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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #338A84 it is the complementary color #CC757B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #338A84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #338A84 shade: #388A7F, #499C92, #5AAEA5, #6BC0B8 and #7CD2CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #338A84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #338A84 shade: #338A84, #227871, #11665E, #00544B and #004238

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #338A84 shade: #328983, #32896C, #328954, #32893D and #3F8932

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #338A84 shade: #328983, #327889, #326089, #324989 and #323289

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #338A84 shade matches the following richer shades: #328983, #239990, #14A89E and #05B7AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #338A84 shade: #328983, #427A76, #516B69, #605B5C and #704C4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #338A84 shade: #328954, #32896B, #328982, #327989 and #326289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #338A84 shade: #1C4D4A, #276B66, #328983, #3EA7A0 and #50BEB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #338A84 shade: #338A84, #3D3289 and #895F32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #338A84 shade: #338A84, #823289 and #898232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #338A84 shade: #338A84, #3D3289, #89323A and #7F8932

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #338A84 shade: #338A84, #573289, #89323A and #658932

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 4 / 46

HEX #338A84

RGB 51 138 132

HSL 175.86, 0.46%, 0.37%

LAB 52.45, -27.15, -4.49

 

Complementary color

CMYK 0 / 43 / 40 / 20

HEX #CC757B

RGB 204 117 123

HSL 355.86, 0.46%, 0.63%

LAB 58.97, 34.7, 11.69

 

CMYK 59 / 0 / 8 / 46

HEX #388A7F

RGB 56 138 127

HSL 171.95, 0.42%, 0.38%

LAB 52.45, -27.59, -1.57

 

CMYK 53 / 0 / 6 / 39

HEX #499C92

RGB 73 156 146

HSL 172.77, 0.36%, 0.45%

LAB 59.22, -27.71, -2.46

 

CMYK 48 / 0 / 5 / 32

HEX #5AAEA5

RGB 90 174 165

HSL 173.57, 0.34%, 0.52%

LAB 65.87, -27.74, -3.27

 

CMYK 44 / 0 / 4 / 25

HEX #6BC0B8

RGB 107 192 184

HSL 174.35, 0.4%, 0.59%

LAB 72.42, -27.7, -4.01

 

CMYK 41 / 0 / 3 / 18

HEX #7CD2CB

RGB 124 210 203

HSL 175.12, 0.49%, 0.65%

LAB 78.86, -27.63, -4.7

 

CMYK 63 / 0 / 4 / 46

HEX #338A84

RGB 51 138 132

HSL 175.86, 0.46%, 0.37%

LAB 52.45, -27.15, -4.49

 

CMYK 72 / 0 / 6 / 53

HEX #227871

RGB 34 120 113

HSL 175.12, 0.56%, 0.3%

LAB 45.59, -26.64, -3.51

 

CMYK 83 / 0 / 8 / 60

HEX #11665E

RGB 17 102 94

HSL 174.35, 0.71%, 0.23%

LAB 38.6, -25.75, -2.36

 

CMYK 100 / 0 / 11 / 67

HEX #00544B

RGB 0 84 75

HSL 173.57, 1%, 0.16%

LAB 31.46, -24.49, -1.04

 

CMYK 100 / 0 / 15 / 74

HEX #004238

RGB 0 66 56

HSL 170.91, 1%, 0.13%

LAB 24.26, -21.71, 0.75

 

CMYK 64 / 0 / 4 / 46

HEX #328983

RGB 50 137 131

HSL 175.86, 0.47%, 0.37%

LAB 52.07, -27.12, -4.47

 

CMYK 64 / 0 / 21 / 46

HEX #32896C

RGB 50 137 108

HSL 160, 0.47%, 0.37%

LAB 51.44, -33.29, 7.96

 

CMYK 64 / 0 / 39 / 46

HEX #328954

RGB 50 137 84

HSL 143.45, 0.47%, 0.37%

LAB 50.93, -38.64, 20.94

 

CMYK 64 / 0 / 55 / 46

HEX #32893D

RGB 50 137 61

HSL 127.59, 0.47%, 0.37%

LAB 50.58, -42.55, 32.88

 

CMYK 54 / 0 / 64 / 46

HEX #3F8932

RGB 63 137 50

HSL 111.03, 0.47%, 0.37%

LAB 50.9, -40.53, 38.77

 

CMYK 64 / 0 / 4 / 46

HEX #328983

RGB 50 137 131

HSL 175.86, 0.47%, 0.37%

LAB 52.07, -27.12, -4.47

 

CMYK 64 / 12 / 0 / 46

HEX #327889

RGB 50 120 137

HSL 191.72, 0.47%, 0.37%

LAB 46.87, -16.38, -15.81

 

CMYK 64 / 30 / 0 / 46

HEX #326089

RGB 50 96 137

HSL 208.28, 0.47%, 0.37%

LAB 39.33, -2.33, -27.46

 

CMYK 64 / 47 / 0 / 46

HEX #324989

RGB 50 73 137

HSL 224.14, 0.47%, 0.37%

LAB 32.37, 12.57, -38.47

 

CMYK 64 / 64 / 0 / 46

HEX #323289

RGB 50 50 137

HSL 240, 0.47%, 0.37%

LAB 26.06, 28.02, -48.67

 

CMYK 64 / 0 / 4 / 46

HEX #328983

RGB 50 137 131

HSL 175.86, 0.47%, 0.37%

LAB 52.07, -27.12, -4.47

 

CMYK 77 / 0 / 6 / 40

HEX #239990

RGB 35 153 144

HSL 175.42, 0.63%, 0.37%

LAB 57.22, -33.26, -4.38

 

CMYK 88 / 0 / 6 / 34

HEX #14A89E

RGB 20 168 158

HSL 175.95, 0.79%, 0.37%

LAB 62.19, -37.35, -4.98

 

CMYK 97 / 0 / 7 / 28

HEX #05B7AB

RGB 5 183 171

HSL 175.96, 0.95%, 0.37%

LAB 67.16, -40.89, -4.89

 

CMYK 64 / 0 / 4 / 46

HEX #328983

RGB 50 137 131

HSL 175.86, 0.47%, 0.37%

LAB 52.07, -27.12, -4.47

 

CMYK 46 / 0 / 3 / 52

HEX #427A76

RGB 66 122 118

HSL 175.71, 0.3%, 0.37%

LAB 47.48, -19.49, -3.57

 

CMYK 24 / 0 / 2 / 58

HEX #516B69

RGB 81 107 105

HSL 175.38, 0.14%, 0.37%

LAB 43.19, -9.99, -2.01

 

CMYK 0 / 5 / 4 / 62

HEX #605B5C

RGB 96 91 92

HSL 348, 0.03%, 0.37%

LAB 39.14, 2.21, 0.14

 

CMYK 0 / 32 / 29 / 56

HEX #704C4F

RGB 112 76 79

HSL 355, 0.19%, 0.37%

LAB 36.33, 15.72, 4.38

 

CMYK 64 / 0 / 39 / 46

HEX #328954

RGB 50 137 84

HSL 143.45, 0.47%, 0.37%

LAB 50.93, -38.64, 20.94

 

CMYK 64 / 0 / 22 / 46

HEX #32896B

RGB 50 137 107

HSL 159.31, 0.47%, 0.37%

LAB 51.42, -33.54, 8.5

 

CMYK 64 / 0 / 5 / 46

HEX #328982

RGB 50 137 130

HSL 175.17, 0.47%, 0.37%

LAB 52.04, -27.41, -3.94

 

CMYK 64 / 12 / 0 / 46

HEX #327989

RGB 50 121 137

HSL 191.03, 0.47%, 0.37%

LAB 47.18, -16.93, -15.33

 

CMYK 64 / 28 / 0 / 46

HEX #326289

RGB 50 98 137

HSL 206.9, 0.47%, 0.37%

LAB 39.95, -3.56, -26.49

 

CMYK 64 / 0 / 4 / 70

HEX #1C4D4A

RGB 28 77 74

HSL 176.33, 0.47%, 0.21%

LAB 29.54, -17.17, -3.17

 

CMYK 64 / 0 / 5 / 58

HEX #276B66

RGB 39 107 102

HSL 175.59, 0.47%, 0.29%

LAB 41.07, -22.44, -3.56

 

CMYK 64 / 0 / 4 / 46

HEX #328983

RGB 50 137 131

HSL 175.86, 0.47%, 0.37%

LAB 52.07, -27.12, -4.47

 

CMYK 63 / 0 / 4 / 35

HEX #3EA7A0

RGB 62 167 160

HSL 176, 0.46%, 0.45%

LAB 62.68, -31.43, -5.3

 

CMYK 58 / 0 / 4 / 25

HEX #50BEB6

RGB 80 190 182

HSL 175.64, 0.46%, 0.53%

LAB 70.81, -33.12, -5.4

 

CMYK 63 / 0 / 4 / 46

HEX #338A84

RGB 51 138 132

HSL 175.86, 0.46%, 0.37%

LAB 52.45, -27.15, -4.49

 

CMYK 55 / 64 / 0 / 46

HEX #3D3289

RGB 61 50 137

HSL 247.59, 0.47%, 0.37%

LAB 26.96, 30.05, -47.16

 

CMYK 0 / 31 / 64 / 46

HEX #895F32

RGB 137 95 50

HSL 31.03, 0.47%, 0.37%

LAB 43.85, 12.14, 32.15

 

CMYK 63 / 0 / 4 / 46

HEX #338A84

RGB 51 138 132

HSL 175.86, 0.46%, 0.37%

LAB 52.45, -27.15, -4.49

 

CMYK 5 / 64 / 0 / 46

HEX #823289

RGB 130 50 137

HSL 295.17, 0.47%, 0.37%

LAB 35.66, 46.69, -32.72

 

CMYK 0 / 5 / 64 / 46

HEX #898232

RGB 137 130 50

HSL 55.17, 0.47%, 0.37%

LAB 53.51, -7.89, 43

 

CMYK 63 / 0 / 4 / 46

HEX #338A84

RGB 51 138 132

HSL 175.86, 0.46%, 0.37%

LAB 52.45, -27.15, -4.49

 

CMYK 55 / 64 / 0 / 46

HEX #3D3289

RGB 61 50 137

HSL 247.59, 0.47%, 0.37%

LAB 26.96, 30.05, -47.16

 

CMYK 0 / 64 / 58 / 46

HEX #89323A

RGB 137 50 58

HSL 354.48, 0.47%, 0.37%

LAB 33.78, 37.77, 14.77

 

CMYK 7 / 0 / 64 / 46

HEX #7F8932

RGB 127 137 50

HSL 66.9, 0.47%, 0.37%

LAB 54.69, -16.13, 44.03

 

CMYK 63 / 0 / 4 / 46

HEX #338A84

RGB 51 138 132

HSL 175.86, 0.46%, 0.37%

LAB 52.45, -27.15, -4.49

 

CMYK 36 / 64 / 0 / 46

HEX #573289

RGB 87 50 137

HSL 265.52, 0.47%, 0.37%

LAB 29.7, 35.77, -42.6

 

CMYK 0 / 64 / 58 / 46

HEX #89323A

RGB 137 50 58

HSL 354.48, 0.47%, 0.37%

LAB 33.78, 37.77, 14.77

 

CMYK 26 / 0 / 64 / 46

HEX #658932

RGB 101 137 50

HSL 84.83, 0.47%, 0.37%

LAB 52.83, -27.14, 41.46

 

Description

Color code: HEX #338A84 | qconv.com Color code: HEX #338A84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 138 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 138 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 4 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 4% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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