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Color name
HEX #37AC1F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37AC1F it is the complementary color #C853E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37AC1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37AC1F shade: #3CAC1A, #4DBE2D, #5ED040, #6FE253 and #80F466

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37AC1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37AC1F shade: #37AC1F, #269A0C, #158800, #047600 and #006400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37AC1F shade: #37AC1F, #5DAC1F, #83AC1F, #A9AC1F and #AC891F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37AC1F shade: #37AC1F, #1FAC2D, #1FAC53, #1FAC79 and #1FAC9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37AC1F shade matches the following richer shades: #37AC1F and #2CBC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37AC1F shade: #37AC1F, #429B30, #4D8B40, #587A51 and #636A61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37AC1F shade: #84AC1F, #5EAC1F, #39AC1F, #1FAC2B and #1FAC50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37AC1F shade: #216612, #2C8919, #37AC1F, #42CF26 and #5CDC42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37AC1F shade: #37AC1F, #1FAAAC and #AC1F71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37AC1F shade: #37AC1F, #1F39AC and #AC1F39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37AC1F shade: #37AC1F, #1FAAAC, #921FAC and #AC211F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37AC1F shade: #37AC1F, #1F7FAC, #921FAC and #AC4C1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 82 / 33

HEX #37AC1F

RGB 55 172 31

HSL 109.79, 0.69%, 0.4%

LAB 62.01, -56.91, 57.17

 

Complementary color

CMYK 11 / 63 / 0 / 12

HEX #C853E0

RGB 200 83 224

HSL 289.79, 0.69%, 0.6%

LAB 55.93, 65.77, -51.02

 

CMYK 65 / 0 / 85 / 33

HEX #3CAC1A

RGB 60 172 26

HSL 106.03, 0.74%, 0.39%

LAB 62.12, -56.1, 58.63

 

CMYK 59 / 0 / 76 / 25

HEX #4DBE2D

RGB 77 190 45

HSL 106.76, 0.62%, 0.46%

LAB 68.46, -57.28, 59.22

 

CMYK 55 / 0 / 69 / 18

HEX #5ED040

RGB 94 208 64

HSL 107.5, 0.61%, 0.53%

LAB 74.74, -58.03, 58.96

 

CMYK 51 / 0 / 63 / 11

HEX #6FE253

RGB 111 226 83

HSL 108.25, 0.71%, 0.61%

LAB 80.96, -58.48, 58.24

 

CMYK 48 / 0 / 58 / 4

HEX #80F466

RGB 128 244 102

HSL 109.01, 0.87%, 0.68%

LAB 87.12, -58.72, 57.27

 

CMYK 68 / 0 / 82 / 33

HEX #37AC1F

RGB 55 172 31

HSL 109.79, 0.69%, 0.4%

LAB 62.01, -56.91, 57.17

 

CMYK 75 / 0 / 92 / 40

HEX #269A0C

RGB 38 154 12

HSL 109.01, 0.86%, 0.33%

LAB 55.63, -55.03, 55.72

 

CMYK 85 / 0 / 100 / 47

HEX #158800

RGB 21 136 0

HSL 110.74, 1%, 0.27%

LAB 49.21, -52.24, 52.37

 

CMYK 97 / 0 / 100 / 54

HEX #047600

RGB 4 118 0

HSL 117.97, 1%, 0.23%

LAB 42.74, -48.41, 47.11

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 68 / 0 / 82 / 33

HEX #37AC1F

RGB 55 172 31

HSL 109.79, 0.69%, 0.4%

LAB 62.01, -56.91, 57.17

 

CMYK 46 / 0 / 82 / 33

HEX #5DAC1F

RGB 93 172 31

HSL 93.62, 0.69%, 0.4%

LAB 63.29, -46.78, 58.81

 

CMYK 24 / 0 / 82 / 33

HEX #83AC1F

RGB 131 172 31

HSL 77.45, 0.69%, 0.4%

LAB 65.3, -32.84, 61.38

 

CMYK 2 / 0 / 82 / 33

HEX #A9AC1F

RGB 169 172 31

HSL 61.28, 0.69%, 0.4%

LAB 68.05, -16.77, 64.85

 

CMYK 0 / 20 / 82 / 33

HEX #AC891F

RGB 172 137 31

HSL 45.11, 0.69%, 0.4%

LAB 58.75, 3.22, 56.88

 

CMYK 68 / 0 / 82 / 33

HEX #37AC1F

RGB 55 172 31

HSL 109.79, 0.69%, 0.4%

LAB 62.01, -56.91, 57.17

 

CMYK 82 / 0 / 74 / 33

HEX #1FAC2D

RGB 31 172 45

HSL 125.96, 0.69%, 0.4%

LAB 61.64, -59.79, 52.11

 

CMYK 82 / 0 / 52 / 33

HEX #1FAC53

RGB 31 172 83

HSL 142.13, 0.69%, 0.4%

LAB 62.02, -55.23, 35.61

 

CMYK 82 / 0 / 30 / 33

HEX #1FAC79

RGB 31 172 121

HSL 158.3, 0.69%, 0.4%

LAB 62.66, -47.87, 16.3

 

CMYK 82 / 0 / 8 / 33

HEX #1FAC9F

RGB 31 172 159

HSL 174.47, 0.69%, 0.4%

LAB 63.59, -38.05, -3.46

 

CMYK 68 / 0 / 82 / 33

HEX #37AC1F

RGB 55 172 31

HSL 109.79, 0.69%, 0.4%

LAB 62.01, -56.91, 57.17

 

CMYK 77 / 0 / 92 / 26

HEX #2CBC0F

RGB 44 188 15

HSL 109.94, 0.85%, 0.4%

LAB 66.93, -64.54, 64.83

 

CMYK 68 / 0 / 82 / 33

HEX #37AC1F

RGB 55 172 31

HSL 109.79, 0.69%, 0.4%

LAB 62.01, -56.91, 57.17

 

CMYK 57 / 0 / 69 / 39

HEX #429B30

RGB 66 155 48

HSL 109.91, 0.53%, 0.4%

LAB 56.89, -47.02, 46.25

 

CMYK 45 / 0 / 54 / 45

HEX #4D8B40

RGB 77 139 64

HSL 109.6, 0.37%, 0.4%

LAB 52.3, -35.35, 33.67

 

CMYK 28 / 0 / 34 / 52

HEX #587A51

RGB 88 122 81

HSL 109.76, 0.2%, 0.4%

LAB 47.74, -20.67, 18.68

 

CMYK 7 / 0 / 8 / 58

HEX #636A61

RGB 99 106 97

HSL 106.67, 0.04%, 0.4%

LAB 43.98, -4.55, 4.13

 

CMYK 23 / 0 / 82 / 33

HEX #84AC1F

RGB 132 172 31

HSL 77.02, 0.69%, 0.4%

LAB 65.36, -32.43, 61.46

 

CMYK 45 / 0 / 82 / 33

HEX #5EAC1F

RGB 94 172 31

HSL 93.19, 0.69%, 0.4%

LAB 63.33, -46.46, 58.87

 

CMYK 67 / 0 / 82 / 33

HEX #39AC1F

RGB 57 172 31

HSL 108.94, 0.69%, 0.4%

LAB 62.06, -56.5, 57.24

 

CMYK 82 / 0 / 75 / 33

HEX #1FAC2B

RGB 31 172 43

HSL 125.11, 0.69%, 0.4%

LAB 61.63, -59.95, 52.82

 

CMYK 82 / 0 / 53 / 33

HEX #1FAC50

RGB 31 172 80

HSL 140.85, 0.69%, 0.4%

LAB 61.98, -55.7, 37.06

 

CMYK 68 / 0 / 82 / 60

HEX #216612

RGB 33 102 18

HSL 109.29, 0.7%, 0.24%

LAB 37.61, -37.82, 38.05

 

CMYK 68 / 0 / 82 / 46

HEX #2C8919

RGB 44 137 25

HSL 109.82, 0.69%, 0.32%

LAB 50.09, -47.59, 47.72

 

CMYK 68 / 0 / 82 / 33

HEX #37AC1F

RGB 55 172 31

HSL 109.79, 0.69%, 0.4%

LAB 62.01, -56.91, 57.17

 

CMYK 68 / 0 / 82 / 19

HEX #42CF26

RGB 66 207 38

HSL 110.06, 0.69%, 0.48%

LAB 73.5, -65.79, 65.96

 

CMYK 58 / 0 / 70 / 14

HEX #5CDC42

RGB 92 220 66

HSL 109.87, 0.69%, 0.56%

LAB 78.38, -62.66, 61.98

 

CMYK 68 / 0 / 82 / 33

HEX #37AC1F

RGB 55 172 31

HSL 109.79, 0.69%, 0.4%

LAB 62.01, -56.91, 57.17

 

CMYK 82 / 1 / 0 / 33

HEX #1FAAAC

RGB 31 170 172

HSL 180.85, 0.69%, 0.4%

LAB 63.36, -33.28, -11.07

 

CMYK 0 / 82 / 34 / 33

HEX #AC1F71

RGB 172 31 113

HSL 325.11, 0.69%, 0.4%

LAB 39.48, 60.62, -11.3

 

CMYK 68 / 0 / 82 / 33

HEX #37AC1F

RGB 55 172 31

HSL 109.79, 0.69%, 0.4%

LAB 62.01, -56.91, 57.17

 

CMYK 82 / 67 / 0 / 33

HEX #1F39AC

RGB 31 57 172

HSL 228.94, 0.69%, 0.4%

LAB 29.9, 33.98, -63.77

 

CMYK 0 / 82 / 67 / 33

HEX #AC1F39

RGB 172 31 57

HSL 348.94, 0.69%, 0.4%

LAB 37.92, 55.98, 22.08

 

CMYK 68 / 0 / 82 / 33

HEX #37AC1F

RGB 55 172 31

HSL 109.79, 0.69%, 0.4%

LAB 62.01, -56.91, 57.17

 

CMYK 82 / 1 / 0 / 33

HEX #1FAAAC

RGB 31 170 172

HSL 180.85, 0.69%, 0.4%

LAB 63.36, -33.28, -11.07

 

CMYK 15 / 82 / 0 / 33

HEX #921FAC

RGB 146 31 172

HSL 288.94, 0.69%, 0.4%

LAB 37.97, 63.74, -50.11

 

CMYK 0 / 81 / 82 / 33

HEX #AC211F

RGB 172 33 31

HSL 0.85, 0.69%, 0.4%

LAB 37.77, 54.34, 37.57

 

CMYK 68 / 0 / 82 / 33

HEX #37AC1F

RGB 55 172 31

HSL 109.79, 0.69%, 0.4%

LAB 62.01, -56.91, 57.17

 

CMYK 82 / 26 / 0 / 33

HEX #1F7FAC

RGB 31 127 172

HSL 199.15, 0.69%, 0.4%

LAB 50.04, -10.87, -31.47

 

CMYK 15 / 82 / 0 / 33

HEX #921FAC

RGB 146 31 172

HSL 288.94, 0.69%, 0.4%

LAB 37.97, 63.74, -50.11

 

CMYK 0 / 56 / 82 / 33

HEX #AC4C1F

RGB 172 76 31

HSL 19.15, 0.69%, 0.4%

LAB 44.29, 36.76, 43.81

 

Description

Color code: HEX #37AC1F | qconv.com Color code: HEX #37AC1F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 172 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 172 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 82 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 82% 33% C M Y K

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Provide designers and agencies with accurate color values.

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