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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #335B2D it is the complementary color #CCA4D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #335B2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #335B2D shade: #385B28, #496D3B, #5A7F4E, #6B9161 and #7CA374

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #335B2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #335B2D shade: #335B2D, #22491A, #113707, #002500 and #001300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #335B2D shade: #335C2D, #405C2D, #4C5C2D, #595C2D and #5C522D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #335B2D shade: #335C2D, #2D5C33, #2D5C40, #2D5C4D and #2D5C59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #335B2D shade matches the following richer shades: #335C2D, #2B6722, #237217, #1A7D0C and #128800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #335B2D shade: #335C2D, #3B5138, #444543, #4C3A4E and #542F5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #335B2D shade: #4C5C2D, #405C2D, #335C2D, #2D5C33 and #2D5C40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #335B2D shade: #142412, #24401F, #335C2D, #42773B and #529348

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #335B2D shade: #335B2D, #2D595C and #5C2D46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #335B2D shade: #335B2D, #2D335C and #5C2D33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #335B2D shade: #335B2D, #2D595C, #562D5C and #5C302D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #335B2D shade: #335B2D, #2D4B5C, #562D5C and #5C3E2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 51 / 64

HEX #335B2D

RGB 51 91 45

HSL 112.17, 0.34%, 0.27%

LAB 34.75, -24.43, 22.12

 

Complementary color

CMYK 3 / 22 / 0 / 18

HEX #CCA4D2

RGB 204 164 210

HSL 292.17, 0.34%, 0.73%

LAB 72.26, 22.7, -17.82

 

CMYK 38 / 0 / 56 / 64

HEX #385B28

RGB 56 91 40

HSL 101.18, 0.39%, 0.26%

LAB 34.96, -23.3, 25.25

 

CMYK 33 / 0 / 46 / 57

HEX #496D3B

RGB 73 109 59

HSL 103.2, 0.3%, 0.33%

LAB 42.26, -23.18, 23.89

 

CMYK 29 / 0 / 39 / 50

HEX #5A7F4E

RGB 90 127 78

HSL 105.31, 0.24%, 0.4%

LAB 49.38, -22.99, 22.58

 

CMYK 26 / 0 / 33 / 43

HEX #6B9161

RGB 107 145 97

HSL 107.5, 0.2%, 0.47%

LAB 56.33, -22.79, 21.36

 

CMYK 24 / 0 / 29 / 36

HEX #7CA374

RGB 124 163 116

HSL 109.79, 0.2%, 0.55%

LAB 63.13, -22.59, 20.23

 

CMYK 44 / 0 / 51 / 64

HEX #335B2D

RGB 51 91 45

HSL 112.17, 0.34%, 0.27%

LAB 34.75, -24.43, 22.12

 

CMYK 53 / 0 / 64 / 71

HEX #22491A

RGB 34 73 26

HSL 109.79, 0.47%, 0.19%

LAB 27.24, -24.45, 23.54

 

CMYK 69 / 0 / 87 / 78

HEX #113707

RGB 17 55 7

HSL 107.5, 0.77%, 0.12%

LAB 19.5, -23.94, 24.07

 

CMYK 100 / 0 / 100 / 85

HEX #002500

RGB 0 37 0

HSL 120, 1%, 0.07%

LAB 11.44, -22.19, 16.56

 

CMYK 100 / 0 / 100 / 93

HEX #001300

RGB 0 19 0

HSL 120, 1%, 0.04%

LAB 4.21, -8.59, 6.14

 

CMYK 45 / 0 / 51 / 64

HEX #335C2D

RGB 51 92 45

HSL 112.34, 0.34%, 0.27%

LAB 35.1, -24.93, 22.55

 

CMYK 30 / 0 / 51 / 64

HEX #405C2D

RGB 64 92 45

HSL 95.74, 0.34%, 0.27%

LAB 35.86, -19.94, 23.66

 

CMYK 17 / 0 / 51 / 64

HEX #4C5C2D

RGB 76 92 45

HSL 80.43, 0.34%, 0.27%

LAB 36.71, -14.83, 24.89

 

CMYK 3 / 0 / 51 / 64

HEX #595C2D

RGB 89 92 45

HSL 63.83, 0.34%, 0.27%

LAB 37.78, -8.93, 26.45

 

CMYK 0 / 11 / 51 / 64

HEX #5C522D

RGB 92 82 45

HSL 47.23, 0.34%, 0.27%

LAB 35, -1.59, 23.12

 

CMYK 45 / 0 / 51 / 64

HEX #335C2D

RGB 51 92 45

HSL 112.34, 0.34%, 0.27%

LAB 35.1, -24.93, 22.55

 

CMYK 51 / 0 / 45 / 64

HEX #2D5C33

RGB 45 92 51

HSL 127.66, 0.34%, 0.27%

LAB 34.91, -25.94, 18.76

 

CMYK 51 / 0 / 30 / 64

HEX #2D5C40

RGB 45 92 64

HSL 144.26, 0.34%, 0.27%

LAB 35.17, -23.31, 11.28

 

CMYK 51 / 0 / 16 / 64

HEX #2D5C4D

RGB 45 92 77

HSL 160.85, 0.34%, 0.27%

LAB 35.49, -20.16, 3.71

 

CMYK 51 / 0 / 3 / 64

HEX #2D5C59

RGB 45 92 89

HSL 176.17, 0.34%, 0.27%

LAB 35.86, -16.84, -3.24

 

CMYK 45 / 0 / 51 / 64

HEX #335C2D

RGB 51 92 45

HSL 112.34, 0.34%, 0.27%

LAB 35.1, -24.93, 22.55

 

CMYK 58 / 0 / 67 / 60

HEX #2B6722

RGB 43 103 34

HSL 112.17, 0.5%, 0.27%

LAB 38.43, -34.03, 32.22

 

CMYK 69 / 0 / 80 / 55

HEX #237217

RGB 35 114 23

HSL 112.09, 0.66%, 0.27%

LAB 41.93, -41.46, 40.48

 

CMYK 79 / 0 / 90 / 51

HEX #1A7D0C

RGB 26 125 12

HSL 112.57, 0.82%, 0.27%

LAB 45.52, -47.63, 46.93

 

CMYK 87 / 0 / 100 / 47

HEX #128800

RGB 18 136 0

HSL 112.06, 1%, 0.27%

LAB 49.18, -52.58, 52.33

 

CMYK 45 / 0 / 51 / 64

HEX #335C2D

RGB 51 92 45

HSL 112.34, 0.34%, 0.27%

LAB 35.1, -24.93, 22.55

 

CMYK 27 / 0 / 31 / 68

HEX #3B5138

RGB 59 81 56

HSL 112.8, 0.18%, 0.27%

LAB 32.03, -14.12, 12.05

 

CMYK 1 / 0 / 3 / 73

HEX #444543

RGB 68 69 67

HSL 90, 0.01%, 0.27%

LAB 29.13, -0.86, 1.06

 

CMYK 3 / 26 / 0 / 69

HEX #4C3A4E

RGB 76 58 78

HSL 294, 0.15%, 0.27%

LAB 27.05, 12.05, -9.13

 

CMYK 7 / 48 / 0 / 65

HEX #542F5A

RGB 84 47 90

HSL 291.63, 0.31%, 0.27%

LAB 25.73, 24.78, -18.97

 

CMYK 17 / 0 / 51 / 64

HEX #4C5C2D

RGB 76 92 45

HSL 80.43, 0.34%, 0.27%

LAB 36.71, -14.83, 24.89

 

CMYK 30 / 0 / 51 / 64

HEX #405C2D

RGB 64 92 45

HSL 95.74, 0.34%, 0.27%

LAB 35.86, -19.94, 23.66

 

CMYK 45 / 0 / 51 / 64

HEX #335C2D

RGB 51 92 45

HSL 112.34, 0.34%, 0.27%

LAB 35.1, -24.93, 22.55

 

CMYK 51 / 0 / 45 / 64

HEX #2D5C33

RGB 45 92 51

HSL 127.66, 0.34%, 0.27%

LAB 34.91, -25.94, 18.76

 

CMYK 51 / 0 / 30 / 64

HEX #2D5C40

RGB 45 92 64

HSL 144.26, 0.34%, 0.27%

LAB 35.17, -23.31, 11.28

 

CMYK 44 / 0 / 50 / 86

HEX #142412

RGB 20 36 18

HSL 113.33, 0.33%, 0.11%

LAB 12.31, -11.45, 9.81

 

CMYK 44 / 0 / 52 / 75

HEX #24401F

RGB 36 64 31

HSL 110.91, 0.35%, 0.19%

LAB 24.13, -18.41, 16.89

 

CMYK 45 / 0 / 51 / 64

HEX #335C2D

RGB 51 92 45

HSL 112.34, 0.34%, 0.27%

LAB 35.1, -24.93, 22.55

 

CMYK 45 / 0 / 50 / 53

HEX #42773B

RGB 66 119 59

HSL 113, 0.34%, 0.35%

LAB 45.18, -30.57, 27.47

 

CMYK 44 / 0 / 51 / 42

HEX #529348

RGB 82 147 72

HSL 112, 0.34%, 0.43%

LAB 55.21, -36.22, 33.14

 

CMYK 44 / 0 / 51 / 64

HEX #335B2D

RGB 51 91 45

HSL 112.17, 0.34%, 0.27%

LAB 34.75, -24.43, 22.12

 

CMYK 51 / 3 / 0 / 64

HEX #2D595C

RGB 45 89 92

HSL 183.83, 0.34%, 0.27%

LAB 34.95, -14.26, -6.45

 

CMYK 0 / 51 / 24 / 64

HEX #5C2D46

RGB 92 45 70

HSL 328.09, 0.34%, 0.27%

LAB 25.55, 24.94, -5.89

 

CMYK 44 / 0 / 51 / 64

HEX #335B2D

RGB 51 91 45

HSL 112.17, 0.34%, 0.27%

LAB 34.75, -24.43, 22.12

 

CMYK 51 / 45 / 0 / 64

HEX #2D335C

RGB 45 51 92

HSL 232.34, 0.34%, 0.27%

LAB 22.65, 10.15, -25.42

 

CMYK 0 / 51 / 45 / 64

HEX #5C2D33

RGB 92 45 51

HSL 352.34, 0.34%, 0.27%

LAB 24.92, 22.13, 5.98

 

CMYK 44 / 0 / 51 / 64

HEX #335B2D

RGB 51 91 45

HSL 112.17, 0.34%, 0.27%

LAB 34.75, -24.43, 22.12

 

CMYK 51 / 3 / 0 / 64

HEX #2D595C

RGB 45 89 92

HSL 183.83, 0.34%, 0.27%

LAB 34.95, -14.26, -6.45

 

CMYK 7 / 51 / 0 / 64

HEX #562D5C

RGB 86 45 92

HSL 292.34, 0.34%, 0.27%

LAB 25.65, 27.11, -20.39

 

CMYK 0 / 48 / 51 / 64

HEX #5C302D

RGB 92 48 45

HSL 3.83, 0.34%, 0.27%

LAB 25.5, 19.59, 10.79

 

CMYK 44 / 0 / 51 / 64

HEX #335B2D

RGB 51 91 45

HSL 112.17, 0.34%, 0.27%

LAB 34.75, -24.43, 22.12

 

CMYK 51 / 18 / 0 / 64

HEX #2D4B5C

RGB 45 75 92

HSL 201.7, 0.34%, 0.27%

LAB 30.31, -5.87, -13.48

 

CMYK 7 / 51 / 0 / 64

HEX #562D5C

RGB 86 45 92

HSL 292.34, 0.34%, 0.27%

LAB 25.65, 27.11, -20.39

 

CMYK 0 / 33 / 51 / 64

HEX #5C3E2D

RGB 92 62 45

HSL 21.7, 0.34%, 0.27%

LAB 29.18, 10.86, 15.71

 

Description

Color code: HEX #335B2D | qconv.com Color code: HEX #335B2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 91 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 91 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 51 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 51% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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