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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33899A it is the complementary color #CC7665. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33899A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33899A shade: #388995, #499BA8, #5AADBB, #6BBFCE and #7CD1E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33899A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33899A shade: #33899A, #227787, #116574, #005361 and #00414E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33899A shade: #338899, #336C99, #335199, #333599 and #4B3399

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33899A shade: #338899, #336C99, #335199, #333599 and #333399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33899A shade matches the following richer shades: #338899, #2293A9, #119EBA and #01A9CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33899A shade: #338899, #437D88, #547277, #646667 and #755B56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33899A shade: #339971, #33998D, #338999, #336E99 and #335399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33899A shade: #1E515B, #286C7A, #338899, #3DA3B7 and #57B4C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33899A shade: #33899A, #563399 and #997F33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33899A shade: #33899A, #993389 and #899933

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33899A shade: #33899A, #563399, #994233 and #759933

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33899A shade: #33899A, #753399, #994233 and #569933

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 11 / 0 / 40

HEX #33899A

RGB 51 137 154

HSL 189.9, 0.5%, 0.4%

LAB 52.87, -19.96, -16.62

 

Complementary color

CMYK 0 / 42 / 50 / 20

HEX #CC7665

RGB 204 118 101

HSL 9.9, 0.5%, 0.6%

LAB 58.73, 31.89, 23.98

 

CMYK 62 / 8 / 0 / 42

HEX #388995

RGB 56 137 149

HSL 187.74, 0.45%, 0.4%

LAB 52.84, -20.65, -13.76

 

CMYK 57 / 8 / 0 / 34

HEX #499BA8

RGB 73 155 168

HSL 188.21, 0.39%, 0.47%

LAB 59.6, -21.05, -14.37

 

CMYK 52 / 7 / 0 / 27

HEX #5AADBB

RGB 90 173 187

HSL 188.66, 0.42%, 0.54%

LAB 66.25, -21.32, -14.93

 

CMYK 48 / 7 / 0 / 19

HEX #6BBFCE

RGB 107 191 206

HSL 189.09, 0.5%, 0.61%

LAB 72.79, -21.5, -15.46

 

CMYK 45 / 7 / 0 / 12

HEX #7CD1E1

RGB 124 209 225

HSL 189.5, 0.63%, 0.68%

LAB 79.23, -21.62, -15.95

 

CMYK 67 / 11 / 0 / 40

HEX #33899A

RGB 51 137 154

HSL 189.9, 0.5%, 0.4%

LAB 52.87, -19.96, -16.62

 

CMYK 75 / 12 / 0 / 47

HEX #227787

RGB 34 119 135

HSL 189.5, 0.6%, 0.33%

LAB 46.02, -19.1, -15.96

 

CMYK 85 / 13 / 0 / 55

HEX #116574

RGB 17 101 116

HSL 189.09, 0.74%, 0.26%

LAB 39.05, -17.82, -15.18

 

CMYK 100 / 14 / 0 / 62

HEX #005361

RGB 0 83 97

HSL 188.66, 1%, 0.19%

LAB 31.92, -16.12, -14.31

 

CMYK 100 / 17 / 0 / 69

HEX #00414E

RGB 0 65 78

HSL 190, 1%, 0.15%

LAB 24.74, -13.04, -13.08

 

CMYK 67 / 11 / 0 / 40

HEX #338899

RGB 51 136 153

HSL 190, 0.5%, 0.4%

LAB 52.52, -19.74, -16.58

 

CMYK 67 / 29 / 0 / 40

HEX #336C99

RGB 51 108 153

HSL 206.47, 0.5%, 0.4%

LAB 43.84, -3.82, -29.98

 

CMYK 67 / 47 / 0 / 40

HEX #335199

RGB 51 81 153

HSL 222.35, 0.5%, 0.4%

LAB 35.77, 13.35, -42.77

 

CMYK 67 / 65 / 0 / 40

HEX #333599

RGB 51 53 153

HSL 238.82, 0.5%, 0.4%

LAB 28.25, 31.89, -54.95

 

CMYK 51 / 67 / 0 / 40

HEX #4B3399

RGB 75 51 153

HSL 254.12, 0.5%, 0.4%

LAB 29.82, 37.23, -52.3

 

CMYK 67 / 11 / 0 / 40

HEX #338899

RGB 51 136 153

HSL 190, 0.5%, 0.4%

LAB 52.52, -19.74, -16.58

 

CMYK 67 / 29 / 0 / 40

HEX #336C99

RGB 51 108 153

HSL 206.47, 0.5%, 0.4%

LAB 43.84, -3.82, -29.98

 

CMYK 67 / 47 / 0 / 40

HEX #335199

RGB 51 81 153

HSL 222.35, 0.5%, 0.4%

LAB 35.77, 13.35, -42.77

 

CMYK 67 / 65 / 0 / 40

HEX #333599

RGB 51 53 153

HSL 238.82, 0.5%, 0.4%

LAB 28.25, 31.89, -54.95

 

CMYK 67 / 67 / 0 / 40

HEX #333399

RGB 51 51 153

HSL 240, 0.5%, 0.4%

LAB 27.77, 33.16, -55.74

 

CMYK 67 / 11 / 0 / 40

HEX #338899

RGB 51 136 153

HSL 190, 0.5%, 0.4%

LAB 52.52, -19.74, -16.58

 

CMYK 80 / 13 / 0 / 34

HEX #2293A9

RGB 34 147 169

HSL 189.78, 0.67%, 0.4%

LAB 56.16, -22.55, -20.27

 

CMYK 91 / 15 / 0 / 27

HEX #119EBA

RGB 17 158 186

HSL 189.94, 0.83%, 0.4%

LAB 60, -23.76, -24.05

 

CMYK 100 / 16 / 0 / 21

HEX #01A9CA

RGB 1 169 202

HSL 189.85, 0.99%, 0.4%

LAB 63.87, -24.52, -27.04

 

CMYK 67 / 11 / 0 / 40

HEX #338899

RGB 51 136 153

HSL 190, 0.5%, 0.4%

LAB 52.52, -19.74, -16.58

 

CMYK 51 / 8 / 0 / 47

HEX #437D88

RGB 67 125 136

HSL 189.57, 0.34%, 0.4%

LAB 49.05, -15.77, -11.84

 

CMYK 29 / 4 / 0 / 53

HEX #547277

RGB 84 114 119

HSL 188.57, 0.17%, 0.4%

LAB 45.98, -9.5, -6.28

 

CMYK 3 / 1 / 0 / 60

HEX #646667

RGB 100 102 103

HSL 200, 0.01%, 0.4%

LAB 43.05, -0.56, -0.84

 

CMYK 0 / 22 / 26 / 54

HEX #755B56

RGB 117 91 86

HSL 9.68, 0.15%, 0.4%

LAB 41.11, 9.82, 6.95

 

CMYK 67 / 0 / 26 / 40

HEX #339971

RGB 51 153 113

HSL 156.47, 0.5%, 0.4%

LAB 56.76, -39.07, 12.61

 

CMYK 67 / 0 / 8 / 40

HEX #33998D

RGB 51 153 141

HSL 172.94, 0.5%, 0.4%

LAB 57.47, -31.89, -2.27

 

CMYK 67 / 10 / 0 / 40

HEX #338999

RGB 51 137 153

HSL 189.41, 0.5%, 0.4%

LAB 52.83, -20.27, -16.1

 

CMYK 67 / 28 / 0 / 40

HEX #336E99

RGB 51 110 153

HSL 205.29, 0.5%, 0.4%

LAB 44.46, -5.03, -29.02

 

CMYK 67 / 46 / 0 / 40

HEX #335399

RGB 51 83 153

HSL 221.18, 0.5%, 0.4%

LAB 36.35, 12.03, -41.84

 

CMYK 67 / 11 / 0 / 64

HEX #1E515B

RGB 30 81 91

HSL 189.84, 0.5%, 0.24%

LAB 31.62, -13.43, -10.91

 

CMYK 67 / 11 / 0 / 52

HEX #286C7A

RGB 40 108 122

HSL 190.24, 0.51%, 0.32%

LAB 42.13, -16.48, -14.09

 

CMYK 67 / 11 / 0 / 40

HEX #338899

RGB 51 136 153

HSL 190, 0.5%, 0.4%

LAB 52.52, -19.74, -16.58

 

CMYK 67 / 11 / 0 / 28

HEX #3DA3B7

RGB 61 163 183

HSL 189.84, 0.5%, 0.48%

LAB 62.17, -22.83, -18.97

 

CMYK 56 / 10 / 0 / 22

HEX #57B4C7

RGB 87 180 199

HSL 190.18, 0.5%, 0.56%

LAB 68.6, -22.12, -18.02

 

CMYK 67 / 11 / 0 / 40

HEX #33899A

RGB 51 137 154

HSL 189.9, 0.5%, 0.4%

LAB 52.87, -19.96, -16.62

 

CMYK 44 / 67 / 0 / 40

HEX #563399

RGB 86 51 153

HSL 260.59, 0.5%, 0.4%

LAB 30.99, 39.43, -50.35

 

CMYK 0 / 17 / 67 / 40

HEX #997F33

RGB 153 127 51

HSL 44.71, 0.5%, 0.4%

LAB 54.23, 1.11, 43.76

 

CMYK 67 / 11 / 0 / 40

HEX #33899A

RGB 51 137 154

HSL 189.9, 0.5%, 0.4%

LAB 52.87, -19.96, -16.62

 

CMYK 0 / 67 / 10 / 40

HEX #993389

RGB 153 51 137

HSL 309.41, 0.5%, 0.4%

LAB 39.49, 52.33, -26.45

 

CMYK 10 / 0 / 67 / 40

HEX #899933

RGB 137 153 51

HSL 69.41, 0.5%, 0.4%

LAB 60.19, -20.02, 49.65

 

CMYK 67 / 11 / 0 / 40

HEX #33899A

RGB 51 137 154

HSL 189.9, 0.5%, 0.4%

LAB 52.87, -19.96, -16.62

 

CMYK 44 / 67 / 0 / 40

HEX #563399

RGB 86 51 153

HSL 260.59, 0.5%, 0.4%

LAB 30.99, 39.43, -50.35

 

CMYK 0 / 57 / 67 / 40

HEX #994233

RGB 153 66 51

HSL 8.82, 0.5%, 0.4%

LAB 39.42, 35.34, 26.87

 

CMYK 24 / 0 / 67 / 40

HEX #759933

RGB 117 153 51

HSL 81.18, 0.5%, 0.4%

LAB 58.79, -28.37, 47.75

 

CMYK 67 / 11 / 0 / 40

HEX #33899A

RGB 51 137 154

HSL 189.9, 0.5%, 0.4%

LAB 52.87, -19.96, -16.62

 

CMYK 24 / 67 / 0 / 40

HEX #753399

RGB 117 51 153

HSL 278.82, 0.5%, 0.4%

LAB 34.9, 46.34, -43.83

 

CMYK 0 / 57 / 67 / 40

HEX #994233

RGB 153 66 51

HSL 8.82, 0.5%, 0.4%

LAB 39.42, 35.34, 26.87

 

CMYK 44 / 0 / 67 / 40

HEX #569933

RGB 86 153 51

HSL 99.41, 0.5%, 0.4%

LAB 57.08, -39.9, 45.4

 

Description

Color code: HEX #33899A | qconv.com Color code: HEX #33899A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 137 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 137 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 11 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 11% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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