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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #335C91 it is the complementary color #CCA36E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #335C91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #335C91 shade: #385C8C, #496E9F, #5A80B2, #6B92C5 and #7CA4D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #335C91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #335C91 shade: #335C91, #224A7E, #11386B, #002658 and #001445

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #335C91 shade: #325A8F, #32418F, #3B328F, #55328F and #6E328F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #335C91 shade: #325A8F, #32418F and #32328F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #335C91 shade matches the following richer shades: #325A8F, #22589F, #1356AE and #0354BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #335C91 shade: #325A8F, #425C7F, #515E70, #616060 and #716250

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #335C91 shade: #328D8F, #32758F, #325C8F, #32438F and #3A328F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #335C91 shade: #1C3452, #274770, #325A8F, #3D6EAD and #5282C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #335C91 shade: #335C91, #78328F and #818F32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #335C91 shade: #335C91, #8F325C and #5C8F32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #335C91 shade: #335C91, #78328F, #8F6532 and #498F32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #335C91 shade: #335C91, #8F328A, #8F6532 and #328F37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 37 / 0 / 43

HEX #335C91

RGB 51 92 145

HSL 213.83, 0.48%, 0.38%

LAB 38.56, 3.25, -33.5

 

Complementary color

CMYK 0 / 20 / 46 / 20

HEX #CCA36E

RGB 204 163 110

HSL 33.83, 0.48%, 0.62%

LAB 69.58, 8.33, 33.2

 

CMYK 60 / 34 / 0 / 45

HEX #385C8C

RGB 56 92 140

HSL 214.29, 0.43%, 0.38%

LAB 38.53, 2.49, -30.5

 

CMYK 54 / 31 / 0 / 38

HEX #496E9F

RGB 73 110 159

HSL 214.19, 0.37%, 0.45%

LAB 45.73, 1.58, -30.49

 

CMYK 49 / 28 / 0 / 30

HEX #5A80B2

RGB 90 128 178

HSL 214.09, 0.36%, 0.53%

LAB 52.76, 0.88, -30.52

 

CMYK 46 / 26 / 0 / 23

HEX #6B92C5

RGB 107 146 197

HSL 214, 0.44%, 0.6%

LAB 59.63, 0.32, -30.58

 

CMYK 43 / 24 / 0 / 15

HEX #7CA4D8

RGB 124 164 216

HSL 213.91, 0.54%, 0.67%

LAB 66.36, -0.13, -30.68

 

CMYK 65 / 37 / 0 / 43

HEX #335C91

RGB 51 92 145

HSL 213.83, 0.48%, 0.38%

LAB 38.56, 3.25, -33.5

 

CMYK 73 / 41 / 0 / 51

HEX #224A7E

RGB 34 74 126

HSL 213.91, 0.58%, 0.31%

LAB 31.22, 4.8, -33.55

 

CMYK 84 / 48 / 0 / 58

HEX #11386B

RGB 17 56 107

HSL 214, 0.73%, 0.24%

LAB 23.7, 7.02, -33.58

 

CMYK 100 / 57 / 0 / 65

HEX #002658

RGB 0 38 88

HSL 214.09, 1%, 0.17%

LAB 15.96, 10.05, -33.63

 

CMYK 100 / 71 / 0 / 73

HEX #001445

RGB 0 20 69

HSL 222.61, 1%, 0.14%

LAB 8.39, 15.17, -32.93

 

CMYK 65 / 37 / 0 / 44

HEX #325A8F

RGB 50 90 143

HSL 214.19, 0.48%, 0.38%

LAB 37.8, 3.61, -33.5

 

CMYK 65 / 55 / 0 / 44

HEX #32418F

RGB 50 65 143

HSL 230.32, 0.48%, 0.38%

LAB 30.5, 20.17, -45.17

 

CMYK 59 / 65 / 0 / 44

HEX #3B328F

RGB 59 50 143

HSL 245.81, 0.48%, 0.38%

LAB 27.28, 31.67, -50.36

 

CMYK 41 / 65 / 0 / 44

HEX #55328F

RGB 85 50 143

HSL 262.58, 0.48%, 0.38%

LAB 29.9, 36.97, -45.99

 

CMYK 23 / 65 / 0 / 44

HEX #6E328F

RGB 110 50 143

HSL 278.71, 0.48%, 0.38%

LAB 33.09, 42.87, -40.68

 

CMYK 65 / 37 / 0 / 44

HEX #325A8F

RGB 50 90 143

HSL 214.19, 0.48%, 0.38%

LAB 37.8, 3.61, -33.5

 

CMYK 65 / 55 / 0 / 44

HEX #32418F

RGB 50 65 143

HSL 230.32, 0.48%, 0.38%

LAB 30.5, 20.17, -45.17

 

CMYK 65 / 65 / 0 / 44

HEX #32328F

RGB 50 50 143

HSL 240, 0.48%, 0.38%

LAB 26.57, 30.14, -51.55

 

CMYK 65 / 37 / 0 / 44

HEX #325A8F

RGB 50 90 143

HSL 214.19, 0.48%, 0.38%

LAB 37.8, 3.61, -33.5

 

CMYK 79 / 45 / 0 / 38

HEX #22589F

RGB 34 88 159

HSL 214.08, 0.65%, 0.38%

LAB 37.52, 8.51, -43.6

 

CMYK 89 / 51 / 0 / 32

HEX #1356AE

RGB 19 86 174

HSL 214.06, 0.8%, 0.38%

LAB 37.57, 14.48, -52.47

 

CMYK 98 / 56 / 0 / 25

HEX #0354BE

RGB 3 84 190

HSL 214.01, 0.97%, 0.38%

LAB 37.98, 21.6, -61.23

 

CMYK 65 / 37 / 0 / 44

HEX #325A8F

RGB 50 90 143

HSL 214.19, 0.48%, 0.38%

LAB 37.8, 3.61, -33.5

 

CMYK 48 / 28 / 0 / 50

HEX #425C7F

RGB 66 92 127

HSL 214.43, 0.32%, 0.38%

LAB 38.45, 0.57, -22.67

 

CMYK 28 / 16 / 0 / 56

HEX #515E70

RGB 81 94 112

HSL 214.84, 0.16%, 0.38%

LAB 39.45, -0.48, -11.86

 

CMYK 0 / 1 / 1 / 62

HEX #616060

RGB 97 96 96

HSL 0, 0.01%, 0.38%

LAB 40.82, 0.4, 0.13

 

CMYK 0 / 13 / 29 / 56

HEX #716250

RGB 113 98 80

HSL 32.73, 0.17%, 0.38%

LAB 42.5, 2.97, 12.47

 

CMYK 65 / 1 / 0 / 44

HEX #328D8F

RGB 50 141 143

HSL 181.29, 0.48%, 0.38%

LAB 53.72, -25.6, -8.98

 

CMYK 65 / 18 / 0 / 44

HEX #32758F

RGB 50 117 143

HSL 196.77, 0.48%, 0.38%

LAB 46.16, -12.73, -20.46

 

CMYK 65 / 36 / 0 / 44

HEX #325C8F

RGB 50 92 143

HSL 212.9, 0.48%, 0.38%

LAB 38.4, 2.34, -32.54

 

CMYK 65 / 53 / 0 / 44

HEX #32438F

RGB 50 67 143

HSL 229.03, 0.48%, 0.38%

LAB 31.06, 18.82, -44.27

 

CMYK 59 / 65 / 0 / 44

HEX #3A328F

RGB 58 50 143

HSL 245.16, 0.48%, 0.38%

LAB 27.2, 31.49, -50.5

 

CMYK 66 / 37 / 0 / 68

HEX #1C3452

RGB 28 52 82

HSL 213.33, 0.49%, 0.22%

LAB 21.25, 1.38, -21.09

 

CMYK 65 / 37 / 0 / 56

HEX #274770

RGB 39 71 112

HSL 213.7, 0.48%, 0.3%

LAB 29.68, 2.34, -27.2

 

CMYK 65 / 37 / 0 / 44

HEX #325A8F

RGB 50 90 143

HSL 214.19, 0.48%, 0.38%

LAB 37.8, 3.61, -33.5

 

CMYK 65 / 36 / 0 / 32

HEX #3D6EAD

RGB 61 110 173

HSL 213.75, 0.48%, 0.46%

LAB 45.85, 3.85, -38.56

 

CMYK 58 / 33 / 0 / 24

HEX #5282C2

RGB 82 130 194

HSL 214.29, 0.48%, 0.54%

LAB 53.66, 2.98, -38.31

 

CMYK 65 / 37 / 0 / 43

HEX #335C91

RGB 51 92 145

HSL 213.83, 0.48%, 0.38%

LAB 38.56, 3.25, -33.5

 

CMYK 16 / 65 / 0 / 44

HEX #78328F

RGB 120 50 143

HSL 285.16, 0.48%, 0.38%

LAB 34.51, 45.35, -38.33

 

CMYK 10 / 0 / 65 / 44

HEX #818F32

RGB 129 143 50

HSL 69.03, 0.48%, 0.38%

LAB 56.63, -18.4, 46.14

 

CMYK 65 / 37 / 0 / 43

HEX #335C91

RGB 51 92 145

HSL 213.83, 0.48%, 0.38%

LAB 38.56, 3.25, -33.5

 

CMYK 0 / 65 / 36 / 44

HEX #8F325C

RGB 143 50 92

HSL 332.9, 0.48%, 0.38%

LAB 35.78, 43.37, -4.11

 

CMYK 36 / 0 / 65 / 44

HEX #5C8F32

RGB 92 143 50

HSL 92.9, 0.48%, 0.38%

LAB 54.19, -33.46, 42.8

 

CMYK 65 / 37 / 0 / 43

HEX #335C91

RGB 51 92 145

HSL 213.83, 0.48%, 0.38%

LAB 38.56, 3.25, -33.5

 

CMYK 16 / 65 / 0 / 44

HEX #78328F

RGB 120 50 143

HSL 285.16, 0.48%, 0.38%

LAB 34.51, 45.35, -38.33

 

CMYK 0 / 29 / 65 / 44

HEX #8F6532

RGB 143 101 50

HSL 32.9, 0.48%, 0.38%

LAB 46.15, 11.37, 34.99

 

CMYK 49 / 0 / 65 / 44

HEX #498F32

RGB 73 143 50

HSL 105.16, 0.48%, 0.38%

LAB 53.27, -39.99, 41.52

 

CMYK 65 / 37 / 0 / 43

HEX #335C91

RGB 51 92 145

HSL 213.83, 0.48%, 0.38%

LAB 38.56, 3.25, -33.5

 

CMYK 0 / 65 / 3 / 44

HEX #8F328A

RGB 143 50 138

HSL 303.23, 0.48%, 0.38%

LAB 37.76, 50.28, -29.88

 

CMYK 0 / 29 / 65 / 44

HEX #8F6532

RGB 143 101 50

HSL 32.9, 0.48%, 0.38%

LAB 46.15, 11.37, 34.99

 

CMYK 65 / 0 / 62 / 44

HEX #328F37

RGB 50 143 55

HSL 123.23, 0.48%, 0.38%

LAB 52.51, -45.67, 38.12

 

Description

Color code: HEX #335C91 | qconv.com Color code: HEX #335C91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 92 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 92 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 37 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 37% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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