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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #342B43 it is the complementary color #CBD4BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #342B43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #342B43 shade: #392B3E, #4A3D51, #5B4F64, #6C6177 and #7D738A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #342B43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #342B43 shade: #342B43, #231930, #12071D and #01000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #342B43 shade: #352B44, #3B2B44, #422B44, #442B3F and #442B39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #342B43 shade: #352B44, #2E2B44 and #2B2B44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #342B43 shade matches the following richer shades: #352B44, #32224D, #301956, #2E105F and #2B0768

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #342B43 shade: #352B44, #37343B, #393D32, #3B4629 and #3E5020

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #342B43 shade: #2B2F44, #2E2B44, #342B44, #3B2B44 and #412B44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #342B43 shade: #0E0B12, #211B2B, #352B44, #483B5D and #5C4B76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #342B43 shade: #342B43, #442B36 and #2C442B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #342B43 shade: #342B43, #44342B and #2B4434

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #342B43 shade: #342B43, #442B36, #3B442B and #2B4439

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #342B43 shade: #342B43, #442B2F, #3B442B and #2B4441

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 36 / 0 / 74

HEX #342B43

RGB 52 43 67

HSL 262.5, 0.22%, 0.22%

LAB 19.49, 10.04, -13.59

 

Complementary color

CMYK 4 / 0 / 11 / 17

HEX #CBD4BC

RGB 203 212 188

HSL 82.5, 0.22%, 0.78%

LAB 83.66, -7.31, 10.83

 

CMYK 8 / 31 / 0 / 76

HEX #392B3E

RGB 57 43 62

HSL 284.21, 0.18%, 0.21%

LAB 19.82, 10.67, -9.59

 

CMYK 9 / 25 / 0 / 68

HEX #4A3D51

RGB 74 61 81

HSL 279, 0.14%, 0.28%

LAB 27.81, 10, -9.97

 

CMYK 9 / 21 / 0 / 61

HEX #5B4F64

RGB 91 79 100

HSL 274.29, 0.12%, 0.35%

LAB 35.47, 9.45, -10.36

 

CMYK 9 / 18 / 0 / 53

HEX #6C6177

RGB 108 97 119

HSL 270, 0.1%, 0.42%

LAB 42.87, 8.98, -10.75

 

CMYK 9 / 17 / 0 / 46

HEX #7D738A

RGB 125 115 138

HSL 266.09, 0.09%, 0.5%

LAB 50.05, 8.57, -11.15

 

CMYK 22 / 36 / 0 / 74

HEX #342B43

RGB 52 43 67

HSL 262.5, 0.22%, 0.22%

LAB 19.49, 10.04, -13.59

 

CMYK 27 / 48 / 0 / 81

HEX #231930

RGB 35 25 48

HSL 266.09, 0.32%, 0.14%

LAB 11.04, 10.92, -13.51

 

CMYK 38 / 76 / 0 / 89

HEX #12071D

RGB 18 7 29

HSL 270, 0.61%, 0.07%

LAB 3.34, 8.04, -11.23

 

CMYK 90 / 100 / 0 / 96

HEX #01000A

RGB 1 0 10

HSL 246, 1%, 0.02%

LAB 0.26, 1.65, -3.69

 

CMYK 22 / 37 / 0 / 73

HEX #352B44

RGB 53 43 68

HSL 264, 0.23%, 0.22%

LAB 19.65, 10.7, -14.01

 

CMYK 13 / 37 / 0 / 73

HEX #3B2B44

RGB 59 43 68

HSL 278.4, 0.23%, 0.22%

LAB 20.34, 12.98, -12.88

 

CMYK 3 / 37 / 0 / 73

HEX #422B44

RGB 66 43 68

HSL 295.2, 0.23%, 0.22%

LAB 21.22, 15.69, -11.46

 

CMYK 0 / 37 / 7 / 73

HEX #442B3F

RGB 68 43 63

HSL 312, 0.23%, 0.22%

LAB 21.27, 15.37, -7.96

 

CMYK 0 / 37 / 16 / 73

HEX #442B39

RGB 68 43 57

HSL 326.4, 0.23%, 0.22%

LAB 21.03, 14.12, -4.21

 

CMYK 22 / 37 / 0 / 73

HEX #352B44

RGB 53 43 68

HSL 264, 0.23%, 0.22%

LAB 19.65, 10.7, -14.01

 

CMYK 32 / 37 / 0 / 73

HEX #2E2B44

RGB 46 43 68

HSL 247.2, 0.23%, 0.22%

LAB 18.91, 8.13, -15.21

 

CMYK 37 / 37 / 0 / 73

HEX #2B2B44

RGB 43 43 68

HSL 240, 0.23%, 0.22%

LAB 18.62, 7.07, -15.68

 

CMYK 22 / 37 / 0 / 73

HEX #352B44

RGB 53 43 68

HSL 264, 0.23%, 0.22%

LAB 19.65, 10.7, -14.01

 

CMYK 35 / 56 / 0 / 70

HEX #32224D

RGB 50 34 77

HSL 262.33, 0.39%, 0.22%

LAB 17.26, 18.52, -23.92

 

CMYK 44 / 71 / 0 / 66

HEX #301956

RGB 48 25 86

HSL 262.62, 0.55%, 0.22%

LAB 15.46, 26.61, -32.93

 

CMYK 52 / 83 / 0 / 63

HEX #2E105F

RGB 46 16 95

HSL 262.78, 0.71%, 0.22%

LAB 14.27, 33.89, -40.93

 

CMYK 59 / 93 / 0 / 59

HEX #2B0768

RGB 43 7 104

HSL 262.27, 0.87%, 0.22%

LAB 13.62, 39.79, -47.99

 

CMYK 22 / 37 / 0 / 73

HEX #352B44

RGB 53 43 68

HSL 264, 0.23%, 0.22%

LAB 19.65, 10.7, -14.01

 

CMYK 7 / 12 / 0 / 77

HEX #37343B

RGB 55 52 59

HSL 265.71, 0.06%, 0.22%

LAB 22.25, 2.96, -3.92

 

CMYK 7 / 0 / 18 / 76

HEX #393D32

RGB 57 61 50

HSL 81.82, 0.1%, 0.22%

LAB 25.07, -4.1, 6.22

 

CMYK 16 / 0 / 41 / 73

HEX #3B4629

RGB 59 70 41

HSL 82.76, 0.26%, 0.22%

LAB 28.03, -10.35, 16.04

 

CMYK 23 / 0 / 60 / 69

HEX #3E5020

RGB 62 80 32

HSL 82.5, 0.43%, 0.22%

LAB 31.5, -15.95, 25.65

 

CMYK 37 / 31 / 0 / 73

HEX #2B2F44

RGB 43 47 68

HSL 230.4, 0.23%, 0.22%

LAB 19.9, 4.26, -13.7

 

CMYK 32 / 37 / 0 / 73

HEX #2E2B44

RGB 46 43 68

HSL 247.2, 0.23%, 0.22%

LAB 18.91, 8.13, -15.21

 

CMYK 24 / 37 / 0 / 73

HEX #342B44

RGB 52 43 68

HSL 261.6, 0.23%, 0.22%

LAB 19.54, 10.32, -14.19

 

CMYK 13 / 37 / 0 / 73

HEX #3B2B44

RGB 59 43 68

HSL 278.4, 0.23%, 0.22%

LAB 20.34, 12.98, -12.88

 

CMYK 4 / 37 / 0 / 73

HEX #412B44

RGB 65 43 68

HSL 292.8, 0.23%, 0.22%

LAB 21.09, 15.3, -11.67

 

CMYK 22 / 39 / 0 / 93

HEX #0E0B12

RGB 14 11 18

HSL 265.71, 0.24%, 0.06%

LAB 3.4, 2.14, -3.05

 

CMYK 23 / 37 / 0 / 83

HEX #211B2B

RGB 33 27 43

HSL 262.5, 0.23%, 0.14%

LAB 11.15, 7.14, -9.71

 

CMYK 22 / 37 / 0 / 73

HEX #352B44

RGB 53 43 68

HSL 264, 0.23%, 0.22%

LAB 19.65, 10.7, -14.01

 

CMYK 23 / 37 / 0 / 64

HEX #483B5D

RGB 72 59 93

HSL 262.94, 0.22%, 0.3%

LAB 27.56, 13.64, -18.18

 

CMYK 22 / 36 / 0 / 54

HEX #5C4B76

RGB 92 75 118

HSL 263.72, 0.22%, 0.38%

LAB 35.23, 16.77, -21.97

 

CMYK 22 / 36 / 0 / 74

HEX #342B43

RGB 52 43 67

HSL 262.5, 0.22%, 0.22%

LAB 19.49, 10.04, -13.59

 

CMYK 0 / 37 / 21 / 73

HEX #442B36

RGB 68 43 54

HSL 333.6, 0.23%, 0.22%

LAB 20.92, 13.54, -2.31

 

CMYK 35 / 0 / 37 / 73

HEX #2C442B

RGB 44 68 43

HSL 117.6, 0.23%, 0.22%

LAB 26.29, -15.26, 12.27

 

CMYK 22 / 36 / 0 / 74

HEX #342B43

RGB 52 43 67

HSL 262.5, 0.22%, 0.22%

LAB 19.49, 10.04, -13.59

 

CMYK 0 / 24 / 37 / 73

HEX #44342B

RGB 68 52 43

HSL 21.6, 0.23%, 0.22%

LAB 23.2, 5.64, 8.43

 

CMYK 37 / 0 / 24 / 73

HEX #2B4434

RGB 43 68 52

HSL 141.6, 0.23%, 0.22%

LAB 26.44, -13.71, 6.68

 

CMYK 22 / 36 / 0 / 74

HEX #342B43

RGB 52 43 67

HSL 262.5, 0.22%, 0.22%

LAB 19.49, 10.04, -13.59

 

CMYK 0 / 37 / 21 / 73

HEX #442B36

RGB 68 43 54

HSL 333.6, 0.23%, 0.22%

LAB 20.92, 13.54, -2.31

 

CMYK 13 / 0 / 37 / 73

HEX #3B442B

RGB 59 68 43

HSL 81.6, 0.23%, 0.22%

LAB 27.4, -8.83, 13.96

 

CMYK 37 / 0 / 16 / 73

HEX #2B4439

RGB 43 68 57

HSL 153.6, 0.23%, 0.22%

LAB 26.57, -12.5, 3.62

 

CMYK 22 / 36 / 0 / 74

HEX #342B43

RGB 52 43 67

HSL 262.5, 0.22%, 0.22%

LAB 19.49, 10.04, -13.59

 

CMYK 0 / 37 / 31 / 73

HEX #442B2F

RGB 68 43 47

HSL 350.4, 0.23%, 0.22%

LAB 20.68, 12.27, 2.16

 

CMYK 13 / 0 / 37 / 73

HEX #3B442B

RGB 59 68 43

HSL 81.6, 0.23%, 0.22%

LAB 27.4, -8.83, 13.96

 

CMYK 37 / 0 / 4 / 73

HEX #2B4441

RGB 43 68 65

HSL 172.8, 0.23%, 0.22%

LAB 26.82, -10.39, -1.25

 

Description

Color code: HEX #342B43 | qconv.com Color code: HEX #342B43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 43 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 43 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 36 magenta, none yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 36% 0% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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