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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #341CA0 it is the complementary color #CBE35F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #341CA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #341CA0 shade: #391C9B, #4A2EAE, #5B40C1, #6C52D4 and #7D64E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #341CA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #341CA0 shade: #341CA0, #230A8D, #12007A, #010067 and #000054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #341CA0 shade: #341CA0, #571CA0, #7B1CA0, #9F1CA0 and #A01C7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #341CA0 shade: #341CA0 and #1C1CA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #341CA0 shade matches the following richer shades: #341CA0 and #2A0DAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #341CA0 shade: #341CA0, #3E2B91, #473A81, #514A72 and #5B5963

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #341CA0 shade: #1C4CA0, #1C29A0, #321CA0, #551CA0 and #781CA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #341CA0 shade: #1D0F5A, #28167D, #341CA0, #3F22C3 and #5234DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #341CA0 shade: #341CA0, #A01C6F and #3BA01C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #341CA0 shade: #341CA0, #A0321C and #1CA032

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #341CA0 shade: #341CA0, #A01C6F, #8AA01C and #1CA04C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #341CA0 shade: #341CA0, #A01C48, #8AA01C and #1CA074

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 83 / 0 / 37

HEX #341CA0

RGB 52 28 160

HSL 250.91, 0.7%, 0.37%

LAB 23.99, 48.33, -66.22

 

Complementary color

CMYK 11 / 0 / 58 / 11

HEX #CBE35F

RGB 203 227 95

HSL 70.91, 0.7%, 0.63%

LAB 86.24, -26.14, 60.38

 

CMYK 63 / 82 / 0 / 39

HEX #391C9B

RGB 57 28 155

HSL 253.7, 0.69%, 0.36%

LAB 23.89, 47.35, -63.32

 

CMYK 57 / 74 / 0 / 32

HEX #4A2EAE

RGB 74 46 174

HSL 253.13, 0.58%, 0.43%

LAB 30.56, 46.19, -63.78

 

CMYK 53 / 67 / 0 / 24

HEX #5B40C1

RGB 91 64 193

HSL 252.56, 0.51%, 0.5%

LAB 37.37, 44.71, -63.81

 

CMYK 49 / 61 / 0 / 17

HEX #6C52D4

RGB 108 82 212

HSL 252, 0.6%, 0.58%

LAB 44.2, 43.2, -63.63

 

CMYK 46 / 57 / 0 / 9

HEX #7D64E7

RGB 125 100 231

HSL 251.45, 0.73%, 0.65%

LAB 50.97, 41.78, -63.39

 

CMYK 68 / 83 / 0 / 37

HEX #341CA0

RGB 52 28 160

HSL 250.91, 0.7%, 0.37%

LAB 23.99, 48.33, -66.22

 

CMYK 75 / 93 / 0 / 45

HEX #230A8D

RGB 35 10 141

HSL 251.45, 0.87%, 0.3%

LAB 17.91, 48.52, -64.63

 

CMYK 85 / 100 / 0 / 52

HEX #12007A

RGB 18 0 122

HSL 248.85, 1%, 0.24%

LAB 12.82, 46.17, -61.1

 

CMYK 99 / 100 / 0 / 60

HEX #010067

RGB 1 0 103

HSL 240.58, 1%, 0.2%

LAB 8.87, 40.71, -55.33

 

CMYK 100 / 100 / 0 / 67

HEX #000054

RGB 0 0 84

HSL 240, 1%, 0.16%

LAB 5.78, 34.26, -47.68

 

CMYK 68 / 83 / 0 / 37

HEX #341CA0

RGB 52 28 160

HSL 250.91, 0.7%, 0.37%

LAB 23.99, 48.33, -66.22

 

CMYK 46 / 83 / 0 / 37

HEX #571CA0

RGB 87 28 160

HSL 266.82, 0.7%, 0.37%

LAB 27.83, 52.43, -59.76

 

CMYK 23 / 83 / 0 / 37

HEX #7B1CA0

RGB 123 28 160

HSL 283.18, 0.7%, 0.37%

LAB 33.09, 58.17, -50.96

 

CMYK 1 / 83 / 0 / 37

HEX #9F1CA0

RGB 159 28 160

HSL 299.55, 0.7%, 0.37%

LAB 39.14, 64.89, -40.91

 

CMYK 0 / 83 / 22 / 37

HEX #A01C7D

RGB 160 28 125

HSL 315.91, 0.7%, 0.37%

LAB 37.45, 59.96, -22.11

 

CMYK 68 / 83 / 0 / 37

HEX #341CA0

RGB 52 28 160

HSL 250.91, 0.7%, 0.37%

LAB 23.99, 48.33, -66.22

 

CMYK 83 / 83 / 0 / 37

HEX #1C1CA0

RGB 28 28 160

HSL 240, 0.7%, 0.37%

LAB 22.36, 46.61, -68.98

 

CMYK 68 / 83 / 0 / 37

HEX #341CA0

RGB 52 28 160

HSL 250.91, 0.7%, 0.37%

LAB 23.99, 48.33, -66.22

 

CMYK 76 / 93 / 0 / 31

HEX #2A0DAF

RGB 42 13 175

HSL 250.74, 0.86%, 0.37%

LAB 23.25, 57.31, -76.55

 

CMYK 68 / 83 / 0 / 37

HEX #341CA0

RGB 52 28 160

HSL 250.91, 0.7%, 0.37%

LAB 23.99, 48.33, -66.22

 

CMYK 57 / 70 / 0 / 43

HEX #3E2B91

RGB 62 43 145

HSL 251.18, 0.54%, 0.37%

LAB 26.15, 37.1, -53.44

 

CMYK 45 / 55 / 0 / 49

HEX #473A81

RGB 71 58 129

HSL 250.99, 0.38%, 0.37%

LAB 29.29, 24.59, -38.37

 

CMYK 29 / 35 / 0 / 55

HEX #514A72

RGB 81 74 114

HSL 250.5, 0.21%, 0.37%

LAB 33.69, 12.68, -21.95

 

CMYK 8 / 10 / 0 / 61

HEX #5B5963

RGB 91 89 99

HSL 252, 0.05%, 0.37%

LAB 38.32, 2.98, -5.46

 

CMYK 83 / 53 / 0 / 37

HEX #1C4CA0

RGB 28 76 160

HSL 218.18, 0.7%, 0.37%

LAB 33.89, 16.27, -50.07

 

CMYK 83 / 74 / 0 / 37

HEX #1C29A0

RGB 28 41 160

HSL 234.09, 0.7%, 0.37%

LAB 24.86, 39.44, -64.84

 

CMYK 69 / 83 / 0 / 37

HEX #321CA0

RGB 50 28 160

HSL 250, 0.7%, 0.37%

LAB 23.83, 48.15, -66.51

 

CMYK 47 / 83 / 0 / 37

HEX #551CA0

RGB 85 28 160

HSL 265.91, 0.7%, 0.37%

LAB 27.57, 52.15, -60.2

 

CMYK 25 / 83 / 0 / 37

HEX #781CA0

RGB 120 28 160

HSL 281.82, 0.7%, 0.37%

LAB 32.62, 57.65, -51.75

 

CMYK 68 / 83 / 0 / 65

HEX #1D0F5A

RGB 29 15 90

HSL 251.2, 0.71%, 0.21%

LAB 11.56, 30.36, -42.11

 

CMYK 68 / 82 / 0 / 51

HEX #28167D

RGB 40 22 125

HSL 250.49, 0.7%, 0.29%

LAB 17.94, 39.32, -54.46

 

CMYK 68 / 83 / 0 / 37

HEX #341CA0

RGB 52 28 160

HSL 250.91, 0.7%, 0.37%

LAB 23.99, 48.33, -66.22

 

CMYK 68 / 83 / 0 / 24

HEX #3F22C3

RGB 63 34 195

HSL 250.81, 0.7%, 0.45%

LAB 29.77, 56.82, -77.58

 

CMYK 63 / 76 / 0 / 14

HEX #5234DB

RGB 82 52 219

HSL 250.78, 0.7%, 0.53%

LAB 36.68, 57.36, -80.05

 

CMYK 68 / 83 / 0 / 37

HEX #341CA0

RGB 52 28 160

HSL 250.91, 0.7%, 0.37%

LAB 23.99, 48.33, -66.22

 

CMYK 0 / 83 / 31 / 37

HEX #A01C6F

RGB 160 28 111

HSL 322.27, 0.7%, 0.37%

LAB 36.84, 58.21, -14.27

 

CMYK 63 / 0 / 83 / 37

HEX #3BA01C

RGB 59 160 28

HSL 105.91, 0.7%, 0.37%

LAB 58.18, -52.08, 54.52

 

CMYK 68 / 83 / 0 / 37

HEX #341CA0

RGB 52 28 160

HSL 250.91, 0.7%, 0.37%

LAB 23.99, 48.33, -66.22

 

CMYK 0 / 69 / 83 / 37

HEX #A0321C

RGB 160 50 28

HSL 10, 0.7%, 0.37%

LAB 37.55, 44.37, 38.17

 

CMYK 83 / 0 / 69 / 37

HEX #1CA032

RGB 28 160 50

HSL 130, 0.7%, 0.37%

LAB 57.67, -55.88, 45.98

 

CMYK 68 / 83 / 0 / 37

HEX #341CA0

RGB 52 28 160

HSL 250.91, 0.7%, 0.37%

LAB 23.99, 48.33, -66.22

 

CMYK 0 / 83 / 31 / 37

HEX #A01C6F

RGB 160 28 111

HSL 322.27, 0.7%, 0.37%

LAB 36.84, 58.21, -14.27

 

CMYK 14 / 0 / 83 / 37

HEX #8AA01C

RGB 138 160 28

HSL 70, 0.7%, 0.37%

LAB 62.19, -24.28, 59.63

 

CMYK 83 / 0 / 53 / 37

HEX #1CA04C

RGB 28 160 76

HSL 141.82, 0.7%, 0.37%

LAB 57.95, -52.49, 34.12

 

CMYK 68 / 83 / 0 / 37

HEX #341CA0

RGB 52 28 160

HSL 250.91, 0.7%, 0.37%

LAB 23.99, 48.33, -66.22

 

CMYK 0 / 83 / 55 / 37

HEX #A01C48

RGB 160 28 72

HSL 340, 0.7%, 0.37%

LAB 35.54, 54.39, 8.83

 

CMYK 14 / 0 / 83 / 37

HEX #8AA01C

RGB 138 160 28

HSL 70, 0.7%, 0.37%

LAB 62.19, -24.28, 59.63

 

CMYK 83 / 0 / 28 / 37

HEX #1CA074

RGB 28 160 116

HSL 160, 0.7%, 0.37%

LAB 58.65, -44.53, 13.49

 

Description

Color code: HEX #341CA0 | qconv.com Color code: HEX #341CA0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 28 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 28 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 83 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 83% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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