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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #342845 it is the complementary color #CBD7BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #342845. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #342845 shade: #392840, #4A3A53, #5B4C66, #6C5E79 and #7D708C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #342845. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #342845 shade: #342845, #231632, #12041F and #01000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #342845 shade: #332744, #3A2744, #422744, #44273D and #442735

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #342845 shade: #332744, #2B2744 and #272744

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #342845 shade matches the following richer shades: #332744, #311E4C, #301555, #2E0D5E and #2D0466

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #342845 shade: #332744, #342F3B, #363832, #37412A and #394921

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #342845 shade: #272A44, #2A2744, #322744, #3A2744 and #422744

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #342845 shade: #0B080F, #1F1829, #332744, #46365E and #5A4578

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #342845 shade: #342845, #442732 and #274427

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #342845 shade: #342845, #443227 and #274432

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #342845 shade: #342845, #442732, #384427 and #274438

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #342845 shade: #342845, #442729, #384427 and #274441

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 42 / 0 / 73

HEX #342845

RGB 52 40 69

HSL 264.83, 0.27%, 0.21%

LAB 18.7, 12.69, -16.17

 

Complementary color

CMYK 6 / 0 / 13 / 16

HEX #CBD7BA

RGB 203 215 186

HSL 84.83, 0.27%, 0.79%

LAB 84.4, -9.18, 12.94

 

CMYK 11 / 38 / 0 / 75

HEX #392840

RGB 57 40 64

HSL 282.5, 0.23%, 0.2%

LAB 19.05, 13.23, -12.16

 

CMYK 11 / 30 / 0 / 67

HEX #4A3A53

RGB 74 58 83

HSL 278.4, 0.18%, 0.28%

LAB 27.04, 12.46, -12.46

 

CMYK 11 / 25 / 0 / 60

HEX #5B4C66

RGB 91 76 102

HSL 274.62, 0.15%, 0.35%

LAB 34.71, 11.82, -12.78

 

CMYK 11 / 22 / 0 / 53

HEX #6C5E79

RGB 108 94 121

HSL 271.11, 0.13%, 0.42%

LAB 42.11, 11.27, -13.11

 

CMYK 11 / 20 / 0 / 45

HEX #7D708C

RGB 125 112 140

HSL 267.86, 0.11%, 0.49%

LAB 49.3, 10.8, -13.45

 

CMYK 25 / 42 / 0 / 73

HEX #342845

RGB 52 40 69

HSL 264.83, 0.27%, 0.21%

LAB 18.7, 12.69, -16.17

 

CMYK 30 / 56 / 0 / 80

HEX #231632

RGB 35 22 50

HSL 267.86, 0.39%, 0.14%

LAB 10.27, 13.72, -16.17

 

CMYK 42 / 87 / 0 / 88

HEX #12041F

RGB 18 4 31

HSL 271.11, 0.77%, 0.07%

LAB 2.84, 9.89, -13.56

 

CMYK 92 / 100 / 0 / 95

HEX #01000C

RGB 1 0 12

HSL 245, 1%, 0.02%

LAB 0.3, 1.95, -4.49

 

CMYK 25 / 43 / 0 / 73

HEX #332744

RGB 51 39 68

HSL 264.83, 0.27%, 0.21%

LAB 18.24, 12.74, -16.21

 

CMYK 15 / 43 / 0 / 73

HEX #3A2744

RGB 58 39 68

HSL 279.31, 0.27%, 0.21%

LAB 19.09, 15.32, -14.83

 

CMYK 3 / 43 / 0 / 73

HEX #422744

RGB 66 39 68

HSL 295.86, 0.27%, 0.21%

LAB 20.15, 18.32, -13.1

 

CMYK 0 / 43 / 10 / 73

HEX #44273D

RGB 68 39 61

HSL 314.48, 0.27%, 0.21%

LAB 20.11, 17.56, -8.34

 

CMYK 0 / 43 / 22 / 73

HEX #442735

RGB 68 39 53

HSL 331.03, 0.27%, 0.21%

LAB 19.79, 15.98, -3.29

 

CMYK 25 / 43 / 0 / 73

HEX #332744

RGB 51 39 68

HSL 264.83, 0.27%, 0.21%

LAB 18.24, 12.74, -16.21

 

CMYK 37 / 43 / 0 / 73

HEX #2B2744

RGB 43 39 68

HSL 248.28, 0.27%, 0.21%

LAB 17.38, 9.92, -17.63

 

CMYK 43 / 43 / 0 / 73

HEX #272744

RGB 39 39 68

HSL 240, 0.27%, 0.21%

LAB 16.99, 8.57, -18.27

 

CMYK 25 / 43 / 0 / 73

HEX #332744

RGB 51 39 68

HSL 264.83, 0.27%, 0.21%

LAB 18.24, 12.74, -16.21

 

CMYK 36 / 61 / 0 / 70

HEX #311E4C

RGB 49 30 76

HSL 264.78, 0.43%, 0.21%

LAB 16.02, 20.62, -25.23

 

CMYK 44 / 75 / 0 / 67

HEX #301555

RGB 48 21 85

HSL 265.31, 0.6%, 0.21%

LAB 14.52, 28.68, -33.79

 

CMYK 51 / 86 / 0 / 63

HEX #2E0D5E

RGB 46 13 94

HSL 264.44, 0.76%, 0.21%

LAB 13.69, 34.99, -41.22

 

CMYK 56 / 96 / 0 / 60

HEX #2D0466

RGB 45 4 102

HSL 265.1, 0.92%, 0.21%

LAB 13.25, 40.63, -47.26

 

CMYK 25 / 43 / 0 / 73

HEX #332744

RGB 51 39 68

HSL 264.83, 0.27%, 0.21%

LAB 18.24, 12.74, -16.21

 

CMYK 12 / 20 / 0 / 77

HEX #342F3B

RGB 52 47 59

HSL 265, 0.11%, 0.21%

LAB 20.36, 5.11, -6.78

 

CMYK 4 / 0 / 11 / 78

HEX #363832

RGB 54 56 50

HSL 80, 0.06%, 0.21%

LAB 23.15, -2.21, 3.45

 

CMYK 15 / 0 / 35 / 75

HEX #37412A

RGB 55 65 42

HSL 86.09, 0.21%, 0.21%

LAB 26.04, -8.99, 12.72

 

CMYK 22 / 0 / 55 / 71

HEX #394921

RGB 57 73 33

HSL 84, 0.38%, 0.21%

LAB 28.76, -14.15, 21.73

 

CMYK 43 / 38 / 0 / 73

HEX #272A44

RGB 39 42 68

HSL 233.79, 0.27%, 0.21%

LAB 17.94, 6.42, -16.78

 

CMYK 38 / 43 / 0 / 73

HEX #2A2744

RGB 42 39 68

HSL 246.21, 0.27%, 0.21%

LAB 17.28, 9.58, -17.8

 

CMYK 26 / 43 / 0 / 73

HEX #322744

RGB 50 39 68

HSL 262.76, 0.27%, 0.21%

LAB 18.13, 12.38, -16.4

 

CMYK 15 / 43 / 0 / 73

HEX #3A2744

RGB 58 39 68

HSL 279.31, 0.27%, 0.21%

LAB 19.09, 15.32, -14.83

 

CMYK 3 / 43 / 0 / 73

HEX #422744

RGB 66 39 68

HSL 295.86, 0.27%, 0.21%

LAB 20.15, 18.32, -13.1

 

CMYK 27 / 47 / 0 / 94

HEX #0B080F

RGB 11 8 15

HSL 265.71, 0.3%, 0.05%

LAB 2.52, 1.87, -2.65

 

CMYK 24 / 41 / 0 / 84

HEX #1F1829

RGB 31 24 41

HSL 264.71, 0.26%, 0.13%

LAB 9.83, 7.97, -10.28

 

CMYK 25 / 43 / 0 / 73

HEX #332744

RGB 51 39 68

HSL 264.83, 0.27%, 0.21%

LAB 18.24, 12.74, -16.21

 

CMYK 26 / 43 / 0 / 63

HEX #46365E

RGB 70 54 94

HSL 264, 0.27%, 0.29%

LAB 26.01, 16.52, -21.28

 

CMYK 25 / 43 / 0 / 53

HEX #5A4578

RGB 90 69 120

HSL 264.71, 0.27%, 0.37%

LAB 33.53, 20.43, -25.89

 

CMYK 25 / 42 / 0 / 73

HEX #342845

RGB 52 40 69

HSL 264.83, 0.27%, 0.21%

LAB 18.7, 12.69, -16.17

 

CMYK 0 / 43 / 26 / 73

HEX #442732

RGB 68 39 50

HSL 337.24, 0.27%, 0.21%

LAB 19.68, 15.43, -1.37

 

CMYK 43 / 0 / 43 / 73

HEX #274427

RGB 39 68 39

HSL 120, 0.27%, 0.21%

LAB 25.9, -17.98, 14.23

 

CMYK 25 / 42 / 0 / 73

HEX #342845

RGB 52 40 69

HSL 264.83, 0.27%, 0.21%

LAB 18.7, 12.69, -16.17

 

CMYK 0 / 26 / 43 / 73

HEX #443227

RGB 68 50 39

HSL 22.76, 0.27%, 0.21%

LAB 22.5, 6.36, 10.15

 

CMYK 43 / 0 / 26 / 73

HEX #274432

RGB 39 68 50

HSL 142.76, 0.27%, 0.21%

LAB 26.15, -15.64, 7.54

 

CMYK 25 / 42 / 0 / 73

HEX #342845

RGB 52 40 69

HSL 264.83, 0.27%, 0.21%

LAB 18.7, 12.69, -16.17

 

CMYK 0 / 43 / 26 / 73

HEX #442732

RGB 68 39 50

HSL 337.24, 0.27%, 0.21%

LAB 19.68, 15.43, -1.37

 

CMYK 18 / 0 / 43 / 73

HEX #384427

RGB 56 68 39

HSL 84.83, 0.27%, 0.21%

LAB 27.08, -10.84, 16

 

CMYK 43 / 0 / 18 / 73

HEX #274438

RGB 39 68 56

HSL 155.17, 0.27%, 0.21%

LAB 26.31, -14.17, 3.86

 

CMYK 25 / 42 / 0 / 73

HEX #342845

RGB 52 40 69

HSL 264.83, 0.27%, 0.21%

LAB 18.7, 12.69, -16.17

 

CMYK 0 / 43 / 40 / 73

HEX #442729

RGB 68 39 41

HSL 355.86, 0.27%, 0.21%

LAB 19.39, 13.95, 4.47

 

CMYK 18 / 0 / 43 / 73

HEX #384427

RGB 56 68 39

HSL 84.83, 0.27%, 0.21%

LAB 27.08, -10.84, 16

 

CMYK 43 / 0 / 4 / 73

HEX #274441

RGB 39 68 65

HSL 173.79, 0.27%, 0.21%

LAB 26.58, -11.72, -1.63

 

Description

Color code: HEX #342845 | qconv.com Color code: HEX #342845 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 40 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 40 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 42 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 42% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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