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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37D826 it is the complementary color #C827D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37D826. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37D826 shade: #3CD821, #4DEA34, #5EFC47, #6FFF5A and #80FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37D826. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37D826 shade: #37D826, #26C613, #15B400, #04A200 and #009000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37D826 shade: #37D826, #67D826, #97D826, #C7D826 and #D8B926

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37D826 shade: #37D826, #26D845, #26D875, #26D8A5 and #26D8D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37D826 shade matches the following richer shades: #37D826 and #26ED11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37D826 shade: #37D826, #47C43A, #58AF4F, #699A64 and #7A8678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37D826 shade: #97D826, #67D826, #38D826, #26D843 and #26D873

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37D826 shade: #259219, #2EB520, #37D826, #57DE49 and #77E56C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37D826 shade: #37D826, #26C6D8 and #D8267F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37D826 shade: #37D826, #2638D8 and #D82638

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37D826 shade: #37D826, #26C6D8, #C626D8 and #D83826

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37D826 shade: #37D826, #2691D8, #C626D8 and #D86D26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 82 / 15

HEX #37D826

RGB 55 216 38

HSL 114.27, 0.7%, 0.5%

LAB 76.11, -70.45, 68.27

 

Complementary color

CMYK 8 / 82 / 0 / 15

HEX #C827D9

RGB 200 39 217

HSL 294.27, 0.7%, 0.5%

LAB 50.38, 79.18, -55.92

 

CMYK 72 / 0 / 85 / 15

HEX #3CD821

RGB 60 216 33

HSL 111.15, 0.73%, 0.49%

LAB 76.18, -69.89, 69.55

 

CMYK 67 / 0 / 78 / 8

HEX #4DEA34

RGB 77 234 52

HSL 111.76, 0.81%, 0.56%

LAB 82.2, -71.5, 70.29

 

CMYK 63 / 0 / 72 / 1

HEX #5EFC47

RGB 94 252 71

HSL 112.38, 0.97%, 0.63%

LAB 88.19, -72.64, 70.26

 

CMYK 56 / 0 / 65 / 0

HEX #6FFF5A

RGB 111 255 90

HSL 112.36, 1%, 0.68%

LAB 89.69, -68.3, 64.96

 

CMYK 50 / 0 / 57 / 0

HEX #80FF6D

RGB 128 255 109

HSL 112.19, 1%, 0.71%

LAB 90.42, -62.14, 58.03

 

CMYK 75 / 0 / 82 / 15

HEX #37D826

RGB 55 216 38

HSL 114.27, 0.7%, 0.5%

LAB 76.11, -70.45, 68.27

 

CMYK 81 / 0 / 90 / 22

HEX #26C613

RGB 38 198 19

HSL 113.63, 0.82%, 0.43%

LAB 70.07, -68.18, 66.82

 

CMYK 88 / 0 / 100 / 29

HEX #15B400

RGB 21 180 0

HSL 113, 1%, 0.35%

LAB 64, -65.17, 64.2

 

CMYK 98 / 0 / 100 / 36

HEX #04A200

RGB 4 162 0

HSL 118.52, 1%, 0.32%

LAB 57.91, -61.16, 59.27

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 75 / 0 / 82 / 15

HEX #37D826

RGB 55 216 38

HSL 114.27, 0.7%, 0.5%

LAB 76.11, -70.45, 68.27

 

CMYK 52 / 0 / 82 / 15

HEX #67D826

RGB 103 216 38

HSL 98.09, 0.7%, 0.5%

LAB 77.36, -60.11, 69.87

 

CMYK 30 / 0 / 82 / 15

HEX #97D826

RGB 151 216 38

HSL 81.91, 0.7%, 0.5%

LAB 79.52, -44.45, 72.61

 

CMYK 8 / 0 / 82 / 15

HEX #C7D826

RGB 199 216 38

HSL 65.73, 0.7%, 0.5%

LAB 82.59, -25.52, 76.47

 

CMYK 0 / 14 / 82 / 15

HEX #D8B926

RGB 216 185 38

HSL 49.55, 0.7%, 0.5%

LAB 75.72, -2.74, 71.18

 

CMYK 75 / 0 / 82 / 15

HEX #37D826

RGB 55 216 38

HSL 114.27, 0.7%, 0.5%

LAB 76.11, -70.45, 68.27

 

CMYK 82 / 0 / 68 / 15

HEX #26D845

RGB 38 216 69

HSL 130.45, 0.7%, 0.5%

LAB 76.04, -70.38, 58.04

 

CMYK 82 / 0 / 46 / 15

HEX #26D875

RGB 38 216 117

HSL 146.63, 0.7%, 0.5%

LAB 76.56, -64.06, 36.91

 

CMYK 82 / 0 / 24 / 15

HEX #26D8A5

RGB 38 216 165

HSL 162.81, 0.7%, 0.5%

LAB 77.42, -54.32, 13.23

 

CMYK 82 / 0 / 1 / 15

HEX #26D8D5

RGB 38 216 213

HSL 178.99, 0.7%, 0.5%

LAB 78.65, -41.7, -10.62

 

CMYK 75 / 0 / 82 / 15

HEX #37D826

RGB 55 216 38

HSL 114.27, 0.7%, 0.5%

LAB 76.11, -70.45, 68.27

 

CMYK 84 / 0 / 93 / 7

HEX #26ED11

RGB 38 237 17

HSL 114.27, 0.87%, 0.5%

LAB 82.39, -79.24, 77.45

 

CMYK 75 / 0 / 82 / 15

HEX #37D826

RGB 55 216 38

HSL 114.27, 0.7%, 0.5%

LAB 76.11, -70.45, 68.27

 

CMYK 64 / 0 / 70 / 23

HEX #47C43A

RGB 71 196 58

HSL 114.35, 0.54%, 0.5%

LAB 70.26, -59.79, 56.37

 

CMYK 50 / 0 / 55 / 31

HEX #58AF4F

RGB 88 175 79

HSL 114.38, 0.38%, 0.5%

LAB 64.4, -45.42, 40.83

 

CMYK 32 / 0 / 35 / 40

HEX #699A64

RGB 105 154 100

HSL 114.44, 0.21%, 0.5%

LAB 59.01, -27.49, 23.26

 

CMYK 9 / 0 / 10 / 47

HEX #7A8678

RGB 122 134 120

HSL 111.43, 0.06%, 0.5%

LAB 54.6, -7.2, 6.04

 

CMYK 30 / 0 / 82 / 15

HEX #97D826

RGB 151 216 38

HSL 81.91, 0.7%, 0.5%

LAB 79.52, -44.45, 72.61

 

CMYK 52 / 0 / 82 / 15

HEX #67D826

RGB 103 216 38

HSL 98.09, 0.7%, 0.5%

LAB 77.36, -60.11, 69.87

 

CMYK 74 / 0 / 82 / 15

HEX #38D826

RGB 56 216 38

HSL 113.93, 0.7%, 0.5%

LAB 76.13, -70.3, 68.29

 

CMYK 82 / 0 / 69 / 15

HEX #26D843

RGB 38 216 67

HSL 129.78, 0.7%, 0.5%

LAB 76.03, -70.56, 58.79

 

CMYK 82 / 0 / 47 / 15

HEX #26D873

RGB 38 216 115

HSL 145.96, 0.7%, 0.5%

LAB 76.53, -64.39, 37.87

 

CMYK 75 / 0 / 83 / 43

HEX #259219

RGB 37 146 25

HSL 114.05, 0.71%, 0.34%

LAB 52.97, -52.04, 50.36

 

CMYK 75 / 0 / 82 / 29

HEX #2EB520

RGB 46 181 32

HSL 114.36, 0.7%, 0.42%

LAB 64.75, -61.4, 59.36

 

CMYK 75 / 0 / 82 / 15

HEX #37D826

RGB 55 216 38

HSL 114.27, 0.7%, 0.5%

LAB 76.11, -70.45, 68.27

 

CMYK 61 / 0 / 67 / 13

HEX #57DE49

RGB 87 222 73

HSL 114.36, 0.69%, 0.58%

LAB 78.9, -63.93, 59.81

 

CMYK 48 / 0 / 53 / 10

HEX #77E56C

RGB 119 229 108

HSL 114.55, 0.7%, 0.66%

LAB 82.4, -54.73, 48.93

 

CMYK 75 / 0 / 82 / 15

HEX #37D826

RGB 55 216 38

HSL 114.27, 0.7%, 0.5%

LAB 76.11, -70.45, 68.27

 

CMYK 82 / 8 / 0 / 15

HEX #26C6D8

RGB 38 198 216

HSL 186.07, 0.7%, 0.5%

LAB 73.39, -32.5, -20.16

 

CMYK 0 / 82 / 41 / 15

HEX #D8267F

RGB 216 38 127

HSL 330, 0.7%, 0.5%

LAB 48.91, 71.1, -4.97

 

CMYK 75 / 0 / 82 / 15

HEX #37D826

RGB 55 216 38

HSL 114.27, 0.7%, 0.5%

LAB 76.11, -70.45, 68.27

 

CMYK 82 / 74 / 0 / 15

HEX #2638D8

RGB 38 56 216

HSL 233.93, 0.7%, 0.5%

LAB 34.39, 50.62, -82.19

 

CMYK 0 / 82 / 74 / 15

HEX #D82638

RGB 216 38 56

HSL 353.93, 0.7%, 0.5%

LAB 47.33, 66.43, 36.09

 

CMYK 75 / 0 / 82 / 15

HEX #37D826

RGB 55 216 38

HSL 114.27, 0.7%, 0.5%

LAB 76.11, -70.45, 68.27

 

CMYK 82 / 8 / 0 / 15

HEX #26C6D8

RGB 38 198 216

HSL 186.07, 0.7%, 0.5%

LAB 73.39, -32.5, -20.16

 

CMYK 8 / 82 / 0 / 15

HEX #C626D8

RGB 198 38 216

HSL 293.93, 0.7%, 0.5%

LAB 49.92, 78.89, -56.11

 

CMYK 0 / 74 / 82 / 15

HEX #D83826

RGB 216 56 38

HSL 6.07, 0.7%, 0.5%

LAB 48.97, 60.72, 47.59

 

CMYK 75 / 0 / 82 / 15

HEX #37D826

RGB 55 216 38

HSL 114.27, 0.7%, 0.5%

LAB 76.11, -70.45, 68.27

 

CMYK 82 / 33 / 0 / 15

HEX #2691D8

RGB 38 145 216

HSL 203.93, 0.7%, 0.5%

LAB 57.68, -4.55, -44.5

 

CMYK 8 / 82 / 0 / 15

HEX #C626D8

RGB 198 38 216

HSL 293.93, 0.7%, 0.5%

LAB 49.92, 78.89, -56.11

 

CMYK 0 / 50 / 82 / 15

HEX #D86D26

RGB 216 109 38

HSL 23.93, 0.7%, 0.5%

LAB 57.73, 37.62, 55.54

 

Description

Color code: HEX #37D826 | qconv.com Color code: HEX #37D826 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 216 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 216 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 82 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 82% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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