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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #336E68 it is the complementary color #CC9197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #336E68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #336E68 shade: #386E63, #498076, #5A9289, #6BA49C and #7CB6AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #336E68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #336E68 shade: #336E68, #225C55, #114A42, #00382F and #00261C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #336E68 shade: #336F69, #336F59, #336F49, #336F38 and #3E6F33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #336E68 shade: #336F69, #33656F, #33556F, #33456F and #33346F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #336E68 shade matches the following richer shades: #336F69, #267C74, #198A7E and #0B9789

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #336E68 shade: #336F69, #40625F, #4D5554, #5B484A and #683A3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #336E68 shade: #336F48, #336F58, #336F68, #33666F and #33566F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #336E68 shade: #193734, #26534E, #336F69, #408C84 and #4DA89F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #336E68 shade: #336E68, #38336F and #6F5033

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #336E68 shade: #336E68, #68336F and #6F6833

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #336E68 shade: #336E68, #38336F, #6F333A and #6A6F33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #336E68 shade: #336E68, #4A336F, #6F333A and #586F33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 5 / 57

HEX #336E68

RGB 51 110 104

HSL 173.9, 0.37%, 0.32%

LAB 42.54, -20.8, -2.54

 

Complementary color

CMYK 0 / 29 / 26 / 20

HEX #CC9197

RGB 204 145 151

HSL 353.9, 0.37%, 0.68%

LAB 66, 23.16, 5.75

 

CMYK 49 / 0 / 10 / 57

HEX #386E63

RGB 56 110 99

HSL 167.78, 0.33%, 0.33%

LAB 42.6, -20.89, 0.59

 

CMYK 43 / 0 / 8 / 50

HEX #498076

RGB 73 128 118

HSL 169.09, 0.27%, 0.39%

LAB 49.69, -20.77, -0.28

 

CMYK 38 / 0 / 6 / 43

HEX #5A9289

RGB 90 146 137

HSL 170.36, 0.24%, 0.46%

LAB 56.62, -20.62, -1.06

 

CMYK 35 / 0 / 5 / 36

HEX #6BA49C

RGB 107 164 156

HSL 171.58, 0.24%, 0.53%

LAB 63.41, -20.47, -1.78

 

CMYK 32 / 0 / 4 / 29

HEX #7CB6AF

RGB 124 182 175

HSL 172.76, 0.28%, 0.6%

LAB 70.06, -20.32, -2.46

 

CMYK 54 / 0 / 5 / 57

HEX #336E68

RGB 51 110 104

HSL 173.9, 0.37%, 0.32%

LAB 42.54, -20.8, -2.54

 

CMYK 63 / 0 / 8 / 64

HEX #225C55

RGB 34 92 85

HSL 172.76, 0.46%, 0.25%

LAB 35.3, -20.65, -1.61

 

CMYK 77 / 0 / 11 / 71

HEX #114A42

RGB 17 74 66

HSL 171.58, 0.63%, 0.18%

LAB 27.87, -20.21, -0.49

 

CMYK 100 / 0 / 16 / 78

HEX #00382F

RGB 0 56 47

HSL 170.36, 1%, 0.11%

LAB 20.18, -19.59, 0.83

 

CMYK 100 / 0 / 26 / 85

HEX #00261C

RGB 0 38 28

HSL 164.21, 1%, 0.07%

LAB 12.42, -16.6, 2.88

 

CMYK 54 / 0 / 5 / 56

HEX #336F69

RGB 51 111 105

HSL 174, 0.37%, 0.32%

LAB 42.9, -21.04, -2.62

 

CMYK 54 / 0 / 20 / 56

HEX #336F59

RGB 51 111 89

HSL 158, 0.37%, 0.32%

LAB 42.45, -25.3, 6.37

 

CMYK 54 / 0 / 34 / 56

HEX #336F49

RGB 51 111 73

HSL 142, 0.37%, 0.32%

LAB 42.08, -28.96, 15.37

 

CMYK 54 / 0 / 50 / 56

HEX #336F38

RGB 51 111 56

HSL 125, 0.37%, 0.32%

LAB 41.78, -32.11, 24.73

 

CMYK 44 / 0 / 54 / 56

HEX #3E6F33

RGB 62 111 51

HSL 109, 0.37%, 0.32%

LAB 42.2, -29.33, 28.09

 

CMYK 54 / 0 / 5 / 56

HEX #336F69

RGB 51 111 105

HSL 174, 0.37%, 0.32%

LAB 42.9, -21.04, -2.62

 

CMYK 54 / 9 / 0 / 56

HEX #33656F

RGB 51 101 111

HSL 190, 0.37%, 0.32%

LAB 39.85, -13.77, -10.82

 

CMYK 54 / 23 / 0 / 56

HEX #33556F

RGB 51 85 111

HSL 206, 0.37%, 0.32%

LAB 34.7, -4.23, -18.69

 

CMYK 54 / 38 / 0 / 56

HEX #33456F

RGB 51 69 111

HSL 222, 0.37%, 0.32%

LAB 29.68, 6.11, -26.52

 

CMYK 54 / 53 / 0 / 56

HEX #33346F

RGB 51 52 111

HSL 239, 0.37%, 0.32%

LAB 24.66, 17.68, -34.51

 

CMYK 54 / 0 / 5 / 56

HEX #336F69

RGB 51 111 105

HSL 174, 0.37%, 0.32%

LAB 42.9, -21.04, -2.62

 

CMYK 69 / 0 / 6 / 51

HEX #267C74

RGB 38 124 116

HSL 174.42, 0.53%, 0.32%

LAB 47.09, -27.11, -3.06

 

CMYK 82 / 0 / 9 / 46

HEX #198A7E

RGB 25 138 126

HSL 173.63, 0.69%, 0.32%

LAB 51.71, -32.57, -2.16

 

CMYK 93 / 0 / 9 / 41

HEX #0B9789

RGB 11 151 137

HSL 174, 0.86%, 0.32%

LAB 56.1, -36.31, -2.07

 

CMYK 54 / 0 / 5 / 56

HEX #336F69

RGB 51 111 105

HSL 174, 0.37%, 0.32%

LAB 42.9, -21.04, -2.62

 

CMYK 35 / 0 / 3 / 62

HEX #40625F

RGB 64 98 95

HSL 174.71, 0.21%, 0.32%

LAB 38.99, -13, -2.22

 

CMYK 9 / 0 / 1 / 67

HEX #4D5554

RGB 77 85 84

HSL 172.5, 0.05%, 0.32%

LAB 35.43, -3.39, -0.51

 

CMYK 0 / 21 / 19 / 64

HEX #5B484A

RGB 91 72 74

HSL 353.68, 0.12%, 0.32%

LAB 32.6, 8.43, 1.87

 

CMYK 0 / 44 / 39 / 59

HEX #683A3F

RGB 104 58 63

HSL 353.48, 0.28%, 0.32%

LAB 30.23, 20.96, 5.78

 

CMYK 54 / 0 / 35 / 56

HEX #336F48

RGB 51 111 72

HSL 141, 0.37%, 0.32%

LAB 42.06, -29.16, 15.93

 

CMYK 54 / 0 / 21 / 56

HEX #336F58

RGB 51 111 88

HSL 157, 0.37%, 0.32%

LAB 42.43, -25.54, 6.93

 

CMYK 54 / 0 / 6 / 56

HEX #336F68

RGB 51 111 104

HSL 173, 0.37%, 0.32%

LAB 42.87, -21.32, -2.06

 

CMYK 54 / 8 / 0 / 56

HEX #33666F

RGB 51 102 111

HSL 189, 0.37%, 0.32%

LAB 40.17, -14.34, -10.33

 

CMYK 54 / 23 / 0 / 56

HEX #33566F

RGB 51 86 111

HSL 205, 0.37%, 0.32%

LAB 35.02, -4.85, -18.2

 

CMYK 55 / 0 / 5 / 78

HEX #193734

RGB 25 55 52

HSL 174, 0.38%, 0.16%

LAB 20.78, -12.1, -1.59

 

CMYK 54 / 0 / 6 / 67

HEX #26534E

RGB 38 83 78

HSL 173.33, 0.37%, 0.24%

LAB 32.14, -16.88, -1.83

 

CMYK 54 / 0 / 5 / 56

HEX #336F69

RGB 51 111 105

HSL 174, 0.37%, 0.32%

LAB 42.9, -21.04, -2.62

 

CMYK 54 / 0 / 6 / 45

HEX #408C84

RGB 64 140 132

HSL 173.68, 0.37%, 0.4%

LAB 53.51, -25.5, -2.89

 

CMYK 54 / 0 / 5 / 34

HEX #4DA89F

RGB 77 168 159

HSL 174.07, 0.37%, 0.48%

LAB 63.41, -29.28, -3.6

 

CMYK 54 / 0 / 5 / 57

HEX #336E68

RGB 51 110 104

HSL 173.9, 0.37%, 0.32%

LAB 42.54, -20.8, -2.54

 

CMYK 50 / 54 / 0 / 56

HEX #38336F

RGB 56 51 111

HSL 245, 0.37%, 0.32%

LAB 24.82, 19.6, -34.24

 

CMYK 0 / 28 / 54 / 56

HEX #6F5033

RGB 111 80 51

HSL 29, 0.37%, 0.32%

LAB 36.66, 9.23, 22.11

 

CMYK 54 / 0 / 5 / 57

HEX #336E68

RGB 51 110 104

HSL 173.9, 0.37%, 0.32%

LAB 42.54, -20.8, -2.54

 

CMYK 6 / 54 / 0 / 56

HEX #68336F

RGB 104 51 111

HSL 293, 0.37%, 0.32%

LAB 30.54, 33.55, -24.79

 

CMYK 0 / 6 / 54 / 56

HEX #6F6833

RGB 111 104 51

HSL 53, 0.37%, 0.32%

LAB 43.54, -5.07, 30.54

 

CMYK 54 / 0 / 5 / 57

HEX #336E68

RGB 51 110 104

HSL 173.9, 0.37%, 0.32%

LAB 42.54, -20.8, -2.54

 

CMYK 50 / 54 / 0 / 56

HEX #38336F

RGB 56 51 111

HSL 245, 0.37%, 0.32%

LAB 24.82, 19.6, -34.24

 

CMYK 0 / 54 / 48 / 56

HEX #6F333A

RGB 111 51 58

HSL 353, 0.37%, 0.32%

LAB 29.54, 27.31, 8.25

 

CMYK 5 / 0 / 54 / 56

HEX #6A6F33

RGB 106 111 51

HSL 65, 0.37%, 0.32%

LAB 45.18, -11.32, 32.37

 

CMYK 54 / 0 / 5 / 57

HEX #336E68

RGB 51 110 104

HSL 173.9, 0.37%, 0.32%

LAB 42.54, -20.8, -2.54

 

CMYK 33 / 54 / 0 / 56

HEX #4A336F

RGB 74 51 111

HSL 263, 0.37%, 0.32%

LAB 26.65, 24.5, -31.19

 

CMYK 0 / 54 / 48 / 56

HEX #6F333A

RGB 111 51 58

HSL 353, 0.37%, 0.32%

LAB 29.54, 27.31, 8.25

 

CMYK 21 / 0 / 54 / 56

HEX #586F33

RGB 88 111 51

HSL 83, 0.37%, 0.32%

LAB 43.77, -19.22, 30.36

 

Description

Color code: HEX #336E68 | qconv.com Color code: HEX #336E68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 110 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 110 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 5 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 5% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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