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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #332649 it is the complementary color #CCD9B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #332649. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #332649 shade: #382644, #493857, #5A4A6A, #6B5C7D and #7C6E90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #332649. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #332649 shade: #332649, #221436, #110223 and #000010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #332649 shade: #33264A, #3D264A, #46264A, #4A2643 and #4A2639

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #332649 shade: #33264A, #29264A and #26264A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #332649 shade matches the following richer shades: #33264A, #311D53, #2E135C, #2C0A65 and #2A016E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #332649 shade: #33264A, #352F40, #383837, #3A412E and #3C4A25

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #332649 shade: #262C4A, #29264A, #33264A, #3C264A and #46264A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #332649 shade: #0D0A13, #20182E, #33264A, #463465 and #594280

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #332649 shade: #332649, #4A2635 and #274A26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #332649 shade: #332649, #4A3326 and #264A33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #332649 shade: #332649, #4A2635, #3C4A26 and #264A3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #332649 shade: #332649, #4A262A, #3C4A26 and #264A45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 48 / 0 / 71

HEX #332649

RGB 51 38 73

HSL 262.29, 0.32%, 0.22%

LAB 18.24, 14.9, -19.64

 

Complementary color

CMYK 6 / 0 / 16 / 15

HEX #CCD9B6

RGB 204 217 182

HSL 82.29, 0.32%, 0.78%

LAB 84.91, -10.49, 15.78

 

CMYK 18 / 44 / 0 / 73

HEX #382644

RGB 56 38 68

HSL 276, 0.28%, 0.21%

LAB 18.56, 15.26, -15.68

 

CMYK 16 / 36 / 0 / 66

HEX #493857

RGB 73 56 87

HSL 272.9, 0.22%, 0.28%

LAB 26.54, 14.4, -15.85

 

CMYK 15 / 30 / 0 / 58

HEX #5A4A6A

RGB 90 74 106

HSL 270, 0.18%, 0.35%

LAB 34.21, 13.68, -16.05

 

CMYK 14 / 26 / 0 / 51

HEX #6B5C7D

RGB 107 92 125

HSL 267.27, 0.15%, 0.43%

LAB 41.63, 13.07, -16.29

 

CMYK 14 / 24 / 0 / 44

HEX #7C6E90

RGB 124 110 144

HSL 264.71, 0.13%, 0.5%

LAB 48.82, 12.55, -16.55

 

CMYK 30 / 48 / 0 / 71

HEX #332649

RGB 51 38 73

HSL 262.29, 0.32%, 0.22%

LAB 18.24, 14.9, -19.64

 

CMYK 37 / 63 / 0 / 79

HEX #221436

RGB 34 20 54

HSL 264.71, 0.46%, 0.15%

LAB 9.85, 16.07, -19.74

 

CMYK 51 / 94 / 0 / 86

HEX #110223

RGB 17 2 35

HSL 267.27, 0.89%, 0.07%

LAB 2.56, 11.73, -17.14

 

CMYK 100 / 100 / 0 / 94

HEX #000010

RGB 0 0 16

HSL 240, 1%, 0.03%

LAB 0.34, 2.37, -6.46

 

CMYK 31 / 49 / 0 / 71

HEX #33264A

RGB 51 38 74

HSL 261.67, 0.32%, 0.22%

LAB 18.3, 15.19, -20.23

 

CMYK 18 / 49 / 0 / 71

HEX #3D264A

RGB 61 38 74

HSL 278.33, 0.32%, 0.22%

LAB 19.53, 18.64, -18.21

 

CMYK 5 / 49 / 0 / 71

HEX #46264A

RGB 70 38 74

HSL 293.33, 0.32%, 0.22%

LAB 20.76, 21.82, -16.19

 

CMYK 0 / 49 / 9 / 71

HEX #4A2643

RGB 74 38 67

HSL 311.67, 0.32%, 0.22%

LAB 21.01, 21.77, -11

 

CMYK 0 / 49 / 23 / 71

HEX #4A2639

RGB 74 38 57

HSL 328.33, 0.32%, 0.22%

LAB 20.59, 19.85, -4.78

 

CMYK 31 / 49 / 0 / 71

HEX #33264A

RGB 51 38 74

HSL 261.67, 0.32%, 0.22%

LAB 18.3, 15.19, -20.23

 

CMYK 45 / 49 / 0 / 71

HEX #29264A

RGB 41 38 74

HSL 245, 0.32%, 0.22%

LAB 17.24, 11.96, -21.98

 

CMYK 49 / 49 / 0 / 71

HEX #26264A

RGB 38 38 74

HSL 240, 0.32%, 0.22%

LAB 16.95, 11.05, -22.44

 

CMYK 31 / 49 / 0 / 71

HEX #33264A

RGB 51 38 74

HSL 261.67, 0.32%, 0.22%

LAB 18.3, 15.19, -20.23

 

CMYK 41 / 65 / 0 / 67

HEX #311D53

RGB 49 29 83

HSL 262.22, 0.48%, 0.22%

LAB 16.29, 23.41, -29.57

 

CMYK 50 / 79 / 0 / 64

HEX #2E135C

RGB 46 19 92

HSL 262.19, 0.66%, 0.22%

LAB 14.51, 31.47, -38.54

 

CMYK 56 / 90 / 0 / 60

HEX #2C0A65

RGB 44 10 101

HSL 262.42, 0.82%, 0.22%

LAB 13.78, 37.92, -45.74

 

CMYK 62 / 99 / 0 / 57

HEX #2A016E

RGB 42 1 110

HSL 262.57, 0.98%, 0.22%

LAB 13.47, 43.64, -52.18

 

CMYK 31 / 49 / 0 / 71

HEX #33264A

RGB 51 38 74

HSL 261.67, 0.32%, 0.22%

LAB 18.3, 15.19, -20.23

 

CMYK 17 / 27 / 0 / 75

HEX #352F40

RGB 53 47 64

HSL 261.18, 0.15%, 0.22%

LAB 20.67, 6.83, -9.7

 

CMYK 0 / 0 / 2 / 78

HEX #383837

RGB 56 56 55

HSL 60, 0.01%, 0.22%

LAB 23.49, -0.23, 0.62

 

CMYK 11 / 0 / 29 / 75

HEX #3A412E

RGB 58 65 46

HSL 82.11, 0.17%, 0.22%

LAB 26.38, -6.92, 10.66

 

CMYK 19 / 0 / 50 / 71

HEX #3C4A25

RGB 60 74 37

HSL 82.7, 0.33%, 0.22%

LAB 29.39, -12.83, 20.22

 

CMYK 49 / 41 / 0 / 71

HEX #262C4A

RGB 38 44 74

HSL 230, 0.32%, 0.22%

LAB 18.83, 6.74, -19.47

 

CMYK 45 / 49 / 0 / 71

HEX #29264A

RGB 41 38 74

HSL 245, 0.32%, 0.22%

LAB 17.24, 11.96, -21.98

 

CMYK 31 / 49 / 0 / 71

HEX #33264A

RGB 51 38 74

HSL 261.67, 0.32%, 0.22%

LAB 18.3, 15.19, -20.23

 

CMYK 19 / 49 / 0 / 71

HEX #3C264A

RGB 60 38 74

HSL 276.67, 0.32%, 0.22%

LAB 19.4, 18.29, -18.43

 

CMYK 5 / 49 / 0 / 71

HEX #46264A

RGB 70 38 74

HSL 293.33, 0.32%, 0.22%

LAB 20.76, 21.82, -16.19

 

CMYK 32 / 47 / 0 / 93

HEX #0D0A13

RGB 13 10 19

HSL 260, 0.31%, 0.06%

LAB 3.16, 2.45, -4.04

 

CMYK 30 / 48 / 0 / 82

HEX #20182E

RGB 32 24 46

HSL 261.82, 0.31%, 0.14%

LAB 10.24, 9.91, -13.32

 

CMYK 31 / 49 / 0 / 71

HEX #33264A

RGB 51 38 74

HSL 261.67, 0.32%, 0.22%

LAB 18.3, 15.19, -20.23

 

CMYK 31 / 49 / 0 / 60

HEX #463465

RGB 70 52 101

HSL 262.04, 0.32%, 0.3%

LAB 25.86, 19.8, -26.06

 

CMYK 30 / 48 / 0 / 50

HEX #594280

RGB 89 66 128

HSL 262.26, 0.32%, 0.38%

LAB 33.09, 24.17, -31.57

 

CMYK 30 / 48 / 0 / 71

HEX #332649

RGB 51 38 73

HSL 262.29, 0.32%, 0.22%

LAB 18.24, 14.9, -19.64

 

CMYK 0 / 49 / 28 / 71

HEX #4A2635

RGB 74 38 53

HSL 335, 0.32%, 0.22%

LAB 20.44, 19.15, -2.23

 

CMYK 47 / 0 / 49 / 71

HEX #274A26

RGB 39 74 38

HSL 118.33, 0.32%, 0.22%

LAB 28.03, -21.32, 17.61

 

CMYK 30 / 48 / 0 / 71

HEX #332649

RGB 51 38 73

HSL 262.29, 0.32%, 0.22%

LAB 18.24, 14.9, -19.64

 

CMYK 0 / 31 / 49 / 71

HEX #4A3326

RGB 74 51 38

HSL 21.67, 0.32%, 0.22%

LAB 23.55, 8.48, 12.36

 

CMYK 49 / 0 / 31 / 71

HEX #264A33

RGB 38 74 51

HSL 141.67, 0.32%, 0.22%

LAB 28.24, -19.06, 9.8

 

CMYK 30 / 48 / 0 / 71

HEX #332649

RGB 51 38 73

HSL 262.29, 0.32%, 0.22%

LAB 18.24, 14.9, -19.64

 

CMYK 0 / 49 / 28 / 71

HEX #4A2635

RGB 74 38 53

HSL 335, 0.32%, 0.22%

LAB 20.44, 19.15, -2.23

 

CMYK 19 / 0 / 49 / 71

HEX #3C4A26

RGB 60 74 38

HSL 83.33, 0.32%, 0.22%

LAB 29.41, -12.7, 19.64

 

CMYK 49 / 0 / 22 / 71

HEX #264A3A

RGB 38 74 58

HSL 153.33, 0.32%, 0.22%

LAB 28.42, -17.38, 5.57

 

CMYK 30 / 48 / 0 / 71

HEX #332649

RGB 51 38 73

HSL 262.29, 0.32%, 0.22%

LAB 18.24, 14.9, -19.64

 

CMYK 0 / 49 / 43 / 71

HEX #4A262A

RGB 74 38 42

HSL 353.33, 0.32%, 0.22%

LAB 20.08, 17.45, 4.88

 

CMYK 19 / 0 / 49 / 71

HEX #3C4A26

RGB 60 74 38

HSL 83.33, 0.32%, 0.22%

LAB 29.41, -12.7, 19.64

 

CMYK 49 / 0 / 7 / 71

HEX #264A45

RGB 38 74 69

HSL 171.67, 0.32%, 0.22%

LAB 28.74, -14.4, -1.06

 

Description

Color code: HEX #332649 | qconv.com Color code: HEX #332649 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 38 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 38 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 48 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 48% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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