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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37B368 it is the complementary color #C84C97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37B368. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37B368 shade: #3CB363, #4DC576, #5ED789, #6FE99C and #80FBAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37B368. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37B368 shade: #37B368, #26A155, #158F42, #047D2F and #006B1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37B368 shade: #37B368, #37B346, #49B337, #6AB337 and #8CB337

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37B368 shade: #37B368, #37B389, #37B3AB, #379AB3 and #3778B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37B368 shade matches the following richer shades: #37B368, #24C664 and #11D960

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37B368 shade: #37B368, #4AA06C, #5D8D70, #707A74 and #836778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37B368 shade: #49B337, #37B345, #37B366, #37B387 and #37B3A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37B368 shade: #237443, #2D9355, #37B368, #4BC77C and #6BD193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37B368 shade: #37B368, #376AB3 and #B33739

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37B368 shade: #37B368, #6637B3 and #B36637

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37B368 shade: #37B368, #376AB3, #B33783 and #B37F37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37B368 shade: #37B368, #3745B3, #B33783 and #B3A437

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 42 / 30

HEX #37B368

RGB 55 179 104

HSL 143.71, 0.53%, 0.46%

LAB 65, -50.8, 28.68

 

Complementary color

CMYK 0 / 62 / 25 / 22

HEX #C84C97

RGB 200 76 151

HSL 323.71, 0.53%, 0.54%

LAB 51.48, 56.95, -15.78

 

CMYK 66 / 0 / 45 / 30

HEX #3CB363

RGB 60 179 99

HSL 139.66, 0.5%, 0.47%

LAB 65.04, -50.77, 31.36

 

CMYK 61 / 0 / 40 / 23

HEX #4DC576

RGB 77 197 118

HSL 140.5, 0.51%, 0.54%

LAB 71.43, -51.05, 29.9

 

CMYK 56 / 0 / 36 / 16

HEX #5ED789

RGB 94 215 137

HSL 141.32, 0.6%, 0.61%

LAB 77.75, -51.14, 28.53

 

CMYK 52 / 0 / 33 / 9

HEX #6FE99C

RGB 111 233 156

HSL 142.13, 0.73%, 0.67%

LAB 84, -51.1, 27.26

 

CMYK 49 / 0 / 30 / 2

HEX #80FBAF

RGB 128 251 175

HSL 142.93, 0.94%, 0.74%

LAB 90.17, -50.98, 26.07

 

CMYK 69 / 0 / 42 / 30

HEX #37B368

RGB 55 179 104

HSL 143.71, 0.53%, 0.46%

LAB 65, -50.8, 28.68

 

CMYK 76 / 0 / 47 / 37

HEX #26A155

RGB 38 161 85

HSL 142.93, 0.62%, 0.39%

LAB 58.56, -50.09, 30.28

 

CMYK 85 / 0 / 54 / 44

HEX #158F42

RGB 21 143 66

HSL 142.13, 0.74%, 0.32%

LAB 52.06, -48.85, 31.98

 

CMYK 97 / 0 / 62 / 51

HEX #047D2F

RGB 4 125 47

HSL 141.32, 0.94%, 0.25%

LAB 45.49, -46.89, 33.7

 

CMYK 100 / 0 / 74 / 58

HEX #006B1C

RGB 0 107 28

HSL 135.7, 1%, 0.21%

LAB 38.9, -43.61, 35.22

 

CMYK 69 / 0 / 42 / 30

HEX #37B368

RGB 55 179 104

HSL 143.71, 0.53%, 0.46%

LAB 65, -50.8, 28.68

 

CMYK 69 / 0 / 61 / 30

HEX #37B346

RGB 55 179 70

HSL 127.26, 0.53%, 0.46%

LAB 64.56, -55.91, 45

 

CMYK 59 / 0 / 69 / 30

HEX #49B337

RGB 73 179 55

HSL 111.29, 0.53%, 0.46%

LAB 64.91, -53.56, 51.95

 

CMYK 41 / 0 / 69 / 30

HEX #6AB337

RGB 106 179 55

HSL 95.32, 0.53%, 0.46%

LAB 66.2, -43.84, 53.7

 

CMYK 22 / 0 / 69 / 30

HEX #8CB337

RGB 140 179 55

HSL 78.87, 0.53%, 0.46%

LAB 68.09, -31.25, 56.24

 

CMYK 69 / 0 / 42 / 30

HEX #37B368

RGB 55 179 104

HSL 143.71, 0.53%, 0.46%

LAB 65, -50.8, 28.68

 

CMYK 69 / 0 / 23 / 30

HEX #37B389

RGB 55 179 137

HSL 159.68, 0.53%, 0.46%

LAB 65.64, -43.92, 11.74

 

CMYK 69 / 0 / 4 / 30

HEX #37B3AB

RGB 55 179 171

HSL 176.13, 0.53%, 0.46%

LAB 66.51, -35.11, -5.77

 

CMYK 69 / 14 / 0 / 30

HEX #379AB3

RGB 55 154 179

HSL 192.1, 0.53%, 0.46%

LAB 59.14, -20.32, -21.36

 

CMYK 69 / 33 / 0 / 30

HEX #3778B3

RGB 55 120 179

HSL 208.55, 0.53%, 0.46%

LAB 48.88, -1.15, -37.28

 

CMYK 69 / 0 / 42 / 30

HEX #37B368

RGB 55 179 104

HSL 143.71, 0.53%, 0.46%

LAB 65, -50.8, 28.68

 

CMYK 82 / 0 / 49 / 22

HEX #24C664

RGB 36 198 100

HSL 143.7, 0.69%, 0.46%

LAB 70.65, -60.92, 37.88

 

CMYK 92 / 0 / 56 / 15

HEX #11D960

RGB 17 217 96

HSL 143.7, 0.85%, 0.46%

LAB 76.43, -69.09, 46.82

 

CMYK 69 / 0 / 42 / 30

HEX #37B368

RGB 55 179 104

HSL 143.71, 0.53%, 0.46%

LAB 65, -50.8, 28.68

 

CMYK 54 / 0 / 33 / 37

HEX #4AA06C

RGB 74 160 108

HSL 143.72, 0.37%, 0.46%

LAB 59.6, -38.19, 19.42

 

CMYK 34 / 0 / 21 / 45

HEX #5D8D70

RGB 93 141 112

HSL 143.75, 0.21%, 0.46%

LAB 54.6, -22.81, 10.39

 

CMYK 8 / 0 / 5 / 52

HEX #707A74

RGB 112 122 116

HSL 144, 0.04%, 0.46%

LAB 50.25, -4.97, 2

 

CMYK 0 / 21 / 8 / 49

HEX #836778

RGB 131 103 120

HSL 323.57, 0.12%, 0.46%

LAB 46.82, 14.22, -5.2

 

CMYK 59 / 0 / 69 / 30

HEX #49B337

RGB 73 179 55

HSL 111.29, 0.53%, 0.46%

LAB 64.91, -53.56, 51.95

 

CMYK 69 / 0 / 61 / 30

HEX #37B345

RGB 55 179 69

HSL 126.77, 0.53%, 0.46%

LAB 64.55, -56.03, 45.44

 

CMYK 69 / 0 / 43 / 30

HEX #37B366

RGB 55 179 102

HSL 142.74, 0.53%, 0.46%

LAB 64.97, -51.16, 29.69

 

CMYK 69 / 0 / 25 / 30

HEX #37B387

RGB 55 179 135

HSL 158.71, 0.53%, 0.46%

LAB 65.59, -44.38, 12.78

 

CMYK 69 / 0 / 6 / 30

HEX #37B3A9

RGB 55 179 169

HSL 175.16, 0.53%, 0.46%

LAB 66.46, -35.67, -4.75

 

CMYK 70 / 0 / 42 / 55

HEX #237443

RGB 35 116 67

HSL 143.7, 0.54%, 0.3%

LAB 43.14, -36.24, 20.17

 

CMYK 69 / 0 / 42 / 42

HEX #2D9355

RGB 45 147 85

HSL 143.53, 0.53%, 0.38%

LAB 54.11, -43.57, 24.56

 

CMYK 69 / 0 / 42 / 30

HEX #37B368

RGB 55 179 104

HSL 143.71, 0.53%, 0.46%

LAB 65, -50.8, 28.68

 

CMYK 62 / 0 / 38 / 22

HEX #4BC77C

RGB 75 199 124

HSL 143.71, 0.53%, 0.54%

LAB 72.09, -51.18, 27.64

 

CMYK 49 / 0 / 30 / 18

HEX #6BD193

RGB 107 209 147

HSL 143.53, 0.53%, 0.62%

LAB 76.58, -43.65, 21.81

 

CMYK 69 / 0 / 42 / 30

HEX #37B368

RGB 55 179 104

HSL 143.71, 0.53%, 0.46%

LAB 65, -50.8, 28.68

 

CMYK 69 / 41 / 0 / 30

HEX #376AB3

RGB 55 106 179

HSL 215.32, 0.53%, 0.46%

LAB 44.77, 7.47, -43.81

 

CMYK 0 / 69 / 68 / 30

HEX #B33739

RGB 179 55 57

HSL 359.03, 0.53%, 0.46%

LAB 42.17, 50.06, 27.67

 

CMYK 69 / 0 / 42 / 30

HEX #37B368

RGB 55 179 104

HSL 143.71, 0.53%, 0.46%

LAB 65, -50.8, 28.68

 

CMYK 43 / 69 / 0 / 30

HEX #6637B3

RGB 102 55 179

HSL 262.74, 0.53%, 0.46%

LAB 35.62, 47.6, -58.37

 

CMYK 0 / 43 / 69 / 30

HEX #B36637

RGB 179 102 55

HSL 22.74, 0.53%, 0.46%

LAB 51.11, 26.91, 39.24

 

CMYK 69 / 0 / 42 / 30

HEX #37B368

RGB 55 179 104

HSL 143.71, 0.53%, 0.46%

LAB 65, -50.8, 28.68

 

CMYK 69 / 41 / 0 / 30

HEX #376AB3

RGB 55 106 179

HSL 215.32, 0.53%, 0.46%

LAB 44.77, 7.47, -43.81

 

CMYK 0 / 69 / 27 / 30

HEX #B33783

RGB 179 55 131

HSL 323.23, 0.53%, 0.46%

LAB 44.17, 56.92, -15.2

 

CMYK 0 / 29 / 69 / 30

HEX #B37F37

RGB 179 127 55

HSL 34.84, 0.53%, 0.46%

LAB 57.11, 13.01, 45.82

 

CMYK 69 / 0 / 42 / 30

HEX #37B368

RGB 55 179 104

HSL 143.71, 0.53%, 0.46%

LAB 65, -50.8, 28.68

 

CMYK 69 / 61 / 0 / 30

HEX #3745B3

RGB 55 69 179

HSL 233.23, 0.53%, 0.46%

LAB 34.65, 31.41, -60.13

 

CMYK 0 / 69 / 27 / 30

HEX #B33783

RGB 179 55 131

HSL 323.23, 0.53%, 0.46%

LAB 44.17, 56.92, -15.2

 

CMYK 0 / 8 / 69 / 30

HEX #B3A437

RGB 179 164 55

HSL 52.74, 0.53%, 0.46%

LAB 66.83, -7.2, 55.93

 

Description

Color code: HEX #37B368 | qconv.com Color code: HEX #37B368 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 179 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 179 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 42 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 42% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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