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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #339358 it is the complementary color #CC6CA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #339358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #339358 shade: #389353, #49A566, #5AB779, #6BC98C and #7CDB9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #339358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #339358 shade: #339358, #228145, #116F32, #005D1F and #004B0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #339358 shade: #339358, #33933E, #429333, #5C9333 and #759333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #339358 shade: #339358, #339372, #33938C, #338093 and #336693

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #339358 shade matches the following richer shades: #339358, #23A354, #13B351 and #03C34D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #339358 shade: #339358, #43835C, #53735F, #636263 and #745267

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #339358 shade: #429333, #33933E, #339358, #339371 and #33938B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #339358 shade: #1E5633, #287446, #339358, #3EB16A and #55C380

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #339358 shade: #339358, #335B93 and #933335

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #339358 shade: #339358, #583393 and #935833

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #339358 shade: #339358, #335B93, #93336E and #936B33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #339358 shade: #339358, #333E93, #93336E and #938833

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 40 / 42

HEX #339358

RGB 51 147 88

HSL 143.13, 0.48%, 0.39%

LAB 54.32, -41.83, 23.22

 

Complementary color

CMYK 0 / 47 / 18 / 20

HEX #CC6CA7

RGB 204 108 167

HSL 323.13, 0.48%, 0.61%

LAB 58.37, 45.31, -14.64

 

CMYK 62 / 0 / 44 / 42

HEX #389353

RGB 56 147 83

HSL 137.8, 0.45%, 0.4%

LAB 54.38, -41.67, 26.05

 

CMYK 56 / 0 / 38 / 35

HEX #49A566

RGB 73 165 102

HSL 138.91, 0.39%, 0.47%

LAB 61.03, -41.75, 24.61

 

CMYK 51 / 0 / 34 / 28

HEX #5AB779

RGB 90 183 121

HSL 140, 0.39%, 0.54%

LAB 67.59, -41.66, 23.28

 

CMYK 47 / 0 / 30 / 21

HEX #6BC98C

RGB 107 201 140

HSL 141.06, 0.47%, 0.6%

LAB 74.06, -41.49, 22.06

 

CMYK 43 / 0 / 27 / 14

HEX #7CDB9F

RGB 124 219 159

HSL 142.11, 0.57%, 0.67%

LAB 80.43, -41.27, 20.92

 

CMYK 65 / 0 / 40 / 42

HEX #339358

RGB 51 147 88

HSL 143.13, 0.48%, 0.39%

LAB 54.32, -41.83, 23.22

 

CMYK 74 / 0 / 47 / 49

HEX #228145

RGB 34 129 69

HSL 142.11, 0.58%, 0.32%

LAB 47.59, -41.35, 24.81

 

CMYK 85 / 0 / 55 / 56

HEX #116F32

RGB 17 111 50

HSL 141.06, 0.73%, 0.25%

LAB 40.76, -40.3, 26.55

 

CMYK 100 / 0 / 67 / 64

HEX #005D1F

RGB 0 93 31

HSL 140, 1%, 0.18%

LAB 33.83, -38.56, 28.27

 

CMYK 100 / 0 / 84 / 71

HEX #004B0C

RGB 0 75 12

HSL 129.6, 1%, 0.15%

LAB 26.9, -34.61, 29.61

 

CMYK 65 / 0 / 40 / 42

HEX #339358

RGB 51 147 88

HSL 143.13, 0.48%, 0.39%

LAB 54.32, -41.83, 23.22

 

CMYK 65 / 0 / 58 / 42

HEX #33933E

RGB 51 147 62

HSL 126.88, 0.48%, 0.39%

LAB 53.94, -46.06, 36.4

 

CMYK 55 / 0 / 65 / 42

HEX #429333

RGB 66 147 51

HSL 110.63, 0.48%, 0.39%

LAB 54.31, -43.61, 42.14

 

CMYK 37 / 0 / 65 / 42

HEX #5C9333

RGB 92 147 51

HSL 94.38, 0.48%, 0.39%

LAB 55.46, -35.19, 43.74

 

CMYK 20 / 0 / 65 / 42

HEX #759333

RGB 117 147 51

HSL 78.75, 0.48%, 0.39%

LAB 56.97, -25.44, 45.81

 

CMYK 65 / 0 / 40 / 42

HEX #339358

RGB 51 147 88

HSL 143.13, 0.48%, 0.39%

LAB 54.32, -41.83, 23.22

 

CMYK 65 / 0 / 22 / 42

HEX #339372

RGB 51 147 114

HSL 159.38, 0.48%, 0.39%

LAB 54.85, -36.18, 9.35

 

CMYK 65 / 0 / 5 / 42

HEX #33938C

RGB 51 147 140

HSL 175.63, 0.48%, 0.39%

LAB 55.55, -29.29, -4.53

 

CMYK 65 / 13 / 0 / 42

HEX #338093

RGB 51 128 147

HSL 191.88, 0.48%, 0.39%

LAB 49.8, -17.36, -17.23

 

CMYK 65 / 31 / 0 / 42

HEX #336693

RGB 51 102 147

HSL 208.13, 0.48%, 0.39%

LAB 41.71, -2.29, -29.74

 

CMYK 65 / 0 / 40 / 42

HEX #339358

RGB 51 147 88

HSL 143.13, 0.48%, 0.39%

LAB 54.32, -41.83, 23.22

 

CMYK 79 / 0 / 48 / 36

HEX #23A354

RGB 35 163 84

HSL 142.97, 0.65%, 0.39%

LAB 59.15, -51.4, 31.53

 

CMYK 89 / 0 / 55 / 30

HEX #13B351

RGB 19 179 81

HSL 143.25, 0.81%, 0.39%

LAB 64.14, -58.97, 39.17

 

CMYK 98 / 0 / 61 / 24

HEX #03C34D

RGB 3 195 77

HSL 143.13, 0.97%, 0.39%

LAB 69.17, -65.37, 46.97

 

CMYK 65 / 0 / 40 / 42

HEX #339358

RGB 51 147 88

HSL 143.13, 0.48%, 0.39%

LAB 54.32, -41.83, 23.22

 

CMYK 49 / 0 / 30 / 49

HEX #43835C

RGB 67 131 92

HSL 143.44, 0.32%, 0.39%

LAB 49.74, -30.01, 14.89

 

CMYK 28 / 0 / 17 / 55

HEX #53735F

RGB 83 115 95

HSL 142.5, 0.16%, 0.39%

LAB 45.53, -16.06, 7.39

 

CMYK 0 / 1 / 0 / 61

HEX #636263

RGB 99 98 99

HSL 300, 0.01%, 0.39%

LAB 41.67, 0.6, -0.43

 

CMYK 0 / 29 / 11 / 55

HEX #745267

RGB 116 82 103

HSL 322.94, 0.17%, 0.39%

LAB 39.12, 17.83, -6.48

 

CMYK 55 / 0 / 65 / 42

HEX #429333

RGB 66 147 51

HSL 110.63, 0.48%, 0.39%

LAB 54.31, -43.61, 42.14

 

CMYK 65 / 0 / 58 / 42

HEX #33933E

RGB 51 147 62

HSL 126.88, 0.48%, 0.39%

LAB 53.94, -46.06, 36.4

 

CMYK 65 / 0 / 40 / 42

HEX #339358

RGB 51 147 88

HSL 143.13, 0.48%, 0.39%

LAB 54.32, -41.83, 23.22

 

CMYK 65 / 0 / 23 / 42

HEX #339371

RGB 51 147 113

HSL 158.75, 0.48%, 0.39%

LAB 54.83, -36.42, 9.89

 

CMYK 65 / 0 / 5 / 42

HEX #33938B

RGB 51 147 139

HSL 175, 0.48%, 0.39%

LAB 55.52, -29.57, -4

 

CMYK 65 / 0 / 41 / 66

HEX #1E5633

RGB 30 86 51

HSL 142.5, 0.48%, 0.23%

LAB 32.19, -27.37, 15.08

 

CMYK 66 / 0 / 40 / 55

HEX #287446

RGB 40 116 70

HSL 143.68, 0.49%, 0.31%

LAB 43.34, -34.59, 18.73

 

CMYK 65 / 0 / 40 / 42

HEX #339358

RGB 51 147 88

HSL 143.13, 0.48%, 0.39%

LAB 54.32, -41.83, 23.22

 

CMYK 65 / 0 / 40 / 31

HEX #3EB16A

RGB 62 177 106

HSL 142.96, 0.48%, 0.47%

LAB 64.57, -48.36, 27.09

 

CMYK 56 / 0 / 34 / 24

HEX #55C380

RGB 85 195 128

HSL 143.45, 0.48%, 0.55%

LAB 71.23, -46.66, 24.44

 

CMYK 65 / 0 / 40 / 42

HEX #339358

RGB 51 147 88

HSL 143.13, 0.48%, 0.39%

LAB 54.32, -41.83, 23.22

 

CMYK 65 / 38 / 0 / 42

HEX #335B93

RGB 51 91 147

HSL 215, 0.48%, 0.39%

LAB 38.36, 4.62, -35.02

 

CMYK 0 / 65 / 64 / 42

HEX #933335

RGB 147 51 53

HSL 358.75, 0.48%, 0.39%

LAB 35.65, 40.54, 20.73

 

CMYK 65 / 0 / 40 / 42

HEX #339358

RGB 51 147 88

HSL 143.13, 0.48%, 0.39%

LAB 54.32, -41.83, 23.22

 

CMYK 40 / 65 / 0 / 42

HEX #583393

RGB 88 51 147

HSL 263.13, 0.48%, 0.39%

LAB 30.76, 38.18, -47.04

 

CMYK 0 / 40 / 65 / 42

HEX #935833

RGB 147 88 51

HSL 23.13, 0.48%, 0.39%

LAB 43.39, 20.77, 31.39

 

CMYK 65 / 0 / 40 / 42

HEX #339358

RGB 51 147 88

HSL 143.13, 0.48%, 0.39%

LAB 54.32, -41.83, 23.22

 

CMYK 65 / 38 / 0 / 42

HEX #335B93

RGB 51 91 147

HSL 215, 0.48%, 0.39%

LAB 38.36, 4.62, -35.02

 

CMYK 0 / 65 / 25 / 42

HEX #93336E

RGB 147 51 110

HSL 323.13, 0.48%, 0.39%

LAB 37.29, 46.55, -13.17

 

CMYK 0 / 27 / 65 / 42

HEX #936B33

RGB 147 107 51

HSL 35, 0.48%, 0.39%

LAB 48.21, 9.78, 36.94

 

CMYK 65 / 0 / 40 / 42

HEX #339358

RGB 51 147 88

HSL 143.13, 0.48%, 0.39%

LAB 54.32, -41.83, 23.22

 

CMYK 65 / 58 / 0 / 42

HEX #333E93

RGB 51 62 147

HSL 233.13, 0.48%, 0.39%

LAB 30.05, 23.83, -48.35

 

CMYK 0 / 65 / 25 / 42

HEX #93336E

RGB 147 51 110

HSL 323.13, 0.48%, 0.39%

LAB 37.29, 46.55, -13.17

 

CMYK 0 / 7 / 65 / 42

HEX #938833

RGB 147 136 51

HSL 53.13, 0.48%, 0.39%

LAB 56.14, -6.6, 45.64

 

Description

Color code: HEX #339358 | qconv.com Color code: HEX #339358 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 147 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 147 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 40 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 40% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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