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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #334B5D it is the complementary color #CCB4A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #334B5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #334B5D shade: #384B58, #495D6B, #5A6F7E, #6B8191 and #7C93A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #334B5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #334B5D shade: #334B5D, #22394A, #112737, #001524 and #000311

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #334B5D shade: #324A5C, #323F5C, #32345C, #3C325C and #47325C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #334B5D shade: #324A5C, #323F5C, #32345C and #32325C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #334B5D shade matches the following richer shades: #324A5C, #274C67, #1B4D73, #104F7E and #04508A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #334B5D shade: #324A5C, #3E4850, #494745, #554539 and #60432D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #334B5D shade: #325C57, #32555C, #324A5C, #323F5C and #32345C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #334B5D shade: #151F26, #243441, #324A5C, #415F76 and #4F7591

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #334B5D shade: #334B5D, #4C325C and #5B5C32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #334B5D shade: #334B5D, #5C324A and #4A5C32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #334B5D shade: #334B5D, #4C325C, #5C4332 and #425C32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #334B5D shade: #334B5D, #58325C, #5C4332 and #365C32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 19 / 0 / 64

HEX #334B5D

RGB 51 75 93

HSL 205.71, 0.29%, 0.28%

LAB 30.7, -3.81, -13.48

 

Complementary color

CMYK 0 / 12 / 21 / 20

HEX #CCB4A2

RGB 204 180 162

HSL 25.71, 0.29%, 0.72%

LAB 74.88, 5.74, 12.33

 

CMYK 36 / 15 / 0 / 65

HEX #384B58

RGB 56 75 88

HSL 204.38, 0.22%, 0.28%

LAB 30.83, -3.76, -10.07

 

CMYK 32 / 13 / 0 / 58

HEX #495D6B

RGB 73 93 107

HSL 204.71, 0.19%, 0.35%

LAB 38.39, -3.9, -10.45

 

CMYK 29 / 12 / 0 / 51

HEX #5A6F7E

RGB 90 111 126

HSL 205, 0.17%, 0.42%

LAB 45.7, -4.01, -10.84

 

CMYK 26 / 11 / 0 / 43

HEX #6B8191

RGB 107 129 145

HSL 205.26, 0.15%, 0.49%

LAB 52.81, -4.11, -11.24

 

CMYK 24 / 10 / 0 / 36

HEX #7C93A4

RGB 124 147 164

HSL 205.5, 0.18%, 0.56%

LAB 59.74, -4.2, -11.64

 

CMYK 45 / 19 / 0 / 64

HEX #334B5D

RGB 51 75 93

HSL 205.71, 0.29%, 0.28%

LAB 30.7, -3.81, -13.48

 

CMYK 54 / 23 / 0 / 71

HEX #22394A

RGB 34 57 74

HSL 205.5, 0.37%, 0.21%

LAB 22.86, -3.44, -13.22

 

CMYK 69 / 29 / 0 / 78

HEX #112737

RGB 17 39 55

HSL 205.26, 0.53%, 0.14%

LAB 14.66, -2.78, -12.98

 

CMYK 100 / 42 / 0 / 86

HEX #001524

RGB 0 21 36

HSL 205, 1%, 0.07%

LAB 6, -1.81, -12.71

 

CMYK 100 / 82 / 0 / 93

HEX #000311

RGB 0 3 17

HSL 229.41, 1%, 0.03%

LAB 0.95, 1.37, -6.13

 

CMYK 46 / 20 / 0 / 64

HEX #324A5C

RGB 50 74 92

HSL 205.71, 0.3%, 0.28%

LAB 30.27, -3.8, -13.51

 

CMYK 46 / 32 / 0 / 64

HEX #323F5C

RGB 50 63 92

HSL 221.43, 0.3%, 0.28%

LAB 26.75, 3.38, -18.95

 

CMYK 46 / 43 / 0 / 64

HEX #32345C

RGB 50 52 92

HSL 237.14, 0.3%, 0.28%

LAB 23.36, 10.89, -24.27

 

CMYK 35 / 46 / 0 / 64

HEX #3C325C

RGB 60 50 92

HSL 254.29, 0.3%, 0.28%

LAB 23.72, 15.34, -23.64

 

CMYK 23 / 46 / 0 / 64

HEX #47325C

RGB 71 50 92

HSL 270, 0.3%, 0.28%

LAB 24.93, 18.95, -21.65

 

CMYK 46 / 20 / 0 / 64

HEX #324A5C

RGB 50 74 92

HSL 205.71, 0.3%, 0.28%

LAB 30.27, -3.8, -13.51

 

CMYK 46 / 32 / 0 / 64

HEX #323F5C

RGB 50 63 92

HSL 221.43, 0.3%, 0.28%

LAB 26.75, 3.38, -18.95

 

CMYK 46 / 43 / 0 / 64

HEX #32345C

RGB 50 52 92

HSL 237.14, 0.3%, 0.28%

LAB 23.36, 10.89, -24.27

 

CMYK 46 / 46 / 0 / 64

HEX #32325C

RGB 50 50 92

HSL 240, 0.3%, 0.28%

LAB 22.76, 12.27, -25.21

 

CMYK 46 / 20 / 0 / 64

HEX #324A5C

RGB 50 74 92

HSL 205.71, 0.3%, 0.28%

LAB 30.27, -3.8, -13.51

 

CMYK 62 / 26 / 0 / 60

HEX #274C67

RGB 39 76 103

HSL 205.31, 0.45%, 0.28%

LAB 30.83, -4.22, -19.7

 

CMYK 77 / 33 / 0 / 55

HEX #1B4D73

RGB 27 77 115

HSL 205.91, 0.62%, 0.28%

LAB 31.3, -2.59, -26.57

 

CMYK 87 / 37 / 0 / 51

HEX #104F7E

RGB 16 79 126

HSL 205.64, 0.77%, 0.28%

LAB 32.28, -0.77, -31.9

 

CMYK 97 / 42 / 0 / 46

HEX #04508A

RGB 4 80 138

HSL 205.97, 0.94%, 0.28%

LAB 33.13, 2.74, -37.95

 

CMYK 46 / 20 / 0 / 64

HEX #324A5C

RGB 50 74 92

HSL 205.71, 0.3%, 0.28%

LAB 30.27, -3.8, -13.51

 

CMYK 23 / 10 / 0 / 69

HEX #3E4850

RGB 62 72 80

HSL 206.67, 0.13%, 0.28%

LAB 30.01, -1.99, -6.13

 

CMYK 0 / 3 / 5 / 71

HEX #494745

RGB 73 71 69

HSL 30, 0.03%, 0.28%

LAB 30.29, 0.41, 1.49

 

CMYK 0 / 19 / 33 / 67

HEX #554539

RGB 85 69 57

HSL 25.71, 0.2%, 0.28%

LAB 30.6, 4.79, 9.82

 

CMYK 0 / 30 / 53 / 62

HEX #60432D

RGB 96 67 45

HSL 25.88, 0.36%, 0.28%

LAB 31.09, 9.6, 18.28

 

CMYK 46 / 0 / 5 / 64

HEX #325C57

RGB 50 92 87

HSL 172.86, 0.3%, 0.28%

LAB 36.02, -16.04, -1.72

 

CMYK 46 / 8 / 0 / 64

HEX #32555C

RGB 50 85 92

HSL 190, 0.3%, 0.28%

LAB 33.87, -10.55, -8.04

 

CMYK 46 / 20 / 0 / 64

HEX #324A5C

RGB 50 74 92

HSL 205.71, 0.3%, 0.28%

LAB 30.27, -3.8, -13.51

 

CMYK 46 / 32 / 0 / 64

HEX #323F5C

RGB 50 63 92

HSL 221.43, 0.3%, 0.28%

LAB 26.75, 3.38, -18.95

 

CMYK 46 / 43 / 0 / 64

HEX #32345C

RGB 50 52 92

HSL 237.14, 0.3%, 0.28%

LAB 23.36, 10.89, -24.27

 

CMYK 45 / 18 / 0 / 85

HEX #151F26

RGB 21 31 38

HSL 204.71, 0.29%, 0.12%

LAB 11.13, -2.18, -6.17

 

CMYK 45 / 20 / 0 / 75

HEX #243441

RGB 36 52 65

HSL 206.9, 0.29%, 0.2%

LAB 20.88, -2.54, -10.21

 

CMYK 46 / 20 / 0 / 64

HEX #324A5C

RGB 50 74 92

HSL 205.71, 0.3%, 0.28%

LAB 30.27, -3.8, -13.51

 

CMYK 45 / 19 / 0 / 54

HEX #415F76

RGB 65 95 118

HSL 206.04, 0.29%, 0.36%

LAB 38.93, -4.37, -16.44

 

CMYK 46 / 19 / 0 / 43

HEX #4F7591

RGB 79 117 145

HSL 205.45, 0.29%, 0.44%

LAB 47.53, -5.48, -19.41

 

CMYK 45 / 19 / 0 / 64

HEX #334B5D

RGB 51 75 93

HSL 205.71, 0.29%, 0.28%

LAB 30.7, -3.81, -13.48

 

CMYK 17 / 46 / 0 / 64

HEX #4C325C

RGB 76 50 92

HSL 277.14, 0.3%, 0.28%

LAB 25.53, 20.64, -20.66

 

CMYK 1 / 0 / 46 / 64

HEX #5B5C32

RGB 91 92 50

HSL 61.43, 0.3%, 0.28%

LAB 38.04, -7.43, 23.97

 

CMYK 45 / 19 / 0 / 64

HEX #334B5D

RGB 51 75 93

HSL 205.71, 0.29%, 0.28%

LAB 30.7, -3.81, -13.48

 

CMYK 0 / 46 / 20 / 64

HEX #5C324A

RGB 92 50 74

HSL 325.71, 0.3%, 0.28%

LAB 26.88, 22.64, -6.55

 

CMYK 20 / 0 / 46 / 64

HEX #4A5C32

RGB 74 92 50

HSL 85.71, 0.3%, 0.28%

LAB 36.63, -15.04, 21.91

 

CMYK 45 / 19 / 0 / 64

HEX #334B5D

RGB 51 75 93

HSL 205.71, 0.29%, 0.28%

LAB 30.7, -3.81, -13.48

 

CMYK 17 / 46 / 0 / 64

HEX #4C325C

RGB 76 50 92

HSL 277.14, 0.3%, 0.28%

LAB 25.53, 20.64, -20.66

 

CMYK 0 / 27 / 46 / 64

HEX #5C4332

RGB 92 67 50

HSL 24.29, 0.3%, 0.28%

LAB 30.69, 8.31, 14.53

 

CMYK 28 / 0 / 46 / 64

HEX #425C32

RGB 66 92 50

HSL 97.14, 0.3%, 0.28%

LAB 36.07, -18.4, 21.07

 

CMYK 45 / 19 / 0 / 64

HEX #334B5D

RGB 51 75 93

HSL 205.71, 0.29%, 0.28%

LAB 30.7, -3.81, -13.48

 

CMYK 4 / 46 / 0 / 64

HEX #58325C

RGB 88 50 92

HSL 294.29, 0.3%, 0.28%

LAB 27.1, 24.78, -18.1

 

CMYK 0 / 27 / 46 / 64

HEX #5C4332

RGB 92 67 50

HSL 24.29, 0.3%, 0.28%

LAB 30.69, 8.31, 14.53

 

CMYK 41 / 0 / 46 / 64

HEX #365C32

RGB 54 92 50

HSL 114.29, 0.3%, 0.28%

LAB 35.34, -23.04, 19.99

 

Description

Color code: HEX #334B5D | qconv.com Color code: HEX #334B5D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 75 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 75 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 19 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 19% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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