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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #339565 it is the complementary color #CC6A9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #339565. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #339565 shade: #389560, #49A773, #5AB986, #6BCB99 and #7CDDAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #339565. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #339565 shade: #339565, #228352, #11713F, #005F2C and #004D19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #339565 shade: #329464, #32944A, #359432, #4F9432 and #6A9432

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #339565 shade: #329464, #32947E, #328F94, #327594 and #325A94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #339565 shade matches the following richer shades: #329464, #22A464, #12B465 and #02C465

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #339565 shade: #329464, #428464, #527363, #626363 and #735363

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #339565 shade: #359432, #329449, #329463, #32947D and #329094

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #339565 shade: #1D563A, #28754F, #329464, #3DB279 and #54C48D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #339565 shade: #339565, #324F94 and #943C32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #339565 shade: #339565, #633294 and #946332

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #339565 shade: #339565, #324F94, #943263 and #947632

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #339565 shade: #339565, #323294, #943263 and #949432

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 32 / 42

HEX #339565

RGB 51 149 101

HSL 150.61, 0.49%, 0.39%

LAB 55.21, -40.03, 17.21

 

Complementary color

CMYK 0 / 48 / 25 / 20

HEX #CC6A9A

RGB 204 106 154

HSL 330.61, 0.49%, 0.61%

LAB 57.54, 44.41, -8.36

 

CMYK 62 / 0 / 36 / 42

HEX #389560

RGB 56 149 96

HSL 145.81, 0.45%, 0.4%

LAB 55.26, -40.04, 20.08

 

CMYK 56 / 0 / 31 / 35

HEX #49A773

RGB 73 167 115

HSL 146.81, 0.39%, 0.47%

LAB 61.91, -40.09, 18.71

 

CMYK 51 / 0 / 28 / 27

HEX #5AB986

RGB 90 185 134

HSL 147.79, 0.4%, 0.54%

LAB 68.46, -40, 17.47

 

CMYK 47 / 0 / 25 / 20

HEX #6BCB99

RGB 107 203 153

HSL 148.75, 0.48%, 0.61%

LAB 74.91, -39.84, 16.33

 

CMYK 44 / 0 / 22 / 13

HEX #7CDDAC

RGB 124 221 172

HSL 149.69, 0.59%, 0.68%

LAB 81.28, -39.63, 15.27

 

CMYK 66 / 0 / 32 / 42

HEX #339565

RGB 51 149 101

HSL 150.61, 0.49%, 0.39%

LAB 55.21, -40.03, 17.21

 

CMYK 74 / 0 / 37 / 49

HEX #228352

RGB 34 131 82

HSL 149.69, 0.59%, 0.32%

LAB 48.49, -39.6, 18.73

 

CMYK 85 / 0 / 44 / 56

HEX #11713F

RGB 17 113 63

HSL 148.75, 0.74%, 0.25%

LAB 41.67, -38.66, 20.46

 

CMYK 100 / 0 / 54 / 63

HEX #005F2C

RGB 0 95 44

HSL 147.79, 1%, 0.19%

LAB 34.73, -37.18, 22.36

 

CMYK 100 / 0 / 68 / 70

HEX #004D19

RGB 0 77 25

HSL 139.48, 1%, 0.15%

LAB 27.79, -33.77, 24.46

 

CMYK 66 / 0 / 32 / 42

HEX #329464

RGB 50 148 100

HSL 150.61, 0.49%, 0.39%

LAB 54.84, -40.01, 17.26

 

CMYK 66 / 0 / 50 / 42

HEX #32944A

RGB 50 148 74

HSL 134.69, 0.49%, 0.39%

LAB 54.4, -44.9, 30.84

 

CMYK 64 / 0 / 66 / 42

HEX #359432

RGB 53 148 50

HSL 118.16, 0.49%, 0.39%

LAB 54.2, -47.43, 42.36

 

CMYK 47 / 0 / 66 / 42

HEX #4F9432

RGB 79 148 50

HSL 102.24, 0.49%, 0.39%

LAB 55.15, -40.18, 43.66

 

CMYK 28 / 0 / 66 / 42

HEX #6A9432

RGB 106 148 50

HSL 85.71, 0.49%, 0.39%

LAB 56.56, -30.44, 45.6

 

CMYK 66 / 0 / 32 / 42

HEX #329464

RGB 50 148 100

HSL 150.61, 0.49%, 0.39%

LAB 54.84, -40.01, 17.26

 

CMYK 66 / 0 / 15 / 42

HEX #32947E

RGB 50 148 126

HSL 166.53, 0.49%, 0.39%

LAB 55.45, -33.78, 3.35

 

CMYK 66 / 3 / 0 / 42

HEX #328F94

RGB 50 143 148

HSL 183.06, 0.49%, 0.39%

LAB 54.51, -25.11, -10.68

 

CMYK 66 / 21 / 0 / 42

HEX #327594

RGB 50 117 148

HSL 198.98, 0.49%, 0.39%

LAB 46.36, -11.05, -23.09

 

CMYK 66 / 39 / 0 / 42

HEX #325A94

RGB 50 90 148

HSL 215.51, 0.49%, 0.39%

LAB 38.07, 5.44, -36.08

 

CMYK 66 / 0 / 32 / 42

HEX #329464

RGB 50 148 100

HSL 150.61, 0.49%, 0.39%

LAB 54.84, -40.01, 17.26

 

CMYK 79 / 0 / 39 / 36

HEX #22A464

RGB 34 164 100

HSL 150.46, 0.66%, 0.39%

LAB 59.72, -48.94, 23.77

 

CMYK 90 / 0 / 44 / 29

HEX #12B465

RGB 18 180 101

HSL 150.74, 0.82%, 0.39%

LAB 64.73, -56.04, 29.79

 

CMYK 99 / 0 / 48 / 23

HEX #02C465

RGB 2 196 101

HSL 150.62, 0.98%, 0.39%

LAB 69.78, -62.2, 36.23

 

CMYK 66 / 0 / 32 / 42

HEX #329464

RGB 50 148 100

HSL 150.61, 0.49%, 0.39%

LAB 54.84, -40.01, 17.26

 

CMYK 50 / 0 / 24 / 48

HEX #428464

RGB 66 132 100

HSL 150.91, 0.33%, 0.39%

LAB 50.19, -29.04, 10.9

 

CMYK 29 / 0 / 14 / 55

HEX #527363

RGB 82 115 99

HSL 150.91, 0.17%, 0.39%

LAB 45.57, -15.53, 5.06

 

CMYK 1 / 0 / 0 / 61

HEX #626363

RGB 98 99 99

HSL 180, 0.01%, 0.39%

LAB 41.88, -0.39, -0.14

 

CMYK 0 / 28 / 14 / 55

HEX #735363

RGB 115 83 99

HSL 330, 0.16%, 0.39%

LAB 39.13, 16.08, -3.99

 

CMYK 64 / 0 / 66 / 42

HEX #359432

RGB 53 148 50

HSL 118.16, 0.49%, 0.39%

LAB 54.2, -47.43, 42.36

 

CMYK 66 / 0 / 51 / 42

HEX #329449

RGB 50 148 73

HSL 134.08, 0.49%, 0.39%

LAB 54.38, -45.06, 31.35

 

CMYK 66 / 0 / 33 / 42

HEX #329463

RGB 50 148 99

HSL 150, 0.49%, 0.39%

LAB 54.82, -40.23, 17.79

 

CMYK 66 / 0 / 16 / 42

HEX #32947D

RGB 50 148 125

HSL 165.92, 0.49%, 0.39%

LAB 55.42, -34.04, 3.88

 

CMYK 66 / 3 / 0 / 42

HEX #329094

RGB 50 144 148

HSL 182.45, 0.49%, 0.39%

LAB 54.83, -25.61, -10.21

 

CMYK 66 / 0 / 33 / 66

HEX #1D563A

RGB 29 86 58

HSL 150.53, 0.5%, 0.23%

LAB 32.31, -26.03, 10.94

 

CMYK 66 / 0 / 32 / 54

HEX #28754F

RGB 40 117 79

HSL 150.39, 0.49%, 0.31%

LAB 43.86, -33.11, 14.2

 

CMYK 66 / 0 / 32 / 42

HEX #329464

RGB 50 148 100

HSL 150.61, 0.49%, 0.39%

LAB 54.84, -40.01, 17.26

 

CMYK 66 / 0 / 32 / 30

HEX #3DB279

RGB 61 178 121

HSL 150.77, 0.49%, 0.47%

LAB 65.13, -46.02, 19.79

 

CMYK 57 / 0 / 28 / 23

HEX #54C48D

RGB 84 196 141

HSL 150.54, 0.49%, 0.55%

LAB 71.75, -44.73, 18.23

 

CMYK 66 / 0 / 32 / 42

HEX #339565

RGB 51 149 101

HSL 150.61, 0.49%, 0.39%

LAB 55.21, -40.03, 17.21

 

CMYK 66 / 47 / 0 / 42

HEX #324F94

RGB 50 79 148

HSL 222.24, 0.49%, 0.39%

LAB 34.82, 12.64, -41.27

 

CMYK 0 / 59 / 66 / 42

HEX #943C32

RGB 148 60 50

HSL 6.12, 0.49%, 0.39%

LAB 37.4, 36.38, 24.81

 

CMYK 66 / 0 / 32 / 42

HEX #339565

RGB 51 149 101

HSL 150.61, 0.49%, 0.39%

LAB 55.21, -40.03, 17.21

 

CMYK 33 / 66 / 0 / 42

HEX #633294

RGB 99 50 148

HSL 270, 0.49%, 0.39%

LAB 31.97, 41.47, -45.63

 

CMYK 0 / 33 / 66 / 42

HEX #946332

RGB 148 99 50

HSL 30, 0.49%, 0.39%

LAB 46.24, 14.79, 35.27

 

CMYK 66 / 0 / 32 / 42

HEX #339565

RGB 51 149 101

HSL 150.61, 0.49%, 0.39%

LAB 55.21, -40.03, 17.21

 

CMYK 66 / 47 / 0 / 42

HEX #324F94

RGB 50 79 148

HSL 222.24, 0.49%, 0.39%

LAB 34.82, 12.64, -41.27

 

CMYK 0 / 66 / 33 / 42

HEX #943263

RGB 148 50 99

HSL 330, 0.49%, 0.39%

LAB 36.89, 45.82, -6.82

 

CMYK 0 / 20 / 66 / 42

HEX #947632

RGB 148 118 50

HSL 41.63, 0.49%, 0.39%

LAB 51.25, 3.86, 40.85

 

CMYK 66 / 0 / 32 / 42

HEX #339565

RGB 51 149 101

HSL 150.61, 0.49%, 0.39%

LAB 55.21, -40.03, 17.21

 

CMYK 66 / 66 / 0 / 42

HEX #323294

RGB 50 50 148

HSL 240, 0.49%, 0.39%

LAB 27.01, 31.9, -53.91

 

CMYK 0 / 66 / 33 / 42

HEX #943263

RGB 148 50 99

HSL 330, 0.49%, 0.39%

LAB 36.89, 45.82, -6.82

 

CMYK 0 / 0 / 66 / 42

HEX #949432

RGB 148 148 50

HSL 60, 0.49%, 0.39%

LAB 59.62, -12.68, 49.76

 

Description

Color code: HEX #339565 | qconv.com Color code: HEX #339565 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 149 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 149 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 32 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 32% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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