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Color name
HEX #332A1D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #332A1D it is the complementary color #CCD5E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #332A1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #332A1D shade: #382A18, #493C2B, #5A4E3E, #6B6051 and #7C7264

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #332A1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #332A1D shade: #332A1D, #22180A, #110600 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #332A1D shade: #342A1D, #34241D, #341E1D and #341D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #332A1D shade: #342A1D, #34311D, #31341D, #2B341D and #24341D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #332A1D shade matches the following richer shades: #342A1D, #3A2C16, #412D10, #482E09 and #4E2F02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #332A1D shade: #342A1D, #2D2923, #27282A, #202731 and #192637

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #332A1D shade: #341E1D, #34241D, #342A1D, #34301D and #31341D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #332A1D shade: #332A1D, #22341D and #211D34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #332A1D shade: #332A1D, #1D342A and #2A1D34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #332A1D shade: #332A1D, #22341D, #1D2634 and #2F1D34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #332A1D shade: #332A1D, #1D341F, #1D2634 and #341D32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 43 / 80

HEX #332A1D

RGB 51 42 29

HSL 35.45, 0.28%, 0.16%

LAB 17.68, 1.8, 10.05

 

Complementary color

CMYK 10 / 6 / 0 / 11

HEX #CCD5E2

RGB 204 213 226

HSL 215.45, 0.28%, 0.84%

LAB 84.95, -0.53, -7.45

 

CMYK 0 / 25 / 57 / 78

HEX #382A18

RGB 56 42 24

HSL 33.75, 0.4%, 0.16%

LAB 18.2, 3.7, 14.2

 

CMYK 0 / 18 / 41 / 71

HEX #493C2B

RGB 73 60 43

HSL 34, 0.26%, 0.23%

LAB 26.22, 2.81, 12.64

 

CMYK 0 / 13 / 31 / 65

HEX #5A4E3E

RGB 90 78 62

HSL 34.29, 0.18%, 0.3%

LAB 33.92, 2.2, 11.32

 

CMYK 0 / 10 / 24 / 58

HEX #6B6051

RGB 107 96 81

HSL 34.62, 0.14%, 0.37%

LAB 41.35, 1.74, 10.18

 

CMYK 0 / 8 / 19 / 51

HEX #7C7264

RGB 124 114 100

HSL 35, 0.11%, 0.44%

LAB 48.56, 1.37, 9.16

 

CMYK 0 / 18 / 43 / 80

HEX #332A1D

RGB 51 42 29

HSL 35.45, 0.28%, 0.16%

LAB 17.68, 1.8, 10.05

 

CMYK 0 / 29 / 71 / 87

HEX #22180A

RGB 34 24 10

HSL 35, 0.55%, 0.09%

LAB 9.12, 2.78, 9.6

 

CMYK 0 / 65 / 100 / 93

HEX #110600

RGB 17 6 0

HSL 21.18, 1%, 0.03%

LAB 2.25, 2.43, 3.42

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 0 / 31 / 44 / 80

HEX #34241D

RGB 52 36 29

HSL 18.26, 0.28%, 0.16%

LAB 15.9, 6.45, 7.66

 

CMYK 0 / 42 / 44 / 80

HEX #341E1D

RGB 52 30 29

HSL 2.61, 0.28%, 0.16%

LAB 14.1, 10.61, 5.17

 

CMYK 0 / 44 / 44 / 80

HEX #341D1D

RGB 52 29 29

HSL 0, 0.28%, 0.16%

LAB 13.81, 11.29, 4.76

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 0 / 6 / 44 / 80

HEX #34311D

RGB 52 49 29

HSL 52.17, 0.28%, 0.16%

LAB 20.11, -2.39, 13.26

 

CMYK 6 / 0 / 44 / 80

HEX #31341D

RGB 49 52 29

HSL 67.83, 0.28%, 0.16%

LAB 20.82, -5.83, 14.12

 

CMYK 17 / 0 / 44 / 80

HEX #2B341D

RGB 43 52 29

HSL 83.48, 0.28%, 0.16%

LAB 20.28, -8.74, 13.32

 

CMYK 31 / 0 / 44 / 80

HEX #24341D

RGB 36 52 29

HSL 101.74, 0.28%, 0.16%

LAB 19.72, -11.96, 12.48

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 0 / 24 / 62 / 77

HEX #3A2C16

RGB 58 44 22

HSL 36.67, 0.45%, 0.16%

LAB 19.05, 3.16, 16.62

 

CMYK 0 / 31 / 75 / 75

HEX #412D10

RGB 65 45 16

HSL 35.51, 0.6%, 0.16%

LAB 20.2, 5.64, 21.84

 

CMYK 0 / 36 / 88 / 72

HEX #482E09

RGB 72 46 9

HSL 35.24, 0.78%, 0.16%

LAB 21.4, 8.23, 26.74

 

CMYK 0 / 40 / 97 / 69

HEX #4E2F02

RGB 78 47 2

HSL 35.53, 0.95%, 0.16%

LAB 22.5, 10.37, 31.02

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 0 / 9 / 22 / 82

HEX #2D2923

RGB 45 41 35

HSL 36, 0.13%, 0.16%

LAB 16.82, 0.56, 4.6

 

CMYK 7 / 5 / 0 / 84

HEX #27282A

RGB 39 40 42

HSL 220, 0.04%, 0.16%

LAB 16.09, 0.05, -1.47

 

CMYK 35 / 20 / 0 / 81

HEX #202731

RGB 32 39 49

HSL 215.29, 0.21%, 0.16%

LAB 15.38, -0.15, -7.54

 

CMYK 55 / 31 / 0 / 78

HEX #192637

RGB 25 38 55

HSL 214, 0.38%, 0.16%

LAB 14.78, 0.18, -12.75

 

CMYK 0 / 42 / 44 / 80

HEX #341E1D

RGB 52 30 29

HSL 2.61, 0.28%, 0.16%

LAB 14.1, 10.61, 5.17

 

CMYK 0 / 31 / 44 / 80

HEX #34241D

RGB 52 36 29

HSL 18.26, 0.28%, 0.16%

LAB 15.9, 6.45, 7.66

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 0 / 8 / 44 / 80

HEX #34301D

RGB 52 48 29

HSL 49.57, 0.28%, 0.16%

LAB 19.77, -1.73, 12.83

 

CMYK 6 / 0 / 44 / 80

HEX #31341D

RGB 49 52 29

HSL 67.83, 0.28%, 0.16%

LAB 20.82, -5.83, 14.12

 

CMYK 0 / 18 / 43 / 80

HEX #332A1D

RGB 51 42 29

HSL 35.45, 0.28%, 0.16%

LAB 17.68, 1.8, 10.05

 

CMYK 35 / 0 / 44 / 80

HEX #22341D

RGB 34 52 29

HSL 106.96, 0.28%, 0.16%

LAB 19.58, -12.83, 12.27

 

CMYK 37 / 44 / 0 / 80

HEX #211D34

RGB 33 29 52

HSL 250.43, 0.28%, 0.16%

LAB 12.29, 8.49, -14.45

 

CMYK 0 / 18 / 43 / 80

HEX #332A1D

RGB 51 42 29

HSL 35.45, 0.28%, 0.16%

LAB 17.68, 1.8, 10.05

 

CMYK 44 / 0 / 19 / 80

HEX #1D342A

RGB 29 52 42

HSL 153.91, 0.28%, 0.16%

LAB 19.57, -11.88, 3.49

 

CMYK 19 / 44 / 0 / 80

HEX #2A1D34

RGB 42 29 52

HSL 273.91, 0.28%, 0.16%

LAB 13.34, 11.87, -12.72

 

CMYK 0 / 18 / 43 / 80

HEX #332A1D

RGB 51 42 29

HSL 35.45, 0.28%, 0.16%

LAB 17.68, 1.8, 10.05

 

CMYK 35 / 0 / 44 / 80

HEX #22341D

RGB 34 52 29

HSL 106.96, 0.28%, 0.16%

LAB 19.58, -12.83, 12.27

 

CMYK 44 / 27 / 0 / 80

HEX #1D2634

RGB 29 38 52

HSL 216.52, 0.28%, 0.16%

LAB 14.93, 0.45, -10.38

 

CMYK 10 / 44 / 0 / 80

HEX #2F1D34

RGB 47 29 52

HSL 286.96, 0.28%, 0.16%

LAB 14.01, 13.83, -11.64

 

CMYK 0 / 18 / 43 / 80

HEX #332A1D

RGB 51 42 29

HSL 35.45, 0.28%, 0.16%

LAB 17.68, 1.8, 10.05

 

CMYK 44 / 0 / 40 / 80

HEX #1D341F

RGB 29 52 31

HSL 125.22, 0.28%, 0.16%

LAB 19.29, -14.5, 10.52

 

CMYK 44 / 27 / 0 / 80

HEX #1D2634

RGB 29 38 52

HSL 216.52, 0.28%, 0.16%

LAB 14.93, 0.45, -10.38

 

CMYK 0 / 44 / 4 / 80

HEX #341D32

RGB 52 29 50

HSL 305.22, 0.28%, 0.16%

LAB 14.62, 15.34, -9.21

 

Description

Color code: HEX #332A1D | qconv.com Color code: HEX #332A1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 42 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 42 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 43 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 43% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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