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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #338E71 it is the complementary color #CC718E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #338E71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #338E71 shade: #388E6C, #49A07F, #5AB292, #6BC4A5 and #7CD6B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #338E71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #338E71 shade: #338E71, #227C5E, #116A4B, #005838 and #004625

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #338E71 shade: #338E71, #338E58, #338E40, #3E8E33 and #578E33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #338E71 shade: #338E71, #338E89, #337A8E, #33618E and #33498E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #338E71 shade matches the following richer shades: #338E71, #239E77, #14AD7C and #04BD82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #338E71 shade: #338E71, #437E6B, #526F66, #625F60 and #724F5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #338E71 shade: #338E3F, #338E57, #338E70, #338E88 and #337C8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #338E71 shade: #1D5141, #287059, #338E71, #3EAC89 and #53C19E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #338E71 shade: #338E71, #333F8E and #8E4B33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #338E71 shade: #338E71, #70338E and #8E7033

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #338E71 shade: #338E71, #333F8E, #8E3351 and #8E8233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #338E71 shade: #338E71, #42338E, #8E3351 and #7F8E33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 20 / 44

HEX #338E71

RGB 51 142 113

HSL 160.88, 0.47%, 0.38%

LAB 53.21, -34.16, 7.6

 

Complementary color

CMYK 0 / 45 / 30 / 20

HEX #CC718E

RGB 204 113 142

HSL 340.88, 0.47%, 0.62%

LAB 58.6, 39.16, 0.18

 

CMYK 61 / 0 / 24 / 44

HEX #388E6C

RGB 56 142 108

HSL 156.28, 0.43%, 0.39%

LAB 53.24, -34.34, 10.53

 

CMYK 54 / 0 / 21 / 37

HEX #49A07F

RGB 73 160 127

HSL 157.24, 0.37%, 0.46%

LAB 59.97, -34.34, 9.35

 

CMYK 49 / 0 / 18 / 30

HEX #5AB292

RGB 90 178 146

HSL 158.18, 0.36%, 0.53%

LAB 66.59, -34.24, 8.29

 

CMYK 45 / 0 / 16 / 23

HEX #6BC4A5

RGB 107 196 165

HSL 159.1, 0.43%, 0.59%

LAB 73.1, -34.09, 7.32

 

CMYK 42 / 0 / 14 / 16

HEX #7CD6B8

RGB 124 214 184

HSL 160, 0.52%, 0.66%

LAB 79.52, -33.91, 6.42

 

CMYK 64 / 0 / 20 / 44

HEX #338E71

RGB 51 142 113

HSL 160.88, 0.47%, 0.38%

LAB 53.21, -34.16, 7.6

 

CMYK 73 / 0 / 24 / 51

HEX #227C5E

RGB 34 124 94

HSL 160, 0.57%, 0.31%

LAB 46.4, -33.79, 8.92

 

CMYK 84 / 0 / 29 / 58

HEX #116A4B

RGB 17 106 75

HSL 159.1, 0.72%, 0.24%

LAB 39.47, -33.02, 10.44

 

CMYK 100 / 0 / 36 / 65

HEX #005838

RGB 0 88 56

HSL 158.18, 1%, 0.17%

LAB 32.4, -31.81, 12.21

 

CMYK 100 / 0 / 47 / 73

HEX #004625

RGB 0 70 37

HSL 151.71, 1%, 0.14%

LAB 25.3, -28.85, 14.45

 

CMYK 64 / 0 / 20 / 44

HEX #338E71

RGB 51 142 113

HSL 160.88, 0.47%, 0.38%

LAB 53.21, -34.16, 7.6

 

CMYK 64 / 0 / 38 / 44

HEX #338E58

RGB 51 142 88

HSL 144.4, 0.47%, 0.38%

LAB 52.68, -39.75, 21.04

 

CMYK 64 / 0 / 55 / 44

HEX #338E40

RGB 51 142 64

HSL 128.57, 0.47%, 0.38%

LAB 52.31, -43.86, 33.45

 

CMYK 56 / 0 / 64 / 44

HEX #3E8E33

RGB 62 142 51

HSL 112.75, 0.47%, 0.38%

LAB 52.52, -42.73, 40.12

 

CMYK 39 / 0 / 64 / 44

HEX #578E33

RGB 87 142 51

HSL 96.26, 0.47%, 0.38%

LAB 53.61, -34.74, 41.64

 

CMYK 64 / 0 / 20 / 44

HEX #338E71

RGB 51 142 113

HSL 160.88, 0.47%, 0.38%

LAB 53.21, -34.16, 7.6

 

CMYK 64 / 0 / 4 / 44

HEX #338E89

RGB 51 142 137

HSL 176.7, 0.47%, 0.38%

LAB 53.87, -27.69, -5.28

 

CMYK 64 / 14 / 0 / 44

HEX #337A8E

RGB 51 122 142

HSL 193.19, 0.47%, 0.38%

LAB 47.72, -15.68, -17.46

 

CMYK 64 / 32 / 0 / 44

HEX #33618E

RGB 51 97 142

HSL 209.67, 0.47%, 0.38%

LAB 39.93, -0.98, -29.54

 

CMYK 64 / 49 / 0 / 44

HEX #33498E

RGB 51 73 142

HSL 225.49, 0.47%, 0.38%

LAB 32.75, 14.61, -40.93

 

CMYK 64 / 0 / 20 / 44

HEX #338E71

RGB 51 142 113

HSL 160.88, 0.47%, 0.38%

LAB 53.21, -34.16, 7.6

 

CMYK 78 / 0 / 25 / 38

HEX #239E77

RGB 35 158 119

HSL 160.98, 0.64%, 0.38%

LAB 58.17, -42.2, 11.16

 

CMYK 88 / 0 / 28 / 32

HEX #14AD7C

RGB 20 173 124

HSL 160.78, 0.79%, 0.38%

LAB 62.92, -48.49, 15

 

CMYK 98 / 0 / 31 / 26

HEX #04BD82

RGB 4 189 130

HSL 160.86, 0.96%, 0.38%

LAB 68.04, -53.98, 18.81

 

CMYK 64 / 0 / 20 / 44

HEX #338E71

RGB 51 142 113

HSL 160.88, 0.47%, 0.38%

LAB 53.21, -34.16, 7.6

 

CMYK 47 / 0 / 15 / 51

HEX #437E6B

RGB 67 126 107

HSL 160.68, 0.31%, 0.38%

LAB 48.48, -24.15, 4.4

 

CMYK 26 / 0 / 8 / 56

HEX #526F66

RGB 82 111 102

HSL 161.38, 0.15%, 0.38%

LAB 44.41, -12.63, 1.58

 

CMYK 0 / 3 / 2 / 62

HEX #625F60

RGB 98 95 96

HSL 340, 0.02%, 0.38%

LAB 40.61, 1.4, -0.15

 

CMYK 0 / 31 / 21 / 55

HEX #724F5A

RGB 114 79 90

HSL 341.14, 0.18%, 0.38%

LAB 37.68, 16.52, -0.53

 

CMYK 64 / 0 / 56 / 44

HEX #338E3F

RGB 51 142 63

HSL 127.91, 0.47%, 0.38%

LAB 52.3, -44, 33.94

 

CMYK 64 / 0 / 39 / 44

HEX #338E57

RGB 51 142 87

HSL 143.74, 0.47%, 0.38%

LAB 52.66, -39.94, 21.58

 

CMYK 64 / 0 / 21 / 44

HEX #338E70

RGB 51 142 112

HSL 160.22, 0.47%, 0.38%

LAB 53.19, -34.4, 8.14

 

CMYK 64 / 0 / 4 / 44

HEX #338E88

RGB 51 142 136

HSL 176.04, 0.47%, 0.38%

LAB 53.84, -27.98, -4.75

 

CMYK 64 / 13 / 0 / 44

HEX #337C8E

RGB 51 124 142

HSL 191.87, 0.47%, 0.38%

LAB 48.35, -16.79, -16.5

 

CMYK 64 / 0 / 20 / 68

HEX #1D5141

RGB 29 81 65

HSL 161.54, 0.47%, 0.22%

LAB 30.71, -21.75, 4.3

 

CMYK 64 / 0 / 21 / 56

HEX #287059

RGB 40 112 89

HSL 160.83, 0.47%, 0.3%

LAB 42.4, -28.37, 6.24

 

CMYK 64 / 0 / 20 / 44

HEX #338E71

RGB 51 142 113

HSL 160.88, 0.47%, 0.38%

LAB 53.21, -34.16, 7.6

 

CMYK 64 / 0 / 20 / 33

HEX #3EAC89

RGB 62 172 137

HSL 160.91, 0.47%, 0.46%

LAB 63.62, -39.7, 8.91

 

CMYK 57 / 0 / 18 / 24

HEX #53C19E

RGB 83 193 158

HSL 160.91, 0.47%, 0.54%

LAB 71.18, -39.9, 8.24

 

CMYK 64 / 0 / 20 / 44

HEX #338E71

RGB 51 142 113

HSL 160.88, 0.47%, 0.38%

LAB 53.21, -34.16, 7.6

 

CMYK 64 / 56 / 0 / 44

HEX #333F8E

RGB 51 63 142

HSL 232.09, 0.47%, 0.38%

LAB 29.94, 21.33, -45.45

 

CMYK 0 / 47 / 64 / 44

HEX #8E4B33

RGB 142 75 51

HSL 15.82, 0.47%, 0.38%

LAB 39.62, 26.01, 26.71

 

CMYK 64 / 0 / 20 / 44

HEX #338E71

RGB 51 142 113

HSL 160.88, 0.47%, 0.38%

LAB 53.21, -34.16, 7.6

 

CMYK 21 / 64 / 0 / 44

HEX #70338E

RGB 112 51 142

HSL 280.22, 0.47%, 0.38%

LAB 33.49, 42.63, -39.41

 

CMYK 0 / 21 / 64 / 44

HEX #8E7033

RGB 142 112 51

HSL 40.22, 0.47%, 0.38%

LAB 48.98, 4.61, 37.66

 

CMYK 64 / 0 / 20 / 44

HEX #338E71

RGB 51 142 113

HSL 160.88, 0.47%, 0.38%

LAB 53.21, -34.16, 7.6

 

CMYK 64 / 56 / 0 / 44

HEX #333F8E

RGB 51 63 142

HSL 232.09, 0.47%, 0.38%

LAB 29.94, 21.33, -45.45

 

CMYK 0 / 64 / 43 / 44

HEX #8E3351

RGB 142 51 81

HSL 340.22, 0.47%, 0.38%

LAB 35.42, 41.29, 2.4

 

CMYK 0 / 8 / 64 / 44

HEX #8E8233

RGB 142 130 51

HSL 52.09, 0.47%, 0.38%

LAB 53.98, -5.56, 43.18

 

CMYK 64 / 0 / 20 / 44

HEX #338E71

RGB 51 142 113

HSL 160.88, 0.47%, 0.38%

LAB 53.21, -34.16, 7.6

 

CMYK 54 / 64 / 0 / 44

HEX #42338E

RGB 66 51 142

HSL 249.89, 0.47%, 0.38%

LAB 28.06, 32.04, -48.45

 

CMYK 0 / 64 / 43 / 44

HEX #8E3351

RGB 142 51 81

HSL 340.22, 0.47%, 0.38%

LAB 35.42, 41.29, 2.4

 

CMYK 11 / 0 / 64 / 44

HEX #7F8E33

RGB 127 142 51

HSL 69.89, 0.47%, 0.38%

LAB 56.18, -18.67, 45.18

 

Description

Color code: HEX #338E71 | qconv.com Color code: HEX #338E71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 142 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 142 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 20 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 20% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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