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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37D123 it is the complementary color #C82EDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37D123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37D123 shade: #3CD11E, #4DE331, #5EF544, #6FFF57 and #80FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37D123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37D123 shade: #37D123, #26BF10, #15AD00, #049B00 and #008900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37D123 shade: #37D123, #66D123, #95D123, #C4D123 and #D1AF23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37D123 shade: #37D123, #23D13E, #23D16D, #23D19C and #23D1CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37D123 shade matches the following richer shades: #37D123 and #28E50F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37D123 shade: #37D123, #46BD37, #55A94B, #65955E and #748272

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37D123 shade: #94D123, #66D123, #37D123, #23D13D and #23D16B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37D123 shade: #248A17, #2EAE1D, #37D123, #51DE3F and #71E462

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37D123 shade: #37D123, #23C2D1 and #D1237D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37D123 shade: #37D123, #2337D1 and #D12337

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37D123 shade: #37D123, #23C2D1, #BD23D1 and #D13123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37D123 shade: #37D123, #238ED1, #BD23D1 and #D16623

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 83 / 18

HEX #37D123

RGB 55 209 35

HSL 113.1, 0.71%, 0.48%

LAB 73.89, -68.48, 67

 

Complementary color

CMYK 9 / 79 / 0 / 14

HEX #C82EDC

RGB 200 46 220

HSL 293.1, 0.71%, 0.52%

LAB 51.15, 77.97, -56.39

 

CMYK 71 / 0 / 86 / 18

HEX #3CD11E

RGB 60 209 30

HSL 109.94, 0.75%, 0.47%

LAB 73.97, -67.87, 68.25

 

CMYK 66 / 0 / 78 / 11

HEX #4DE331

RGB 77 227 49

HSL 110.56, 0.76%, 0.54%

LAB 80.03, -69.45, 69.1

 

CMYK 62 / 0 / 72 / 4

HEX #5EF544

RGB 94 245 68

HSL 111.19, 0.9%, 0.61%

LAB 86.06, -70.55, 69.13

 

CMYK 56 / 0 / 66 / 0

HEX #6FFF57

RGB 111 255 87

HSL 111.43, 1%, 0.67%

LAB 89.67, -68.57, 66.11

 

CMYK 50 / 0 / 58 / 0

HEX #80FF6A

RGB 128 255 106

HSL 111.14, 1%, 0.71%

LAB 90.39, -62.45, 59.29

 

CMYK 74 / 0 / 83 / 18

HEX #37D123

RGB 55 209 35

HSL 113.1, 0.71%, 0.48%

LAB 73.89, -68.48, 67

 

CMYK 80 / 0 / 92 / 25

HEX #26BF10

RGB 38 191 16

HSL 112.46, 0.85%, 0.41%

LAB 67.81, -66.22, 65.38

 

CMYK 88 / 0 / 100 / 32

HEX #15AD00

RGB 21 173 0

HSL 112.72, 1%, 0.34%

LAB 61.69, -63.18, 62.36

 

CMYK 97 / 0 / 100 / 39

HEX #049B00

RGB 4 155 0

HSL 118.45, 1%, 0.3%

LAB 55.55, -59.18, 57.38

 

CMYK 100 / 0 / 100 / 46

HEX #008900

RGB 0 137 0

HSL 120, 1%, 0.27%

LAB 49.36, -54.3, 52.41

 

CMYK 74 / 0 / 83 / 18

HEX #37D123

RGB 55 209 35

HSL 113.1, 0.71%, 0.48%

LAB 73.89, -68.48, 67

 

CMYK 51 / 0 / 83 / 18

HEX #66D123

RGB 102 209 35

HSL 96.9, 0.71%, 0.48%

LAB 75.17, -57.98, 68.62

 

CMYK 29 / 0 / 83 / 18

HEX #95D123

RGB 149 209 35

HSL 80.69, 0.71%, 0.48%

LAB 77.35, -42.29, 71.38

 

CMYK 6 / 0 / 83 / 18

HEX #C4D123

RGB 196 209 35

HSL 64.48, 0.71%, 0.48%

LAB 80.44, -23.48, 75.25

 

CMYK 0 / 16 / 83 / 18

HEX #D1AF23

RGB 209 175 35

HSL 48.28, 0.71%, 0.48%

LAB 72.45, -0.64, 68.95

 

CMYK 74 / 0 / 83 / 18

HEX #37D123

RGB 55 209 35

HSL 113.1, 0.71%, 0.48%

LAB 73.89, -68.48, 67

 

CMYK 83 / 0 / 70 / 18

HEX #23D13E

RGB 35 209 62

HSL 129.31, 0.71%, 0.48%

LAB 73.74, -69.21, 58.28

 

CMYK 83 / 0 / 48 / 18

HEX #23D16D

RGB 35 209 109

HSL 145.52, 0.71%, 0.48%

LAB 74.23, -63.29, 37.91

 

CMYK 83 / 0 / 25 / 18

HEX #23D19C

RGB 35 209 156

HSL 161.72, 0.71%, 0.48%

LAB 75.05, -53.95, 14.67

 

CMYK 83 / 0 / 3 / 18

HEX #23D1CA

RGB 35 209 202

HSL 177.59, 0.71%, 0.48%

LAB 76.21, -41.97, -8.36

 

CMYK 74 / 0 / 83 / 18

HEX #37D123

RGB 55 209 35

HSL 113.1, 0.71%, 0.48%

LAB 73.89, -68.48, 67

 

CMYK 83 / 0 / 93 / 10

HEX #28E50F

RGB 40 229 15

HSL 112.99, 0.88%, 0.48%

LAB 79.91, -76.88, 75.63

 

CMYK 74 / 0 / 83 / 18

HEX #37D123

RGB 55 209 35

HSL 113.1, 0.71%, 0.48%

LAB 73.89, -68.48, 67

 

CMYK 63 / 0 / 71 / 26

HEX #46BD37

RGB 70 189 55

HSL 113.28, 0.55%, 0.48%

LAB 68, -57.83, 55.15

 

CMYK 50 / 0 / 56 / 34

HEX #55A94B

RGB 85 169 75

HSL 113.62, 0.39%, 0.48%

LAB 62.35, -44.32, 40.3

 

CMYK 32 / 0 / 37 / 42

HEX #65955E

RGB 101 149 94

HSL 112.36, 0.23%, 0.48%

LAB 57.14, -27.43, 24.04

 

CMYK 11 / 0 / 12 / 49

HEX #748272

RGB 116 130 114

HSL 112.5, 0.07%, 0.48%

LAB 52.83, -8.38, 6.93

 

CMYK 29 / 0 / 83 / 18

HEX #94D123

RGB 148 209 35

HSL 81.03, 0.71%, 0.48%

LAB 77.29, -42.66, 71.31

 

CMYK 51 / 0 / 83 / 18

HEX #66D123

RGB 102 209 35

HSL 96.9, 0.71%, 0.48%

LAB 75.17, -57.98, 68.62

 

CMYK 74 / 0 / 83 / 18

HEX #37D123

RGB 55 209 35

HSL 113.1, 0.71%, 0.48%

LAB 73.89, -68.48, 67

 

CMYK 83 / 0 / 71 / 18

HEX #23D13D

RGB 35 209 61

HSL 128.97, 0.71%, 0.48%

LAB 73.74, -69.3, 58.65

 

CMYK 83 / 0 / 49 / 18

HEX #23D16B

RGB 35 209 107

HSL 144.83, 0.71%, 0.48%

LAB 74.2, -63.62, 38.86

 

CMYK 74 / 0 / 83 / 46

HEX #248A17

RGB 36 138 23

HSL 113.22, 0.71%, 0.32%

LAB 50.23, -49.67, 48.39

 

CMYK 74 / 0 / 83 / 32

HEX #2EAE1D

RGB 46 174 29

HSL 112.97, 0.71%, 0.4%

LAB 62.46, -59.35, 58.06

 

CMYK 74 / 0 / 83 / 18

HEX #37D123

RGB 55 209 35

HSL 113.1, 0.71%, 0.48%

LAB 73.89, -68.48, 67

 

CMYK 64 / 0 / 72 / 13

HEX #51DE3F

RGB 81 222 63

HSL 113.21, 0.71%, 0.56%

LAB 78.67, -66.06, 63.27

 

CMYK 50 / 0 / 57 / 11

HEX #71E462

RGB 113 228 98

HSL 113.08, 0.71%, 0.64%

LAB 81.77, -57.15, 52.7

 

CMYK 74 / 0 / 83 / 18

HEX #37D123

RGB 55 209 35

HSL 113.1, 0.71%, 0.48%

LAB 73.89, -68.48, 67

 

CMYK 83 / 7 / 0 / 18

HEX #23C2D1

RGB 35 194 209

HSL 185.17, 0.71%, 0.48%

LAB 71.92, -32.99, -18.58

 

CMYK 0 / 83 / 40 / 18

HEX #D1237D

RGB 209 35 125

HSL 328.97, 0.71%, 0.48%

LAB 47.29, 69.9, -6.3

 

CMYK 74 / 0 / 83 / 18

HEX #37D123

RGB 55 209 35

HSL 113.1, 0.71%, 0.48%

LAB 73.89, -68.48, 67

 

CMYK 83 / 74 / 0 / 18

HEX #2337D1

RGB 35 55 209

HSL 233.1, 0.71%, 0.48%

LAB 33.34, 48.66, -79.9

 

CMYK 0 / 83 / 74 / 18

HEX #D12337

RGB 209 35 55

HSL 353.1, 0.71%, 0.48%

LAB 45.68, 65.18, 34.43

 

CMYK 74 / 0 / 83 / 18

HEX #37D123

RGB 55 209 35

HSL 113.1, 0.71%, 0.48%

LAB 73.89, -68.48, 67

 

CMYK 83 / 7 / 0 / 18

HEX #23C2D1

RGB 35 194 209

HSL 185.17, 0.71%, 0.48%

LAB 71.92, -32.99, -18.58

 

CMYK 10 / 83 / 0 / 18

HEX #BD23D1

RGB 189 35 209

HSL 293.1, 0.71%, 0.48%

LAB 47.78, 76.83, -55.61

 

CMYK 0 / 77 / 83 / 18

HEX #D13123

RGB 209 49 35

HSL 4.83, 0.71%, 0.48%

LAB 46.81, 60.76, 46.61

 

CMYK 74 / 0 / 83 / 18

HEX #37D123

RGB 55 209 35

HSL 113.1, 0.71%, 0.48%

LAB 73.89, -68.48, 67

 

CMYK 83 / 32 / 0 / 18

HEX #238ED1

RGB 35 142 209

HSL 203.1, 0.71%, 0.48%

LAB 56.39, -5.63, -42.6

 

CMYK 10 / 83 / 0 / 18

HEX #BD23D1

RGB 189 35 209

HSL 293.1, 0.71%, 0.48%

LAB 47.78, 76.83, -55.61

 

CMYK 0 / 51 / 83 / 18

HEX #D16623

RGB 209 102 35

HSL 23.1, 0.71%, 0.48%

LAB 55.26, 38.32, 54.16

 

Description

Color code: HEX #37D123 | qconv.com Color code: HEX #37D123 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 209 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 209 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 83 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 83% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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