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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #334434 it is the complementary color #CCBBCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #334434. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #334434 shade: #38442F, #495642, #5A6855, #6B7A68 and #7C8C7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #334434. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #334434 shade: #334434, #223221, #11200E and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #334434 shade: #324233, #354232, #3A4232, #3E4232 and #424232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #334434 shade: #324233, #324237, #32423C, #324240 and #324042

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #334434 shade matches the following richer shades: #324233, #284C2B, #1F5522, #155F1A and #0C6811

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #334434 shade: #324233, #3B393B, #452F44, #4E264C and #581C54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #334434 shade: #3A4232, #354232, #324233, #324237 and #32423C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #334434 shade: #0E130F, #202B21, #324233, #445A45 and #557157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #334434 shade: #334434, #323E42 and #423238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #334434 shade: #334434, #333242 and #423332

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #334434 shade: #334434, #323E42, #423242 and #423632

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #334434 shade: #334434, #323942, #423242 and #423B32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 24 / 73

HEX #334434

RGB 51 68 52

HSL 123.53, 0.14%, 0.23%

LAB 26.98, -10.58, 7.52

 

Complementary color

CMYK 0 / 8 / 0 / 20

HEX #CCBBCB

RGB 204 187 203

HSL 303.53, 0.14%, 0.77%

LAB 77.69, 8.87, -5.87

 

CMYK 18 / 0 / 31 / 73

HEX #38442F

RGB 56 68 47

HSL 94.29, 0.18%, 0.23%

LAB 27.24, -9.46, 11.16

 

CMYK 15 / 0 / 23 / 66

HEX #495642

RGB 73 86 66

HSL 99, 0.13%, 0.3%

LAB 34.93, -9.37, 9.99

 

CMYK 13 / 0 / 18 / 59

HEX #5A6855

RGB 90 104 85

HSL 104.21, 0.1%, 0.37%

LAB 42.35, -9.3, 8.95

 

CMYK 12 / 0 / 15 / 52

HEX #6B7A68

RGB 107 122 104

HSL 110, 0.08%, 0.44%

LAB 49.55, -9.24, 8

 

CMYK 11 / 0 / 12 / 45

HEX #7C8C7B

RGB 124 140 123

HSL 116.47, 0.07%, 0.52%

LAB 56.56, -9.2, 7.13

 

CMYK 25 / 0 / 24 / 73

HEX #334434

RGB 51 68 52

HSL 123.53, 0.14%, 0.23%

LAB 26.98, -10.58, 7.52

 

CMYK 32 / 0 / 34 / 80

HEX #223221

RGB 34 50 33

HSL 116.47, 0.2%, 0.16%

LAB 18.93, -10.84, 8.75

 

CMYK 47 / 0 / 56 / 87

HEX #11200E

RGB 17 32 14

HSL 110, 0.39%, 0.09%

LAB 10.44, -11.12, 9.41

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 24 / 0 / 23 / 74

HEX #324233

RGB 50 66 51

HSL 123.75, 0.14%, 0.23%

LAB 26.2, -10, 7.07

 

CMYK 20 / 0 / 24 / 74

HEX #354232

RGB 53 66 50

HSL 108.75, 0.14%, 0.23%

LAB 26.4, -8.96, 8.03

 

CMYK 12 / 0 / 24 / 74

HEX #3A4232

RGB 58 66 50

HSL 90, 0.14%, 0.23%

LAB 26.81, -6.79, 8.66

 

CMYK 6 / 0 / 24 / 74

HEX #3E4232

RGB 62 66 50

HSL 75, 0.14%, 0.23%

LAB 27.16, -5.01, 9.2

 

CMYK 0 / 0 / 24 / 74

HEX #424232

RGB 66 66 50

HSL 60, 0.14%, 0.23%

LAB 27.53, -3.2, 9.77

 

CMYK 24 / 0 / 23 / 74

HEX #324233

RGB 50 66 51

HSL 123.75, 0.14%, 0.23%

LAB 26.2, -10, 7.07

 

CMYK 24 / 0 / 17 / 74

HEX #324237

RGB 50 66 55

HSL 138.75, 0.14%, 0.23%

LAB 26.3, -9.11, 4.61

 

CMYK 24 / 0 / 9 / 74

HEX #32423C

RGB 50 66 60

HSL 157.5, 0.14%, 0.23%

LAB 26.45, -7.92, 1.54

 

CMYK 24 / 0 / 3 / 74

HEX #324240

RGB 50 66 64

HSL 172.5, 0.14%, 0.23%

LAB 26.58, -6.9, -0.9

 

CMYK 24 / 3 / 0 / 74

HEX #324042

RGB 50 64 66

HSL 187.5, 0.14%, 0.23%

LAB 25.98, -5.12, -3.1

 

CMYK 24 / 0 / 23 / 74

HEX #324233

RGB 50 66 51

HSL 123.75, 0.14%, 0.23%

LAB 26.2, -10, 7.07

 

CMYK 47 / 0 / 43 / 70

HEX #284C2B

RGB 40 76 43

HSL 125, 0.31%, 0.23%

LAB 28.89, -21.09, 15.68

 

CMYK 64 / 0 / 60 / 67

HEX #1F5522

RGB 31 85 34

HSL 123.33, 0.47%, 0.23%

LAB 31.59, -29.73, 24.23

 

CMYK 78 / 0 / 73 / 63

HEX #155F1A

RGB 21 95 26

HSL 124.05, 0.64%, 0.23%

LAB 34.84, -37.08, 31.89

 

CMYK 88 / 0 / 84 / 59

HEX #0C6811

RGB 12 104 17

HSL 123.26, 0.79%, 0.23%

LAB 37.88, -42.38, 38.5

 

CMYK 24 / 0 / 23 / 74

HEX #324233

RGB 50 66 51

HSL 123.75, 0.14%, 0.23%

LAB 26.2, -10, 7.07

 

CMYK 0 / 3 / 0 / 77

HEX #3B393B

RGB 59 57 59

HSL 300, 0.02%, 0.23%

LAB 24.23, 1.32, -0.94

 

CMYK 0 / 32 / 1 / 73

HEX #452F44

RGB 69 47 68

HSL 302.73, 0.19%, 0.23%

LAB 22.71, 14.23, -9.15

 

CMYK 0 / 51 / 3 / 69

HEX #4E264C

RGB 78 38 76

HSL 303, 0.34%, 0.23%

LAB 22.04, 25.09, -15.46

 

CMYK 0 / 68 / 5 / 65

HEX #581C54

RGB 88 28 84

HSL 304, 0.52%, 0.23%

LAB 22.11, 35.27, -20.62

 

CMYK 12 / 0 / 24 / 74

HEX #3A4232

RGB 58 66 50

HSL 90, 0.14%, 0.23%

LAB 26.81, -6.79, 8.66

 

CMYK 20 / 0 / 24 / 74

HEX #354232

RGB 53 66 50

HSL 108.75, 0.14%, 0.23%

LAB 26.4, -8.96, 8.03

 

CMYK 24 / 0 / 23 / 74

HEX #324233

RGB 50 66 51

HSL 123.75, 0.14%, 0.23%

LAB 26.2, -10, 7.07

 

CMYK 24 / 0 / 17 / 74

HEX #324237

RGB 50 66 55

HSL 138.75, 0.14%, 0.23%

LAB 26.3, -9.11, 4.61

 

CMYK 24 / 0 / 9 / 74

HEX #32423C

RGB 50 66 60

HSL 157.5, 0.14%, 0.23%

LAB 26.45, -7.92, 1.54

 

CMYK 26 / 0 / 21 / 93

HEX #0E130F

RGB 14 19 15

HSL 132, 0.15%, 0.06%

LAB 5.36, -2.62, 1.52

 

CMYK 26 / 0 / 23 / 83

HEX #202B21

RGB 32 43 33

HSL 125.45, 0.15%, 0.15%

LAB 16.23, -7.29, 4.98

 

CMYK 24 / 0 / 23 / 74

HEX #324233

RGB 50 66 51

HSL 123.75, 0.14%, 0.23%

LAB 26.2, -10, 7.07

 

CMYK 24 / 0 / 23 / 65

HEX #445A45

RGB 68 90 69

HSL 122.73, 0.14%, 0.31%

LAB 35.93, -13.11, 9.46

 

CMYK 25 / 0 / 23 / 56

HEX #557157

RGB 85 113 87

HSL 124.29, 0.14%, 0.39%

LAB 44.84, -15.88, 11.18

 

CMYK 25 / 0 / 24 / 73

HEX #334434

RGB 51 68 52

HSL 123.53, 0.14%, 0.23%

LAB 26.98, -10.58, 7.52

 

CMYK 24 / 6 / 0 / 74

HEX #323E42

RGB 50 62 66

HSL 195, 0.14%, 0.23%

LAB 25.31, -3.84, -4.09

 

CMYK 0 / 24 / 15 / 74

HEX #423238

RGB 66 50 56

HSL 337.5, 0.14%, 0.23%

LAB 22.74, 8.39, -1.02

 

CMYK 25 / 0 / 24 / 73

HEX #334434

RGB 51 68 52

HSL 123.53, 0.14%, 0.23%

LAB 26.98, -10.58, 7.52

 

CMYK 23 / 24 / 0 / 74

HEX #333242

RGB 51 50 66

HSL 243.75, 0.14%, 0.23%

LAB 21.5, 4.54, -9.82

 

CMYK 0 / 23 / 24 / 74

HEX #423332

RGB 66 51 50

HSL 3.75, 0.14%, 0.23%

LAB 22.85, 6.56, 3.2

 

CMYK 25 / 0 / 24 / 73

HEX #334434

RGB 51 68 52

HSL 123.53, 0.14%, 0.23%

LAB 26.98, -10.58, 7.52

 

CMYK 24 / 6 / 0 / 74

HEX #323E42

RGB 50 62 66

HSL 195, 0.14%, 0.23%

LAB 25.31, -3.84, -4.09

 

CMYK 0 / 24 / 0 / 74

HEX #423242

RGB 66 50 66

HSL 300, 0.14%, 0.23%

LAB 23.11, 10.55, -7.23

 

CMYK 0 / 18 / 24 / 74

HEX #423632

RGB 66 54 50

HSL 15, 0.14%, 0.23%

LAB 23.76, 4.57, 4.5

 

CMYK 25 / 0 / 24 / 73

HEX #334434

RGB 51 68 52

HSL 123.53, 0.14%, 0.23%

LAB 26.98, -10.58, 7.52

 

CMYK 24 / 14 / 0 / 74

HEX #323942

RGB 50 57 66

HSL 213.75, 0.14%, 0.23%

LAB 23.66, -0.57, -6.55

 

CMYK 0 / 24 / 0 / 74

HEX #423242

RGB 66 50 66

HSL 300, 0.14%, 0.23%

LAB 23.11, 10.55, -7.23

 

CMYK 0 / 11 / 24 / 74

HEX #423B32

RGB 66 59 50

HSL 33.75, 0.14%, 0.23%

LAB 25.31, 1.29, 6.69

 

Description

Color code: HEX #334434 | qconv.com Color code: HEX #334434 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 68 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 68 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 24 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 24% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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