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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33979D it is the complementary color #CC6862. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33979D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33979D shade: #389798, #49A9AB, #5ABBBE, #6BCDD1 and #7CDFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33979D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33979D shade: #33979D, #22858A, #117377, #006164 and #004F51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33979D shade: #33979D, #337B9D, #335E9D, #33419D and #41339D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33979D shade: #33979D, #337B9D, #335E9D, #33419D and #33339D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33979D shade matches the following richer shades: #33979D, #22A6AE, #11B5BF and #00C4D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33979D shade: #33979D, #44888C, #55797C, #656A6B and #765B5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33979D shade: #339D6A, #339D86, #33989D, #337C9D and #335F9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33979D shade: #1F5B5F, #29797E, #33979D, #3DB5BD and #5AC3C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33979D shade: #33979D, #4D339D and #9D7833

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33979D shade: #33979D, #9D3398 and #989D33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33979D shade: #33979D, #4D339D, #9D3833 and #839D33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33979D shade: #33979D, #6D339D, #9D3833 and #639D33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 4 / 0 / 38

HEX #33979D

RGB 51 151 157

HSL 183.4, 0.51%, 0.41%

LAB 57.34, -26.26, -11.59

 

Complementary color

CMYK 0 / 49 / 52 / 20

HEX #CC6862

RGB 204 104 98

HSL 3.4, 0.51%, 0.59%

LAB 55.71, 38.97, 21.67

 

CMYK 63 / 1 / 0 / 40

HEX #389798

RGB 56 151 152

HSL 180.63, 0.46%, 0.41%

LAB 57.31, -26.93, -8.77

 

CMYK 57 / 1 / 0 / 33

HEX #49A9AB

RGB 73 169 171

HSL 181.22, 0.4%, 0.48%

LAB 63.94, -27.3, -9.54

 

CMYK 53 / 2 / 0 / 25

HEX #5ABBBE

RGB 90 187 190

HSL 181.8, 0.43%, 0.55%

LAB 70.48, -27.54, -10.24

 

CMYK 49 / 2 / 0 / 18

HEX #6BCDD1

RGB 107 205 209

HSL 182.35, 0.53%, 0.62%

LAB 76.92, -27.68, -10.89

 

CMYK 46 / 2 / 0 / 11

HEX #7CDFE4

RGB 124 223 228

HSL 182.88, 0.66%, 0.69%

LAB 83.26, -27.75, -11.5

 

CMYK 68 / 4 / 0 / 38

HEX #33979D

RGB 51 151 157

HSL 183.4, 0.51%, 0.41%

LAB 57.34, -26.26, -11.59

 

CMYK 75 / 4 / 0 / 46

HEX #22858A

RGB 34 133 138

HSL 182.88, 0.6%, 0.34%

LAB 50.63, -25.45, -10.75

 

CMYK 86 / 3 / 0 / 53

HEX #117377

RGB 17 115 119

HSL 182.35, 0.75%, 0.27%

LAB 43.82, -24.24, -9.77

 

CMYK 100 / 3 / 0 / 61

HEX #006164

RGB 0 97 100

HSL 181.8, 1%, 0.2%

LAB 36.87, -22.65, -8.66

 

CMYK 100 / 2 / 0 / 68

HEX #004F51

RGB 0 79 81

HSL 181.48, 1%, 0.16%

LAB 29.88, -19.84, -7.22

 

CMYK 68 / 4 / 0 / 38

HEX #33979D

RGB 51 151 157

HSL 183.4, 0.51%, 0.41%

LAB 57.34, -26.26, -11.59

 

CMYK 68 / 22 / 0 / 38

HEX #337B9D

RGB 51 123 157

HSL 199.25, 0.51%, 0.41%

LAB 48.64, -11.25, -24.86

 

CMYK 68 / 40 / 0 / 38

HEX #335E9D

RGB 51 94 157

HSL 215.66, 0.51%, 0.41%

LAB 39.82, 6.36, -38.7

 

CMYK 68 / 59 / 0 / 38

HEX #33419D

RGB 51 65 157

HSL 232.08, 0.51%, 0.41%

LAB 31.62, 25.48, -51.89

 

CMYK 59 / 68 / 0 / 38

HEX #41339D

RGB 65 51 157

HSL 247.92, 0.51%, 0.41%

LAB 29.22, 36.7, -55.75

 

CMYK 68 / 4 / 0 / 38

HEX #33979D

RGB 51 151 157

HSL 183.4, 0.51%, 0.41%

LAB 57.34, -26.26, -11.59

 

CMYK 68 / 22 / 0 / 38

HEX #337B9D

RGB 51 123 157

HSL 199.25, 0.51%, 0.41%

LAB 48.64, -11.25, -24.86

 

CMYK 68 / 40 / 0 / 38

HEX #335E9D

RGB 51 94 157

HSL 215.66, 0.51%, 0.41%

LAB 39.82, 6.36, -38.7

 

CMYK 68 / 59 / 0 / 38

HEX #33419D

RGB 51 65 157

HSL 232.08, 0.51%, 0.41%

LAB 31.62, 25.48, -51.89

 

CMYK 68 / 68 / 0 / 38

HEX #33339D

RGB 51 51 157

HSL 240, 0.51%, 0.41%

LAB 28.13, 34.56, -57.58

 

CMYK 68 / 4 / 0 / 38

HEX #33979D

RGB 51 151 157

HSL 183.4, 0.51%, 0.41%

LAB 57.34, -26.26, -11.59

 

CMYK 80 / 5 / 0 / 32

HEX #22A6AE

RGB 34 166 174

HSL 183.43, 0.67%, 0.41%

LAB 62.23, -30.49, -13.89

 

CMYK 91 / 5 / 0 / 25

HEX #11B5BF

RGB 17 181 191

HSL 183.45, 0.84%, 0.41%

LAB 67.22, -33.49, -15.83

 

CMYK 100 / 6 / 0 / 18

HEX #00C4D0

RGB 0 196 208

HSL 183.46, 1%, 0.41%

LAB 72.25, -35.76, -17.56

 

CMYK 68 / 4 / 0 / 38

HEX #33979D

RGB 51 151 157

HSL 183.4, 0.51%, 0.41%

LAB 57.34, -26.26, -11.59

 

CMYK 51 / 3 / 0 / 45

HEX #44888C

RGB 68 136 140

HSL 183.33, 0.35%, 0.41%

LAB 52.65, -20.29, -8.77

 

CMYK 31 / 2 / 0 / 51

HEX #55797C

RGB 85 121 124

HSL 184.62, 0.19%, 0.41%

LAB 48.34, -11.87, -5.74

 

CMYK 6 / 1 / 0 / 58

HEX #656A6B

RGB 101 106 107

HSL 190, 0.03%, 0.41%

LAB 44.43, -1.7, -1.23

 

CMYK 0 / 23 / 24 / 54

HEX #765B5A

RGB 118 91 90

HSL 2.14, 0.13%, 0.41%

LAB 41.33, 10.88, 4.82

 

CMYK 68 / 0 / 32 / 38

HEX #339D6A

RGB 51 157 106

HSL 151.13, 0.51%, 0.41%

LAB 57.9, -42.33, 18.1

 

CMYK 68 / 0 / 15 / 38

HEX #339D86

RGB 51 157 134

HSL 166.98, 0.51%, 0.41%

LAB 58.55, -35.65, 3.28

 

CMYK 68 / 3 / 0 / 38

HEX #33989D

RGB 51 152 157

HSL 182.83, 0.51%, 0.41%

LAB 57.65, -26.76, -11.13

 

CMYK 68 / 21 / 0 / 38

HEX #337C9D

RGB 51 124 157

HSL 198.68, 0.51%, 0.41%

LAB 48.95, -11.82, -24.38

 

CMYK 68 / 39 / 0 / 38

HEX #335F9D

RGB 51 95 157

HSL 215.09, 0.51%, 0.41%

LAB 40.12, 5.72, -38.23

 

CMYK 67 / 4 / 0 / 63

HEX #1F5B5F

RGB 31 91 95

HSL 183.75, 0.51%, 0.25%

LAB 35.2, -17.58, -8.01

 

CMYK 67 / 4 / 0 / 51

HEX #29797E

RGB 41 121 126

HSL 183.53, 0.51%, 0.33%

LAB 46.52, -22.04, -9.85

 

CMYK 68 / 4 / 0 / 38

HEX #33979D

RGB 51 151 157

HSL 183.4, 0.51%, 0.41%

LAB 57.34, -26.26, -11.59

 

CMYK 68 / 4 / 0 / 26

HEX #3DB5BD

RGB 61 181 189

HSL 183.75, 0.51%, 0.49%

LAB 67.81, -30.01, -13.78

 

CMYK 55 / 3 / 0 / 21

HEX #5AC3C9

RGB 90 195 201

HSL 183.24, 0.51%, 0.57%

LAB 73.17, -28.46, -12.23

 

CMYK 68 / 4 / 0 / 38

HEX #33979D

RGB 51 151 157

HSL 183.4, 0.51%, 0.41%

LAB 57.34, -26.26, -11.59

 

CMYK 51 / 68 / 0 / 38

HEX #4D339D

RGB 77 51 157

HSL 254.72, 0.51%, 0.41%

LAB 30.35, 38.82, -53.86

 

CMYK 0 / 24 / 68 / 38

HEX #9D7833

RGB 157 120 51

HSL 39.06, 0.51%, 0.41%

LAB 52.77, 6.88, 42.32

 

CMYK 68 / 4 / 0 / 38

HEX #33979D

RGB 51 151 157

HSL 183.4, 0.51%, 0.41%

LAB 57.34, -26.26, -11.59

 

CMYK 0 / 68 / 3 / 38

HEX #9D3398

RGB 157 51 152

HSL 302.83, 0.51%, 0.41%

LAB 40.9, 55.83, -33.31

 

CMYK 3 / 0 / 68 / 38

HEX #989D33

RGB 152 157 51

HSL 62.83, 0.51%, 0.41%

LAB 62.53, -15.58, 52.44

 

CMYK 68 / 4 / 0 / 38

HEX #33979D

RGB 51 151 157

HSL 183.4, 0.51%, 0.41%

LAB 57.34, -26.26, -11.59

 

CMYK 51 / 68 / 0 / 38

HEX #4D339D

RGB 77 51 157

HSL 254.72, 0.51%, 0.41%

LAB 30.35, 38.82, -53.86

 

CMYK 0 / 64 / 68 / 38

HEX #9D3833

RGB 157 56 51

HSL 2.83, 0.51%, 0.41%

LAB 38.26, 41.71, 25.61

 

CMYK 17 / 0 / 68 / 38

HEX #839D33

RGB 131 157 51

HSL 74.72, 0.51%, 0.41%

LAB 60.94, -24.57, 50.29

 

CMYK 68 / 4 / 0 / 38

HEX #33979D

RGB 51 151 157

HSL 183.4, 0.51%, 0.41%

LAB 57.34, -26.26, -11.59

 

CMYK 31 / 68 / 0 / 38

HEX #6D339D

RGB 109 51 157

HSL 272.83, 0.51%, 0.41%

LAB 34.09, 45.45, -47.62

 

CMYK 0 / 64 / 68 / 38

HEX #9D3833

RGB 157 56 51

HSL 2.83, 0.51%, 0.41%

LAB 38.26, 41.71, 25.61

 

CMYK 37 / 0 / 68 / 38

HEX #639D33

RGB 99 157 51

HSL 92.83, 0.51%, 0.41%

LAB 58.98, -37.12, 47.63

 

Description

Color code: HEX #33979D | qconv.com Color code: HEX #33979D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 151 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 151 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 4 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 4% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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