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Color name
HEX #338018

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #338018 it is the complementary color #CC7FE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #338018. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #338018 shade: #388013, #499226, #5AA439, #6BB64C and #7CC85F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #338018. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #338018 shade: #338018, #226E05, #115C00, #004A00 and #003800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #338018 shade: #338018, #4F8018, #6B8018, #807918 and #805D18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #338018 shade: #338018, #188019, #188035, #188051 and #18806D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #338018 shade matches the following richer shades: #338018 and #2D8C0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #338018 shade: #338018, #397424, #3F6731, #455B3D and #4B4F49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #338018 shade: #6B8018, #4F8018, #348018, #188018 and #188034

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #338018 shade: #173B0B, #255D11, #338018, #41A31F and #4FC525

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #338018 shade: #338018, #188079 and #80185D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #338018 shade: #338018, #183480 and #801834

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #338018 shade: #338018, #188079, #641880 and #80181F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #338018 shade: #338018, #186880, #641880 and #803018

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 81 / 50

HEX #338018

RGB 51 128 24

HSL 104.42, 0.68%, 0.3%

LAB 47.25, -42.63, 45.42

 

Complementary color

CMYK 12 / 45 / 0 / 9

HEX #CC7FE7

RGB 204 127 231

HSL 284.42, 0.68%, 0.7%

LAB 64.79, 46.91, -40.91

 

CMYK 56 / 0 / 85 / 50

HEX #388013

RGB 56 128 19

HSL 99.63, 0.74%, 0.29%

LAB 47.4, -41.5, 47.15

 

CMYK 50 / 0 / 74 / 43

HEX #499226

RGB 73 146 38

HSL 100.56, 0.59%, 0.36%

LAB 54.15, -42.28, 47.48

 

CMYK 45 / 0 / 65 / 36

HEX #5AA439

RGB 90 164 57

HSL 101.5, 0.48%, 0.43%

LAB 60.8, -42.68, 46.9

 

CMYK 41 / 0 / 58 / 29

HEX #6BB64C

RGB 107 182 76

HSL 102.45, 0.42%, 0.51%

LAB 67.35, -42.84, 45.92

 

CMYK 38 / 0 / 53 / 22

HEX #7CC85F

RGB 124 200 95

HSL 103.43, 0.49%, 0.58%

LAB 73.82, -42.85, 44.79

 

CMYK 60 / 0 / 81 / 50

HEX #338018

RGB 51 128 24

HSL 104.42, 0.68%, 0.3%

LAB 47.25, -42.63, 45.42

 

CMYK 69 / 0 / 95 / 57

HEX #226E05

RGB 34 110 5

HSL 103.43, 0.91%, 0.23%

LAB 40.41, -41.21, 44.2

 

CMYK 82 / 0 / 100 / 64

HEX #115C00

RGB 17 92 0

HSL 108.91, 1%, 0.18%

LAB 33.51, -38.63, 39.8

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 60 / 0 / 81 / 50

HEX #338018

RGB 51 128 24

HSL 104.42, 0.68%, 0.3%

LAB 47.25, -42.63, 45.42

 

CMYK 38 / 0 / 81 / 50

HEX #4F8018

RGB 79 128 24

HSL 88.27, 0.68%, 0.3%

LAB 48.47, -33.42, 47.01

 

CMYK 16 / 0 / 81 / 50

HEX #6B8018

RGB 107 128 24

HSL 72.12, 0.68%, 0.3%

LAB 50.25, -21.84, 49.3

 

CMYK 0 / 5 / 81 / 50

HEX #807918

RGB 128 121 24

HSL 55.96, 0.68%, 0.3%

LAB 49.89, -8.5, 49.63

 

CMYK 0 / 27 / 81 / 50

HEX #805D18

RGB 128 93 24

HSL 39.81, 0.68%, 0.3%

LAB 41.98, 7.6, 42.44

 

CMYK 60 / 0 / 81 / 50

HEX #338018

RGB 51 128 24

HSL 104.42, 0.68%, 0.3%

LAB 47.25, -42.63, 45.42

 

CMYK 81 / 0 / 80 / 50

HEX #188019

RGB 24 128 25

HSL 120.58, 0.68%, 0.3%

LAB 46.58, -48.18, 44.22

 

CMYK 81 / 0 / 59 / 50

HEX #188035

RGB 24 128 53

HSL 136.73, 0.68%, 0.3%

LAB 46.83, -45.15, 32.33

 

CMYK 81 / 0 / 37 / 50

HEX #188051

RGB 24 128 81

HSL 152.88, 0.68%, 0.3%

LAB 47.27, -40.02, 17.63

 

CMYK 81 / 0 / 15 / 50

HEX #18806D

RGB 24 128 109

HSL 169.04, 0.68%, 0.3%

LAB 47.93, -32.95, 2.26

 

CMYK 60 / 0 / 81 / 50

HEX #338018

RGB 51 128 24

HSL 104.42, 0.68%, 0.3%

LAB 47.25, -42.63, 45.42

 

CMYK 68 / 0 / 91 / 45

HEX #2D8C0C

RGB 45 140 12

HSL 104.53, 0.84%, 0.3%

LAB 51.08, -49.04, 51.91

 

CMYK 60 / 0 / 81 / 50

HEX #338018

RGB 51 128 24

HSL 104.42, 0.68%, 0.3%

LAB 47.25, -42.63, 45.42

 

CMYK 51 / 0 / 69 / 55

HEX #397424

RGB 57 116 36

HSL 104.25, 0.53%, 0.3%

LAB 43.49, -35.03, 36.99

 

CMYK 39 / 0 / 52 / 60

HEX #3F6731

RGB 63 103 49

HSL 104.44, 0.36%, 0.3%

LAB 39.55, -25.39, 25.95

 

CMYK 24 / 0 / 33 / 64

HEX #455B3D

RGB 69 91 61

HSL 104, 0.2%, 0.3%

LAB 36.15, -14.81, 14.67

 

CMYK 5 / 0 / 8 / 69

HEX #4B4F49

RGB 75 79 73

HSL 100, 0.04%, 0.3%

LAB 33.07, -2.92, 2.98

 

CMYK 16 / 0 / 81 / 50

HEX #6B8018

RGB 107 128 24

HSL 72.12, 0.68%, 0.3%

LAB 50.25, -21.84, 49.3

 

CMYK 38 / 0 / 81 / 50

HEX #4F8018

RGB 79 128 24

HSL 88.27, 0.68%, 0.3%

LAB 48.47, -33.42, 47.01

 

CMYK 59 / 0 / 81 / 50

HEX #348018

RGB 52 128 24

HSL 103.85, 0.68%, 0.3%

LAB 47.28, -42.36, 45.47

 

CMYK 81 / 0 / 81 / 50

HEX #188018

RGB 24 128 24

HSL 120, 0.68%, 0.3%

LAB 46.58, -48.25, 44.55

 

CMYK 81 / 0 / 59 / 50

HEX #188034

RGB 24 128 52

HSL 136.15, 0.68%, 0.3%

LAB 46.82, -45.29, 32.82

 

CMYK 61 / 0 / 81 / 77

HEX #173B0B

RGB 23 59 11

HSL 105, 0.69%, 0.14%

LAB 21.34, -23.41, 24.54

 

CMYK 60 / 0 / 82 / 64

HEX #255D11

RGB 37 93 17

HSL 104.21, 0.69%, 0.22%

LAB 34.52, -33.24, 35.48

 

CMYK 60 / 0 / 81 / 50

HEX #338018

RGB 51 128 24

HSL 104.42, 0.68%, 0.3%

LAB 47.25, -42.63, 45.42

 

CMYK 60 / 0 / 81 / 36

HEX #41A31F

RGB 65 163 31

HSL 104.55, 0.68%, 0.38%

LAB 59.36, -51.51, 54.81

 

CMYK 60 / 0 / 81 / 23

HEX #4FC525

RGB 79 197 37

HSL 104.25, 0.68%, 0.46%

LAB 70.68, -59.71, 63.76

 

CMYK 60 / 0 / 81 / 50

HEX #338018

RGB 51 128 24

HSL 104.42, 0.68%, 0.3%

LAB 47.25, -42.63, 45.42

 

CMYK 81 / 0 / 5 / 50

HEX #188079

RGB 24 128 121

HSL 175.96, 0.68%, 0.3%

LAB 48.28, -29.42, -4.3

 

CMYK 0 / 81 / 27 / 50

HEX #80185D

RGB 128 24 93

HSL 320.19, 0.68%, 0.3%

LAB 29.5, 49.06, -14.51

 

CMYK 60 / 0 / 81 / 50

HEX #338018

RGB 51 128 24

HSL 104.42, 0.68%, 0.3%

LAB 47.25, -42.63, 45.42

 

CMYK 81 / 59 / 0 / 50

HEX #183480

RGB 24 52 128

HSL 223.85, 0.68%, 0.3%

LAB 24.35, 19.49, -45.88

 

CMYK 0 / 81 / 59 / 50

HEX #801834

RGB 128 24 52

HSL 343.85, 0.68%, 0.3%

LAB 28.09, 44.81, 10.72

 

CMYK 60 / 0 / 81 / 50

HEX #338018

RGB 51 128 24

HSL 104.42, 0.68%, 0.3%

LAB 47.25, -42.63, 45.42

 

CMYK 81 / 0 / 5 / 50

HEX #188079

RGB 24 128 121

HSL 175.96, 0.68%, 0.3%

LAB 48.28, -29.42, -4.3

 

CMYK 22 / 81 / 0 / 50

HEX #641880

RGB 100 24 128

HSL 283.85, 0.68%, 0.3%

LAB 26.51, 48.64, -42.03

 

CMYK 0 / 81 / 76 / 50

HEX #80181F

RGB 128 24 31

HSL 355.96, 0.68%, 0.3%

LAB 27.69, 43.54, 24.11

 

CMYK 60 / 0 / 81 / 50

HEX #338018

RGB 51 128 24

HSL 104.42, 0.68%, 0.3%

LAB 47.25, -42.63, 45.42

 

CMYK 81 / 19 / 0 / 50

HEX #186880

RGB 24 104 128

HSL 193.85, 0.68%, 0.3%

LAB 40.66, -14.46, -20

 

CMYK 22 / 81 / 0 / 50

HEX #641880

RGB 100 24 128

HSL 283.85, 0.68%, 0.3%

LAB 26.51, 48.64, -42.03

 

CMYK 0 / 63 / 81 / 50

HEX #803018

RGB 128 48 24

HSL 13.85, 0.68%, 0.3%

LAB 31.28, 33.24, 32.15

 

Description

Color code: HEX #338018 | qconv.com Color code: HEX #338018 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 128 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 128 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 81 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 81% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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