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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37B615 it is the complementary color #C849EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37B615. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37B615 shade: #3CB610, #4DC823, #5EDA36, #6FEC49 and #80FE5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37B615. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37B615 shade: #37B615, #26A402, #159200, #048000 and #006E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37B615 shade: #37B615, #62B615, #8EB615, #B6B315 and #B68715

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37B615 shade: #37B615, #15B61E, #15B64A, #15B675 and #15B6A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37B615 shade matches the following richer shades: #37B615 and #2DC704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37B615 shade: #37B615, #40A625, #4A9536, #548546 and #5D7457

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37B615 shade: #8EB615, #63B615, #38B615, #15B61D and #15B648

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37B615 shade: #216C0C, #2C9111, #37B615, #42DB19 and #5CE736

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37B615 shade: #37B615, #15B6B3 and #B61578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37B615 shade: #37B615, #1538B6 and #B61538

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37B615 shade: #37B615, #15B6B3, #9315B6 and #B61518

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37B615 shade: #37B615, #1588B6, #9315B6 and #B64315

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 88 / 29

HEX #37B615

RGB 55 182 21

HSL 107.33, 0.79%, 0.4%

LAB 65.22, -60.63, 62.42

 

Complementary color

CMYK 15 / 69 / 0 / 8

HEX #C849EA

RGB 200 73 234

HSL 287.33, 0.79%, 0.6%

LAB 55.06, 71.68, -58.05

 

CMYK 67 / 0 / 91 / 29

HEX #3CB610

RGB 60 182 16

HSL 104.1, 0.84%, 0.39%

LAB 65.32, -59.79, 63.45

 

CMYK 62 / 0 / 83 / 22

HEX #4DC823

RGB 77 200 35

HSL 104.73, 0.7%, 0.46%

LAB 71.56, -61.31, 65.07

 

CMYK 57 / 0 / 75 / 15

HEX #5EDA36

RGB 94 218 54

HSL 105.37, 0.69%, 0.53%

LAB 77.75, -62.33, 65.54

 

CMYK 53 / 0 / 69 / 7

HEX #6FEC49

RGB 111 236 73

HSL 106.01, 0.81%, 0.61%

LAB 83.89, -63.01, 65.3

 

CMYK 50 / 0 / 64 / 0

HEX #80FE5C

RGB 128 254 92

HSL 106.67, 0.99%, 0.68%

LAB 89.97, -63.44, 64.64

 

CMYK 70 / 0 / 88 / 29

HEX #37B615

RGB 55 182 21

HSL 107.33, 0.79%, 0.4%

LAB 65.22, -60.63, 62.42

 

CMYK 77 / 0 / 99 / 36

HEX #26A402

RGB 38 164 2

HSL 106.67, 0.98%, 0.33%

LAB 58.94, -58.44, 59.96

 

CMYK 86 / 0 / 100 / 43

HEX #159200

RGB 21 146 0

HSL 111.37, 1%, 0.29%

LAB 52.64, -55.27, 55.11

 

CMYK 97 / 0 / 100 / 50

HEX #048000

RGB 4 128 0

HSL 118.13, 1%, 0.25%

LAB 46.26, -51.38, 49.94

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 70 / 0 / 88 / 29

HEX #37B615

RGB 55 182 21

HSL 107.33, 0.79%, 0.4%

LAB 65.22, -60.63, 62.42

 

CMYK 46 / 0 / 88 / 29

HEX #62B615

RGB 98 182 21

HSL 91.3, 0.79%, 0.4%

LAB 66.6, -49.51, 64.15

 

CMYK 22 / 0 / 88 / 29

HEX #8EB615

RGB 142 182 21

HSL 74.91, 0.79%, 0.4%

LAB 68.94, -33.35, 67.06

 

CMYK 0 / 2 / 88 / 29

HEX #B6B315

RGB 182 179 21

HSL 58.88, 0.79%, 0.4%

LAB 71.04, -14.91, 69.98

 

CMYK 0 / 26 / 88 / 29

HEX #B68715

RGB 182 135 21

HSL 42.48, 0.79%, 0.4%

LAB 59.28, 8.59, 60.62

 

CMYK 70 / 0 / 88 / 29

HEX #37B615

RGB 55 182 21

HSL 107.33, 0.79%, 0.4%

LAB 65.22, -60.63, 62.42

 

CMYK 88 / 0 / 84 / 29

HEX #15B61E

RGB 21 182 30

HSL 123.35, 0.79%, 0.4%

LAB 64.73, -64.77, 59.75

 

CMYK 88 / 0 / 59 / 29

HEX #15B64A

RGB 21 182 74

HSL 139.75, 0.79%, 0.4%

LAB 65.05, -60.77, 43.59

 

CMYK 88 / 0 / 36 / 29

HEX #15B675

RGB 21 182 117

HSL 155.78, 0.79%, 0.4%

LAB 65.67, -53.41, 22.57

 

CMYK 88 / 0 / 12 / 29

HEX #15B6A1

RGB 21 182 161

HSL 172.17, 0.79%, 0.4%

LAB 66.66, -42.62, -0.08

 

CMYK 70 / 0 / 88 / 29

HEX #37B615

RGB 55 182 21

HSL 107.33, 0.79%, 0.4%

LAB 65.22, -60.63, 62.42

 

CMYK 77 / 0 / 98 / 22

HEX #2DC704

RGB 45 199 4

HSL 107.38, 0.96%, 0.4%

LAB 70.46, -67.91, 69.06

 

CMYK 70 / 0 / 88 / 29

HEX #37B615

RGB 55 182 21

HSL 107.33, 0.79%, 0.4%

LAB 65.22, -60.63, 62.42

 

CMYK 61 / 0 / 78 / 35

HEX #40A625

RGB 64 166 37

HSL 107.44, 0.64%, 0.4%

LAB 60.33, -52.46, 53.84

 

CMYK 50 / 0 / 64 / 42

HEX #4A9536

RGB 74 149 54

HSL 107.37, 0.47%, 0.4%

LAB 55.3, -41.76, 41.97

 

CMYK 37 / 0 / 47 / 48

HEX #548546

RGB 84 133 70

HSL 106.67, 0.31%, 0.4%

LAB 50.81, -29.36, 28.75

 

CMYK 20 / 0 / 25 / 55

HEX #5D7457

RGB 93 116 87

HSL 107.59, 0.14%, 0.4%

LAB 46.32, -14.49, 13.32

 

CMYK 22 / 0 / 88 / 29

HEX #8EB615

RGB 142 182 21

HSL 74.91, 0.79%, 0.4%

LAB 68.94, -33.35, 67.06

 

CMYK 46 / 0 / 88 / 29

HEX #63B615

RGB 99 182 21

HSL 90.93, 0.79%, 0.4%

LAB 66.64, -49.19, 64.21

 

CMYK 69 / 0 / 88 / 29

HEX #38B615

RGB 56 182 21

HSL 106.96, 0.79%, 0.4%

LAB 65.24, -60.44, 62.45

 

CMYK 88 / 0 / 84 / 29

HEX #15B61D

RGB 21 182 29

HSL 122.98, 0.79%, 0.4%

LAB 64.73, -64.82, 60

 

CMYK 88 / 0 / 60 / 29

HEX #15B648

RGB 21 182 72

HSL 139.01, 0.79%, 0.4%

LAB 65.03, -61.03, 44.49

 

CMYK 69 / 0 / 89 / 58

HEX #216C0C

RGB 33 108 12

HSL 106.88, 0.8%, 0.24%

LAB 39.71, -40.41, 41.85

 

CMYK 70 / 0 / 88 / 43

HEX #2C9111

RGB 44 145 17

HSL 107.34, 0.79%, 0.32%

LAB 52.76, -50.77, 52.31

 

CMYK 70 / 0 / 88 / 29

HEX #37B615

RGB 55 182 21

HSL 107.33, 0.79%, 0.4%

LAB 65.22, -60.63, 62.42

 

CMYK 70 / 0 / 89 / 14

HEX #42DB19

RGB 66 219 25

HSL 107.32, 0.8%, 0.48%

LAB 77.22, -70.08, 72.1

 

CMYK 60 / 0 / 77 / 9

HEX #5CE736

RGB 92 231 54

HSL 107.12, 0.79%, 0.56%

LAB 81.67, -67.26, 69.32

 

CMYK 70 / 0 / 88 / 29

HEX #37B615

RGB 55 182 21

HSL 107.33, 0.79%, 0.4%

LAB 65.22, -60.63, 62.42

 

CMYK 88 / 0 / 2 / 29

HEX #15B6B3

RGB 21 182 179

HSL 178.88, 0.79%, 0.4%

LAB 67.18, -37.43, -9.26

 

CMYK 0 / 88 / 34 / 29

HEX #B61578

RGB 182 21 120

HSL 323.11, 0.79%, 0.4%

LAB 40.96, 65.85, -13.26

 

CMYK 70 / 0 / 88 / 29

HEX #37B615

RGB 55 182 21

HSL 107.33, 0.79%, 0.4%

LAB 65.22, -60.63, 62.42

 

CMYK 88 / 69 / 0 / 29

HEX #1538B6

RGB 21 56 182

HSL 226.96, 0.79%, 0.4%

LAB 30.32, 37.71, -69.06

 

CMYK 0 / 88 / 69 / 29

HEX #B61538

RGB 182 21 56

HSL 346.96, 0.79%, 0.4%

LAB 39.19, 60.88, 24.74

 

CMYK 70 / 0 / 88 / 29

HEX #37B615

RGB 55 182 21

HSL 107.33, 0.79%, 0.4%

LAB 65.22, -60.63, 62.42

 

CMYK 88 / 0 / 2 / 29

HEX #15B6B3

RGB 21 182 179

HSL 178.88, 0.79%, 0.4%

LAB 67.18, -37.43, -9.26

 

CMYK 19 / 88 / 0 / 29

HEX #9315B6

RGB 147 21 182

HSL 286.96, 0.79%, 0.4%

LAB 38.05, 68.06, -55.91

 

CMYK 0 / 88 / 87 / 29

HEX #B61518

RGB 182 21 24

HSL 358.88, 0.79%, 0.4%

LAB 38.81, 59.78, 42.98

 

CMYK 70 / 0 / 88 / 29

HEX #37B615

RGB 55 182 21

HSL 107.33, 0.79%, 0.4%

LAB 65.22, -60.63, 62.42

 

CMYK 88 / 25 / 0 / 29

HEX #1588B6

RGB 21 136 182

HSL 197.14, 0.79%, 0.4%

LAB 53.11, -13.12, -32.44

 

CMYK 19 / 88 / 0 / 29

HEX #9315B6

RGB 147 21 182

HSL 286.96, 0.79%, 0.4%

LAB 38.05, 68.06, -55.91

 

CMYK 0 / 63 / 88 / 29

HEX #B64315

RGB 182 67 21

HSL 17.14, 0.79%, 0.4%

LAB 44.25, 44.63, 48.72

 

Description

Color code: HEX #37B615 | qconv.com Color code: HEX #37B615 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 182 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 182 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 88 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 88% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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