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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #331CBC it is the complementary color #CCE343. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #331CBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #331CBC shade: #381CB7, #492ECA, #5A40DD, #6B52F0 and #7C64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #331CBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #331CBC shade: #331CBC, #220AA9, #110096, #000083 and #000070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #331CBC shade: #321BBA, #5D1BBA, #881BBA, #B21BBA and #BA1B97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #331CBC shade: #321BBA and #1B1BBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #331CBC shade matches the following richer shades: #321BBA and #260ACB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #331CBC shade: #321BBA, #3E2DA9, #4B3E97, #574F86 and #646175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #331CBC shade: #1B5BBA, #1B30BA, #301BBA, #5B1BBA and #851BBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #331CBC shade: #1F1172, #281696, #321BBA, #3C21DD and #5C45E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #331CBC shade: #331CBC, #BA1B85 and #46BA1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #331CBC shade: #331CBC, #BA301B and #1BBA30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #331CBC shade: #331CBC, #BA1B85, #A5BA1B and #1BBA50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #331CBC shade: #331CBC, #BA1B55, #A5BA1B and #1BBA80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 85 / 0 / 26

HEX #331CBC

RGB 51 28 188

HSL 248.63, 0.74%, 0.42%

LAB 27.2, 56.4, -77.73

 

Complementary color

CMYK 10 / 0 / 70 / 11

HEX #CCE343

RGB 204 227 67

HSL 68.63, 0.74%, 0.58%

LAB 86.1, -27.54, 71.25

 

CMYK 69 / 85 / 0 / 28

HEX #381CB7

RGB 56 28 183

HSL 250.84, 0.73%, 0.41%

LAB 26.99, 55.32, -75.1

 

CMYK 64 / 77 / 0 / 21

HEX #492ECA

RGB 73 46 202

HSL 250.38, 0.63%, 0.49%

LAB 33.21, 54.35, -75.96

 

CMYK 59 / 71 / 0 / 13

HEX #5A40DD

RGB 90 64 221

HSL 249.94, 0.7%, 0.56%

LAB 39.68, 52.86, -76.23

 

CMYK 55 / 66 / 0 / 6

HEX #6B52F0

RGB 107 82 240

HSL 249.49, 0.84%, 0.63%

LAB 46.25, 51.24, -76.19

 

CMYK 51 / 61 / 0 / 0

HEX #7C64FF

RGB 124 100 255

HSL 249.29, 1%, 0.7%

LAB 52.53, 48.49, -74.26

 

CMYK 73 / 85 / 0 / 26

HEX #331CBC

RGB 51 28 188

HSL 248.63, 0.74%, 0.42%

LAB 27.2, 56.4, -77.73

 

CMYK 80 / 94 / 0 / 34

HEX #220AA9

RGB 34 10 169

HSL 249.06, 0.89%, 0.35%

LAB 21.66, 56.15, -75.61

 

CMYK 89 / 100 / 0 / 41

HEX #110096

RGB 17 0 150

HSL 246.8, 1%, 0.29%

LAB 17.09, 53.5, -71.63

 

CMYK 100 / 100 / 0 / 49

HEX #000083

RGB 0 0 131

HSL 240, 1%, 0.26%

LAB 13.46, 48.31, -65.8

 

CMYK 100 / 100 / 0 / 56

HEX #000070

RGB 0 0 112

HSL 240, 1%, 0.22%

LAB 10.33, 43.18, -58.8

 

CMYK 73 / 85 / 0 / 27

HEX #321BBA

RGB 50 27 186

HSL 248.68, 0.75%, 0.42%

LAB 26.76, 56.16, -77.29

 

CMYK 50 / 85 / 0 / 27

HEX #5D1BBA

RGB 93 27 186

HSL 264.91, 0.75%, 0.42%

LAB 31.01, 59.96, -70.11

 

CMYK 27 / 85 / 0 / 27

HEX #881BBA

RGB 136 27 186

HSL 281.13, 0.75%, 0.42%

LAB 37.05, 65.78, -59.99

 

CMYK 4 / 85 / 0 / 27

HEX #B21BBA

RGB 178 27 186

HSL 296.98, 0.75%, 0.42%

LAB 43.94, 72.82, -48.52

 

CMYK 0 / 85 / 19 / 27

HEX #BA1B97

RGB 186 27 151

HSL 313.21, 0.75%, 0.42%

LAB 43.44, 69.29, -28.36

 

CMYK 73 / 85 / 0 / 27

HEX #321BBA

RGB 50 27 186

HSL 248.68, 0.75%, 0.42%

LAB 26.76, 56.16, -77.29

 

CMYK 85 / 85 / 0 / 27

HEX #1B1BBA

RGB 27 27 186

HSL 240, 0.75%, 0.42%

LAB 25.45, 55.05, -79.5

 

CMYK 73 / 85 / 0 / 27

HEX #321BBA

RGB 50 27 186

HSL 248.68, 0.75%, 0.42%

LAB 26.76, 56.16, -77.29

 

CMYK 81 / 95 / 0 / 20

HEX #260ACB

RGB 38 10 203

HSL 248.7, 0.91%, 0.42%

LAB 26.57, 65.16, -87.65

 

CMYK 73 / 85 / 0 / 27

HEX #321BBA

RGB 50 27 186

HSL 248.68, 0.75%, 0.42%

LAB 26.76, 56.16, -77.29

 

CMYK 63 / 73 / 0 / 34

HEX #3E2DA9

RGB 62 45 169

HSL 248.23, 0.58%, 0.42%

LAB 28.81, 43.56, -63.69

 

CMYK 50 / 59 / 0 / 41

HEX #4B3E97

RGB 75 62 151

HSL 248.76, 0.42%, 0.42%

LAB 32.2, 29.91, -47.21

 

CMYK 35 / 41 / 0 / 47

HEX #574F86

RGB 87 79 134

HSL 248.73, 0.26%, 0.42%

LAB 36.63, 17.03, -29.69

 

CMYK 15 / 17 / 0 / 54

HEX #646175

RGB 100 97 117

HSL 249, 0.09%, 0.42%

LAB 42.07, 5.61, -10.82

 

CMYK 85 / 51 / 0 / 27

HEX #1B5BBA

RGB 27 91 186

HSL 215.85, 0.75%, 0.42%

LAB 40.02, 16.54, -55.57

 

CMYK 85 / 74 / 0 / 27

HEX #1B30BA

RGB 27 48 186

HSL 232.08, 0.75%, 0.42%

LAB 29.14, 44.37, -73.37

 

CMYK 74 / 85 / 0 / 27

HEX #301BBA

RGB 48 27 186

HSL 247.92, 0.75%, 0.42%

LAB 26.61, 56.04, -77.53

 

CMYK 51 / 85 / 0 / 27

HEX #5B1BBA

RGB 91 27 186

HSL 264.15, 0.75%, 0.42%

LAB 30.77, 59.74, -70.52

 

CMYK 28 / 85 / 0 / 27

HEX #851BBA

RGB 133 27 186

HSL 280, 0.75%, 0.42%

LAB 36.58, 65.32, -60.76

 

CMYK 73 / 85 / 0 / 55

HEX #1F1172

RGB 31 17 114

HSL 248.66, 0.74%, 0.26%

LAB 14.99, 37.42, -52.3

 

CMYK 73 / 85 / 0 / 41

HEX #281696

RGB 40 22 150

HSL 248.44, 0.74%, 0.34%

LAB 20.93, 47.02, -65.19

 

CMYK 73 / 85 / 0 / 27

HEX #321BBA

RGB 50 27 186

HSL 248.68, 0.75%, 0.42%

LAB 26.76, 56.16, -77.29

 

CMYK 73 / 85 / 0 / 13

HEX #3C21DD

RGB 60 33 221

HSL 248.62, 0.74%, 0.5%

LAB 32.41, 64.26, -88.32

 

CMYK 59 / 70 / 0 / 11

HEX #5C45E3

RGB 92 69 227

HSL 248.73, 0.74%, 0.58%

LAB 41.34, 52.25, -76.92

 

CMYK 73 / 85 / 0 / 26

HEX #331CBC

RGB 51 28 188

HSL 248.63, 0.74%, 0.42%

LAB 27.2, 56.4, -77.73

 

CMYK 0 / 85 / 28 / 27

HEX #BA1B85

RGB 186 27 133

HSL 320, 0.75%, 0.42%

LAB 42.64, 67.08, -18.65

 

CMYK 62 / 0 / 85 / 27

HEX #46BA1B

RGB 70 186 27

HSL 103.77, 0.75%, 0.42%

LAB 66.9, -58.54, 62.76

 

CMYK 73 / 85 / 0 / 26

HEX #331CBC

RGB 51 28 188

HSL 248.63, 0.74%, 0.42%

LAB 27.2, 56.4, -77.73

 

CMYK 0 / 74 / 85 / 27

HEX #BA301B

RGB 186 48 27

HSL 7.92, 0.75%, 0.42%

LAB 42.2, 53.79, 44.73

 

CMYK 85 / 0 / 74 / 27

HEX #1BBA30

RGB 27 186 48

HSL 127.92, 0.75%, 0.42%

LAB 66.19, -64.25, 55.61

 

CMYK 73 / 85 / 0 / 26

HEX #331CBC

RGB 51 28 188

HSL 248.63, 0.74%, 0.42%

LAB 27.2, 56.4, -77.73

 

CMYK 0 / 85 / 28 / 27

HEX #BA1B85

RGB 186 27 133

HSL 320, 0.75%, 0.42%

LAB 42.64, 67.08, -18.65

 

CMYK 11 / 0 / 85 / 27

HEX #A5BA1B

RGB 165 186 27

HSL 67.92, 0.75%, 0.42%

LAB 71.69, -25.57, 68.76

 

CMYK 85 / 0 / 57 / 27

HEX #1BBA50

RGB 27 186 80

HSL 140, 0.75%, 0.42%

LAB 66.47, -60.77, 42.46

 

CMYK 73 / 85 / 0 / 26

HEX #331CBC

RGB 51 28 188

HSL 248.63, 0.74%, 0.42%

LAB 27.2, 56.4, -77.73

 

CMYK 0 / 85 / 54 / 27

HEX #BA1B55

RGB 186 27 85

HSL 338.11, 0.75%, 0.42%

LAB 41.02, 62.51, 8.95

 

CMYK 11 / 0 / 85 / 27

HEX #A5BA1B

RGB 165 186 27

HSL 67.92, 0.75%, 0.42%

LAB 71.69, -25.57, 68.76

 

CMYK 85 / 0 / 31 / 27

HEX #1BBA80

RGB 27 186 128

HSL 158.11, 0.75%, 0.42%

LAB 67.21, -52.1, 18.76

 

Description

Color code: HEX #331CBC | qconv.com Color code: HEX #331CBC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 28 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 28 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 85 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 85% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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