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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3346CC it is the complementary color #CCB933. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3346CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3346CC shade: #3846C7, #4958DA, #5A6AED, #6B7CFF and #7C8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3346CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3346CC shade: #3346CC, #2234B9, #1122A6, #001093 and #000080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3346CC shade: #3345CC, #4933CC, #7233CC, #9B33CC and #C533CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3346CC shade: #3345CC and #3333CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3346CC shade matches the following richer shades: #3345CC, #1E36E0 and #0926F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3346CC shade: #3345CC, #4755B7, #5C65A2, #70748E and #858479

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3346CC shade: #3398CC, #3370CC, #3347CC, #4733CC and #7033CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3346CC shade: #222F89, #2A3AAA, #3345CC, #5463D4 and #7581DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3346CC shade: #3346CC, #CC33C1 and #84CC33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3346CC shade: #3346CC, #CC3347 and #47CC33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3346CC shade: #3346CC, #CC33C1, #CCB733 and #33CC3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3346CC shade: #3346CC, #CC3393, #CCB733 and #33CC6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 66 / 0 / 20

HEX #3346CC

RGB 51 70 204

HSL 232.55, 0.6%, 0.5%

LAB 36.83, 39.19, -71.22

 

Complementary color

CMYK 0 / 9 / 75 / 20

HEX #CCB933

RGB 204 185 51

HSL 52.55, 0.6%, 0.5%

LAB 74.68, -7.49, 65.83

 

CMYK 72 / 65 / 0 / 22

HEX #3846C7

RGB 56 70 199

HSL 234.13, 0.56%, 0.5%

LAB 36.64, 37.98, -68.61

 

CMYK 67 / 60 / 0 / 15

HEX #4958DA

RGB 73 88 218

HSL 233.79, 0.66%, 0.57%

LAB 43.45, 35.57, -68.41

 

CMYK 62 / 55 / 0 / 7

HEX #5A6AED

RGB 90 106 237

HSL 233.47, 0.8%, 0.64%

LAB 50.21, 33.49, -68.11

 

CMYK 58 / 51 / 0 / 0

HEX #6B7CFF

RGB 107 124 255

HSL 233.11, 1%, 0.71%

LAB 56.84, 31.38, -67.34

 

CMYK 51 / 44 / 0 / 0

HEX #7C8EFF

RGB 124 142 255

HSL 231.76, 1%, 0.74%

LAB 62.38, 24.03, -58.4

 

CMYK 75 / 66 / 0 / 20

HEX #3346CC

RGB 51 70 204

HSL 232.55, 0.6%, 0.5%

LAB 36.83, 39.19, -71.22

 

CMYK 82 / 72 / 0 / 27

HEX #2234B9

RGB 34 52 185

HSL 232.85, 0.69%, 0.43%

LAB 30.15, 42.07, -71.09

 

CMYK 90 / 80 / 0 / 35

HEX #1122A6

RGB 17 34 166

HSL 233.15, 0.81%, 0.36%

LAB 23.73, 44.99, -70.37

 

CMYK 100 / 89 / 0 / 42

HEX #001093

RGB 0 16 147

HSL 233.47, 1%, 0.29%

LAB 17.82, 47.07, -68.57

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 75 / 66 / 0 / 20

HEX #3345CC

RGB 51 69 204

HSL 232.94, 0.6%, 0.5%

LAB 36.59, 39.81, -71.6

 

CMYK 64 / 75 / 0 / 20

HEX #4933CC

RGB 73 51 204

HSL 248.63, 0.6%, 0.5%

LAB 34.28, 52.45, -75.36

 

CMYK 44 / 75 / 0 / 20

HEX #7233CC

RGB 114 51 204

HSL 264.71, 0.6%, 0.5%

LAB 38.38, 58.06, -68.47

 

CMYK 24 / 75 / 0 / 20

HEX #9B33CC

RGB 155 51 204

HSL 280.78, 0.6%, 0.5%

LAB 43.79, 65.17, -59.43

 

CMYK 3 / 75 / 0 / 20

HEX #C533CC

RGB 197 51 204

HSL 297.25, 0.6%, 0.5%

LAB 50.21, 73.35, -48.77

 

CMYK 75 / 66 / 0 / 20

HEX #3345CC

RGB 51 69 204

HSL 232.94, 0.6%, 0.5%

LAB 36.59, 39.81, -71.6

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 75 / 66 / 0 / 20

HEX #3345CC

RGB 51 69 204

HSL 232.94, 0.6%, 0.5%

LAB 36.59, 39.81, -71.6

 

CMYK 87 / 76 / 0 / 12

HEX #1E36E0

RGB 30 54 224

HSL 232.58, 0.76%, 0.5%

LAB 34.59, 53.97, -86.46

 

CMYK 96 / 84 / 0 / 4

HEX #0926F5

RGB 9 38 245

HSL 232.63, 0.93%, 0.5%

LAB 34.06, 67.52, -99.3

 

CMYK 75 / 66 / 0 / 20

HEX #3345CC

RGB 51 69 204

HSL 232.94, 0.6%, 0.5%

LAB 36.59, 39.81, -71.6

 

CMYK 61 / 54 / 0 / 28

HEX #4755B7

RGB 71 85 183

HSL 232.5, 0.44%, 0.5%

LAB 40.01, 25.1, -53.74

 

CMYK 43 / 38 / 0 / 36

HEX #5C65A2

RGB 92 101 162

HSL 232.29, 0.28%, 0.5%

LAB 44.51, 12.89, -34.1

 

CMYK 21 / 18 / 0 / 44

HEX #70748E

RGB 112 116 142

HSL 232, 0.12%, 0.5%

LAB 49.36, 4.39, -14.65

 

CMYK 0 / 1 / 9 / 48

HEX #858479

RGB 133 132 121

HSL 55, 0.05%, 0.5%

LAB 54.94, -1.7, 6.07

 

CMYK 75 / 25 / 0 / 20

HEX #3398CC

RGB 51 152 204

HSL 200.39, 0.6%, 0.5%

LAB 59.45, -11.44, -34.96

 

CMYK 75 / 45 / 0 / 20

HEX #3370CC

RGB 51 112 204

HSL 216.08, 0.6%, 0.5%

LAB 47.82, 12.36, -53.38

 

CMYK 75 / 65 / 0 / 20

HEX #3347CC

RGB 51 71 204

HSL 232.16, 0.6%, 0.5%

LAB 37.06, 38.57, -70.84

 

CMYK 65 / 75 / 0 / 20

HEX #4733CC

RGB 71 51 204

HSL 247.84, 0.6%, 0.5%

LAB 34.12, 52.23, -75.63

 

CMYK 45 / 75 / 0 / 20

HEX #7033CC

RGB 112 51 204

HSL 263.92, 0.6%, 0.5%

LAB 38.15, 57.74, -68.86

 

CMYK 75 / 66 / 0 / 46

HEX #222F89

RGB 34 47 137

HSL 232.43, 0.6%, 0.34%

LAB 24.26, 27.67, -51.65

 

CMYK 75 / 66 / 0 / 33

HEX #2A3AAA

RGB 42 58 170

HSL 232.5, 0.6%, 0.42%

LAB 30.45, 33.63, -61.65

 

CMYK 75 / 66 / 0 / 20

HEX #3345CC

RGB 51 69 204

HSL 232.94, 0.6%, 0.5%

LAB 36.59, 39.81, -71.6

 

CMYK 60 / 53 / 0 / 17

HEX #5463D4

RGB 84 99 212

HSL 232.97, 0.6%, 0.58%

LAB 46.39, 28.46, -60.16

 

CMYK 47 / 41 / 0 / 14

HEX #7581DC

RGB 117 129 220

HSL 233.01, 0.6%, 0.66%

LAB 56.73, 19.6, -48.02

 

CMYK 75 / 66 / 0 / 20

HEX #3346CC

RGB 51 70 204

HSL 232.55, 0.6%, 0.5%

LAB 36.83, 39.19, -71.22

 

CMYK 0 / 75 / 5 / 20

HEX #CC33C1

RGB 204 51 193

HSL 304.31, 0.6%, 0.5%

LAB 50.75, 73.07, -41.49

 

CMYK 35 / 0 / 75 / 20

HEX #84CC33

RGB 132 204 51

HSL 88.24, 0.6%, 0.5%

LAB 75.03, -45.62, 64.4

 

CMYK 75 / 66 / 0 / 20

HEX #3346CC

RGB 51 70 204

HSL 232.55, 0.6%, 0.5%

LAB 36.83, 39.19, -71.22

 

CMYK 0 / 75 / 65 / 20

HEX #CC3347

RGB 204 51 71

HSL 352.16, 0.6%, 0.5%

LAB 46.53, 60.08, 25.64

 

CMYK 65 / 0 / 75 / 20

HEX #47CC33

RGB 71 204 51

HSL 112.16, 0.6%, 0.5%

LAB 72.74, -63.03, 61.38

 

CMYK 75 / 66 / 0 / 20

HEX #3346CC

RGB 51 70 204

HSL 232.55, 0.6%, 0.5%

LAB 36.83, 39.19, -71.22

 

CMYK 0 / 75 / 5 / 20

HEX #CC33C1

RGB 204 51 193

HSL 304.31, 0.6%, 0.5%

LAB 50.75, 73.07, -41.49

 

CMYK 0 / 10 / 75 / 20

HEX #CCB733

RGB 204 183 51

HSL 51.76, 0.6%, 0.5%

LAB 74.15, -6.45, 65.33

 

CMYK 75 / 0 / 70 / 20

HEX #33CC3D

RGB 51 204 61

HSL 123.92, 0.6%, 0.5%

LAB 72.38, -65.8, 57.3

 

CMYK 75 / 66 / 0 / 20

HEX #3346CC

RGB 51 70 204

HSL 232.55, 0.6%, 0.5%

LAB 36.83, 39.19, -71.22

 

CMYK 0 / 75 / 28 / 20

HEX #CC3393

RGB 204 51 147

HSL 322.35, 0.6%, 0.5%

LAB 48.65, 66.81, -17.65

 

CMYK 0 / 10 / 75 / 20

HEX #CCB733

RGB 204 183 51

HSL 51.76, 0.6%, 0.5%

LAB 74.15, -6.45, 65.33

 

CMYK 75 / 0 / 48 / 20

HEX #33CC6B

RGB 51 204 107

HSL 141.96, 0.6%, 0.5%

LAB 72.86, -60.06, 37.22

 

Description

Color code: HEX #3346CC | qconv.com Color code: HEX #3346CC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 70 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 70 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 66 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 66% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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