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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37D164 it is the complementary color #C82E9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37D164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37D164 shade: #3CD15F, #4DE372, #5EF585, #6FFF98 and #80FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37D164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37D164 shade: #37D164, #26BF51, #15AD3E, #049B2B and #008918

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37D164 shade: #37D164, #37D13A, #5DD137, #87D137 and #B0D137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37D164 shade: #37D164, #37D18E, #37D1B7, #37C2D1 and #3798D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37D164 shade matches the following richer shades: #37D164, #23E55C and #0FF954

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37D164 shade: #37D164, #4BBD6C, #5FAA75, #72967D and #868285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37D164 shade: #5ED137, #37D13A, #37D163, #37D18C and #37D1B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37D164 shade: #219443, #29B652, #37D164, #59D97E and #7AE098

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37D164 shade: #37D164, #3787D1 and #D13749

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37D164 shade: #37D164, #6337D1 and #D16337

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37D164 shade: #37D164, #3787D1, #D137A6 and #D18237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37D164 shade: #37D164, #3758D1, #D137A6 and #D1B037

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 52 / 18

HEX #37D164

RGB 55 209 100

HSL 137.53, 0.63%, 0.52%

LAB 74.4, -62.3, 42.58

 

Complementary color

CMYK 0 / 77 / 23 / 22

HEX #C82E9B

RGB 200 46 155

HSL 317.53, 0.63%, 0.48%

LAB 47.75, 68.31, -23.87

 

CMYK 71 / 0 / 55 / 18

HEX #3CD15F

RGB 60 209 95

HSL 134.09, 0.62%, 0.53%

LAB 74.44, -62.23, 45.02

 

CMYK 66 / 0 / 50 / 11

HEX #4DE372

RGB 77 227 114

HSL 134.8, 0.73%, 0.6%

LAB 80.59, -62.91, 43.59

 

CMYK 62 / 0 / 46 / 4

HEX #5EF585

RGB 94 245 133

HSL 135.5, 0.88%, 0.66%

LAB 86.69, -63.31, 42.18

 

CMYK 56 / 0 / 40 / 0

HEX #6FFF98

RGB 111 255 152

HSL 137.08, 1%, 0.72%

LAB 90.4, -60.49, 37.77

 

CMYK 50 / 0 / 33 / 0

HEX #80FFAB

RGB 128 255 171

HSL 140.31, 1%, 0.75%

LAB 91.26, -53.34, 29.56

 

CMYK 74 / 0 / 52 / 18

HEX #37D164

RGB 55 209 100

HSL 137.53, 0.63%, 0.52%

LAB 74.4, -62.3, 42.58

 

CMYK 80 / 0 / 58 / 25

HEX #26BF51

RGB 38 191 81

HSL 136.86, 0.67%, 0.45%

LAB 68.22, -61.14, 44.09

 

CMYK 88 / 0 / 64 / 32

HEX #15AD3E

RGB 21 173 62

HSL 136.18, 0.78%, 0.38%

LAB 61.99, -59.4, 45.53

 

CMYK 97 / 0 / 72 / 39

HEX #049B2B

RGB 4 155 43

HSL 135.5, 0.95%, 0.31%

LAB 55.73, -56.9, 46.7

 

CMYK 100 / 0 / 82 / 46

HEX #008918

RGB 0 137 24

HSL 130.51, 1%, 0.27%

LAB 49.44, -53.26, 47.19

 

CMYK 74 / 0 / 52 / 18

HEX #37D164

RGB 55 209 100

HSL 137.53, 0.63%, 0.52%

LAB 74.4, -62.3, 42.58

 

CMYK 74 / 0 / 72 / 18

HEX #37D13A

RGB 55 209 58

HSL 121.17, 0.63%, 0.52%

LAB 74.01, -67.02, 60.12

 

CMYK 56 / 0 / 74 / 18

HEX #5DD137

RGB 93 209 55

HSL 105.19, 0.63%, 0.52%

LAB 74.95, -59.33, 62.43

 

CMYK 35 / 0 / 74 / 18

HEX #87D137

RGB 135 209 55

HSL 88.83, 0.63%, 0.52%

LAB 76.7, -46.43, 64.74

 

CMYK 16 / 0 / 74 / 18

HEX #B0D137

RGB 176 209 55

HSL 72.86, 0.63%, 0.52%

LAB 79.1, -30.93, 67.9

 

CMYK 74 / 0 / 52 / 18

HEX #37D164

RGB 55 209 100

HSL 137.53, 0.63%, 0.52%

LAB 74.4, -62.3, 42.58

 

CMYK 74 / 0 / 32 / 18

HEX #37D18E

RGB 55 209 142

HSL 153.9, 0.63%, 0.52%

LAB 75.06, -54.88, 22.13

 

CMYK 74 / 0 / 12 / 18

HEX #37D1B7

RGB 55 209 183

HSL 169.87, 0.63%, 0.52%

LAB 75.97, -45.26, 1.55

 

CMYK 74 / 7 / 0 / 18

HEX #37C2D1

RGB 55 194 209

HSL 185.84, 0.63%, 0.52%

LAB 72.23, -31.1, -18.09

 

CMYK 74 / 27 / 0 / 18

HEX #3798D1

RGB 55 152 209

HSL 202.21, 0.63%, 0.52%

LAB 59.77, -9.21, -37.26

 

CMYK 74 / 0 / 52 / 18

HEX #37D164

RGB 55 209 100

HSL 137.53, 0.63%, 0.52%

LAB 74.4, -62.3, 42.58

 

CMYK 85 / 0 / 60 / 10

HEX #23E55C

RGB 35 229 92

HSL 137.63, 0.79%, 0.52%

LAB 80.27, -72.12, 53.17

 

CMYK 94 / 0 / 66 / 2

HEX #0FF954

RGB 15 249 84

HSL 137.69, 0.95%, 0.52%

LAB 86.25, -80.08, 63.13

 

CMYK 74 / 0 / 52 / 18

HEX #37D164

RGB 55 209 100

HSL 137.53, 0.63%, 0.52%

LAB 74.4, -62.3, 42.58

 

CMYK 60 / 0 / 43 / 26

HEX #4BBD6C

RGB 75 189 108

HSL 137.37, 0.46%, 0.52%

LAB 68.73, -50.05, 31.54

 

CMYK 44 / 0 / 31 / 33

HEX #5FAA75

RGB 95 170 117

HSL 137.6, 0.31%, 0.52%

LAB 63.73, -35.24, 20.24

 

CMYK 24 / 0 / 17 / 41

HEX #72967D

RGB 114 150 125

HSL 138.33, 0.15%, 0.52%

LAB 58.85, -17.77, 9.17

 

CMYK 0 / 3 / 1 / 47

HEX #868285

RGB 134 130 133

HSL 315, 0.02%, 0.52%

LAB 54.79, 2.09, -1.09

 

CMYK 55 / 0 / 74 / 18

HEX #5ED137

RGB 94 209 55

HSL 104.81, 0.63%, 0.52%

LAB 74.99, -59.07, 62.48

 

CMYK 74 / 0 / 72 / 18

HEX #37D13A

RGB 55 209 58

HSL 121.17, 0.63%, 0.52%

LAB 74.01, -67.02, 60.12

 

CMYK 74 / 0 / 53 / 18

HEX #37D163

RGB 55 209 99

HSL 137.14, 0.63%, 0.52%

LAB 74.39, -62.44, 43.05

 

CMYK 74 / 0 / 33 / 18

HEX #37D18C

RGB 55 209 140

HSL 153.12, 0.63%, 0.52%

LAB 75.02, -55.29, 23.13

 

CMYK 74 / 0 / 13 / 18

HEX #37D1B5

RGB 55 209 181

HSL 169.09, 0.63%, 0.52%

LAB 75.92, -45.77, 2.55

 

CMYK 78 / 0 / 55 / 42

HEX #219443

RGB 33 148 67

HSL 137.74, 0.64%, 0.35%

LAB 53.93, -48.99, 33.79

 

CMYK 77 / 0 / 55 / 29

HEX #29B652

RGB 41 182 82

HSL 137.45, 0.63%, 0.44%

LAB 65.39, -57.6, 40.25

 

CMYK 74 / 0 / 52 / 18

HEX #37D164

RGB 55 209 100

HSL 137.53, 0.63%, 0.52%

LAB 74.4, -62.3, 42.58

 

CMYK 59 / 0 / 42 / 15

HEX #59D97E

RGB 89 217 126

HSL 137.34, 0.63%, 0.6%

LAB 78.03, -54.94, 34.49

 

CMYK 46 / 0 / 32 / 12

HEX #7AE098

RGB 122 224 152

HSL 137.65, 0.62%, 0.68%

LAB 81.68, -45.27, 26.26

 

CMYK 74 / 0 / 52 / 18

HEX #37D164

RGB 55 209 100

HSL 137.53, 0.63%, 0.52%

LAB 74.4, -62.3, 42.58

 

CMYK 74 / 35 / 0 / 18

HEX #3787D1

RGB 55 135 209

HSL 208.83, 0.63%, 0.52%

LAB 54.81, 0.62, -45.07

 

CMYK 0 / 74 / 65 / 18

HEX #D13749

RGB 209 55 73

HSL 352.99, 0.63%, 0.52%

LAB 47.97, 60.36, 26.46

 

CMYK 74 / 0 / 52 / 18

HEX #37D164

RGB 55 209 100

HSL 137.53, 0.63%, 0.52%

LAB 74.4, -62.3, 42.58

 

CMYK 53 / 74 / 0 / 18

HEX #6337D1

RGB 99 55 209

HSL 257.14, 0.63%, 0.52%

LAB 37.82, 55.25, -72.35

 

CMYK 0 / 53 / 74 / 18

HEX #D16337

RGB 209 99 55

HSL 17.14, 0.63%, 0.52%

LAB 54.82, 40.56, 44.55

 

CMYK 74 / 0 / 52 / 18

HEX #37D164

RGB 55 209 100

HSL 137.53, 0.63%, 0.52%

LAB 74.4, -62.3, 42.58

 

CMYK 74 / 35 / 0 / 18

HEX #3787D1

RGB 55 135 209

HSL 208.83, 0.63%, 0.52%

LAB 54.81, 0.62, -45.07

 

CMYK 0 / 74 / 21 / 18

HEX #D137A6

RGB 209 55 166

HSL 316.75, 0.63%, 0.52%

LAB 50.73, 69.17, -25.67

 

CMYK 0 / 38 / 74 / 18

HEX #D18237

RGB 209 130 55

HSL 29.22, 0.63%, 0.52%

LAB 61.48, 24.31, 51.52

 

CMYK 74 / 0 / 52 / 18

HEX #37D164

RGB 55 209 100

HSL 137.53, 0.63%, 0.52%

LAB 74.4, -62.3, 42.58

 

CMYK 74 / 58 / 0 / 18

HEX #3758D1

RGB 55 88 209

HSL 227.14, 0.63%, 0.52%

LAB 41.84, 30.04, -65.91

 

CMYK 0 / 74 / 21 / 18

HEX #D137A6

RGB 209 55 166

HSL 316.75, 0.63%, 0.52%

LAB 50.73, 69.17, -25.67

 

CMYK 0 / 16 / 74 / 18

HEX #D1B037

RGB 209 176 55

HSL 47.14, 0.63%, 0.52%

LAB 72.81, -0.45, 62.78

 

Description

Color code: HEX #37D164 | qconv.com Color code: HEX #37D164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 209 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 209 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 52 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 52% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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