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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #337978 it is the complementary color #CC8687. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #337978. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #337978 shade: #387973, #498B86, #5A9D99, #6BAFAC and #7CC1BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #337978. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #337978 shade: #337978, #226765, #115552, #00433F and #00312C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #337978 shade: #337A79, #337A66, #337A52, #337A3F and #397A33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #337978 shade: #337A79, #33687A, #33547A, #33417A and #33337A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #337978 shade matches the following richer shades: #337A79, #258886, #179694 and #09A4A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #337978 shade: #337A79, #416C6B, #4F5E5D, #5D5050 and #6B4242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #337978 shade: #337A53, #337A66, #337A79, #33687A and #33557A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #337978 shade: #1A403F, #265D5C, #337A79, #3F9796 and #4BB4B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #337978 shade: #337978, #40337A and #7A5C33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #337978 shade: #337978, #79337A and #7A7933

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #337978 shade: #337978, #40337A, #7A3334 and #6D7A33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #337978 shade: #337978, #55337A, #7A3334 and #577A33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 1 / 53

HEX #337978

RGB 51 121 120

HSL 179.14, 0.41%, 0.34%

LAB 46.62, -21.97, -6.09

 

Complementary color

CMYK 0 / 34 / 34 / 20

HEX #CC8687

RGB 204 134 135

HSL 359.14, 0.41%, 0.66%

LAB 63.04, 27, 10.57

 

CMYK 54 / 0 / 5 / 53

HEX #387973

RGB 56 121 115

HSL 174.46, 0.37%, 0.35%

LAB 46.65, -22.29, -3.06

 

CMYK 47 / 0 / 4 / 45

HEX #498B86

RGB 73 139 134

HSL 175.45, 0.31%, 0.42%

LAB 53.6, -22.32, -3.86

 

CMYK 43 / 0 / 3 / 38

HEX #5A9D99

RGB 90 157 153

HSL 176.42, 0.27%, 0.48%

LAB 60.42, -22.28, -4.59

 

CMYK 39 / 0 / 2 / 31

HEX #6BAFAC

RGB 107 175 172

HSL 177.35, 0.3%, 0.55%

LAB 67.1, -22.2, -5.26

 

CMYK 36 / 0 / 1 / 24

HEX #7CC1BF

RGB 124 193 191

HSL 178.26, 0.36%, 0.62%

LAB 73.67, -22.12, -5.9

 

CMYK 58 / 0 / 1 / 53

HEX #337978

RGB 51 121 120

HSL 179.14, 0.41%, 0.34%

LAB 46.62, -21.97, -6.09

 

CMYK 67 / 0 / 2 / 60

HEX #226765

RGB 34 103 101

HSL 178.26, 0.5%, 0.27%

LAB 39.55, -21.6, -5.22

 

CMYK 80 / 0 / 4 / 67

HEX #115552

RGB 17 85 82

HSL 177.35, 0.67%, 0.2%

LAB 32.31, -20.87, -4.19

 

CMYK 100 / 0 / 6 / 74

HEX #00433F

RGB 0 67 63

HSL 176.42, 1%, 0.13%

LAB 24.87, -19.84, -2.99

 

CMYK 100 / 0 / 10 / 81

HEX #00312C

RGB 0 49 44

HSL 173.88, 1%, 0.1%

LAB 17.36, -16.92, -1.23

 

CMYK 58 / 0 / 1 / 52

HEX #337A79

RGB 51 122 121

HSL 179.15, 0.41%, 0.34%

LAB 46.98, -22.2, -6.15

 

CMYK 58 / 0 / 16 / 52

HEX #337A66

RGB 51 122 102

HSL 163.1, 0.41%, 0.34%

LAB 46.42, -27.46, 4.3

 

CMYK 58 / 0 / 33 / 52

HEX #337A52

RGB 51 122 82

HSL 146.2, 0.41%, 0.34%

LAB 45.95, -32.19, 15.38

 

CMYK 58 / 0 / 48 / 52

HEX #337A3F

RGB 51 122 63

HSL 130.14, 0.41%, 0.34%

LAB 45.61, -35.8, 25.69

 

CMYK 53 / 0 / 58 / 52

HEX #397A33

RGB 57 122 51

HSL 114.93, 0.41%, 0.34%

LAB 45.67, -35.89, 32.2

 

CMYK 58 / 0 / 1 / 52

HEX #337A79

RGB 51 122 121

HSL 179.15, 0.41%, 0.34%

LAB 46.98, -22.2, -6.15

 

CMYK 58 / 15 / 0 / 52

HEX #33687A

RGB 51 104 122

HSL 195.21, 0.41%, 0.34%

LAB 41.23, -12, -15.42

 

CMYK 58 / 31 / 0 / 52

HEX #33547A

RGB 51 84 122

HSL 212.11, 0.41%, 0.34%

LAB 34.9, 0.16, -25.2

 

CMYK 58 / 47 / 0 / 52

HEX #33417A

RGB 51 65 122

HSL 228.17, 0.41%, 0.34%

LAB 29.13, 12.71, -34.32

 

CMYK 58 / 58 / 0 / 52

HEX #33337A

RGB 51 51 122

HSL 240, 0.41%, 0.34%

LAB 25.19, 22.23, -40.66

 

CMYK 58 / 0 / 1 / 52

HEX #337A79

RGB 51 122 121

HSL 179.15, 0.41%, 0.34%

LAB 46.98, -22.2, -6.15

 

CMYK 73 / 0 / 1 / 47

HEX #258886

RGB 37 136 134

HSL 178.79, 0.57%, 0.34%

LAB 51.52, -27.81, -7.07

 

CMYK 85 / 0 / 1 / 41

HEX #179694

RGB 23 150 148

HSL 179.06, 0.73%, 0.34%

LAB 56.22, -31.78, -8.18

 

CMYK 95 / 0 / 1 / 36

HEX #09A4A2

RGB 9 164 162

HSL 179.23, 0.9%, 0.34%

LAB 60.97, -34.83, -9.05

 

CMYK 58 / 0 / 1 / 52

HEX #337A79

RGB 51 122 121

HSL 179.15, 0.41%, 0.34%

LAB 46.98, -22.2, -6.15

 

CMYK 40 / 0 / 1 / 58

HEX #416C6B

RGB 65 108 107

HSL 178.6, 0.25%, 0.34%

LAB 42.63, -15.13, -4.16

 

CMYK 16 / 0 / 1 / 63

HEX #4F5E5D

RGB 79 94 93

HSL 176, 0.09%, 0.34%

LAB 38.65, -5.97, -1.37

 

CMYK 0 / 14 / 14 / 64

HEX #5D5050

RGB 93 80 80

HSL 0, 0.08%, 0.34%

LAB 35.29, 5.39, 1.98

 

CMYK 0 / 38 / 38 / 58

HEX #6B4242

RGB 107 66 66

HSL 0, 0.24%, 0.34%

LAB 32.73, 17.79, 7.45

 

CMYK 58 / 0 / 32 / 52

HEX #337A53

RGB 51 122 83

HSL 147.04, 0.41%, 0.34%

LAB 45.97, -31.97, 14.83

 

CMYK 58 / 0 / 16 / 52

HEX #337A66

RGB 51 122 102

HSL 163.1, 0.41%, 0.34%

LAB 46.42, -27.46, 4.3

 

CMYK 58 / 0 / 1 / 52

HEX #337A79

RGB 51 122 121

HSL 179.15, 0.41%, 0.34%

LAB 46.98, -22.2, -6.15

 

CMYK 58 / 15 / 0 / 52

HEX #33687A

RGB 51 104 122

HSL 195.21, 0.41%, 0.34%

LAB 41.23, -12, -15.42

 

CMYK 58 / 30 / 0 / 52

HEX #33557A

RGB 51 85 122

HSL 211.27, 0.41%, 0.34%

LAB 35.21, -0.48, -24.71

 

CMYK 59 / 0 / 2 / 75

HEX #1A403F

RGB 26 64 63

HSL 178.42, 0.42%, 0.18%

LAB 24.47, -13.71, -3.51

 

CMYK 59 / 0 / 1 / 64

HEX #265D5C

RGB 38 93 92

HSL 178.91, 0.42%, 0.26%

LAB 36.01, -18.2, -4.91

 

CMYK 58 / 0 / 1 / 52

HEX #337A79

RGB 51 122 121

HSL 179.15, 0.41%, 0.34%

LAB 46.98, -22.2, -6.15

 

CMYK 58 / 0 / 1 / 41

HEX #3F9796

RGB 63 151 150

HSL 179.32, 0.41%, 0.42%

LAB 57.46, -26.22, -7.39

 

CMYK 58 / 0 / 1 / 29

HEX #4BB4B2

RGB 75 180 178

HSL 178.86, 0.41%, 0.5%

LAB 67.54, -30.36, -8.07

 

CMYK 58 / 0 / 1 / 53

HEX #337978

RGB 51 121 120

HSL 179.14, 0.41%, 0.34%

LAB 46.62, -21.97, -6.09

 

CMYK 48 / 58 / 0 / 52

HEX #40337A

RGB 64 51 122

HSL 250.99, 0.41%, 0.34%

LAB 26.34, 25.18, -38.75

 

CMYK 0 / 25 / 58 / 52

HEX #7A5C33

RGB 122 92 51

HSL 34.65, 0.41%, 0.34%

LAB 41.27, 7.1, 28.09

 

CMYK 58 / 0 / 1 / 53

HEX #337978

RGB 51 121 120

HSL 179.14, 0.41%, 0.34%

LAB 46.62, -21.97, -6.09

 

CMYK 1 / 58 / 0 / 52

HEX #79337A

RGB 121 51 122

HSL 299.15, 0.41%, 0.34%

LAB 33.64, 40.85, -26.68

 

CMYK 0 / 1 / 58 / 52

HEX #7A7933

RGB 122 121 51

HSL 59.15, 0.41%, 0.34%

LAB 49.56, -9.64, 37.77

 

CMYK 58 / 0 / 1 / 53

HEX #337978

RGB 51 121 120

HSL 179.14, 0.41%, 0.34%

LAB 46.62, -21.97, -6.09

 

CMYK 48 / 58 / 0 / 52

HEX #40337A

RGB 64 51 122

HSL 250.99, 0.41%, 0.34%

LAB 26.34, 25.18, -38.75

 

CMYK 0 / 58 / 57 / 52

HEX #7A3334

RGB 122 51 52

HSL 359.15, 0.41%, 0.34%

LAB 31.24, 31.08, 14.77

 

CMYK 11 / 0 / 58 / 52

HEX #6D7A33

RGB 109 122 51

HSL 70.99, 0.41%, 0.34%

LAB 48.77, -15.99, 36.59

 

CMYK 58 / 0 / 1 / 53

HEX #337978

RGB 51 121 120

HSL 179.14, 0.41%, 0.34%

LAB 46.62, -21.97, -6.09

 

CMYK 30 / 58 / 0 / 52

HEX #55337A

RGB 85 51 122

HSL 268.73, 0.41%, 0.34%

LAB 28.65, 30.62, -34.91

 

CMYK 0 / 58 / 57 / 52

HEX #7A3334

RGB 122 51 52

HSL 359.15, 0.41%, 0.34%

LAB 31.24, 31.08, 14.77

 

CMYK 29 / 0 / 58 / 52

HEX #577A33

RGB 87 122 51

HSL 89.58, 0.41%, 0.34%

LAB 47.22, -25.27, 34.39

 

Description

Color code: HEX #337978 | qconv.com Color code: HEX #337978 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 121 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 121 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 1 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 1% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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