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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #331C7D it is the complementary color #CCE382. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #331C7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #331C7D shade: #381C78, #492E8B, #5A409E, #6B52B1 and #7C64C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #331C7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #331C7D shade: #331C7D, #220A6A, #110057, #000044 and #000031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #331C7D shade: #331C7C, #4D1C7C, #671C7C, #7C1C78 and #7C1C5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #331C7D shade: #331C7C and #1C1C7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #331C7D shade matches the following richer shades: #331C7C, #2C0F89 and #260395

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #331C7D shade: #331C7C, #392870, #403563, #464157 and #4D4D4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #331C7D shade: #1C397C, #1C1F7C, #321C7C, #4C1C7C and #661C7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #331C7D shade: #170D39, #25145B, #331C7C, #40239E and #4E2BBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #331C7D shade: #331C7D, #7C1C52 and #2C7C1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #331C7D shade: #331C7D, #7C321C and #1C7C32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #331C7D shade: #331C7D, #7C1C52, #667C1C and #1C7C46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #331C7D shade: #331C7D, #7C1C36, #667C1C and #1C7C62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 78 / 0 / 51

HEX #331C7D

RGB 51 28 125

HSL 254.23, 0.63%, 0.3%

LAB 20.1, 37.57, -50.86

 

Complementary color

CMYK 10 / 0 / 43 / 11

HEX #CCE382

RGB 204 227 130

HSL 74.23, 0.63%, 0.7%

LAB 86.7, -22.49, 44.73

 

CMYK 53 / 77 / 0 / 53

HEX #381C78

RGB 56 28 120

HSL 258.26, 0.62%, 0.29%

LAB 20.15, 36.81, -47.57

 

CMYK 47 / 67 / 0 / 45

HEX #492E8B

RGB 73 46 139

HSL 257.42, 0.5%, 0.36%

LAB 27.39, 35.54, -47.64

 

CMYK 43 / 59 / 0 / 38

HEX #5A409E

RGB 90 64 158

HSL 256.6, 0.42%, 0.44%

LAB 34.62, 34.18, -47.49

 

CMYK 40 / 54 / 0 / 31

HEX #6B52B1

RGB 107 82 177

HSL 255.79, 0.38%, 0.51%

LAB 41.74, 32.91, -47.27

 

CMYK 37 / 49 / 0 / 23

HEX #7C64C4

RGB 124 100 196

HSL 255, 0.45%, 0.58%

LAB 48.74, 31.76, -47.05

 

CMYK 59 / 78 / 0 / 51

HEX #331C7D

RGB 51 28 125

HSL 254.23, 0.63%, 0.3%

LAB 20.1, 37.57, -50.86

 

CMYK 68 / 91 / 0 / 58

HEX #220A6A

RGB 34 10 106

HSL 255, 0.83%, 0.23%

LAB 13.22, 38.32, -50.01

 

CMYK 80 / 100 / 0 / 66

HEX #110057

RGB 17 0 87

HSL 251.72, 1%, 0.17%

LAB 7.29, 36.52, -47.19

 

CMYK 100 / 100 / 0 / 73

HEX #000044

RGB 0 0 68

HSL 240, 1%, 0.13%

LAB 3.77, 25.91, -39.82

 

CMYK 100 / 100 / 0 / 81

HEX #000031

RGB 0 0 49

HSL 240, 1%, 0.1%

LAB 2, 14.08, -28.82

 

CMYK 59 / 77 / 0 / 51

HEX #331C7C

RGB 51 28 124

HSL 254.38, 0.63%, 0.3%

LAB 20, 37.25, -50.39

 

CMYK 38 / 77 / 0 / 51

HEX #4D1C7C

RGB 77 28 124

HSL 270.63, 0.63%, 0.3%

LAB 23.22, 41.68, -45.01

 

CMYK 17 / 77 / 0 / 51

HEX #671C7C

RGB 103 28 124

HSL 286.88, 0.63%, 0.3%

LAB 27.21, 46.97, -38.34

 

CMYK 0 / 77 / 3 / 51

HEX #7C1C78

RGB 124 28 120

HSL 302.5, 0.63%, 0.3%

LAB 30.57, 50.91, -30.24

 

CMYK 0 / 77 / 24 / 51

HEX #7C1C5E

RGB 124 28 94

HSL 318.75, 0.63%, 0.3%

LAB 29.22, 46.88, -15.65

 

CMYK 59 / 77 / 0 / 51

HEX #331C7C

RGB 51 28 124

HSL 254.38, 0.63%, 0.3%

LAB 20, 37.25, -50.39

 

CMYK 77 / 77 / 0 / 51

HEX #1C1C7C

RGB 28 28 124

HSL 240, 0.63%, 0.3%

LAB 18.07, 34.48, -53.65

 

CMYK 59 / 77 / 0 / 51

HEX #331C7C

RGB 51 28 124

HSL 254.38, 0.63%, 0.3%

LAB 20, 37.25, -50.39

 

CMYK 68 / 89 / 0 / 46

HEX #2C0F89

RGB 44 15 137

HSL 254.26, 0.8%, 0.3%

LAB 18.73, 46.31, -60.74

 

CMYK 74 / 98 / 0 / 42

HEX #260395

RGB 38 3 149

HSL 254.38, 0.96%, 0.3%

LAB 18.57, 52.87, -68.5

 

CMYK 59 / 77 / 0 / 51

HEX #331C7C

RGB 51 28 124

HSL 254.38, 0.63%, 0.3%

LAB 20, 37.25, -50.39

 

CMYK 49 / 64 / 0 / 56

HEX #392870

RGB 57 40 112

HSL 254.17, 0.47%, 0.3%

LAB 22.15, 27.43, -39.17

 

CMYK 35 / 46 / 0 / 61

HEX #403563

RGB 64 53 99

HSL 254.35, 0.3%, 0.3%

LAB 25.37, 16.69, -25.57

 

CMYK 20 / 25 / 0 / 66

HEX #464157

RGB 70 65 87

HSL 253.64, 0.14%, 0.3%

LAB 28.83, 7.36, -12.36

 

CMYK 0 / 0 / 3 / 70

HEX #4D4D4B

RGB 77 77 75

HSL 60, 0.01%, 0.3%

LAB 32.69, -0.43, 1.18

 

CMYK 77 / 54 / 0 / 51

HEX #1C397C

RGB 28 57 124

HSL 221.88, 0.63%, 0.3%

LAB 25.65, 14.81, -41.25

 

CMYK 77 / 75 / 0 / 51

HEX #1C1F7C

RGB 28 31 124

HSL 238.13, 0.63%, 0.3%

LAB 18.72, 32.64, -52.56

 

CMYK 60 / 77 / 0 / 51

HEX #321C7C

RGB 50 28 124

HSL 253.75, 0.63%, 0.3%

LAB 19.9, 37.11, -50.57

 

CMYK 39 / 77 / 0 / 51

HEX #4C1C7C

RGB 76 28 124

HSL 270, 0.63%, 0.3%

LAB 23.07, 41.49, -45.24

 

CMYK 18 / 77 / 0 / 51

HEX #661C7C

RGB 102 28 124

HSL 286.25, 0.63%, 0.3%

LAB 27.05, 46.76, -38.62

 

CMYK 60 / 77 / 0 / 78

HEX #170D39

RGB 23 13 57

HSL 253.64, 0.63%, 0.14%

LAB 6.91, 18.81, -26.72

 

CMYK 59 / 78 / 0 / 64

HEX #25145B

RGB 37 20 91

HSL 254.37, 0.64%, 0.22%

LAB 13.53, 29, -39.52

 

CMYK 59 / 77 / 0 / 51

HEX #331C7C

RGB 51 28 124

HSL 254.38, 0.63%, 0.3%

LAB 20, 37.25, -50.39

 

CMYK 59 / 78 / 0 / 38

HEX #40239E

RGB 64 35 158

HSL 254.15, 0.64%, 0.38%

LAB 26.04, 45.72, -61.58

 

CMYK 59 / 77 / 0 / 25

HEX #4E2BBF

RGB 78 43 191

HSL 254.19, 0.63%, 0.46%

LAB 32.05, 53.17, -71.4

 

CMYK 59 / 78 / 0 / 51

HEX #331C7D

RGB 51 28 125

HSL 254.23, 0.63%, 0.3%

LAB 20.1, 37.57, -50.86

 

CMYK 0 / 77 / 34 / 51

HEX #7C1C52

RGB 124 28 82

HSL 326.25, 0.63%, 0.3%

LAB 28.71, 45.29, -8.55

 

CMYK 65 / 0 / 77 / 51

HEX #2C7C1C

RGB 44 124 28

HSL 110, 0.63%, 0.3%

LAB 45.68, -42.66, 42.43

 

CMYK 59 / 78 / 0 / 51

HEX #331C7D

RGB 51 28 125

HSL 254.23, 0.63%, 0.3%

LAB 20.1, 37.57, -50.86

 

CMYK 0 / 60 / 77 / 51

HEX #7C321C

RGB 124 50 28

HSL 13.75, 0.63%, 0.3%

LAB 31, 30.78, 29.4

 

CMYK 77 / 0 / 60 / 51

HEX #1C7C32

RGB 28 124 50

HSL 133.75, 0.63%, 0.3%

LAB 45.49, -43.54, 32.27

 

CMYK 59 / 78 / 0 / 51

HEX #331C7D

RGB 51 28 125

HSL 254.23, 0.63%, 0.3%

LAB 20.1, 37.57, -50.86

 

CMYK 0 / 77 / 34 / 51

HEX #7C1C52

RGB 124 28 82

HSL 326.25, 0.63%, 0.3%

LAB 28.71, 45.29, -8.55

 

CMYK 18 / 0 / 77 / 51

HEX #667C1C

RGB 102 124 28

HSL 73.75, 0.63%, 0.3%

LAB 48.67, -21.8, 46.35

 

CMYK 77 / 0 / 44 / 51

HEX #1C7C46

RGB 28 124 70

HSL 146.25, 0.63%, 0.3%

LAB 45.78, -40.15, 21.89

 

CMYK 59 / 78 / 0 / 51

HEX #331C7D

RGB 51 28 125

HSL 254.23, 0.63%, 0.3%

LAB 20.1, 37.57, -50.86

 

CMYK 0 / 77 / 56 / 51

HEX #7C1C36

RGB 124 28 54

HSL 343.75, 0.63%, 0.3%

LAB 27.8, 42.39, 8.84

 

CMYK 18 / 0 / 77 / 51

HEX #667C1C

RGB 102 124 28

HSL 73.75, 0.63%, 0.3%

LAB 48.67, -21.8, 46.35

 

CMYK 77 / 0 / 21 / 51

HEX #1C7C62

RGB 28 124 98

HSL 163.75, 0.63%, 0.3%

LAB 46.37, -33.66, 6.51

 

Description

Color code: HEX #331C7D | qconv.com Color code: HEX #331C7D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 28 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 28 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 78 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 78% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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