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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37CD70 it is the complementary color #C8328F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37CD70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37CD70 shade: #3CCD6B, #4DDF7E, #5EF191, #6FFFA4 and #80FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37CD70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37CD70 shade: #37CD70, #26BB5D, #15A94A, #049737 and #008524

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37CD70 shade: #37CD70, #37CD47, #4ECD37, #77CD37 and #9FCD37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37CD70 shade: #37CD70, #37CD98, #37CDC0, #37B0CD and #3788CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37CD70 shade matches the following richer shades: #37CD70, #22E16B and #0EF566

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37CD70 shade: #37CD70, #4BB874, #5FA479, #73907E and #877C83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37CD70 shade: #50CD37, #37CD46, #37CD6E, #37CD96 and #37CDBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37CD70 shade: #238E4C, #2BAF5D, #37CD70, #58D587 and #79DD9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37CD70 shade: #37CD70, #3778CD and #CD373C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37CD70 shade: #37CD70, #6E37CD and #CD6E37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37CD70 shade: #37CD70, #3778CD, #CD3796 and #CD8C37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37CD70 shade: #37CD70, #374BCD, #CD3796 and #CDB937

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 45 / 20

HEX #37CD70

RGB 55 205 112

HSL 142.8, 0.6%, 0.51%

LAB 73.31, -59.03, 35.31

 

Complementary color

CMYK 0 / 75 / 29 / 22

HEX #C8328F

RGB 200 50 143

HSL 322.8, 0.6%, 0.49%

LAB 47.68, 65.64, -16.79

 

CMYK 71 / 0 / 48 / 20

HEX #3CCD6B

RGB 60 205 107

HSL 139.45, 0.59%, 0.52%

LAB 73.34, -59.07, 37.86

 

CMYK 65 / 0 / 43 / 13

HEX #4DDF7E

RGB 77 223 126

HSL 140.14, 0.7%, 0.59%

LAB 79.53, -59.6, 36.37

 

CMYK 61 / 0 / 40 / 5

HEX #5EF191

RGB 94 241 145

HSL 140.82, 0.84%, 0.66%

LAB 85.67, -59.89, 34.96

 

CMYK 56 / 0 / 36 / 0

HEX #6FFFA4

RGB 111 255 164

HSL 142.08, 1%, 0.72%

LAB 90.59, -58.47, 32.07

 

CMYK 50 / 0 / 28 / 0

HEX #80FFB7

RGB 128 255 183

HSL 145.98, 1%, 0.75%

LAB 91.47, -51.16, 23.78

 

CMYK 73 / 0 / 45 / 20

HEX #37CD70

RGB 55 205 112

HSL 142.8, 0.6%, 0.51%

LAB 73.31, -59.03, 35.31

 

CMYK 80 / 0 / 50 / 27

HEX #26BB5D

RGB 38 187 93

HSL 142.15, 0.66%, 0.44%

LAB 67.08, -58.05, 36.91

 

CMYK 88 / 0 / 56 / 34

HEX #15A94A

RGB 21 169 74

HSL 141.49, 0.78%, 0.37%

LAB 60.81, -56.53, 38.57

 

CMYK 97 / 0 / 64 / 41

HEX #049737

RGB 4 151 55

HSL 140.82, 0.95%, 0.3%

LAB 54.49, -54.34, 40.19

 

CMYK 100 / 0 / 73 / 48

HEX #008524

RGB 0 133 36

HSL 136.24, 1%, 0.26%

LAB 48.14, -51.06, 41.57

 

CMYK 73 / 0 / 45 / 20

HEX #37CD70

RGB 55 205 112

HSL 142.8, 0.6%, 0.51%

LAB 73.31, -59.03, 35.31

 

CMYK 73 / 0 / 65 / 20

HEX #37CD47

RGB 55 205 71

HSL 126.4, 0.6%, 0.51%

LAB 72.85, -64.56, 53.85

 

CMYK 62 / 0 / 73 / 20

HEX #4ECD37

RGB 78 205 55

HSL 110.8, 0.6%, 0.51%

LAB 73.26, -61.57, 60.59

 

CMYK 42 / 0 / 73 / 20

HEX #77CD37

RGB 119 205 55

HSL 94.4, 0.6%, 0.51%

LAB 74.74, -50.19, 62.55

 

CMYK 22 / 0 / 73 / 20

HEX #9FCD37

RGB 159 205 55

HSL 78.4, 0.6%, 0.51%

LAB 76.87, -35.8, 65.36

 

CMYK 73 / 0 / 45 / 20

HEX #37CD70

RGB 55 205 112

HSL 142.8, 0.6%, 0.51%

LAB 73.31, -59.03, 35.31

 

CMYK 73 / 0 / 26 / 20

HEX #37CD98

RGB 55 205 152

HSL 158.8, 0.6%, 0.51%

LAB 74.02, -51.14, 15.4

 

CMYK 73 / 0 / 6 / 20

HEX #37CDC0

RGB 55 205 192

HSL 174.8, 0.6%, 0.51%

LAB 75, -41.11, -4.72

 

CMYK 73 / 14 / 0 / 20

HEX #37B0CD

RGB 55 176 205

HSL 191.6, 0.6%, 0.51%

LAB 66.73, -23.41, -24.27

 

CMYK 73 / 34 / 0 / 20

HEX #3788CD

RGB 55 136 205

HSL 207.6, 0.6%, 0.51%

LAB 54.9, -1.41, -42.67

 

CMYK 73 / 0 / 45 / 20

HEX #37CD70

RGB 55 205 112

HSL 142.8, 0.6%, 0.51%

LAB 73.31, -59.03, 35.31

 

CMYK 85 / 0 / 52 / 12

HEX #22E16B

RGB 34 225 107

HSL 142.93, 0.76%, 0.51%

LAB 79.19, -68.95, 45.04

 

CMYK 94 / 0 / 58 / 4

HEX #0EF566

RGB 14 245 102

HSL 142.86, 0.92%, 0.51%

LAB 85.18, -76.94, 54.44

 

CMYK 73 / 0 / 45 / 20

HEX #37CD70

RGB 55 205 112

HSL 142.8, 0.6%, 0.51%

LAB 73.31, -59.03, 35.31

 

CMYK 59 / 0 / 37 / 28

HEX #4BB874

RGB 75 184 116

HSL 142.57, 0.43%, 0.51%

LAB 67.31, -46.62, 25.48

 

CMYK 42 / 0 / 26 / 36

HEX #5FA479

RGB 95 164 121

HSL 142.61, 0.27%, 0.51%

LAB 61.97, -31.67, 15.63

 

CMYK 20 / 0 / 13 / 44

HEX #73907E

RGB 115 144 126

HSL 142.76, 0.12%, 0.51%

LAB 57.17, -14.04, 6.21

 

CMYK 0 / 8 / 3 / 47

HEX #877C83

RGB 135 124 131

HSL 321.82, 0.04%, 0.51%

LAB 53.17, 5.53, -2.29

 

CMYK 61 / 0 / 73 / 20

HEX #50CD37

RGB 80 205 55

HSL 110, 0.6%, 0.51%

LAB 73.31, -61.11, 60.66

 

CMYK 73 / 0 / 66 / 20

HEX #37CD46

RGB 55 205 70

HSL 126, 0.6%, 0.51%

LAB 72.84, -64.66, 54.25

 

CMYK 73 / 0 / 46 / 20

HEX #37CD6E

RGB 55 205 110

HSL 142, 0.6%, 0.51%

LAB 73.29, -59.36, 36.28

 

CMYK 73 / 0 / 27 / 20

HEX #37CD96

RGB 55 205 150

HSL 158, 0.6%, 0.51%

LAB 73.98, -51.59, 16.41

 

CMYK 73 / 0 / 7 / 20

HEX #37CDBE

RGB 55 205 190

HSL 174, 0.6%, 0.51%

LAB 74.95, -41.65, -3.72

 

CMYK 75 / 0 / 46 / 44

HEX #238E4C

RGB 35 142 76

HSL 142.99, 0.6%, 0.35%

LAB 52.09, -44.98, 26.78

 

CMYK 75 / 0 / 47 / 31

HEX #2BAF5D

RGB 43 175 93

HSL 142.73, 0.61%, 0.43%

LAB 63.31, -53.14, 32.18

 

CMYK 73 / 0 / 45 / 20

HEX #37CD70

RGB 55 205 112

HSL 142.8, 0.6%, 0.51%

LAB 73.31, -59.03, 35.31

 

CMYK 59 / 0 / 37 / 16

HEX #58D587

RGB 88 213 135

HSL 142.56, 0.6%, 0.59%

LAB 76.93, -52.02, 28.44

 

CMYK 45 / 0 / 28 / 13

HEX #79DD9F

RGB 121 221 159

HSL 142.8, 0.6%, 0.67%

LAB 80.89, -42.96, 21.54

 

CMYK 73 / 0 / 45 / 20

HEX #37CD70

RGB 55 205 112

HSL 142.8, 0.6%, 0.51%

LAB 73.31, -59.03, 35.31

 

CMYK 73 / 41 / 0 / 20

HEX #3778CD

RGB 55 120 205

HSL 214, 0.6%, 0.51%

LAB 50.28, 8.26, -50

 

CMYK 0 / 73 / 71 / 20

HEX #CD373C

RGB 205 55 60

HSL 358, 0.6%, 0.51%

LAB 47.02, 58.48, 32.86

 

CMYK 73 / 0 / 45 / 20

HEX #37CD70

RGB 55 205 112

HSL 142.8, 0.6%, 0.51%

LAB 73.31, -59.03, 35.31

 

CMYK 46 / 73 / 0 / 20

HEX #6E37CD

RGB 110 55 205

HSL 262, 0.6%, 0.51%

LAB 38.65, 55.86, -68.63

 

CMYK 0 / 46 / 73 / 20

HEX #CD6E37

RGB 205 110 55

HSL 22, 0.6%, 0.51%

LAB 56.49, 33.33, 46.15

 

CMYK 73 / 0 / 45 / 20

HEX #37CD70

RGB 55 205 112

HSL 142.8, 0.6%, 0.51%

LAB 73.31, -59.03, 35.31

 

CMYK 73 / 41 / 0 / 20

HEX #3778CD

RGB 55 120 205

HSL 214, 0.6%, 0.51%

LAB 50.28, 8.26, -50

 

CMYK 0 / 73 / 27 / 20

HEX #CD3796

RGB 205 55 150

HSL 322, 0.6%, 0.51%

LAB 49.39, 66.15, -18.29

 

CMYK 0 / 32 / 73 / 20

HEX #CD8C37

RGB 205 140 55

HSL 34, 0.6%, 0.51%

LAB 63.35, 17.18, 53.27

 

CMYK 73 / 0 / 45 / 20

HEX #37CD70

RGB 55 205 112

HSL 142.8, 0.6%, 0.51%

LAB 73.31, -59.03, 35.31

 

CMYK 73 / 63 / 0 / 20

HEX #374BCD

RGB 55 75 205

HSL 232, 0.6%, 0.51%

LAB 38.29, 36.85, -69.39

 

CMYK 0 / 73 / 27 / 20

HEX #CD3796

RGB 205 55 150

HSL 322, 0.6%, 0.51%

LAB 49.39, 66.15, -18.29

 

CMYK 0 / 10 / 73 / 20

HEX #CDB937

RGB 205 185 55

HSL 52, 0.6%, 0.51%

LAB 74.8, -6.88, 64.56

 

Description

Color code: HEX #37CD70 | qconv.com Color code: HEX #37CD70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 205 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 205 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 45 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 45% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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