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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37E0B4 it is the complementary color #C81F4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37E0B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37E0B4 shade: #3CE0AF, #4DF2C2, #5EFFD5, #6FFFE8 and #80FFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37E0B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37E0B4 shade: #37E0B4, #26CEA1, #15BC8E, #04AA7B and #009868

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37E0B4 shade: #38E0B4, #38E087, #38E05A, #44E038 and #71E038

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37E0B4 shade: #38E0B4, #38DEE0, #38B1E0, #3884E0 and #3856E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37E0B4 shade matches the following richer shades: #38E0B4 and #25F2BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37E0B4 shade: #38E0B4, #4BCDAB, #5DBAA2, #70A899 and #829590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37E0B4 shade: #38E059, #38E086, #38E0B3, #38E0E0 and #38B3E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37E0B4 shade: #1AAB85, #20CEA1, #38E0B4, #5CE5C1 and #7FEBCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37E0B4 shade: #37E0B4, #3843E0 and #E07038

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37E0B4 shade: #37E0B4, #B338E0 and #E0B338

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37E0B4 shade: #37E0B4, #3843E0, #E03865 and #E0D438

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37E0B4 shade: #37E0B4, #5F38E0, #E03865 and #B8E038

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 20 / 12

HEX #37E0B4

RGB 55 224 180

HSL 164.38, 0.73%, 0.55%

LAB 80.41, -52.25, 9.56

 

Complementary color

CMYK 0 / 85 / 63 / 22

HEX #C81F4B

RGB 200 31 75

HSL 344.38, 0.73%, 0.45%

LAB 43.9, 64.64, 19.62

 

CMYK 73 / 0 / 22 / 12

HEX #3CE0AF

RGB 60 224 175

HSL 162.07, 0.73%, 0.56%

LAB 80.39, -52.83, 12.17

 

CMYK 68 / 0 / 20 / 5

HEX #4DF2C2

RGB 77 242 194

HSL 162.55, 0.86%, 0.63%

LAB 86.49, -53.38, 10.94

 

CMYK 63 / 0 / 16 / 0

HEX #5EFFD5

RGB 94 255 213

HSL 164.35, 1%, 0.68%

LAB 91.1, -51.69, 7.73

 

CMYK 56 / 0 / 9 / 0

HEX #6FFFE8

RGB 111 255 232

HSL 170.42, 1%, 0.72%

LAB 92.01, -44.2, -0.73

 

CMYK 50 / 0 / 2 / 0

HEX #80FFFB

RGB 128 255 251

HSL 178.11, 1%, 0.75%

LAB 93.05, -36.22, -8.97

 

CMYK 75 / 0 / 20 / 12

HEX #37E0B4

RGB 55 224 180

HSL 164.38, 0.73%, 0.55%

LAB 80.41, -52.25, 9.56

 

CMYK 82 / 0 / 22 / 19

HEX #26CEA1

RGB 38 206 161

HSL 163.93, 0.69%, 0.48%

LAB 74.27, -51.32, 10.9

 

CMYK 89 / 0 / 24 / 26

HEX #15BC8E

RGB 21 188 142

HSL 163.47, 0.8%, 0.41%

LAB 68.08, -50.04, 12.38

 

CMYK 98 / 0 / 28 / 33

HEX #04AA7B

RGB 4 170 123

HSL 163.01, 0.95%, 0.34%

LAB 61.83, -48.35, 14.02

 

CMYK 100 / 0 / 32 / 40

HEX #009868

RGB 0 152 104

HSL 161.05, 1%, 0.3%

LAB 55.54, -46.03, 15.86

 

CMYK 75 / 0 / 20 / 12

HEX #38E0B4

RGB 56 224 180

HSL 164.29, 0.73%, 0.55%

LAB 80.43, -52.14, 9.59

 

CMYK 75 / 0 / 40 / 12

HEX #38E087

RGB 56 224 135

HSL 148.21, 0.73%, 0.55%

LAB 79.56, -61.68, 31.8

 

CMYK 75 / 0 / 60 / 12

HEX #38E05A

RGB 56 224 90

HSL 132.14, 0.73%, 0.55%

LAB 78.98, -68.46, 52.62

 

CMYK 70 / 0 / 75 / 12

HEX #44E038

RGB 68 224 56

HSL 115.71, 0.73%, 0.55%

LAB 78.94, -69.73, 65.83

 

CMYK 50 / 0 / 75 / 12

HEX #71E038

RGB 113 224 56

HSL 99.64, 0.73%, 0.55%

LAB 80.24, -59.27, 67.54

 

CMYK 75 / 0 / 20 / 12

HEX #38E0B4

RGB 56 224 180

HSL 164.29, 0.73%, 0.55%

LAB 80.43, -52.14, 9.59

 

CMYK 75 / 1 / 0 / 12

HEX #38DEE0

RGB 56 222 224

HSL 180.71, 0.73%, 0.55%

LAB 81, -39.66, -12.96

 

CMYK 75 / 21 / 0 / 12

HEX #38B1E0

RGB 56 177 224

HSL 196.79, 0.73%, 0.55%

LAB 67.77, -17.64, -33.1

 

CMYK 75 / 41 / 0 / 12

HEX #3884E0

RGB 56 132 224

HSL 212.86, 0.73%, 0.55%

LAB 54.79, 7.97, -53.54

 

CMYK 75 / 62 / 0 / 12

HEX #3856E0

RGB 56 86 224

HSL 229.29, 0.73%, 0.55%

LAB 42.58, 36.82, -73.27

 

CMYK 75 / 0 / 20 / 12

HEX #38E0B4

RGB 56 224 180

HSL 164.29, 0.73%, 0.55%

LAB 80.43, -52.14, 9.59

 

CMYK 85 / 0 / 22 / 5

HEX #25F2BD

RGB 37 242 189

HSL 164.49, 0.89%, 0.55%

LAB 85.79, -58.83, 12.46

 

CMYK 75 / 0 / 20 / 12

HEX #38E0B4

RGB 56 224 180

HSL 164.29, 0.73%, 0.55%

LAB 80.43, -52.14, 9.59

 

CMYK 63 / 0 / 17 / 20

HEX #4BCDAB

RGB 75 205 171

HSL 164.31, 0.57%, 0.55%

LAB 74.89, -43.62, 6.5

 

CMYK 50 / 0 / 13 / 27

HEX #5DBAA2

RGB 93 186 162

HSL 164.52, 0.4%, 0.55%

LAB 69.51, -33.54, 3.7

 

CMYK 33 / 0 / 9 / 34

HEX #70A899

RGB 112 168 153

HSL 163.93, 0.24%, 0.55%

LAB 64.76, -21.75, 1.91

 

CMYK 13 / 0 / 3 / 42

HEX #829590

RGB 130 149 144

HSL 164.21, 0.08%, 0.55%

LAB 60.12, -7.79, 0.34

 

CMYK 75 / 0 / 60 / 12

HEX #38E059

RGB 56 224 89

HSL 131.79, 0.73%, 0.55%

LAB 78.97, -68.57, 53.05

 

CMYK 75 / 0 / 40 / 12

HEX #38E086

RGB 56 224 134

HSL 147.86, 0.73%, 0.55%

LAB 79.54, -61.86, 32.28

 

CMYK 75 / 0 / 20 / 12

HEX #38E0B3

RGB 56 224 179

HSL 163.93, 0.73%, 0.55%

LAB 80.41, -52.38, 10.08

 

CMYK 75 / 0 / 0 / 12

HEX #38E0E0

RGB 56 224 224

HSL 180, 0.73%, 0.55%

LAB 81.58, -40.57, -12.08

 

CMYK 75 / 20 / 0 / 12

HEX #38B3E0

RGB 56 179 224

HSL 196.07, 0.73%, 0.55%

LAB 68.36, -18.69, -32.2

 

CMYK 85 / 0 / 22 / 33

HEX #1AAB85

RGB 26 171 133

HSL 164.28, 0.74%, 0.39%

LAB 62.54, -45.05, 9.5

 

CMYK 84 / 0 / 22 / 19

HEX #20CEA1

RGB 32 206 161

HSL 164.48, 0.73%, 0.47%

LAB 74.2, -51.82, 10.8

 

CMYK 75 / 0 / 20 / 12

HEX #38E0B4

RGB 56 224 180

HSL 164.29, 0.73%, 0.55%

LAB 80.43, -52.14, 9.59

 

CMYK 60 / 0 / 16 / 10

HEX #5CE5C1

RGB 92 229 193

HSL 164.23, 0.72%, 0.63%

LAB 83, -45.71, 6.51

 

CMYK 46 / 0 / 12 / 8

HEX #7FEBCF

RGB 127 235 207

HSL 164.44, 0.73%, 0.71%

LAB 86.22, -37.73, 3.95

 

CMYK 75 / 0 / 20 / 12

HEX #37E0B4

RGB 55 224 180

HSL 164.38, 0.73%, 0.55%

LAB 80.41, -52.25, 9.56

 

CMYK 75 / 70 / 0 / 12

HEX #3843E0

RGB 56 67 224

HSL 236.07, 0.73%, 0.55%

LAB 38.26, 48.33, -80.36

 

CMYK 0 / 50 / 75 / 12

HEX #E07038

RGB 224 112 56

HSL 20, 0.73%, 0.55%

LAB 59.64, 39.88, 49.8

 

CMYK 75 / 0 / 20 / 12

HEX #37E0B4

RGB 55 224 180

HSL 164.38, 0.73%, 0.55%

LAB 80.41, -52.25, 9.56

 

CMYK 20 / 75 / 0 / 12

HEX #B338E0

RGB 179 56 224

HSL 283.93, 0.73%, 0.55%

LAB 49.25, 71.81, -61.91

 

CMYK 0 / 20 / 75 / 12

HEX #E0B338

RGB 224 179 56

HSL 43.93, 0.73%, 0.55%

LAB 75.06, 4.49, 65.08

 

CMYK 75 / 0 / 20 / 12

HEX #37E0B4

RGB 55 224 180

HSL 164.38, 0.73%, 0.55%

LAB 80.41, -52.25, 9.56

 

CMYK 75 / 70 / 0 / 12

HEX #3843E0

RGB 56 67 224

HSL 236.07, 0.73%, 0.55%

LAB 38.26, 48.33, -80.36

 

CMYK 0 / 75 / 55 / 12

HEX #E03865

RGB 224 56 101

HSL 343.93, 0.73%, 0.55%

LAB 51.4, 66.17, 14.59

 

CMYK 0 / 5 / 75 / 12

HEX #E0D438

RGB 224 212 56

HSL 55.71, 0.73%, 0.55%

LAB 83.56, -12.48, 73.05

 

CMYK 75 / 0 / 20 / 12

HEX #37E0B4

RGB 55 224 180

HSL 164.38, 0.73%, 0.55%

LAB 80.41, -52.25, 9.56

 

CMYK 58 / 75 / 0 / 12

HEX #5F38E0

RGB 95 56 224

HSL 253.93, 0.73%, 0.55%

LAB 38.97, 58.39, -79.09

 

CMYK 0 / 75 / 55 / 12

HEX #E03865

RGB 224 56 101

HSL 343.93, 0.73%, 0.55%

LAB 51.4, 66.17, 14.59

 

CMYK 18 / 0 / 75 / 12

HEX #B8E038

RGB 184 224 56

HSL 74.29, 0.73%, 0.55%

LAB 83.85, -34.64, 72.26

 

Description

Color code: HEX #37E0B4 | qconv.com Color code: HEX #37E0B4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 224 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 224 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 20 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 20% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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