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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #334261 it is the complementary color #CCBD9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #334261. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #334261 shade: #38425C, #49546F, #5A6682, #6B7895 and #7C8AA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #334261. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #334261 shade: #334261, #22304E, #111E3B, #000C28 and #000015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #334261 shade: #334160, #333560, #3C3360, #493360 and #553360

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #334261 shade: #334160, #333560 and #333360

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #334261 shade matches the following richer shades: #334160, #273D6C, #1B3978, #0F3584 and #033190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #334261 shade: #334160, #3E4654, #4A4A48, #564E3C and #625231

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #334261 shade: #335A60, #334E60, #334260, #333660 and #3C3360

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #334261 shade: #161D2A, #242F45, #334160, #41547B and #4F6696

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #334261 shade: #334261, #5A3360 and #546033

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #334261 shade: #334261, #603342 and #426033

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #334261 shade: #334261, #5A3360, #605133 and #396033

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #334261 shade: #334261, #603359, #605133 and #33603A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 32 / 0 / 62

HEX #334261

RGB 51 66 97

HSL 220.43, 0.31%, 0.29%

LAB 28.02, 3.33, -20.2

 

Complementary color

CMYK 0 / 7 / 23 / 20

HEX #CCBD9E

RGB 204 189 158

HSL 40.43, 0.31%, 0.71%

LAB 77.1, 0.36, 17.6

 

CMYK 39 / 28 / 0 / 64

HEX #38425C

RGB 56 66 92

HSL 223.33, 0.24%, 0.29%

LAB 28.14, 3.26, -16.76

 

CMYK 34 / 24 / 0 / 56

HEX #49546F

RGB 73 84 111

HSL 222.63, 0.21%, 0.36%

LAB 35.8, 2.81, -16.87

 

CMYK 31 / 22 / 0 / 49

HEX #5A6682

RGB 90 102 130

HSL 222, 0.18%, 0.43%

LAB 43.19, 2.45, -17.05

 

CMYK 28 / 19 / 0 / 42

HEX #6B7895

RGB 107 120 149

HSL 221.43, 0.17%, 0.5%

LAB 50.37, 2.15, -17.27

 

CMYK 26 / 18 / 0 / 34

HEX #7C8AA8

RGB 124 138 168

HSL 220.91, 0.2%, 0.57%

LAB 57.36, 1.88, -17.52

 

CMYK 47 / 32 / 0 / 62

HEX #334261

RGB 51 66 97

HSL 220.43, 0.31%, 0.29%

LAB 28.02, 3.33, -20.2

 

CMYK 56 / 38 / 0 / 69

HEX #22304E

RGB 34 48 78

HSL 220.91, 0.39%, 0.22%

LAB 20.06, 4.18, -20.26

 

CMYK 71 / 49 / 0 / 77

HEX #111E3B

RGB 17 30 59

HSL 221.43, 0.55%, 0.15%

LAB 11.71, 5.54, -20.45

 

CMYK 100 / 70 / 0 / 84

HEX #000C28

RGB 0 12 40

HSL 222, 1%, 0.08%

LAB 3.76, 4.87, -19.23

 

CMYK 100 / 100 / 0 / 92

HEX #000015

RGB 0 0 21

HSL 240, 1%, 0.04%

LAB 0.49, 3.44, -9.35

 

CMYK 47 / 32 / 0 / 62

HEX #334160

RGB 51 65 96

HSL 221.33, 0.31%, 0.29%

LAB 27.65, 3.67, -20.12

 

CMYK 47 / 45 / 0 / 62

HEX #333560

RGB 51 53 96

HSL 237.33, 0.31%, 0.29%

LAB 23.98, 11.83, -25.9

 

CMYK 38 / 47 / 0 / 62

HEX #3C3360

RGB 60 51 96

HSL 252, 0.31%, 0.29%

LAB 24.23, 15.88, -25.44

 

CMYK 24 / 47 / 0 / 62

HEX #493360

RGB 73 51 96

HSL 269.33, 0.31%, 0.29%

LAB 25.65, 20.03, -23.11

 

CMYK 11 / 47 / 0 / 62

HEX #553360

RGB 85 51 96

HSL 285.33, 0.31%, 0.29%

LAB 27.14, 24.05, -20.67

 

CMYK 47 / 32 / 0 / 62

HEX #334160

RGB 51 65 96

HSL 221.33, 0.31%, 0.29%

LAB 27.65, 3.67, -20.12

 

CMYK 47 / 45 / 0 / 62

HEX #333560

RGB 51 53 96

HSL 237.33, 0.31%, 0.29%

LAB 23.98, 11.83, -25.9

 

CMYK 47 / 47 / 0 / 62

HEX #333360

RGB 51 51 96

HSL 240, 0.31%, 0.29%

LAB 23.39, 13.21, -26.83

 

CMYK 47 / 32 / 0 / 62

HEX #334160

RGB 51 65 96

HSL 221.33, 0.31%, 0.29%

LAB 27.65, 3.67, -20.12

 

CMYK 64 / 44 / 0 / 58

HEX #273D6C

RGB 39 61 108

HSL 220.87, 0.47%, 0.29%

LAB 26.31, 7.6, -30

 

CMYK 78 / 53 / 0 / 53

HEX #1B3978

RGB 27 57 120

HSL 220.65, 0.63%, 0.29%

LAB 25.31, 13.04, -39.28

 

CMYK 89 / 60 / 0 / 48

HEX #0F3584

RGB 15 53 132

HSL 220.51, 0.8%, 0.29%

LAB 24.68, 19.61, -47.86

 

CMYK 98 / 66 / 0 / 44

HEX #033190

RGB 3 49 144

HSL 220.43, 0.96%, 0.29%

LAB 24.42, 26.74, -55.78

 

CMYK 47 / 32 / 0 / 62

HEX #334160

RGB 51 65 96

HSL 221.33, 0.31%, 0.29%

LAB 27.65, 3.67, -20.12

 

CMYK 26 / 17 / 0 / 67

HEX #3E4654

RGB 62 70 84

HSL 218.18, 0.15%, 0.29%

LAB 29.52, 0.36, -9.43

 

CMYK 0 / 0 / 3 / 71

HEX #4A4A48

RGB 74 74 72

HSL 60, 0.01%, 0.29%

LAB 31.4, -0.43, 1.19

 

CMYK 0 / 9 / 30 / 66

HEX #564E3C

RGB 86 78 60

HSL 41.54, 0.18%, 0.29%

LAB 33.46, 0.08, 11.88

 

CMYK 0 / 16 / 50 / 62

HEX #625231

RGB 98 82 49

HSL 40.41, 0.33%, 0.29%

LAB 35.7, 1.7, 21.77

 

CMYK 47 / 6 / 0 / 62

HEX #335A60

RGB 51 90 96

HSL 188, 0.31%, 0.29%

LAB 35.71, -12.01, -7.78

 

CMYK 47 / 19 / 0 / 62

HEX #334E60

RGB 51 78 96

HSL 204, 0.31%, 0.29%

LAB 31.8, -4.75, -13.71

 

CMYK 47 / 31 / 0 / 62

HEX #334260

RGB 51 66 96

HSL 220, 0.31%, 0.29%

LAB 27.97, 3, -19.63

 

CMYK 47 / 44 / 0 / 62

HEX #333660

RGB 51 54 96

HSL 236, 0.31%, 0.29%

LAB 24.28, 11.14, -25.42

 

CMYK 38 / 47 / 0 / 62

HEX #3C3360

RGB 60 51 96

HSL 252, 0.31%, 0.29%

LAB 24.23, 15.88, -25.44

 

CMYK 48 / 31 / 0 / 84

HEX #161D2A

RGB 22 29 42

HSL 219, 0.31%, 0.13%

LAB 10.68, 1.05, -9.79

 

CMYK 48 / 32 / 0 / 73

HEX #242F45

RGB 36 47 69

HSL 220, 0.31%, 0.21%

LAB 19.38, 2.25, -15.23

 

CMYK 47 / 32 / 0 / 62

HEX #334160

RGB 51 65 96

HSL 221.33, 0.31%, 0.29%

LAB 27.65, 3.67, -20.12

 

CMYK 47 / 32 / 0 / 52

HEX #41547B

RGB 65 84 123

HSL 220.34, 0.31%, 0.37%

LAB 35.78, 4.07, -24.38

 

CMYK 47 / 32 / 0 / 41

HEX #4F6696

RGB 79 102 150

HSL 220.56, 0.31%, 0.45%

LAB 43.31, 5.1, -28.92

 

CMYK 47 / 32 / 0 / 62

HEX #334261

RGB 51 66 97

HSL 220.43, 0.31%, 0.29%

LAB 28.02, 3.33, -20.2

 

CMYK 6 / 47 / 0 / 62

HEX #5A3360

RGB 90 51 96

HSL 292, 0.31%, 0.29%

LAB 27.81, 25.75, -19.58

 

CMYK 13 / 0 / 47 / 62

HEX #546033

RGB 84 96 51

HSL 76, 0.31%, 0.29%

LAB 38.71, -12.77, 24.11

 

CMYK 47 / 32 / 0 / 62

HEX #334261

RGB 51 66 97

HSL 220.43, 0.31%, 0.29%

LAB 28.02, 3.33, -20.2

 

CMYK 0 / 47 / 31 / 62

HEX #603342

RGB 96 51 66

HSL 340, 0.31%, 0.29%

LAB 27.43, 22.3, -0.37

 

CMYK 31 / 0 / 47 / 62

HEX #426033

RGB 66 96 51

HSL 100, 0.31%, 0.29%

LAB 37.41, -20.38, 22.2

 

CMYK 47 / 32 / 0 / 62

HEX #334261

RGB 51 66 97

HSL 220.43, 0.31%, 0.29%

LAB 28.02, 3.33, -20.2

 

CMYK 6 / 47 / 0 / 62

HEX #5A3360

RGB 90 51 96

HSL 292, 0.31%, 0.29%

LAB 27.81, 25.75, -19.58

 

CMYK 0 / 16 / 47 / 62

HEX #605133

RGB 96 81 51

HSL 40, 0.31%, 0.29%

LAB 35.22, 1.6, 19.93

 

CMYK 41 / 0 / 47 / 62

HEX #396033

RGB 57 96 51

HSL 112, 0.31%, 0.29%

LAB 36.88, -23.81, 21.42

 

CMYK 47 / 32 / 0 / 62

HEX #334261

RGB 51 66 97

HSL 220.43, 0.31%, 0.29%

LAB 28.02, 3.33, -20.2

 

CMYK 0 / 47 / 7 / 62

HEX #603359

RGB 96 51 89

HSL 309.33, 0.31%, 0.29%

LAB 28.32, 26.37, -14.18

 

CMYK 0 / 16 / 47 / 62

HEX #605133

RGB 96 81 51

HSL 40, 0.31%, 0.29%

LAB 35.22, 1.6, 19.93

 

CMYK 47 / 0 / 40 / 62

HEX #33603A

RGB 51 96 58

HSL 129.33, 0.31%, 0.29%

LAB 36.7, -24.66, 17.01

 

Description

Color code: HEX #334261 | qconv.com Color code: HEX #334261 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 66 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 66 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 32 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 32% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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