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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3389C6 it is the complementary color #CC7639. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3389C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3389C6 shade: #3889C1, #499BD4, #5AADE7, #6BBFFA and #7CD1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3389C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3389C6 shade: #3389C6, #2277B3, #1165A0, #00538D and #00417A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3389C6 shade: #3389C6, #3361C6, #3339C6, #5433C6 and #7C33C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3389C6 shade: #3389C6, #3361C6, #3339C6 and #3333C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3389C6 shade matches the following richer shades: #3389C6, #1F8CDA and #0A90EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3389C6 shade: #3389C6, #4786B2, #5B829E, #6F7F8A and #847B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3389C6 shade: #33C6B3, #33B3C6, #338BC6, #3364C6 and #333DC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3389C6 shade: #225C85, #2A72A5, #3389C6, #519CD2 and #71AFDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3389C6 shade: #3389C6, #8B33C6 and #C6C633

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3389C6 shade: #3389C6, #C6338B and #8BC633

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3389C6 shade: #3389C6, #8B33C6, #C66E33 and #6EC633

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3389C6 shade: #3389C6, #B733C6, #C66E33 and #41C633

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 31 / 0 / 22

HEX #3389C6

RGB 51 137 198

HSL 204.9, 0.59%, 0.49%

LAB 54.73, -5.01, -38.97

 

Complementary color

CMYK 0 / 42 / 72 / 20

HEX #CC7639

RGB 204 118 57

HSL 24.9, 0.59%, 0.51%

LAB 58.12, 28.77, 46.87

 

CMYK 71 / 29 / 0 / 24

HEX #3889C1

RGB 56 137 193

HSL 204.53, 0.55%, 0.49%

LAB 54.64, -6.09, -36.27

 

CMYK 66 / 27 / 0 / 17

HEX #499BD4

RGB 73 155 212

HSL 204.6, 0.62%, 0.56%

LAB 61.32, -7.23, -36.48

 

CMYK 61 / 25 / 0 / 9

HEX #5AADE7

RGB 90 173 231

HSL 204.68, 0.75%, 0.63%

LAB 67.9, -8.14, -36.67

 

CMYK 57 / 24 / 0 / 2

HEX #6BBFFA

RGB 107 191 250

HSL 204.76, 0.93%, 0.7%

LAB 74.37, -8.86, -36.86

 

CMYK 51 / 18 / 0 / 0

HEX #7CD1FF

RGB 124 209 255

HSL 201.07, 1%, 0.74%

LAB 80.24, -13.46, -30.43

 

CMYK 74 / 31 / 0 / 22

HEX #3389C6

RGB 51 137 198

HSL 204.9, 0.59%, 0.49%

LAB 54.73, -5.01, -38.97

 

CMYK 81 / 34 / 0 / 30

HEX #2277B3

RGB 34 119 179

HSL 204.83, 0.68%, 0.42%

LAB 47.99, -3.29, -38.73

 

CMYK 89 / 37 / 0 / 37

HEX #1165A0

RGB 17 101 160

HSL 204.76, 0.81%, 0.35%

LAB 41.16, -1.03, -38.42

 

CMYK 100 / 41 / 0 / 45

HEX #00538D

RGB 0 83 141

HSL 204.68, 1%, 0.28%

LAB 34.21, 1.79, -38.06

 

CMYK 100 / 47 / 0 / 52

HEX #00417A

RGB 0 65 122

HSL 208.03, 1%, 0.24%

LAB 27.26, 5.8, -37.43

 

CMYK 74 / 31 / 0 / 22

HEX #3389C6

RGB 51 137 198

HSL 204.9, 0.59%, 0.49%

LAB 54.73, -5.01, -38.97

 

CMYK 74 / 51 / 0 / 22

HEX #3361C6

RGB 51 97 198

HSL 221.22, 0.59%, 0.49%

LAB 43.26, 19.7, -57.27

 

CMYK 74 / 71 / 0 / 22

HEX #3339C6

RGB 51 57 198

HSL 237.55, 0.59%, 0.49%

LAB 33.37, 44.97, -73.42

 

CMYK 58 / 74 / 0 / 22

HEX #5433C6

RGB 84 51 198

HSL 253.47, 0.59%, 0.49%

LAB 34.66, 52.04, -71.2

 

CMYK 37 / 74 / 0 / 22

HEX #7C33C6

RGB 124 51 198

HSL 269.8, 0.59%, 0.49%

LAB 39.12, 58.25, -63.72

 

CMYK 74 / 31 / 0 / 22

HEX #3389C6

RGB 51 137 198

HSL 204.9, 0.59%, 0.49%

LAB 54.73, -5.01, -38.97

 

CMYK 74 / 51 / 0 / 22

HEX #3361C6

RGB 51 97 198

HSL 221.22, 0.59%, 0.49%

LAB 43.26, 19.7, -57.27

 

CMYK 74 / 71 / 0 / 22

HEX #3339C6

RGB 51 57 198

HSL 237.55, 0.59%, 0.49%

LAB 33.37, 44.97, -73.42

 

CMYK 74 / 74 / 0 / 22

HEX #3333C6

RGB 51 51 198

HSL 240, 0.59%, 0.49%

LAB 32.14, 48.39, -75.44

 

CMYK 74 / 31 / 0 / 22

HEX #3389C6

RGB 51 137 198

HSL 204.9, 0.59%, 0.49%

LAB 54.73, -5.01, -38.97

 

CMYK 86 / 36 / 0 / 15

HEX #1F8CDA

RGB 31 140 218

HSL 205.03, 0.75%, 0.49%

LAB 56.2, -1.44, -47.97

 

CMYK 96 / 40 / 0 / 6

HEX #0A90EF

RGB 10 144 239

HSL 204.89, 0.92%, 0.49%

LAB 58.27, 3.11, -56.38

 

CMYK 74 / 31 / 0 / 22

HEX #3389C6

RGB 51 137 198

HSL 204.9, 0.59%, 0.49%

LAB 54.73, -5.01, -38.97

 

CMYK 60 / 25 / 0 / 30

HEX #4786B2

RGB 71 134 178

HSL 204.67, 0.43%, 0.49%

LAB 53.6, -6.85, -29.28

 

CMYK 42 / 18 / 0 / 38

HEX #5B829E

RGB 91 130 158

HSL 205.07, 0.27%, 0.49%

LAB 52.57, -5.97, -19.24

 

CMYK 20 / 8 / 0 / 46

HEX #6F7F8A

RGB 111 127 138

HSL 204.44, 0.11%, 0.49%

LAB 52.28, -3.33, -7.92

 

CMYK 0 / 7 / 11 / 48

HEX #847B75

RGB 132 123 117

HSL 24, 0.06%, 0.49%

LAB 52.24, 2.32, 4.5

 

CMYK 74 / 0 / 10 / 22

HEX #33C6B3

RGB 51 198 179

HSL 172.24, 0.59%, 0.49%

LAB 72.46, -42.01, -1.42

 

CMYK 74 / 10 / 0 / 22

HEX #33B3C6

RGB 51 179 198

HSL 187.76, 0.59%, 0.49%

LAB 67.29, -27.61, -19.55

 

CMYK 74 / 30 / 0 / 22

HEX #338BC6

RGB 51 139 198

HSL 204.08, 0.59%, 0.49%

LAB 55.33, -6.17, -38.04

 

CMYK 74 / 49 / 0 / 22

HEX #3364C6

RGB 51 100 198

HSL 220, 0.59%, 0.49%

LAB 44.08, 17.76, -55.94

 

CMYK 74 / 69 / 0 / 22

HEX #333DC6

RGB 51 61 198

HSL 235.92, 0.59%, 0.49%

LAB 34.23, 42.6, -72

 

CMYK 74 / 31 / 0 / 48

HEX #225C85

RGB 34 92 133

HSL 204.85, 0.59%, 0.33%

LAB 37.28, -4.13, -28.28

 

CMYK 75 / 31 / 0 / 35

HEX #2A72A5

RGB 42 114 165

HSL 204.88, 0.59%, 0.41%

LAB 45.97, -4.53, -33.74

 

CMYK 74 / 31 / 0 / 22

HEX #3389C6

RGB 51 137 198

HSL 204.9, 0.59%, 0.49%

LAB 54.73, -5.01, -38.97

 

CMYK 61 / 26 / 0 / 18

HEX #519CD2

RGB 81 156 210

HSL 205.12, 0.59%, 0.57%

LAB 61.81, -7.05, -34.58

 

CMYK 48 / 20 / 0 / 15

HEX #71AFDA

RGB 113 175 218

HSL 204.57, 0.59%, 0.65%

LAB 68.92, -8.35, -27.88

 

CMYK 74 / 31 / 0 / 22

HEX #3389C6

RGB 51 137 198

HSL 204.9, 0.59%, 0.49%

LAB 54.73, -5.01, -38.97

 

CMYK 30 / 74 / 0 / 22

HEX #8B33C6

RGB 139 51 198

HSL 275.92, 0.59%, 0.49%

LAB 41.11, 60.94, -60.4

 

CMYK 0 / 0 / 74 / 22

HEX #C6C633

RGB 198 198 51

HSL 60, 0.59%, 0.49%

LAB 77.66, -16.67, 68.42

 

CMYK 74 / 31 / 0 / 22

HEX #3389C6

RGB 51 137 198

HSL 204.9, 0.59%, 0.49%

LAB 54.73, -5.01, -38.97

 

CMYK 0 / 74 / 30 / 22

HEX #C6338B

RGB 198 51 139

HSL 324.08, 0.59%, 0.49%

LAB 47.28, 64.34, -15.01

 

CMYK 30 / 0 / 74 / 22

HEX #8BC633

RGB 139 198 51

HSL 84.08, 0.59%, 0.49%

LAB 73.62, -40.51, 63.17

 

CMYK 74 / 31 / 0 / 22

HEX #3389C6

RGB 51 137 198

HSL 204.9, 0.59%, 0.49%

LAB 54.73, -5.01, -38.97

 

CMYK 30 / 74 / 0 / 22

HEX #8B33C6

RGB 139 51 198

HSL 275.92, 0.59%, 0.49%

LAB 41.11, 60.94, -60.4

 

CMYK 0 / 44 / 74 / 22

HEX #C66E33

RGB 198 110 51

HSL 24.08, 0.59%, 0.49%

LAB 55.48, 30.29, 46.73

 

CMYK 44 / 0 / 74 / 22

HEX #6EC633

RGB 110 198 51

HSL 95.92, 0.59%, 0.49%

LAB 72.19, -50.55, 61.28

 

CMYK 74 / 31 / 0 / 22

HEX #3389C6

RGB 51 137 198

HSL 204.9, 0.59%, 0.49%

LAB 54.73, -5.01, -38.97

 

CMYK 8 / 74 / 0 / 22

HEX #B733C6

RGB 183 51 198

HSL 293.88, 0.59%, 0.49%

LAB 47.64, 69.52, -49.54

 

CMYK 0 / 44 / 74 / 22

HEX #C66E33

RGB 198 110 51

HSL 24.08, 0.59%, 0.49%

LAB 55.48, 30.29, 46.73

 

CMYK 67 / 0 / 74 / 22

HEX #41C633

RGB 65 198 51

HSL 114.29, 0.59%, 0.49%

LAB 70.7, -62.25, 59.31

 

Description

Color code: HEX #3389C6 | qconv.com Color code: HEX #3389C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 137 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 137 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 31 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 31% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - | - Incipit - Bed &a...
Link: http://www.incipitbb.it

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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