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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #337118 it is the complementary color #CC8EE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #337118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #337118 shade: #387113, #498326, #5A9539, #6BA74C and #7CB95F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #337118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #337118 shade: #337118, #225F05, #114D00, #003B00 and #002900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #337118 shade: #337118, #4B7118, #637118, #716718 and #714F18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #337118 shade: #337118, #1B7118, #18712D, #187145 and #18715D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #337118 shade matches the following richer shades: #337118, #2E7C0C and #2A8701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #337118 shade: #337118, #376623, #3C5B2E, #405039 and #444544

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #337118 shade: #647118, #4C7118, #347118, #1C7118 and #18712B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #337118 shade: #142D09, #234F10, #337118, #42931F and #51B526

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #337118 shade: #337118, #187167 and #711858

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #337118 shade: #337118, #183471 and #711834

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #337118 shade: #337118, #187167, #551871 and #711822

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #337118 shade: #337118, #186171, #551871 and #712818

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 79 / 56

HEX #337118

RGB 51 113 24

HSL 101.8, 0.65%, 0.27%

LAB 42.12, -36.69, 40.48

 

Complementary color

CMYK 12 / 39 / 0 / 9

HEX #CC8EE7

RGB 204 142 231

HSL 281.8, 0.65%, 0.73%

LAB 67.99, 38.91, -35.93

 

CMYK 50 / 0 / 83 / 56

HEX #387113

RGB 56 113 19

HSL 96.38, 0.71%, 0.26%

LAB 42.3, -35.4, 42.47

 

CMYK 44 / 0 / 71 / 49

HEX #498326

RGB 73 131 38

HSL 97.42, 0.55%, 0.33%

LAB 49.24, -35.97, 42.44

 

CMYK 40 / 0 / 62 / 42

HEX #5A9539

RGB 90 149 57

HSL 98.48, 0.45%, 0.4%

LAB 56.05, -36.21, 41.63

 

CMYK 36 / 0 / 54 / 35

HEX #6BA74C

RGB 107 167 76

HSL 99.56, 0.37%, 0.48%

LAB 62.75, -36.26, 40.53

 

CMYK 33 / 0 / 49 / 27

HEX #7CB95F

RGB 124 185 95

HSL 100.67, 0.39%, 0.55%

LAB 69.33, -36.21, 39.33

 

CMYK 55 / 0 / 79 / 56

HEX #337118

RGB 51 113 24

HSL 101.8, 0.65%, 0.27%

LAB 42.12, -36.69, 40.48

 

CMYK 64 / 0 / 95 / 63

HEX #225F05

RGB 34 95 5

HSL 100.67, 0.9%, 0.2%

LAB 35.07, -35.6, 39.7

 

CMYK 78 / 0 / 100 / 70

HEX #114D00

RGB 17 77 0

HSL 106.75, 1%, 0.15%

LAB 27.92, -33.33, 35.33

 

CMYK 100 / 0 / 100 / 77

HEX #003B00

RGB 0 59 0

HSL 120, 1%, 0.12%

LAB 20.55, -30.36, 27.97

 

CMYK 100 / 0 / 100 / 84

HEX #002900

RGB 0 41 0

HSL 120, 1%, 0.08%

LAB 13.14, -24.17, 18.88

 

CMYK 55 / 0 / 79 / 56

HEX #337118

RGB 51 113 24

HSL 101.8, 0.65%, 0.27%

LAB 42.12, -36.69, 40.48

 

CMYK 34 / 0 / 79 / 56

HEX #4B7118

RGB 75 113 24

HSL 85.62, 0.65%, 0.27%

LAB 43.32, -28.03, 42.05

 

CMYK 12 / 0 / 79 / 56

HEX #637118

RGB 99 113 24

HSL 69.44, 0.65%, 0.27%

LAB 44.98, -17.61, 44.22

 

CMYK 0 / 9 / 79 / 56

HEX #716718

RGB 113 103 24

HSL 53.26, 0.65%, 0.27%

LAB 43.18, -5.47, 42.97

 

CMYK 0 / 30 / 79 / 56

HEX #714F18

RGB 113 79 24

HSL 37.08, 0.65%, 0.27%

LAB 36.31, 8.77, 36.39

 

CMYK 55 / 0 / 79 / 56

HEX #337118

RGB 51 113 24

HSL 101.8, 0.65%, 0.27%

LAB 42.12, -36.69, 40.48

 

CMYK 76 / 0 / 79 / 56

HEX #1B7118

RGB 27 113 24

HSL 117.98, 0.65%, 0.27%

LAB 41.39, -42.67, 39.51

 

CMYK 79 / 0 / 60 / 56

HEX #18712D

RGB 24 113 45

HSL 134.16, 0.65%, 0.27%

LAB 41.52, -40.83, 30.13

 

CMYK 79 / 0 / 39 / 56

HEX #187145

RGB 24 113 69

HSL 150.34, 0.65%, 0.27%

LAB 41.9, -36.48, 17.32

 

CMYK 79 / 0 / 18 / 56

HEX #18715D

RGB 24 113 93

HSL 166.52, 0.65%, 0.27%

LAB 42.45, -30.5, 3.86

 

CMYK 55 / 0 / 79 / 56

HEX #337118

RGB 51 113 24

HSL 101.8, 0.65%, 0.27%

LAB 42.12, -36.69, 40.48

 

CMYK 63 / 0 / 90 / 51

HEX #2E7C0C

RGB 46 124 12

HSL 101.79, 0.82%, 0.27%

LAB 45.67, -43.08, 47.25

 

CMYK 69 / 0 / 99 / 47

HEX #2A8701

RGB 42 135 1

HSL 101.64, 0.99%, 0.27%

LAB 49.28, -48.33, 52.4

 

CMYK 55 / 0 / 79 / 56

HEX #337118

RGB 51 113 24

HSL 101.8, 0.65%, 0.27%

LAB 42.12, -36.69, 40.48

 

CMYK 46 / 0 / 66 / 60

HEX #376623

RGB 55 102 35

HSL 102.09, 0.49%, 0.27%

LAB 38.61, -29.58, 32.09

 

CMYK 34 / 0 / 49 / 64

HEX #3C5B2E

RGB 60 91 46

HSL 101.33, 0.33%, 0.27%

LAB 35.28, -20.88, 22.32

 

CMYK 20 / 0 / 29 / 69

HEX #405039

RGB 64 80 57

HSL 101.74, 0.17%, 0.27%

LAB 32.08, -11.3, 11.55

 

CMYK 1 / 0 / 1 / 73

HEX #444544

RGB 68 69 68

HSL 120, 0.01%, 0.27%

LAB 29.17, -0.64, 0.45

 

CMYK 12 / 0 / 79 / 56

HEX #647118

RGB 100 113 24

HSL 68.76, 0.65%, 0.27%

LAB 45.06, -17.15, 44.32

 

CMYK 33 / 0 / 79 / 56

HEX #4C7118

RGB 76 113 24

HSL 84.94, 0.65%, 0.27%

LAB 43.38, -27.62, 42.13

 

CMYK 54 / 0 / 79 / 56

HEX #347118

RGB 52 113 24

HSL 101.12, 0.65%, 0.27%

LAB 42.16, -36.38, 40.54

 

CMYK 75 / 0 / 79 / 56

HEX #1C7118

RGB 28 113 24

HSL 117.3, 0.65%, 0.27%

LAB 41.41, -42.48, 39.54

 

CMYK 79 / 0 / 62 / 56

HEX #18712B

RGB 24 113 43

HSL 132.81, 0.65%, 0.27%

LAB 41.5, -41.11, 31.12

 

CMYK 56 / 0 / 80 / 82

HEX #142D09

RGB 20 45 9

HSL 101.67, 0.67%, 0.11%

LAB 15.72, -17.9, 18.73

 

CMYK 56 / 0 / 80 / 69

HEX #234F10

RGB 35 79 16

HSL 101.9, 0.66%, 0.19%

LAB 29.38, -27.95, 30.76

 

CMYK 55 / 0 / 79 / 56

HEX #337118

RGB 51 113 24

HSL 101.8, 0.65%, 0.27%

LAB 42.12, -36.69, 40.48

 

CMYK 55 / 0 / 79 / 42

HEX #42931F

RGB 66 147 31

HSL 101.9, 0.65%, 0.35%

LAB 54.16, -45.27, 49.9

 

CMYK 55 / 0 / 79 / 29

HEX #51B526

RGB 81 181 38

HSL 101.96, 0.65%, 0.43%

LAB 65.7, -53.44, 58.84

 

CMYK 55 / 0 / 79 / 56

HEX #337118

RGB 51 113 24

HSL 101.8, 0.65%, 0.27%

LAB 42.12, -36.69, 40.48

 

CMYK 79 / 0 / 9 / 56

HEX #187167

RGB 24 113 103

HSL 173.26, 0.65%, 0.27%

LAB 42.74, -27.59, -1.74

 

CMYK 0 / 79 / 22 / 56

HEX #711858

RGB 113 24 88

HSL 316.85, 0.65%, 0.27%

LAB 26.36, 44.46, -16.3

 

CMYK 55 / 0 / 79 / 56

HEX #337118

RGB 51 113 24

HSL 101.8, 0.65%, 0.27%

LAB 42.12, -36.69, 40.48

 

CMYK 79 / 54 / 0 / 56

HEX #183471

RGB 24 52 113

HSL 221.12, 0.65%, 0.27%

LAB 23.14, 13.3, -38.32

 

CMYK 0 / 79 / 54 / 56

HEX #711834

RGB 113 24 52

HSL 341.12, 0.65%, 0.27%

LAB 24.99, 40.2, 5.94

 

CMYK 55 / 0 / 79 / 56

HEX #337118

RGB 51 113 24

HSL 101.8, 0.65%, 0.27%

LAB 42.12, -36.69, 40.48

 

CMYK 79 / 0 / 9 / 56

HEX #187167

RGB 24 113 103

HSL 173.26, 0.65%, 0.27%

LAB 42.74, -27.59, -1.74

 

CMYK 25 / 79 / 0 / 56

HEX #551871

RGB 85 24 113

HSL 281.12, 0.65%, 0.27%

LAB 22.92, 42.36, -38.39

 

CMYK 0 / 79 / 70 / 56

HEX #711822

RGB 113 24 34

HSL 353.26, 0.65%, 0.27%

LAB 24.57, 38.86, 17.65

 

CMYK 55 / 0 / 79 / 56

HEX #337118

RGB 51 113 24

HSL 101.8, 0.65%, 0.27%

LAB 42.12, -36.69, 40.48

 

CMYK 79 / 14 / 0 / 56

HEX #186171

RGB 24 97 113

HSL 190.79, 0.65%, 0.27%

LAB 37.73, -15.87, -15.35

 

CMYK 25 / 79 / 0 / 56

HEX #551871

RGB 85 24 113

HSL 281.12, 0.65%, 0.27%

LAB 22.92, 42.36, -38.39

 

CMYK 0 / 65 / 79 / 56

HEX #712818

RGB 113 40 24

HSL 10.79, 0.65%, 0.27%

LAB 27, 31.31, 26.85

 

Description

Color code: HEX #337118 | qconv.com Color code: HEX #337118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 113 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 113 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 79 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 79% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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