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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3349BB it is the complementary color #CCB644. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3349BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3349BB shade: #3849B6, #495BC9, #5A6DDC, #6B7FEF and #7C91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3349BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3349BB shade: #3349BB, #2237A8, #112595, #001382 and #00016F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3349BB shade: #3349BC, #4233BC, #6733BC, #8B33BC and #B033BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3349BB shade: #3349BC and #3333BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3349BB shade matches the following richer shades: #3349BC, #203CCF and #0C2FE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3349BB shade: #3349BC, #4656A8, #5A6395, #6D7081 and #817E6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3349BB shade: #3393BC, #336EBC, #334ABC, #4133BC and #6533BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3349BB shade: #21307B, #2A3C9B, #3349BC, #4B60CD and #6B7CD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3349BB shade: #3349BB, #BC33B7 and #80BC33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3349BB shade: #3349BB, #BC334A and #4ABC33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3349BB shade: #3349BB, #BC33B7, #BCA533 and #33BC38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3349BB shade: #3349BB, #BC338E, #BCA533 and #33BC61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 61 / 0 / 27

HEX #3349BB

RGB 51 73 187

HSL 230.29, 0.57%, 0.47%

LAB 36.09, 31.19, -62.5

 

Complementary color

CMYK 0 / 11 / 67 / 20

HEX #CCB644

RGB 204 182 68

HSL 50.29, 0.57%, 0.53%

LAB 74, -5.09, 58.67

 

CMYK 69 / 60 / 0 / 29

HEX #3849B6

RGB 56 73 182

HSL 231.9, 0.53%, 0.47%

LAB 35.95, 30.05, -59.77

 

CMYK 64 / 55 / 0 / 21

HEX #495BC9

RGB 73 91 201

HSL 231.56, 0.54%, 0.54%

LAB 42.94, 27.85, -59.47

 

CMYK 59 / 50 / 0 / 14

HEX #5A6DDC

RGB 90 109 220

HSL 231.23, 0.65%, 0.61%

LAB 49.83, 26.02, -59.15

 

CMYK 55 / 47 / 0 / 6

HEX #6B7FEF

RGB 107 127 239

HSL 230.91, 0.8%, 0.68%

LAB 56.62, 24.48, -58.84

 

CMYK 51 / 43 / 0 / 0

HEX #7C91FF

RGB 124 145 255

HSL 230.38, 1%, 0.74%

LAB 63.14, 22.27, -57.19

 

CMYK 73 / 61 / 0 / 27

HEX #3349BB

RGB 51 73 187

HSL 230.29, 0.57%, 0.47%

LAB 36.09, 31.19, -62.5

 

CMYK 80 / 67 / 0 / 34

HEX #2237A8

RGB 34 55 168

HSL 230.6, 0.66%, 0.4%

LAB 29.16, 34.04, -62.59

 

CMYK 89 / 75 / 0 / 42

HEX #112595

RGB 17 37 149

HSL 230.91, 0.8%, 0.33%

LAB 22.35, 37.25, -62.27

 

CMYK 100 / 85 / 0 / 49

HEX #001382

RGB 0 19 130

HSL 231.23, 1%, 0.25%

LAB 15.89, 40.19, -61.11

 

CMYK 100 / 99 / 0 / 56

HEX #00016F

RGB 0 1 111

HSL 239.46, 1%, 0.22%

LAB 10.33, 42.39, -58.16

 

CMYK 73 / 61 / 0 / 26

HEX #3349BC

RGB 51 73 188

HSL 230.36, 0.57%, 0.47%

LAB 36.18, 31.56, -62.95

 

CMYK 65 / 73 / 0 / 26

HEX #4233BC

RGB 66 51 188

HSL 246.57, 0.57%, 0.47%

LAB 32.16, 46.73, -69.49

 

CMYK 45 / 73 / 0 / 26

HEX #6733BC

RGB 103 51 188

HSL 262.77, 0.57%, 0.47%

LAB 35.76, 52.15, -63.46

 

CMYK 26 / 73 / 0 / 26

HEX #8B33BC

RGB 139 51 188

HSL 278.54, 0.57%, 0.47%

LAB 40.39, 58.77, -55.72

 

CMYK 6 / 73 / 0 / 26

HEX #B033BC

RGB 176 51 188

HSL 294.74, 0.57%, 0.47%

LAB 45.95, 66.34, -46.49

 

CMYK 73 / 61 / 0 / 26

HEX #3349BC

RGB 51 73 188

HSL 230.36, 0.57%, 0.47%

LAB 36.18, 31.56, -62.95

 

CMYK 73 / 73 / 0 / 26

HEX #3333BC

RGB 51 51 188

HSL 240, 0.57%, 0.47%

LAB 31.12, 45.1, -71.25

 

CMYK 73 / 61 / 0 / 26

HEX #3349BC

RGB 51 73 188

HSL 230.36, 0.57%, 0.47%

LAB 36.18, 31.56, -62.95

 

CMYK 85 / 71 / 0 / 19

HEX #203CCF

RGB 32 60 207

HSL 230.4, 0.73%, 0.47%

LAB 34.07, 44.87, -77.52

 

CMYK 95 / 79 / 0 / 11

HEX #0C2FE2

RGB 12 47 226

HSL 230.19, 0.9%, 0.47%

LAB 33.14, 57.76, -90.03

 

CMYK 73 / 61 / 0 / 26

HEX #3349BC

RGB 51 73 188

HSL 230.36, 0.57%, 0.47%

LAB 36.18, 31.56, -62.95

 

CMYK 58 / 49 / 0 / 34

HEX #4656A8

RGB 70 86 168

HSL 230.2, 0.41%, 0.47%

LAB 39.22, 19.1, -46.16

 

CMYK 40 / 34 / 0 / 42

HEX #5A6395

RGB 90 99 149

HSL 230.85, 0.25%, 0.47%

LAB 43.16, 9.69, -28.5

 

CMYK 16 / 13 / 0 / 49

HEX #6D7081

RGB 109 112 129

HSL 231, 0.08%, 0.47%

LAB 47.53, 2.62, -9.74

 

CMYK 0 / 2 / 15 / 49

HEX #817E6E

RGB 129 126 110

HSL 50.53, 0.08%, 0.47%

LAB 52.64, -1.81, 9.12

 

CMYK 73 / 22 / 0 / 26

HEX #3393BC

RGB 51 147 188

HSL 197.96, 0.57%, 0.47%

LAB 57.27, -14.15, -29.34

 

CMYK 73 / 41 / 0 / 26

HEX #336EBC

RGB 51 110 188

HSL 214.16, 0.57%, 0.47%

LAB 46.29, 7.68, -46.61

 

CMYK 73 / 61 / 0 / 26

HEX #334ABC

RGB 51 74 188

HSL 229.93, 0.57%, 0.47%

LAB 36.43, 30.91, -62.54

 

CMYK 65 / 73 / 0 / 26

HEX #4133BC

RGB 65 51 188

HSL 246.13, 0.57%, 0.47%

LAB 32.08, 46.61, -69.62

 

CMYK 46 / 73 / 0 / 26

HEX #6533BC

RGB 101 51 188

HSL 261.9, 0.57%, 0.47%

LAB 35.53, 51.81, -63.84

 

CMYK 73 / 61 / 0 / 52

HEX #21307B

RGB 33 48 123

HSL 230, 0.58%, 0.31%

LAB 23.23, 21.45, -44.53

 

CMYK 73 / 61 / 0 / 39

HEX #2A3C9B

RGB 42 60 155

HSL 230.44, 0.57%, 0.39%

LAB 29.64, 26.76, -53.92

 

CMYK 73 / 61 / 0 / 26

HEX #3349BC

RGB 51 73 188

HSL 230.36, 0.57%, 0.47%

LAB 36.18, 31.56, -62.95

 

CMYK 63 / 53 / 0 / 20

HEX #4B60CD

RGB 75 96 205

HSL 230.31, 0.57%, 0.55%

LAB 44.62, 26.4, -59.05

 

CMYK 50 / 42 / 0 / 16

HEX #6B7CD6

RGB 107 124 214

HSL 230.47, 0.57%, 0.63%

LAB 54.44, 18.45, -48.32

 

CMYK 73 / 61 / 0 / 27

HEX #3349BB

RGB 51 73 187

HSL 230.29, 0.57%, 0.47%

LAB 36.09, 31.19, -62.5

 

CMYK 0 / 73 / 3 / 26

HEX #BC33B7

RGB 188 51 183

HSL 302.19, 0.57%, 0.47%

LAB 47.6, 68.08, -40.83

 

CMYK 32 / 0 / 73 / 26

HEX #80BC33

RGB 128 188 51

HSL 86.28, 0.57%, 0.47%

LAB 70.03, -40.2, 59.45

 

CMYK 73 / 61 / 0 / 27

HEX #3349BB

RGB 51 73 187

HSL 230.29, 0.57%, 0.47%

LAB 36.09, 31.19, -62.5

 

CMYK 0 / 73 / 61 / 26

HEX #BC334A

RGB 188 51 74

HSL 349.93, 0.57%, 0.47%

LAB 43.59, 55.46, 19.41

 

CMYK 61 / 0 / 73 / 26

HEX #4ABC33

RGB 74 188 51

HSL 109.93, 0.57%, 0.47%

LAB 67.77, -56.88, 56.44

 

CMYK 73 / 61 / 0 / 27

HEX #3349BB

RGB 51 73 187

HSL 230.29, 0.57%, 0.47%

LAB 36.09, 31.19, -62.5

 

CMYK 0 / 73 / 3 / 26

HEX #BC33B7

RGB 188 51 183

HSL 302.19, 0.57%, 0.47%

LAB 47.6, 68.08, -40.83

 

CMYK 0 / 12 / 73 / 26

HEX #BCA533

RGB 188 165 51

HSL 49.93, 0.57%, 0.47%

LAB 67.9, -3.98, 58.84

 

CMYK 73 / 0 / 70 / 26

HEX #33BC38

RGB 51 188 56

HSL 122.19, 0.57%, 0.47%

LAB 67.24, -61.11, 53.84

 

CMYK 73 / 61 / 0 / 27

HEX #3349BB

RGB 51 73 187

HSL 230.29, 0.57%, 0.47%

LAB 36.09, 31.19, -62.5

 

CMYK 0 / 73 / 24 / 26

HEX #BC338E

RGB 188 51 142

HSL 320.15, 0.57%, 0.47%

LAB 45.65, 62.16, -19.47

 

CMYK 0 / 12 / 73 / 26

HEX #BCA533

RGB 188 165 51

HSL 49.93, 0.57%, 0.47%

LAB 67.9, -3.98, 58.84

 

CMYK 73 / 0 / 48 / 26

HEX #33BC61

RGB 51 188 97

HSL 140.15, 0.57%, 0.47%

LAB 67.68, -55.99, 35.69

 

Description

Color code: HEX #3349BB | qconv.com Color code: HEX #3349BB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 73 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 73 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 61 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 61% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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