB 107 69 148

HSL 268.86, 0.36%, 0.43%

LAB 36.97, 32.81, -37.57

 

CMYK 26 / 48 / 0 / 35

HEX #7C57A7

RGB 124 87 167

HSL 267.75, 0.31%, 0.5%

LAB 44.08, 31.83, -37.55

 

CMYK 47 / 84 / 0 / 62

HEX #330F60

RGB 51 15 96

HSL 266.67, 0.73%, 0.22%

LAB 14.9, 35.46, -40.54

 

CMYK 56 / 100 / 0 / 70

HEX #22004D

RGB 34 0 77

HSL 266.49, 1%, 0.15%

LAB 7.91, 34.95, -39.22

 

CMYK 71 / 100 / 0 / 77

HEX #11003A

RGB 17 0 58

HSL 257.59, 1%, 0.11%

LAB 3.84, 23.87, -32.47

 

CMYK 100 / 100 / 0 / 85

HEX #000027

RGB 0 0 39

HSL 240, 1%, 0.08%

LAB 1.32, 9.3, -22.27

 

CMYK 100 / 100 / 0 / 92

HEX #000014

RGB 0 0 20

HSL 240, 1%, 0.04%

LAB 0.46, 3.21, -8.72

 

CMYK 47 / 85 / 0 / 62

HEX #330F61

RGB 51 15 97

HSL 266.34, 0.73%, 0.22%

LAB 15, 35.74, -41.04

 

CMYK 25 / 85 / 0 / 62

HEX #490F61

RGB 73 15 97

HSL 282.44, 0.73%, 0.22%

LAB 18.46, 39.77, -35.26

 

CMYK 2 / 85 / 0 / 62

HEX #5F0F61

RGB 95 15 97

HSL 298.54, 0.73%, 0.22%

LAB 22.44, 44.39, -28.65

 

CMYK 0 / 85 / 22 / 62

HEX #610F4C

RGB 97 15 76

HSL 315.37, 0.73%, 0.22%

LAB 21.6, 41.41, -15.89

 

CMYK 0 / 85 / 44 / 62

HEX #610F36

RGB 97 15 54

HSL 331.46, 0.73%, 0.22%

LAB 20.63, 38.57, -2.16

 

CMYK 47 / 85 / 0 / 62

HEX #330F61

RGB 51 15 97

HSL 266.34, 0.73%, 0.22%

LAB 15, 35.74, -41.04

 

CMYK 70 / 85 / 0 / 62

HEX #1D0F61

RGB 29 15 97

HSL 250.24, 0.73%, 0.22%

LAB 12.39, 32.7, -45.43

 

CMYK 85 / 85 / 0 / 62

HEX #0F0F61

RGB 15 15 97

HSL 240, 0.73%, 0.22%

LAB 11.32, 31.45, -47.24

 

CMYK 47 / 85 / 0 / 62

HEX #330F61

RGB 51 15 97

HSL 266.34, 0.73%, 0.22%

LAB 15, 35.74, -41.04

 

CMYK 53 / 94 / 0 / 58

HEX #32066A

RGB 50 6 106

HSL 266.4, 0.89%, 0.22%

LAB 14.67, 41.44, -47.53

 

CMYK 47 / 85 / 0 / 62

HEX #330F61

RGB 51 15 97

HSL 266.34, 0.73%, 0.22%

LAB 15, 35.74, -41.04

 

CMYK 40 / 72 / 0 / 66

HEX #341857

RGB 52 24 87

HSL 266.67, 0.57%, 0.22%

LAB 15.86, 28.44, -32.94

 

CMYK 32 / 58 / 0 / 69

HEX #35214E

RGB 53 33 78

HSL 266.67, 0.41%, 0.22%

LAB 17.44, 20.42, -24.31

 

CMYK 22 / 39 / 0 / 73

HEX #362A45

RGB 54 42 69

HSL 266.67, 0.24%, 0.22%

LAB 19.52, 12.04, -14.89

 

CMYK 8 / 15 / 0 / 76

HEX #37333C

RGB 55 51 60

HSL 266.67, 0.08%, 0.22%

LAB 21.97, 3.88, -5.01

 

CMYK 85 / 76 / 0 / 62

HEX #0F1761

RGB 15 23 97

HSL 234.15, 0.73%, 0.22%

LAB 13.09, 26.43, -44.31

 

CMYK 71 / 85 / 0 / 62

HEX #1C0F61

RGB 28 15 97

HSL 249.51, 0.73%, 0.22%

LAB 12.3, 32.59, -45.59

 

CMYK 48 / 85 / 0 / 62

HEX #320F61

RGB 50 15 97

HSL 265.61, 0.73%, 0.22%

LAB 14.86, 35.58, -41.28

 

CMYK 26 / 85 / 0 / 62

HEX #480F61

RGB 72 15 97

HSL 281.71, 0.73%, 0.22%

LAB 18.29, 39.57, -35.54

 

CMYK 3 / 85 / 0 / 62

HEX #5E0F61

RGB 94 15 97

HSL 297.8, 0.73%, 0.22%

LAB 22.25, 44.17, -28.96

 

CMYK 48 / 84 / 0 / 90

HEX #0D0419

RGB 13 4 25

HSL 265.71, 0.72%, 0.06%

LAB 2.19, 6.32, -9.76

 

CMYK 48 / 85 / 0 / 76

HEX #20093D

RGB 32 9 61

HSL 266.54, 0.74%, 0.14%

LAB 7.58, 24.76, -28.47

 

CMYK 47 / 85 / 0 / 62

HEX #330F61

RGB 51 15 97

HSL 266.34, 0.73%, 0.22%

LAB 15, 35.74, -41.04

 

CMYK 47 / 85 / 0 / 48

HEX #461484

RGB 70 20 132

HSL 266.79, 0.74%, 0.3%

LAB 21.83, 45.93, -52.37

 

CMYK 47 / 85 / 0 / 34

HEX #591AA8

RGB 89 26 168

HSL 266.62, 0.73%, 0.38%

LAB 28.62, 55.4, -63.31

 

CMYK 47 / 84 / 0 / 62

HEX #330F60

RGB 51 15 96

HSL 266.67, 0.73%, 0.22%

LAB 14.9, 35.46, -40.54

 

CMYK 0 / 85 / 54 / 62

HEX #610F2D

RGB 97 15 45

HSL 338.05, 0.73%, 0.22%

LAB 20.33, 37.66, 3.74

 

CMYK 85 / 0 / 82 / 62

HEX #0F6111

RGB 15 97 17

HSL 121.46, 0.73%, 0.22%

LAB 35.38, -39.63, 36.11

 

CMYK 47 / 84 / 0 / 62

HEX #330F60

RGB 51 15 96

HSL 266.67, 0.73%, 0.22%

LAB 14.9, 35.46, -40.54

 

CMYK 0 / 48 / 85 / 62

HEX #61320F

RGB 97 50 15

HSL 25.61, 0.73%, 0.22%

LAB 26.32, 18.37, 30.2

 

CMYK 85 / 0 / 48 / 62

HEX #0F6132

RGB 15 97 50

HSL 145.61, 0.73%, 0.22%

LAB 35.75, -35.14, 20.26

 

CMYK 47 / 84 / 0 / 62

HEX #330F60

RGB 51 15 96

HSL 266.67, 0.73%, 0.22%

LAB 14.9, 35.46, -40.54

 

CMYK 0 / 85 / 54 / 62

HEX #610F2D

RGB 97 15 45

HSL 338.05, 0.73%, 0.22%

LAB 20.33, 37.66, 3.74

 

CMYK 37 / 0 / 85 / 62

HEX #3D610F

RGB 61 97 15

HSL 86.34, 0.73%, 0.22%

LAB 37.07, -26.56, 39

 

CMYK 85 / 0 / 31 / 62

HEX #0F6143

RGB 15 97 67

HSL 158.05, 0.73%, 0.22%

LAB 36.09, -31.32, 10.58

 

CMYK 47 / 84 / 0 / 62

HEX #330F60

RGB 51 15 96

HSL 266.67, 0.73%, 0.22%

LAB 14.9, 35.46, -40.54

 

CMYK 0 / 85 / 79 / 62

HEX #610F14

RGB 97 15 20

HSL 356.34, 0.73%, 0.22%

LAB 19.78, 35.93, 20.47

 

CMYK 37 / 0 / 85 / 62

HEX #3D610F

RGB 61 97 15

HSL 86.34, 0.73%, 0.22%

LAB 37.07, -26.56, 39

 

CMYK 85 / 0 / 6 / 62

HEX #0F615B

RGB 15 97 91

HSL 175.61, 0.73%, 0.22%

LAB 36.76, -24.4, -3.25

 

Description

Color code: HEX #330F60 | qconv.com Color code: HEX #330F60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 15 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 15 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 84 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 84% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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