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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37C92A it is the complementary color #C836D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37C92A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37C92A shade: #3CC925, #4DDB38, #5EED4B, #6FFF5E and #80FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37C92A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37C92A shade: #37C92A, #26B717, #15A504, #049300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37C92A shade: #37C92A, #62C92A, #8DC92A, #B8C92A and #C9B02A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37C92A shade: #37C92A, #2AC948, #2AC973, #2AC99E and #2AC9C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37C92A shade matches the following richer shades: #37C92A, #27DD17 and #16F103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37C92A shade: #37C92A, #48B63E, #58A252, #698E66 and #7A7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37C92A shade: #8CC92A, #62C92A, #38C92A, #2AC948 and #2AC972

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37C92A shade: #25851C, #2EA723, #37C92A, #52D746 and #72DF68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37C92A shade: #37C92A, #2AB7C9 and #C92A77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37C92A shade: #37C92A, #2A38C9 and #C92A38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37C92A shade: #37C92A, #2AB7C9, #BC2AC9 and #C93D2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37C92A shade: #37C92A, #2A87C9, #BC2AC9 and #C96D2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 79 / 21

HEX #37C92A

RGB 55 201 42

HSL 115.09, 0.65%, 0.48%

LAB 71.39, -65.63, 62.79

 

Complementary color

CMYK 6 / 75 / 0 / 16

HEX #C836D5

RGB 200 54 213

HSL 295.09, 0.65%, 0.52%

LAB 51.52, 74.53, -51.81

 

CMYK 70 / 0 / 82 / 21

HEX #3CC925

RGB 60 201 37

HSL 111.59, 0.69%, 0.47%

LAB 71.46, -65.05, 64.3

 

CMYK 65 / 0 / 74 / 14

HEX #4DDB38

RGB 77 219 56

HSL 112.27, 0.69%, 0.54%

LAB 77.59, -66.41, 64.57

 

CMYK 60 / 0 / 68 / 7

HEX #5EED4B

RGB 94 237 75

HSL 112.96, 0.82%, 0.61%

LAB 83.68, -67.33, 64.17

 

CMYK 56 / 0 / 63 / 0

HEX #6FFF5E

RGB 111 255 94

HSL 113.66, 1%, 0.68%

LAB 89.72, -67.93, 63.4

 

CMYK 50 / 0 / 56 / 0

HEX #80FF71

RGB 128 255 113

HSL 113.66, 1%, 0.72%

LAB 90.46, -61.7, 56.32

 

CMYK 73 / 0 / 79 / 21

HEX #37C92A

RGB 55 201 42

HSL 115.09, 0.65%, 0.48%

LAB 71.39, -65.63, 62.79

 

CMYK 79 / 0 / 87 / 28

HEX #26B717

RGB 38 183 23

HSL 114.38, 0.78%, 0.4%

LAB 65.23, -63.61, 61.91

 

CMYK 87 / 0 / 98 / 35

HEX #15A504

RGB 21 165 4

HSL 113.66, 0.95%, 0.33%

LAB 59.05, -60.77, 59.66

 

CMYK 97 / 0 / 100 / 42

HEX #049300

RGB 4 147 0

HSL 118.37, 1%, 0.29%

LAB 52.83, -56.9, 55.2

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 73 / 0 / 79 / 21

HEX #37C92A

RGB 55 201 42

HSL 115.09, 0.65%, 0.48%

LAB 71.39, -65.63, 62.79

 

CMYK 51 / 0 / 79 / 21

HEX #62C92A

RGB 98 201 42

HSL 98.87, 0.65%, 0.48%

LAB 72.59, -55.85, 64.35

 

CMYK 30 / 0 / 79 / 21

HEX #8DC92A

RGB 141 201 42

HSL 82.64, 0.65%, 0.48%

LAB 74.57, -41.53, 66.91

 

CMYK 8 / 0 / 79 / 21

HEX #B8C92A

RGB 184 201 42

HSL 66.42, 0.65%, 0.48%

LAB 77.36, -24.4, 70.46

 

CMYK 0 / 12 / 79 / 21

HEX #C9B02A

RGB 201 176 42

HSL 50.57, 0.65%, 0.48%

LAB 71.98, -4.45, 66.21

 

CMYK 73 / 0 / 79 / 21

HEX #37C92A

RGB 55 201 42

HSL 115.09, 0.65%, 0.48%

LAB 71.39, -65.63, 62.79

 

CMYK 79 / 0 / 64 / 21

HEX #2AC948

RGB 42 201 72

HSL 131.32, 0.65%, 0.48%

LAB 71.37, -64.98, 51.74

 

CMYK 79 / 0 / 43 / 21

HEX #2AC973

RGB 42 201 115

HSL 147.55, 0.65%, 0.48%

LAB 71.9, -58.77, 31.91

 

CMYK 79 / 0 / 21 / 21

HEX #2AC99E

RGB 42 201 158

HSL 163.77, 0.65%, 0.48%

LAB 72.72, -49.65, 10.31

 

CMYK 79 / 0 / 0 / 21

HEX #2AC9C9

RGB 42 201 201

HSL 180, 0.65%, 0.48%

LAB 73.86, -38.1, -11.31

 

CMYK 73 / 0 / 79 / 21

HEX #37C92A

RGB 55 201 42

HSL 115.09, 0.65%, 0.48%

LAB 71.39, -65.63, 62.79

 

CMYK 82 / 0 / 90 / 13

HEX #27DD17

RGB 39 221 23

HSL 115.15, 0.81%, 0.48%

LAB 77.4, -74.54, 72.42

 

CMYK 91 / 0 / 99 / 5

HEX #16F103

RGB 22 241 3

HSL 115.21, 0.98%, 0.48%

LAB 83.49, -81.71, 79.56

 

CMYK 73 / 0 / 79 / 21

HEX #37C92A

RGB 55 201 42

HSL 115.09, 0.65%, 0.48%

LAB 71.39, -65.63, 62.79

 

CMYK 60 / 0 / 66 / 29

HEX #48B63E

RGB 72 182 62

HSL 115, 0.49%, 0.48%

LAB 65.89, -54.25, 50.12

 

CMYK 46 / 0 / 49 / 36

HEX #58A252

RGB 88 162 82

HSL 115.5, 0.33%, 0.48%

LAB 60.36, -39.54, 34.41

 

CMYK 26 / 0 / 28 / 44

HEX #698E66

RGB 105 142 102

HSL 115.5, 0.16%, 0.48%

LAB 55.39, -21.13, 17.27

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 30 / 0 / 79 / 21

HEX #8CC92A

RGB 140 201 42

HSL 83.02, 0.65%, 0.48%

LAB 74.52, -41.9, 66.84

 

CMYK 51 / 0 / 79 / 21

HEX #62C92A

RGB 98 201 42

HSL 98.87, 0.65%, 0.48%

LAB 72.59, -55.85, 64.35

 

CMYK 72 / 0 / 79 / 21

HEX #38C92A

RGB 56 201 42

HSL 114.72, 0.65%, 0.48%

LAB 71.41, -65.46, 62.81

 

CMYK 79 / 0 / 64 / 21

HEX #2AC948

RGB 42 201 72

HSL 131.32, 0.65%, 0.48%

LAB 71.37, -64.98, 51.74

 

CMYK 79 / 0 / 43 / 21

HEX #2AC972

RGB 42 201 114

HSL 147.17, 0.65%, 0.48%

LAB 71.88, -58.95, 32.4

 

CMYK 72 / 0 / 79 / 48

HEX #25851C

RGB 37 133 28

HSL 114.86, 0.65%, 0.32%

LAB 48.58, -47.45, 45.21

 

CMYK 72 / 0 / 79 / 35

HEX #2EA723

RGB 46 167 35

HSL 115, 0.65%, 0.4%

LAB 60.19, -56.74, 54.19

 

CMYK 73 / 0 / 79 / 21

HEX #37C92A

RGB 55 201 42

HSL 115.09, 0.65%, 0.48%

LAB 71.39, -65.63, 62.79

 

CMYK 62 / 0 / 67 / 16

HEX #52D746

RGB 82 215 70

HSL 115.03, 0.64%, 0.56%

LAB 76.58, -62.89, 58.47

 

CMYK 49 / 0 / 53 / 13

HEX #72DF68

RGB 114 223 104

HSL 114.96, 0.65%, 0.64%

LAB 80.38, -54.24, 48.32

 

CMYK 73 / 0 / 79 / 21

HEX #37C92A

RGB 55 201 42

HSL 115.09, 0.65%, 0.48%

LAB 71.39, -65.63, 62.79

 

CMYK 79 / 9 / 0 / 21

HEX #2AB7C9

RGB 42 183 201

HSL 186.79, 0.65%, 0.48%

LAB 68.44, -29.59, -19.47

 

CMYK 0 / 79 / 41 / 21

HEX #C92A77

RGB 201 42 119

HSL 330.94, 0.65%, 0.48%

LAB 46.18, 65.62, -4.43

 

CMYK 73 / 0 / 79 / 21

HEX #37C92A

RGB 55 201 42

HSL 115.09, 0.65%, 0.48%

LAB 71.39, -65.63, 62.79

 

CMYK 79 / 72 / 0 / 21

HEX #2A38C9

RGB 42 56 201

HSL 234.72, 0.65%, 0.48%

LAB 33, 45.82, -75.79

 

CMYK 0 / 79 / 72 / 21

HEX #C92A38

RGB 201 42 56

HSL 354.72, 0.65%, 0.48%

LAB 44.74, 61.2, 32.34

 

CMYK 73 / 0 / 79 / 21

HEX #37C92A

RGB 55 201 42

HSL 115.09, 0.65%, 0.48%

LAB 71.39, -65.63, 62.79

 

CMYK 79 / 9 / 0 / 21

HEX #2AB7C9

RGB 42 183 201

HSL 186.79, 0.65%, 0.48%

LAB 68.44, -29.59, -19.47

 

CMYK 6 / 79 / 0 / 21

HEX #BC2AC9

RGB 188 42 201

HSL 295.09, 0.65%, 0.48%

LAB 47.71, 73.64, -51.13

 

CMYK 0 / 70 / 79 / 21

HEX #C93D2A

RGB 201 61 42

HSL 7.17, 0.65%, 0.48%

LAB 46.87, 54.3, 42.56

 

CMYK 73 / 0 / 79 / 21

HEX #37C92A

RGB 55 201 42

HSL 115.09, 0.65%, 0.48%

LAB 71.39, -65.63, 62.79

 

CMYK 79 / 33 / 0 / 21

HEX #2A87C9

RGB 42 135 201

HSL 204.91, 0.65%, 0.48%

LAB 54.07, -3.82, -41.74

 

CMYK 6 / 79 / 0 / 21

HEX #BC2AC9

RGB 188 42 201

HSL 295.09, 0.65%, 0.48%

LAB 47.71, 73.64, -51.13

 

CMYK 0 / 46 / 79 / 21

HEX #C96D2A

RGB 201 109 42

HSL 25.28, 0.65%, 0.48%

LAB 55.61, 31.69, 51.13

 

Description

Color code: HEX #37C92A | qconv.com Color code: HEX #37C92A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 201 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 201 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 79 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 79% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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