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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #339368 it is the complementary color #CC6C97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #339368. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #339368 shade: #389363, #49A576, #5AB789, #6BC99C and #7CDBAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #339368. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #339368 shade: #339368, #228155, #116F42, #005D2F and #004B1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #339368 shade: #339368, #33934E, #339334, #4C9333 and #659333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #339368 shade: #339368, #339382, #338A93, #337093 and #335693

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #339368 shade matches the following richer shades: #339368, #23A36A, #13B36B and #03C36D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #339368 shade: #339368, #438366, #537365, #636263 and #745261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #339368 shade: #339335, #33934E, #339368, #339381 and #338B93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #339368 shade: #1E563D, #287452, #339368, #3EB17E and #55C392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #339368 shade: #339368, #334B93 and #934233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #339368 shade: #339368, #683393 and #936833

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #339368 shade: #339368, #334B93, #93335E and #937B33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #339368 shade: #339368, #383393, #93335E and #8E9333

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 29 / 42

HEX #339368

RGB 51 147 104

HSL 153.13, 0.48%, 0.39%

LAB 54.63, -38.51, 14.71

 

Complementary color

CMYK 0 / 47 / 26 / 20

HEX #CC6C97

RGB 204 108 151

HSL 333.13, 0.48%, 0.61%

LAB 57.84, 42.97, -6.16

 

CMYK 62 / 0 / 33 / 42

HEX #389363

RGB 56 147 99

HSL 148.35, 0.45%, 0.4%

LAB 54.67, -38.57, 17.61

 

CMYK 56 / 0 / 28 / 35

HEX #49A576

RGB 73 165 118

HSL 149.35, 0.39%, 0.47%

LAB 61.34, -38.59, 16.28

 

CMYK 51 / 0 / 25 / 28

HEX #5AB789

RGB 90 183 137

HSL 150.32, 0.39%, 0.54%

LAB 67.91, -38.49, 15.08

 

CMYK 47 / 0 / 22 / 21

HEX #6BC99C

RGB 107 201 156

HSL 151.28, 0.47%, 0.6%

LAB 74.38, -38.33, 13.98

 

CMYK 43 / 0 / 20 / 14

HEX #7CDBAF

RGB 124 219 175

HSL 152.21, 0.57%, 0.67%

LAB 80.76, -38.12, 12.97

 

CMYK 65 / 0 / 29 / 42

HEX #339368

RGB 51 147 104

HSL 153.13, 0.48%, 0.39%

LAB 54.63, -38.51, 14.71

 

CMYK 74 / 0 / 34 / 49

HEX #228155

RGB 34 129 85

HSL 152.21, 0.58%, 0.32%

LAB 47.88, -38.11, 16.19

 

CMYK 85 / 0 / 41 / 56

HEX #116F42

RGB 17 111 66

HSL 151.28, 0.73%, 0.25%

LAB 41.03, -37.24, 17.88

 

CMYK 100 / 0 / 49 / 64

HEX #005D2F

RGB 0 93 47

HSL 150.32, 1%, 0.18%

LAB 34.05, -35.84, 19.78

 

CMYK 100 / 0 / 63 / 71

HEX #004B1C

RGB 0 75 28

HSL 142.4, 1%, 0.15%

LAB 27.06, -32.57, 21.99

 

CMYK 65 / 0 / 29 / 42

HEX #339368

RGB 51 147 104

HSL 153.13, 0.48%, 0.39%

LAB 54.63, -38.51, 14.71

 

CMYK 65 / 0 / 47 / 42

HEX #33934E

RGB 51 147 78

HSL 136.88, 0.48%, 0.39%

LAB 54.16, -43.63, 28.43

 

CMYK 65 / 0 / 65 / 42

HEX #339334

RGB 51 147 52

HSL 120.63, 0.48%, 0.39%

LAB 53.83, -47.29, 41.03

 

CMYK 48 / 0 / 65 / 42

HEX #4C9333

RGB 76 147 51

HSL 104.38, 0.48%, 0.39%

LAB 54.7, -40.62, 42.69

 

CMYK 31 / 0 / 65 / 42

HEX #659333

RGB 101 147 51

HSL 88.75, 0.48%, 0.39%

LAB 55.96, -31.83, 44.43

 

CMYK 65 / 0 / 29 / 42

HEX #339368

RGB 51 147 104

HSL 153.13, 0.48%, 0.39%

LAB 54.63, -38.51, 14.71

 

CMYK 65 / 0 / 12 / 42

HEX #339382

RGB 51 147 130

HSL 169.38, 0.48%, 0.39%

LAB 55.26, -32.07, 0.79

 

CMYK 65 / 6 / 0 / 42

HEX #338A93

RGB 51 138 147

HSL 185.63, 0.48%, 0.39%

LAB 52.94, -22.68, -12.47

 

CMYK 65 / 24 / 0 / 42

HEX #337093

RGB 51 112 147

HSL 201.88, 0.48%, 0.39%

LAB 44.8, -8.3, -24.92

 

CMYK 65 / 41 / 0 / 42

HEX #335693

RGB 51 86 147

HSL 218.13, 0.48%, 0.39%

LAB 36.87, 7.85, -37.39

 

CMYK 65 / 0 / 29 / 42

HEX #339368

RGB 51 147 104

HSL 153.13, 0.48%, 0.39%

LAB 54.63, -38.51, 14.71

 

CMYK 79 / 0 / 35 / 36

HEX #23A36A

RGB 35 163 106

HSL 153.28, 0.65%, 0.39%

LAB 59.52, -47.2, 20.24

 

CMYK 89 / 0 / 40 / 30

HEX #13B36B

RGB 19 179 107

HSL 153, 0.81%, 0.39%

LAB 64.52, -54.48, 26.36

 

CMYK 98 / 0 / 44 / 24

HEX #03C36D

RGB 3 195 109

HSL 153.13, 0.97%, 0.39%

LAB 69.58, -60.43, 31.92

 

CMYK 65 / 0 / 29 / 42

HEX #339368

RGB 51 147 104

HSL 153.13, 0.48%, 0.39%

LAB 54.63, -38.51, 14.71

 

CMYK 49 / 0 / 22 / 49

HEX #438366

RGB 67 131 102

HSL 152.81, 0.32%, 0.39%

LAB 49.96, -27.83, 9.42

 

CMYK 28 / 0 / 12 / 55

HEX #537365

RGB 83 115 101

HSL 153.75, 0.16%, 0.39%

LAB 45.69, -14.74, 4.04

 

CMYK 0 / 1 / 0 / 61

HEX #636263

RGB 99 98 99

HSL 300, 0.01%, 0.39%

LAB 41.67, 0.6, -0.43

 

CMYK 0 / 29 / 16 / 55

HEX #745261

RGB 116 82 97

HSL 333.53, 0.17%, 0.39%

LAB 38.92, 16.72, -3.05

 

CMYK 65 / 0 / 64 / 42

HEX #339335

RGB 51 147 53

HSL 121.25, 0.48%, 0.39%

LAB 53.84, -47.18, 40.59

 

CMYK 65 / 0 / 47 / 42

HEX #33934E

RGB 51 147 78

HSL 136.88, 0.48%, 0.39%

LAB 54.16, -43.63, 28.43

 

CMYK 65 / 0 / 29 / 42

HEX #339368

RGB 51 147 104

HSL 153.13, 0.48%, 0.39%

LAB 54.63, -38.51, 14.71

 

CMYK 65 / 0 / 12 / 42

HEX #339381

RGB 51 147 129

HSL 168.75, 0.48%, 0.39%

LAB 55.23, -32.34, 1.32

 

CMYK 65 / 5 / 0 / 42

HEX #338B93

RGB 51 139 147

HSL 185, 0.48%, 0.39%

LAB 53.25, -23.2, -12

 

CMYK 65 / 0 / 29 / 66

HEX #1E563D

RGB 30 86 61

HSL 153.21, 0.48%, 0.23%

LAB 32.41, -25.07, 9.22

 

CMYK 66 / 0 / 29 / 55

HEX #287452

RGB 40 116 82

HSL 153.16, 0.49%, 0.31%

LAB 43.58, -31.97, 12.07

 

CMYK 65 / 0 / 29 / 42

HEX #339368

RGB 51 147 104

HSL 153.13, 0.48%, 0.39%

LAB 54.63, -38.51, 14.71

 

CMYK 65 / 0 / 29 / 31

HEX #3EB17E

RGB 62 177 126

HSL 153.39, 0.48%, 0.47%

LAB 64.94, -44.36, 16.82

 

CMYK 56 / 0 / 25 / 24

HEX #55C392

RGB 85 195 146

HSL 153.27, 0.48%, 0.55%

LAB 71.58, -43.04, 15.31

 

CMYK 65 / 0 / 29 / 42

HEX #339368

RGB 51 147 104

HSL 153.13, 0.48%, 0.39%

LAB 54.63, -38.51, 14.71

 

CMYK 65 / 49 / 0 / 42

HEX #334B93

RGB 51 75 147

HSL 225, 0.48%, 0.39%

LAB 33.65, 15.12, -42.53

 

CMYK 0 / 55 / 65 / 42

HEX #934233

RGB 147 66 51

HSL 9.38, 0.48%, 0.39%

LAB 38.44, 32.98, 25.45

 

CMYK 65 / 0 / 29 / 42

HEX #339368

RGB 51 147 104

HSL 153.13, 0.48%, 0.39%

LAB 54.63, -38.51, 14.71

 

CMYK 29 / 65 / 0 / 42

HEX #683393

RGB 104 51 147

HSL 273.13, 0.48%, 0.39%

LAB 32.74, 41.86, -43.75

 

CMYK 0 / 29 / 65 / 42

HEX #936833

RGB 147 104 51

HSL 33.13, 0.48%, 0.39%

LAB 47.42, 11.52, 36.05

 

CMYK 65 / 0 / 29 / 42

HEX #339368

RGB 51 147 104

HSL 153.13, 0.48%, 0.39%

LAB 54.63, -38.51, 14.71

 

CMYK 65 / 49 / 0 / 42

HEX #334B93

RGB 51 75 147

HSL 225, 0.48%, 0.39%

LAB 33.65, 15.12, -42.53

 

CMYK 0 / 65 / 36 / 42

HEX #93335E

RGB 147 51 94

HSL 333.13, 0.48%, 0.39%

LAB 36.7, 44.44, -3.93

 

CMYK 0 / 16 / 65 / 42

HEX #937B33

RGB 147 123 51

HSL 45, 0.48%, 0.39%

LAB 52.52, 0.63, 41.73

 

CMYK 65 / 0 / 29 / 42

HEX #339368

RGB 51 147 104

HSL 153.13, 0.48%, 0.39%

LAB 54.63, -38.51, 14.71

 

CMYK 62 / 65 / 0 / 42

HEX #383393

RGB 56 51 147

HSL 243.13, 0.48%, 0.39%

LAB 27.61, 31.87, -52.29

 

CMYK 0 / 65 / 36 / 42

HEX #93335E

RGB 147 51 94

HSL 333.13, 0.48%, 0.39%

LAB 36.7, 44.44, -3.93

 

CMYK 3 / 0 / 65 / 42

HEX #8E9333

RGB 142 147 51

HSL 63.13, 0.48%, 0.39%

LAB 58.84, -14.73, 48.36

 

Description

Color code: HEX #339368 | qconv.com Color code: HEX #339368 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 147 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 147 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 29 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 29% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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