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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37D61E it is the complementary color #C829E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37D61E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37D61E shade: #3CD619, #4DE82C, #5EFA3F, #6FFF52 and #80FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37D61E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37D61E shade: #37D61E, #26C40B, #15B200, #04A000 and #008E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37D61E shade: #37D61E, #69D61E, #9AD61E, #CCD61E and #D6AE1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37D61E shade: #37D61E, #1ED637, #1ED668, #1ED69A and #1ED6CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37D61E shade matches the following richer shades: #37D61E and #29EA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37D61E shade: #37D61E, #45C232, #54AE46, #629A5A and #71866D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37D61E shade: #9CD61E, #6BD61E, #3AD61E, #1ED634 and #1ED664

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37D61E shade: #248D14, #2EB219, #37D61E, #51E33B and #71E85F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37D61E shade: #37D61E, #1ECDD6 and #D61E83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37D61E shade: #37D61E, #1E3AD6 and #D61E3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37D61E shade: #37D61E, #1ECDD6, #BA1ED6 and #D6271E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37D61E shade: #37D61E, #1E95D6, #BA1ED6 and #D65E1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 86 / 16

HEX #37D61E

RGB 55 214 30

HSL 111.85, 0.75%, 0.48%

LAB 75.45, -70.21, 69.52

 

Complementary color

CMYK 11 / 82 / 0 / 12

HEX #C829E1

RGB 200 41 225

HSL 291.85, 0.75%, 0.52%

LAB 51.04, 80.04, -59.42

 

CMYK 72 / 0 / 88 / 16

HEX #3CD619

RGB 60 214 25

HSL 108.89, 0.79%, 0.47%

LAB 75.53, -69.59, 70.6

 

CMYK 67 / 0 / 81 / 9

HEX #4DE82C

RGB 77 232 44

HSL 109.47, 0.8%, 0.54%

LAB 81.55, -71.3, 71.89

 

CMYK 62 / 0 / 75 / 2

HEX #5EFA3F

RGB 94 250 63

HSL 110.05, 0.95%, 0.61%

LAB 87.54, -72.53, 72.24

 

CMYK 56 / 0 / 68 / 0

HEX #6FFF52

RGB 111 255 82

HSL 109.94, 1%, 0.66%

LAB 89.63, -68.99, 67.97

 

CMYK 50 / 0 / 60 / 0

HEX #80FF65

RGB 128 255 101

HSL 109.48, 1%, 0.7%

LAB 90.34, -62.96, 61.37

 

CMYK 74 / 0 / 86 / 16

HEX #37D61E

RGB 55 214 30

HSL 111.85, 0.75%, 0.48%

LAB 75.45, -70.21, 69.52

 

CMYK 81 / 0 / 94 / 23

HEX #26C40B

RGB 38 196 11

HSL 111.24, 0.89%, 0.41%

LAB 69.41, -67.81, 67.38

 

CMYK 88 / 0 / 100 / 30

HEX #15B200

RGB 21 178 0

HSL 112.92, 1%, 0.35%

LAB 63.34, -64.6, 63.68

 

CMYK 98 / 0 / 100 / 37

HEX #04A000

RGB 4 160 0

HSL 118.5, 1%, 0.31%

LAB 57.24, -60.6, 58.74

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 74 / 0 / 86 / 16

HEX #37D61E

RGB 55 214 30

HSL 111.85, 0.75%, 0.48%

LAB 75.45, -70.21, 69.52

 

CMYK 51 / 0 / 86 / 16

HEX #69D61E

RGB 105 214 30

HSL 95.54, 0.75%, 0.48%

LAB 76.79, -59.14, 71.22

 

CMYK 28 / 0 / 86 / 16

HEX #9AD61E

RGB 154 214 30

HSL 79.57, 0.75%, 0.48%

LAB 79.07, -42.73, 74.07

 

CMYK 5 / 0 / 86 / 16

HEX #CCD61E

RGB 204 214 30

HSL 63.26, 0.75%, 0.48%

LAB 82.39, -22.69, 78.17

 

CMYK 0 / 19 / 86 / 16

HEX #D6AE1E

RGB 214 174 30

HSL 46.96, 0.75%, 0.48%

LAB 72.67, 1.95, 70.61

 

CMYK 74 / 0 / 86 / 16

HEX #37D61E

RGB 55 214 30

HSL 111.85, 0.75%, 0.48%

LAB 75.45, -70.21, 69.52

 

CMYK 86 / 0 / 74 / 16

HEX #1ED637

RGB 30 214 55

HSL 128.15, 0.75%, 0.48%

LAB 75.23, -71.72, 62.29

 

CMYK 86 / 0 / 51 / 16

HEX #1ED668

RGB 30 214 104

HSL 144.13, 0.75%, 0.48%

LAB 75.68, -66.16, 42.15

 

CMYK 86 / 0 / 28 / 16

HEX #1ED69A

RGB 30 214 154

HSL 160.43, 0.75%, 0.48%

LAB 76.5, -56.71, 17.74

 

CMYK 86 / 0 / 5 / 16

HEX #1ED6CB

RGB 30 214 203

HSL 176.41, 0.75%, 0.48%

LAB 77.69, -44.21, -6.71

 

CMYK 74 / 0 / 86 / 16

HEX #37D61E

RGB 55 214 30

HSL 111.85, 0.75%, 0.48%

LAB 75.45, -70.21, 69.52

 

CMYK 82 / 0 / 96 / 8

HEX #29EA0A

RGB 41 234 10

HSL 111.7, 0.92%, 0.48%

LAB 81.48, -78.25, 77.41

 

CMYK 74 / 0 / 86 / 16

HEX #37D61E

RGB 55 214 30

HSL 111.85, 0.75%, 0.48%

LAB 75.45, -70.21, 69.52

 

CMYK 64 / 0 / 74 / 24

HEX #45C232

RGB 69 194 50

HSL 112.08, 0.59%, 0.48%

LAB 69.53, -60.16, 58.51

 

CMYK 52 / 0 / 60 / 32

HEX #54AE46

RGB 84 174 70

HSL 111.92, 0.43%, 0.48%

LAB 63.83, -47.23, 44.39

 

CMYK 36 / 0 / 42 / 40

HEX #629A5A

RGB 98 154 90

HSL 112.5, 0.26%, 0.48%

LAB 58.46, -31.5, 27.9

 

CMYK 16 / 0 / 19 / 47

HEX #71866D

RGB 113 134 109

HSL 110.4, 0.1%, 0.48%

LAB 53.67, -12.66, 10.98

 

CMYK 27 / 0 / 86 / 16

HEX #9CD61E

RGB 156 214 30

HSL 78.91, 0.75%, 0.48%

LAB 79.19, -41.98, 74.21

 

CMYK 50 / 0 / 86 / 16

HEX #6BD61E

RGB 107 214 30

HSL 94.89, 0.75%, 0.48%

LAB 76.87, -58.56, 71.31

 

CMYK 73 / 0 / 86 / 16

HEX #3AD61E

RGB 58 214 30

HSL 110.87, 0.75%, 0.48%

LAB 75.51, -69.74, 69.59

 

CMYK 86 / 0 / 76 / 16

HEX #1ED634

RGB 30 214 52

HSL 127.17, 0.75%, 0.48%

LAB 75.21, -71.94, 63.26

 

CMYK 86 / 0 / 53 / 16

HEX #1ED664

RGB 30 214 100

HSL 142.83, 0.75%, 0.48%

LAB 75.63, -66.76, 44

 

CMYK 74 / 0 / 86 / 45

HEX #248D14

RGB 36 141 20

HSL 112.07, 0.75%, 0.32%

LAB 51.24, -50.84, 50.15

 

CMYK 74 / 0 / 86 / 30

HEX #2EB219

RGB 46 178 25

HSL 111.76, 0.75%, 0.4%

LAB 63.75, -60.8, 60.21

 

CMYK 74 / 0 / 86 / 16

HEX #37D61E

RGB 55 214 30

HSL 111.85, 0.75%, 0.48%

LAB 75.45, -70.21, 69.52

 

CMYK 64 / 0 / 74 / 11

HEX #51E33B

RGB 81 227 59

HSL 112.14, 0.75%, 0.56%

LAB 80.18, -68.01, 66.17

 

CMYK 51 / 0 / 59 / 9

HEX #71E85F

RGB 113 232 95

HSL 112.12, 0.75%, 0.64%

LAB 82.94, -58.99, 55.37

 

CMYK 74 / 0 / 86 / 16

HEX #37D61E

RGB 55 214 30

HSL 111.85, 0.75%, 0.48%

LAB 75.45, -70.21, 69.52

 

CMYK 86 / 4 / 0 / 16

HEX #1ECDD6

RGB 30 205 214

HSL 182.93, 0.75%, 0.48%

LAB 75.32, -36.95, -16.16

 

CMYK 0 / 86 / 39 / 16

HEX #D61E83

RGB 214 30 131

HSL 327.07, 0.75%, 0.48%

LAB 48.09, 72.65, -8.66

 

CMYK 74 / 0 / 86 / 16

HEX #37D61E

RGB 55 214 30

HSL 111.85, 0.75%, 0.48%

LAB 75.45, -70.21, 69.52

 

CMYK 86 / 73 / 0 / 16

HEX #1E3AD6

RGB 30 58 214

HSL 230.87, 0.75%, 0.48%

LAB 34.31, 48.38, -81.18

 

CMYK 0 / 86 / 73 / 16

HEX #D61E3A

RGB 214 30 58

HSL 350.87, 0.75%, 0.48%

LAB 46.35, 67.69, 33.69

 

CMYK 74 / 0 / 86 / 16

HEX #37D61E

RGB 55 214 30

HSL 111.85, 0.75%, 0.48%

LAB 75.45, -70.21, 69.52

 

CMYK 86 / 4 / 0 / 16

HEX #1ECDD6

RGB 30 205 214

HSL 182.93, 0.75%, 0.48%

LAB 75.32, -36.95, -16.16

 

CMYK 13 / 86 / 0 / 16

HEX #BA1ED6

RGB 186 30 214

HSL 290.87, 0.75%, 0.48%

LAB 47.27, 78.2, -59.34

 

CMYK 0 / 82 / 86 / 16

HEX #D6271E

RGB 214 39 30

HSL 2.93, 0.75%, 0.48%

LAB 46.77, 64.87, 49.37

 

CMYK 74 / 0 / 86 / 16

HEX #37D61E

RGB 55 214 30

HSL 111.85, 0.75%, 0.48%

LAB 75.45, -70.21, 69.52

 

CMYK 86 / 30 / 0 / 16

HEX #1E95D6

RGB 30 149 214

HSL 201.2, 0.75%, 0.48%

LAB 58.63, -8.2, -41.89

 

CMYK 13 / 86 / 0 / 16

HEX #BA1ED6

RGB 186 30 214

HSL 290.87, 0.75%, 0.48%

LAB 47.27, 78.2, -59.34

 

CMYK 0 / 56 / 86 / 16

HEX #D65E1E

RGB 214 94 30

HSL 20.87, 0.75%, 0.48%

LAB 54.44, 44.08, 55.72

 

Description

Color code: HEX #37D61E | qconv.com Color code: HEX #37D61E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 214 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 214 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 86 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 86% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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