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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37B35A it is the complementary color #C84CA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37B35A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37B35A shade: #3CB355, #4DC568, #5ED77B, #6FE98E and #80FBA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37B35A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37B35A shade: #37B35A, #26A147, #158F34, #047D21 and #006B0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37B35A shade: #37B35A, #37B338, #57B337, #78B337 and #9AB337

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37B35A shade: #37B35A, #37B37B, #37B39D, #37A8B3 and #3786B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37B35A shade matches the following richer shades: #37B35A, #24C651 and #11D949

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37B35A shade: #37B35A, #4AA062, #5D8D6A, #707A73 and #83677B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37B35A shade: #58B337, #37B337, #37B358, #37B379 and #37B39A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37B35A shade: #23743A, #2D934A, #37B35A, #4BC76E and #6BD188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37B35A shade: #37B35A, #3779B3 and #B33747

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37B35A shade: #37B35A, #5837B3 and #B35837

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37B35A shade: #37B35A, #3779B3, #B33792 and #B37137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37B35A shade: #37B35A, #3754B3, #B33792 and #B39637

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 50 / 30

HEX #37B35A

RGB 55 179 90

HSL 136.94, 0.53%, 0.46%

LAB 64.8, -53.16, 35.63

 

Complementary color

CMYK 0 / 62 / 18 / 22

HEX #C84CA5

RGB 200 76 165

HSL 316.94, 0.53%, 0.54%

LAB 52.02, 58.91, -23.21

 

CMYK 66 / 0 / 53 / 30

HEX #3CB355

RGB 60 179 85

HSL 132.61, 0.5%, 0.47%

LAB 64.85, -52.97, 38.22

 

CMYK 61 / 0 / 47 / 23

HEX #4DC568

RGB 77 197 104

HSL 133.5, 0.51%, 0.54%

LAB 71.22, -53.36, 36.77

 

CMYK 56 / 0 / 43 / 16

HEX #5ED77B

RGB 94 215 123

HSL 134.38, 0.6%, 0.61%

LAB 77.53, -53.52, 35.38

 

CMYK 52 / 0 / 39 / 9

HEX #6FE98E

RGB 111 233 142

HSL 135.25, 0.73%, 0.67%

LAB 83.76, -53.52, 34.05

 

CMYK 49 / 0 / 36 / 2

HEX #80FBA1

RGB 128 251 161

HSL 136.1, 0.94%, 0.74%

LAB 89.93, -53.43, 32.8

 

CMYK 69 / 0 / 50 / 30

HEX #37B35A

RGB 55 179 90

HSL 136.94, 0.53%, 0.46%

LAB 64.8, -53.16, 35.63

 

CMYK 76 / 0 / 56 / 37

HEX #26A147

RGB 38 161 71

HSL 136.1, 0.62%, 0.39%

LAB 58.37, -52.3, 37.18

 

CMYK 85 / 0 / 64 / 44

HEX #158F34

RGB 21 143 52

HSL 135.25, 0.74%, 0.32%

LAB 51.9, -50.84, 38.69

 

CMYK 97 / 0 / 74 / 51

HEX #047D21

RGB 4 125 33

HSL 134.38, 0.94%, 0.25%

LAB 45.36, -48.54, 39.91

 

CMYK 100 / 0 / 87 / 58

HEX #006B0E

RGB 0 107 14

HSL 127.85, 1%, 0.21%

LAB 38.81, -44.77, 40.27

 

CMYK 69 / 0 / 50 / 30

HEX #37B35A

RGB 55 179 90

HSL 136.94, 0.53%, 0.46%

LAB 64.8, -53.16, 35.63

 

CMYK 69 / 0 / 69 / 30

HEX #37B338

RGB 55 179 56

HSL 120.48, 0.53%, 0.46%

LAB 64.43, -57.4, 50.9

 

CMYK 51 / 0 / 69 / 30

HEX #57B337

RGB 87 179 55

HSL 104.52, 0.53%, 0.46%

LAB 65.39, -49.8, 52.6

 

CMYK 33 / 0 / 69 / 30

HEX #78B337

RGB 120 179 55

HSL 88.55, 0.53%, 0.46%

LAB 66.91, -38.91, 54.65

 

CMYK 14 / 0 / 69 / 30

HEX #9AB337

RGB 154 179 55

HSL 72.1, 0.53%, 0.46%

LAB 69.03, -25.56, 57.5

 

CMYK 69 / 0 / 50 / 30

HEX #37B35A

RGB 55 179 90

HSL 136.94, 0.53%, 0.46%

LAB 64.8, -53.16, 35.63

 

CMYK 69 / 0 / 31 / 30

HEX #37B37B

RGB 55 179 123

HSL 152.9, 0.53%, 0.46%

LAB 65.34, -47.05, 18.98

 

CMYK 69 / 0 / 12 / 30

HEX #37B39D

RGB 55 179 157

HSL 169.35, 0.53%, 0.46%

LAB 66.13, -38.92, 1.41

 

CMYK 69 / 6 / 0 / 30

HEX #37A8B3

RGB 55 168 179

HSL 185.32, 0.53%, 0.46%

LAB 63.4, -27.48, -14.88

 

CMYK 69 / 25 / 0 / 30

HEX #3786B3

RGB 55 134 179

HSL 201.77, 0.53%, 0.46%

LAB 53.08, -9.36, -30.71

 

CMYK 69 / 0 / 50 / 30

HEX #37B35A

RGB 55 179 90

HSL 136.94, 0.53%, 0.46%

LAB 64.8, -53.16, 35.63

 

CMYK 82 / 0 / 59 / 22

HEX #24C651

RGB 36 198 81

HSL 136.67, 0.69%, 0.46%

LAB 70.43, -63.65, 46.67

 

CMYK 92 / 0 / 66 / 15

HEX #11D949

RGB 17 217 73

HSL 136.8, 0.85%, 0.46%

LAB 76.21, -71.85, 56.58

 

CMYK 69 / 0 / 50 / 30

HEX #37B35A

RGB 55 179 90

HSL 136.94, 0.53%, 0.46%

LAB 64.8, -53.16, 35.63

 

CMYK 54 / 0 / 39 / 37

HEX #4AA062

RGB 74 160 98

HSL 136.74, 0.37%, 0.46%

LAB 59.42, -40.08, 24.64

 

CMYK 34 / 0 / 25 / 45

HEX #5D8D6A

RGB 93 141 106

HSL 136.25, 0.21%, 0.46%

LAB 54.47, -24.02, 13.62

 

CMYK 8 / 0 / 6 / 52

HEX #707A73

RGB 112 122 115

HSL 138, 0.04%, 0.46%

LAB 50.22, -5.17, 2.55

 

CMYK 0 / 21 / 6 / 49

HEX #83677B

RGB 131 103 123

HSL 317.14, 0.12%, 0.46%

LAB 46.92, 14.79, -6.86

 

CMYK 51 / 0 / 69 / 30

HEX #58B337

RGB 88 179 55

HSL 104.03, 0.53%, 0.46%

LAB 65.43, -49.51, 52.65

 

CMYK 69 / 0 / 69 / 30

HEX #37B337

RGB 55 179 55

HSL 120, 0.53%, 0.46%

LAB 64.43, -57.5, 51.29

 

CMYK 69 / 0 / 51 / 30

HEX #37B358

RGB 55 179 88

HSL 135.97, 0.53%, 0.46%

LAB 64.77, -53.46, 36.6

 

CMYK 69 / 0 / 32 / 30

HEX #37B379

RGB 55 179 121

HSL 151.94, 0.53%, 0.46%

LAB 65.3, -47.48, 20.01

 

CMYK 69 / 0 / 14 / 30

HEX #37B39A

RGB 55 179 154

HSL 167.9, 0.53%, 0.46%

LAB 66.05, -39.71, 2.96

 

CMYK 70 / 0 / 50 / 55

HEX #23743A

RGB 35 116 58

HSL 137.04, 0.54%, 0.3%

LAB 42.99, -37.91, 25.04

 

CMYK 69 / 0 / 50 / 42

HEX #2D934A

RGB 45 147 74

HSL 137.06, 0.53%, 0.38%

LAB 53.94, -45.51, 30.24

 

CMYK 69 / 0 / 50 / 30

HEX #37B35A

RGB 55 179 90

HSL 136.94, 0.53%, 0.46%

LAB 64.8, -53.16, 35.63

 

CMYK 62 / 0 / 45 / 22

HEX #4BC76E

RGB 75 199 110

HSL 136.94, 0.53%, 0.54%

LAB 71.87, -53.6, 34.56

 

CMYK 49 / 0 / 35 / 18

HEX #6BD188

RGB 107 209 136

HSL 137.06, 0.53%, 0.62%

LAB 76.38, -45.67, 27.3

 

CMYK 69 / 0 / 50 / 30

HEX #37B35A

RGB 55 179 90

HSL 136.94, 0.53%, 0.46%

LAB 64.8, -53.16, 35.63

 

CMYK 69 / 32 / 0 / 30

HEX #3779B3

RGB 55 121 179

HSL 208.06, 0.53%, 0.46%

LAB 49.18, -1.75, -36.81

 

CMYK 0 / 69 / 60 / 30

HEX #B33747

RGB 179 55 71

HSL 352.26, 0.53%, 0.46%

LAB 42.42, 50.93, 19.41

 

CMYK 69 / 0 / 50 / 30

HEX #37B35A

RGB 55 179 90

HSL 136.94, 0.53%, 0.46%

LAB 64.8, -53.16, 35.63

 

CMYK 51 / 69 / 0 / 30

HEX #5837B3

RGB 88 55 179

HSL 255.97, 0.53%, 0.46%

LAB 34.11, 45.06, -60.89

 

CMYK 0 / 51 / 69 / 30

HEX #B35837

RGB 179 88 55

HSL 15.97, 0.53%, 0.46%

LAB 48.06, 34.43, 35.78

 

CMYK 69 / 0 / 50 / 30

HEX #37B35A

RGB 55 179 90

HSL 136.94, 0.53%, 0.46%

LAB 64.8, -53.16, 35.63

 

CMYK 69 / 32 / 0 / 30

HEX #3779B3

RGB 55 121 179

HSL 208.06, 0.53%, 0.46%

LAB 49.18, -1.75, -36.81

 

CMYK 0 / 69 / 18 / 30

HEX #B33792

RGB 179 55 146

HSL 315.97, 0.53%, 0.46%

LAB 44.79, 58.95, -23.35

 

CMYK 0 / 37 / 69 / 30

HEX #B37137

RGB 179 113 55

HSL 28.06, 0.53%, 0.46%

LAB 53.67, 20.83, 42.09

 

CMYK 69 / 0 / 50 / 30

HEX #37B35A

RGB 55 179 90

HSL 136.94, 0.53%, 0.46%

LAB 64.8, -53.16, 35.63

 

CMYK 69 / 53 / 0 / 30

HEX #3754B3

RGB 55 84 179

HSL 225.97, 0.53%, 0.46%

LAB 38.56, 21.65, -53.76

 

CMYK 0 / 69 / 18 / 30

HEX #B33792

RGB 179 55 146

HSL 315.97, 0.53%, 0.46%

LAB 44.79, 58.95, -23.35

 

CMYK 0 / 16 / 69 / 30

HEX #B39637

RGB 179 150 55

HSL 45.97, 0.53%, 0.46%

LAB 63.07, 0.31, 52.09

 

Description

Color code: HEX #37B35A | qconv.com Color code: HEX #37B35A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 179 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 179 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 50 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 50% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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