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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3380E4 it is the complementary color #CC7F1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3380E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3380E4 shade: #3880DF, #4992F2, #5AA4FF, #6BB6FF and #7CC8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3380E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3380E4 shade: #3380E4, #226ED1, #115CBE, #004AAB and #003898

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3380E4 shade: #3380E4, #3351E4, #4633E4, #7533E4 and #A533E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3380E4 shade: #3380E4, #3351E4 and #3333E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3380E4 shade matches the following richer shades: #3380E4 and #217EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3380E4 shade: #3380E4, #4683D2, #5985BF, #6B88AC and #7E8A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3380E4 shade: #33E1E4, #33B2E4, #3383E4, #3354E4 and #4233E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3380E4 shade: #1659AF, #1B6BD3, #3380E4, #5897E9 and #7CAEEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3380E4 shade: #3380E4, #B833E4 and #CAE433

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3380E4 shade: #3380E4, #E43383 and #83E433

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3380E4 shade: #3380E4, #B833E4, #E49533 and #60E433

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3380E4 shade: #3380E4, #E433DB, #E49533 and #33E43C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 44 / 0 / 11

HEX #3380E4

RGB 51 128 228

HSL 213.9, 0.77%, 0.55%

LAB 53.75, 11.31, -57.44

 

Complementary color

CMYK 0 / 38 / 87 / 20

HEX #CC7F1B

RGB 204 127 27

HSL 33.9, 0.77%, 0.45%

LAB 59.97, 22.84, 60.65

 

CMYK 75 / 43 / 0 / 13

HEX #3880DF

RGB 56 128 223

HSL 214.13, 0.72%, 0.55%

LAB 53.61, 10.05, -54.86

 

CMYK 70 / 40 / 0 / 5

HEX #4992F2

RGB 73 146 242

HSL 214.08, 0.87%, 0.62%

LAB 60.24, 8.21, -54.82

 

CMYK 65 / 36 / 0 / 0

HEX #5AA4FF

RGB 90 164 255

HSL 213.09, 1%, 0.68%

LAB 66.48, 4.72, -51.99

 

CMYK 58 / 29 / 0 / 0

HEX #6BB6FF

RGB 107 182 255

HSL 209.59, 1%, 0.71%

LAB 72.1, -2.42, -43.1

 

CMYK 51 / 22 / 0 / 0

HEX #7CC8FF

RGB 124 200 255

HSL 205.19, 1%, 0.74%

LAB 77.76, -8.72, -34.24

 

CMYK 78 / 44 / 0 / 11

HEX #3380E4

RGB 51 128 228

HSL 213.9, 0.77%, 0.55%

LAB 53.75, 11.31, -57.44

 

CMYK 84 / 47 / 0 / 18

HEX #226ED1

RGB 34 110 209

HSL 213.94, 0.72%, 0.48%

LAB 47.1, 13.79, -57.42

 

CMYK 91 / 52 / 0 / 25

HEX #115CBE

RGB 17 92 190

HSL 213.99, 0.84%, 0.41%

LAB 40.4, 16.84, -57.3

 

CMYK 100 / 57 / 0 / 33

HEX #004AAB

RGB 0 74 171

HSL 214.04, 1%, 0.34%

LAB 33.64, 20.48, -57.08

 

CMYK 100 / 63 / 0 / 40

HEX #003898

RGB 0 56 152

HSL 217.89, 1%, 0.3%

LAB 27, 25.03, -56.45

 

CMYK 78 / 44 / 0 / 11

HEX #3380E4

RGB 51 128 228

HSL 213.9, 0.77%, 0.55%

LAB 53.75, 11.31, -57.44

 

CMYK 78 / 64 / 0 / 11

HEX #3351E4

RGB 51 81 228

HSL 229.83, 0.77%, 0.55%

LAB 41.52, 40.86, -77.3

 

CMYK 69 / 78 / 0 / 11

HEX #4633E4

RGB 70 51 228

HSL 246.44, 0.77%, 0.55%

LAB 36.5, 59.3, -85.52

 

CMYK 49 / 78 / 0 / 11

HEX #7533E4

RGB 117 51 228

HSL 262.37, 0.77%, 0.55%

LAB 40.82, 64.51, -78.26

 

CMYK 28 / 78 / 0 / 11

HEX #A533E4

RGB 165 51 228

HSL 278.64, 0.77%, 0.55%

LAB 46.93, 71.81, -68.02

 

CMYK 78 / 44 / 0 / 11

HEX #3380E4

RGB 51 128 228

HSL 213.9, 0.77%, 0.55%

LAB 53.75, 11.31, -57.44

 

CMYK 78 / 64 / 0 / 11

HEX #3351E4

RGB 51 81 228

HSL 229.83, 0.77%, 0.55%

LAB 41.52, 40.86, -77.3

 

CMYK 78 / 78 / 0 / 11

HEX #3333E4

RGB 51 51 228

HSL 240, 0.77%, 0.55%

LAB 35.35, 57.9, -87.47

 

CMYK 78 / 44 / 0 / 11

HEX #3380E4

RGB 51 128 228

HSL 213.9, 0.77%, 0.55%

LAB 53.75, 11.31, -57.44

 

CMYK 87 / 49 / 0 / 3

HEX #217EF7

RGB 33 126 247

HSL 213.93, 0.93%, 0.55%

LAB 53.99, 18.17, -67.67

 

CMYK 78 / 44 / 0 / 11

HEX #3380E4

RGB 51 128 228

HSL 213.9, 0.77%, 0.55%

LAB 53.75, 11.31, -57.44

 

CMYK 67 / 38 / 0 / 18

HEX #4683D2

RGB 70 131 210

HSL 213.86, 0.61%, 0.55%

LAB 54.23, 5.57, -46.53

 

CMYK 53 / 30 / 0 / 25

HEX #5985BF

RGB 89 133 191

HSL 214.12, 0.44%, 0.55%

LAB 54.72, 1.75, -34.91

 

CMYK 38 / 21 / 0 / 33

HEX #6B88AC

RGB 107 136 172

HSL 213.23, 0.28%, 0.55%

LAB 55.8, -1.03, -22.29

 

CMYK 18 / 10 / 0 / 40

HEX #7E8A9A

RGB 126 138 154

HSL 214.29, 0.12%, 0.55%

LAB 57.02, -0.82, -9.98

 

CMYK 78 / 1 / 0 / 11

HEX #33E1E4

RGB 51 225 228

HSL 181.02, 0.77%, 0.55%

LAB 81.92, -40.36, -13.71

 

CMYK 78 / 22 / 0 / 11

HEX #33B2E4

RGB 51 178 228

HSL 196.95, 0.77%, 0.55%

LAB 68.13, -17.38, -34.75

 

CMYK 78 / 43 / 0 / 11

HEX #3383E4

RGB 51 131 228

HSL 212.88, 0.77%, 0.55%

LAB 54.59, 9.47, -56.1

 

CMYK 78 / 63 / 0 / 11

HEX #3354E4

RGB 51 84 228

HSL 228.81, 0.77%, 0.55%

LAB 42.22, 39, -76.13

 

CMYK 71 / 78 / 0 / 11

HEX #4233E4

RGB 66 51 228

HSL 245.08, 0.77%, 0.55%

LAB 36.23, 58.97, -85.98

 

CMYK 87 / 49 / 0 / 31

HEX #1659AF

RGB 22 89 175

HSL 213.73, 0.78%, 0.39%

LAB 38.57, 13.09, -51.45

 

CMYK 87 / 49 / 0 / 17

HEX #1B6BD3

RGB 27 107 211

HSL 213.91, 0.77%, 0.47%

LAB 46.25, 15.97, -59.94

 

CMYK 78 / 44 / 0 / 11

HEX #3380E4

RGB 51 128 228

HSL 213.9, 0.77%, 0.55%

LAB 53.75, 11.31, -57.44

 

CMYK 62 / 35 / 0 / 9

HEX #5897E9

RGB 88 151 233

HSL 213.93, 0.77%, 0.63%

LAB 61.73, 4.62, -47.44

 

CMYK 48 / 27 / 0 / 7

HEX #7CAEEE

RGB 124 174 238

HSL 213.68, 0.77%, 0.71%

LAB 69.99, 0.54, -37.12

 

CMYK 78 / 44 / 0 / 11

HEX #3380E4

RGB 51 128 228

HSL 213.9, 0.77%, 0.55%

LAB 53.75, 11.31, -57.44

 

CMYK 19 / 78 / 0 / 11

HEX #B833E4

RGB 184 51 228

HSL 285.08, 0.77%, 0.55%

LAB 49.69, 75.09, -63.42

 

CMYK 11 / 0 / 78 / 11

HEX #CAE433

RGB 202 228 51

HSL 68.81, 0.77%, 0.55%

LAB 86.15, -29.53, 76.3

 

CMYK 78 / 44 / 0 / 11

HEX #3380E4

RGB 51 128 228

HSL 213.9, 0.77%, 0.55%

LAB 53.75, 11.31, -57.44

 

CMYK 0 / 78 / 43 / 11

HEX #E43383

RGB 228 51 131

HSL 332.88, 0.77%, 0.55%

LAB 52.4, 71.17, -1.98

 

CMYK 43 / 0 / 78 / 11

HEX #83E433

RGB 131 228 51

HSL 92.88, 0.77%, 0.55%

LAB 82.14, -55.63, 71.14

 

CMYK 78 / 44 / 0 / 11

HEX #3380E4

RGB 51 128 228

HSL 213.9, 0.77%, 0.55%

LAB 53.75, 11.31, -57.44

 

CMYK 19 / 78 / 0 / 11

HEX #B833E4

RGB 184 51 228

HSL 285.08, 0.77%, 0.55%

LAB 49.69, 75.09, -63.42

 

CMYK 0 / 35 / 78 / 11

HEX #E49533

RGB 228 149 51

HSL 33.22, 0.77%, 0.55%

LAB 68.19, 21.97, 60.6

 

CMYK 58 / 0 / 78 / 11

HEX #60E433

RGB 96 228 51

HSL 104.75, 0.77%, 0.55%

LAB 80.86, -65.48, 69.48

 

CMYK 78 / 44 / 0 / 11

HEX #3380E4

RGB 51 128 228

HSL 213.9, 0.77%, 0.55%

LAB 53.75, 11.31, -57.44

 

CMYK 0 / 78 / 4 / 11

HEX #E433DB

RGB 228 51 219

HSL 303.05, 0.77%, 0.55%

LAB 56.06, 81.84, -47.72

 

CMYK 0 / 35 / 78 / 11

HEX #E49533

RGB 228 149 51

HSL 33.22, 0.77%, 0.55%

LAB 68.19, 21.97, 60.6

 

CMYK 78 / 0 / 74 / 11

HEX #33E43C

RGB 51 228 60

HSL 123.05, 0.77%, 0.55%

LAB 79.91, -73.25, 65.37

 

Description

Color code: HEX #3380E4 | qconv.com Color code: HEX #3380E4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 128 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 128 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 44 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 44% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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