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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #337A40 it is the complementary color #CC85BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #337A40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #337A40 shade: #387A3B, #498C4E, #5A9E61, #6BB074 and #7CC287

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #337A40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #337A40 shade: #337A40, #22682D, #11561A, #004407 and #003200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #337A40 shade: #337A40, #397A33, #4C7A33, #5F7A33 and #727A33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #337A40 shade: #337A40, #337A53, #337A66, #337A79 and #33677A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #337A40 shade matches the following richer shades: #337A40, #258837, #17962E and #09A425

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #337A40 shade: #337A40, #416C49, #4F5E51, #5D505A and #6B4263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #337A40 shade: #4D7A33, #3A7A33, #337A3F, #337A51 and #337A64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #337A40 shade: #1A4021, #265D30, #337A40, #3F974F and #4BB45E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #337A40 shade: #337A40, #33607A and #7A3343

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #337A40 shade: #337A40, #3F337A and #7A3F33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #337A40 shade: #337A40, #33607A, #7A336E and #7A4D33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #337A40 shade: #337A40, #334A7A, #7A336E and #7A6233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

Complementary color

CMYK 0 / 35 / 6 / 20

HEX #CC85BF

RGB 204 133 191

HSL 310.99, 0.41%, 0.66%

LAB 64.46, 36.1, -19.07

 

CMYK 54 / 0 / 52 / 52

HEX #387A3B

RGB 56 122 59

HSL 122.73, 0.37%, 0.35%

LAB 45.74, -35.05, 28.07

 

CMYK 48 / 0 / 44 / 45

HEX #498C4E

RGB 73 140 78

HSL 124.48, 0.31%, 0.42%

LAB 52.64, -35, 26.65

 

CMYK 43 / 0 / 39 / 38

HEX #5A9E61

RGB 90 158 97

HSL 126.18, 0.27%, 0.49%

LAB 59.43, -34.82, 25.31

 

CMYK 39 / 0 / 34 / 31

HEX #6BB074

RGB 107 176 116

HSL 127.83, 0.3%, 0.55%

LAB 66.09, -34.58, 24.07

 

CMYK 36 / 0 / 30 / 24

HEX #7CC287

RGB 124 194 135

HSL 129.43, 0.36%, 0.62%

LAB 72.64, -34.31, 22.9

 

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

CMYK 67 / 0 / 57 / 59

HEX #22682D

RGB 34 104 45

HSL 129.43, 0.51%, 0.27%

LAB 38.6, -35.35, 26.7

 

CMYK 80 / 0 / 70 / 66

HEX #11561A

RGB 17 86 26

HSL 127.83, 0.67%, 0.2%

LAB 31.46, -34.43, 28.18

 

CMYK 100 / 0 / 90 / 73

HEX #004407

RGB 0 68 7

HSL 126.18, 1%, 0.13%

LAB 24.16, -32.68, 28.91

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

CMYK 53 / 0 / 58 / 52

HEX #397A33

RGB 57 122 51

HSL 114.93, 0.41%, 0.34%

LAB 45.67, -35.89, 32.2

 

CMYK 38 / 0 / 58 / 52

HEX #4C7A33

RGB 76 122 51

HSL 98.87, 0.41%, 0.34%

LAB 46.57, -29.5, 33.48

 

CMYK 22 / 0 / 58 / 52

HEX #5F7A33

RGB 95 122 51

HSL 82.82, 0.41%, 0.34%

LAB 47.74, -22, 35.14

 

CMYK 7 / 0 / 58 / 52

HEX #727A33

RGB 114 122 51

HSL 66.76, 0.41%, 0.34%

LAB 49.17, -13.78, 37.15

 

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

CMYK 58 / 0 / 32 / 52

HEX #337A53

RGB 51 122 83

HSL 147.04, 0.41%, 0.34%

LAB 45.97, -31.97, 14.83

 

CMYK 58 / 0 / 16 / 52

HEX #337A66

RGB 51 122 102

HSL 163.1, 0.41%, 0.34%

LAB 46.42, -27.46, 4.3

 

CMYK 58 / 0 / 1 / 52

HEX #337A79

RGB 51 122 121

HSL 179.15, 0.41%, 0.34%

LAB 46.98, -22.2, -6.15

 

CMYK 58 / 16 / 0 / 52

HEX #33677A

RGB 51 103 122

HSL 196.06, 0.41%, 0.34%

LAB 40.91, -11.42, -15.9

 

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

CMYK 73 / 0 / 60 / 47

HEX #258837

RGB 37 136 55

HSL 130.91, 0.57%, 0.34%

LAB 49.83, -45.71, 34.93

 

CMYK 85 / 0 / 69 / 41

HEX #17962E

RGB 23 150 46

HSL 130.87, 0.73%, 0.34%

LAB 54.23, -53.62, 43.94

 

CMYK 95 / 0 / 77 / 36

HEX #09A425

RGB 9 164 37

HSL 130.84, 0.9%, 0.34%

LAB 58.74, -59.84, 51.96

 

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

CMYK 40 / 0 / 32 / 58

HEX #416C49

RGB 65 108 73

HSL 131.16, 0.25%, 0.34%

LAB 41.74, -23.14, 15.01

 

CMYK 16 / 0 / 14 / 63

HEX #4F5E51

RGB 79 94 81

HSL 128, 0.09%, 0.34%

LAB 38.31, -8.64, 5.54

 

CMYK 0 / 14 / 3 / 64

HEX #5D505A

RGB 93 80 90

HSL 313.85, 0.08%, 0.34%

LAB 35.6, 7.39, -3.86

 

CMYK 0 / 38 / 7 / 58

HEX #6B4263

RGB 107 66 99

HSL 311.71, 0.24%, 0.34%

LAB 33.82, 23.35, -12.06

 

CMYK 37 / 0 / 58 / 52

HEX #4D7A33

RGB 77 122 51

HSL 98.03, 0.41%, 0.34%

LAB 46.63, -29.13, 33.56

 

CMYK 52 / 0 / 58 / 52

HEX #3A7A33

RGB 58 122 51

HSL 114.08, 0.41%, 0.34%

LAB 45.71, -35.59, 32.26

 

CMYK 58 / 0 / 48 / 52

HEX #337A3F

RGB 51 122 63

HSL 130.14, 0.41%, 0.34%

LAB 45.61, -35.8, 25.69

 

CMYK 58 / 0 / 34 / 52

HEX #337A51

RGB 51 122 81

HSL 145.35, 0.41%, 0.34%

LAB 45.93, -32.4, 15.93

 

CMYK 58 / 0 / 18 / 52

HEX #337A64

RGB 51 122 100

HSL 161.41, 0.41%, 0.34%

LAB 46.37, -27.97, 5.41

 

CMYK 59 / 0 / 48 / 75

HEX #1A4021

RGB 26 64 33

HSL 131.05, 0.42%, 0.18%

LAB 23.66, -21.58, 14.94

 

CMYK 59 / 0 / 48 / 64

HEX #265D30

RGB 38 93 48

HSL 130.91, 0.42%, 0.26%

LAB 34.91, -29.06, 20.46

 

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

CMYK 58 / 0 / 48 / 41

HEX #3F974F

RGB 63 151 79

HSL 130.91, 0.41%, 0.42%

LAB 55.84, -42.32, 30.11

 

CMYK 58 / 0 / 48 / 29

HEX #4BB45E

RGB 75 180 94

HSL 130.86, 0.41%, 0.5%

LAB 65.71, -48.75, 34.86

 

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

CMYK 58 / 21 / 0 / 52

HEX #33607A

RGB 51 96 122

HSL 201.97, 0.41%, 0.34%

LAB 38.68, -7.28, -19.33

 

CMYK 0 / 58 / 45 / 52

HEX #7A3343

RGB 122 51 67

HSL 346.48, 0.41%, 0.34%

LAB 31.6, 32.6, 5.52

 

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

CMYK 48 / 58 / 0 / 52

HEX #3F337A

RGB 63 51 122

HSL 250.14, 0.41%, 0.34%

LAB 26.24, 24.94, -38.91

 

CMYK 0 / 48 / 58 / 52

HEX #7A3F33

RGB 122 63 51

HSL 10.14, 0.41%, 0.34%

LAB 33.84, 24.33, 18.82

 

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

CMYK 58 / 21 / 0 / 52

HEX #33607A

RGB 51 96 122

HSL 201.97, 0.41%, 0.34%

LAB 38.68, -7.28, -19.33

 

CMYK 0 / 58 / 10 / 52

HEX #7A336E

RGB 122 51 110

HSL 310.14, 0.41%, 0.34%

LAB 33.2, 38.92, -19.8

 

CMYK 0 / 37 / 58 / 52

HEX #7A4D33

RGB 122 77 51

HSL 21.97, 0.41%, 0.34%

LAB 37.27, 16.08, 23.18

 

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

CMYK 58 / 39 / 0 / 52

HEX #334A7A

RGB 51 74 122

HSL 220.56, 0.41%, 0.34%

LAB 31.82, 6.67, -30.05

 

CMYK 0 / 58 / 10 / 52

HEX #7A336E

RGB 122 51 110

HSL 310.14, 0.41%, 0.34%

LAB 33.2, 38.92, -19.8

 

CMYK 0 / 20 / 58 / 52

HEX #7A6233

RGB 122 98 51

HSL 39.72, 0.41%, 0.34%

LAB 42.93, 3.54, 30.09

 

Description

Color code: HEX #337A40 | qconv.com Color code: HEX #337A40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 122 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 122 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 48 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 48% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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