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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #343E87 it is the complementary color #CBC178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #343E87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #343E87 shade: #393E82, #4A5095, #5B62A8, #6C74BB and #7D86CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #343E87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #343E87 shade: #343E87, #232C74, #121A61, #01084E and #00003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #343E87 shade: #343E87, #413487, #573487, #6E3487 and #843487

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #343E87 shade: #343E87 and #343487

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #343E87 shade matches the following richer shades: #343E87, #253397, #1627A6 and #071CB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #343E87 shade: #343E87, #444A78, #535669, #62615A and #716D4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #343E87 shade: #346C87, #345687, #343F87, #3F3487 and #563487

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #343E87 shade: #1D234C, #29316A, #343E87, #404CA5 and #535FBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #343E87 shade: #343E87, #873482 and #618734

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #343E87 shade: #343E87, #87343F and #3F8734

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #343E87 shade: #343E87, #873482, #877C34 and #34873A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #343E87 shade: #343E87, #873469, #877C34 and #348753

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 54 / 0 / 47

HEX #343E87

RGB 52 62 135

HSL 232.77, 0.44%, 0.37%

LAB 29.22, 19.65, -42.29

 

Complementary color

CMYK 0 / 5 / 41 / 20

HEX #CBC178

RGB 203 193 120

HSL 52.77, 0.44%, 0.63%

LAB 77.4, -6.93, 37.97

 

CMYK 56 / 52 / 0 / 49

HEX #393E82

RGB 57 62 130

HSL 235.89, 0.39%, 0.37%

LAB 29.23, 18.93, -39.15

 

CMYK 50 / 46 / 0 / 42

HEX #4A5095

RGB 74 80 149

HSL 235.2, 0.34%, 0.44%

LAB 36.67, 17.48, -38.82

 

CMYK 46 / 42 / 0 / 34

HEX #5B62A8

RGB 91 98 168

HSL 234.55, 0.31%, 0.51%

LAB 43.93, 16.33, -38.57

 

CMYK 42 / 38 / 0 / 27

HEX #6C74BB

RGB 108 116 187

HSL 233.92, 0.37%, 0.58%

LAB 51, 15.39, -38.38

 

CMYK 39 / 35 / 0 / 19

HEX #7D86CE

RGB 125 134 206

HSL 233.33, 0.45%, 0.65%

LAB 57.91, 14.6, -38.25

 

CMYK 61 / 54 / 0 / 47

HEX #343E87

RGB 52 62 135

HSL 232.77, 0.44%, 0.37%

LAB 29.22, 19.65, -42.29

 

CMYK 70 / 62 / 0 / 55

HEX #232C74

RGB 35 44 116

HSL 233.33, 0.54%, 0.3%

LAB 21.65, 21.83, -42.64

 

CMYK 81 / 73 / 0 / 62

HEX #121A61

RGB 18 26 97

HSL 233.92, 0.69%, 0.23%

LAB 14, 24.66, -42.8

 

CMYK 99 / 90 / 0 / 69

HEX #01084E

RGB 1 8 78

HSL 234.55, 0.97%, 0.15%

LAB 6.6, 27.31, -42.18

 

CMYK 100 / 100 / 0 / 77

HEX #00003B

RGB 0 0 59

HSL 240, 1%, 0.12%

LAB 2.85, 20.04, -34.84

 

CMYK 61 / 54 / 0 / 47

HEX #343E87

RGB 52 62 135

HSL 232.77, 0.44%, 0.37%

LAB 29.22, 19.65, -42.29

 

CMYK 52 / 61 / 0 / 47

HEX #413487

RGB 65 52 135

HSL 249.4, 0.44%, 0.37%

LAB 27.65, 28.95, -44.77

 

CMYK 36 / 61 / 0 / 47

HEX #573487

RGB 87 52 135

HSL 265.3, 0.44%, 0.37%

LAB 29.99, 34.07, -40.88

 

CMYK 19 / 61 / 0 / 47

HEX #6E3487

RGB 110 52 135

HSL 281.93, 0.44%, 0.37%

LAB 32.96, 40, -35.95

 

CMYK 2 / 61 / 0 / 47

HEX #843487

RGB 132 52 135

HSL 297.83, 0.44%, 0.37%

LAB 36.2, 45.92, -30.62

 

CMYK 61 / 54 / 0 / 47

HEX #343E87

RGB 52 62 135

HSL 232.77, 0.44%, 0.37%

LAB 29.22, 19.65, -42.29

 

CMYK 61 / 61 / 0 / 47

HEX #343487

RGB 52 52 135

HSL 240, 0.44%, 0.37%

LAB 26.55, 26.35, -46.61

 

CMYK 61 / 54 / 0 / 47

HEX #343E87

RGB 52 62 135

HSL 232.77, 0.44%, 0.37%

LAB 29.22, 19.65, -42.29

 

CMYK 75 / 66 / 0 / 41

HEX #253397

RGB 37 51 151

HSL 232.63, 0.61%, 0.37%

LAB 26.72, 30.63, -56.26

 

CMYK 87 / 77 / 0 / 35

HEX #1627A6

RGB 22 39 166

HSL 232.92, 0.77%, 0.37%

LAB 24.87, 42.39, -68.46

 

CMYK 96 / 85 / 0 / 29

HEX #071CB5

RGB 7 28 181

HSL 232.76, 0.93%, 0.37%

LAB 24.36, 52.6, -78.35

 

CMYK 61 / 54 / 0 / 47

HEX #343E87

RGB 52 62 135

HSL 232.77, 0.44%, 0.37%

LAB 29.22, 19.65, -42.29

 

CMYK 43 / 38 / 0 / 53

HEX #444A78

RGB 68 74 120

HSL 233.08, 0.28%, 0.37%

LAB 32.88, 10.44, -27.05

 

CMYK 21 / 18 / 0 / 59

HEX #535669

RGB 83 86 105

HSL 231.82, 0.12%, 0.37%

LAB 36.96, 3.33, -11.3

 

CMYK 0 / 1 / 8 / 62

HEX #62615A

RGB 98 97 90

HSL 52.5, 0.04%, 0.37%

LAB 41.03, -1.01, 4.13

 

CMYK 0 / 4 / 35 / 56

HEX #716D4A

RGB 113 109 74

HSL 53.85, 0.21%, 0.37%

LAB 45.56, -4.35, 20.15

 

CMYK 61 / 20 / 0 / 47

HEX #346C87

RGB 52 108 135

HSL 199.52, 0.44%, 0.37%

LAB 43.07, -9.83, -20.43

 

CMYK 61 / 36 / 0 / 47

HEX #345687

RGB 52 86 135

HSL 215.42, 0.44%, 0.37%

LAB 36.24, 3.7, -31.08

 

CMYK 61 / 53 / 0 / 47

HEX #343F87

RGB 52 63 135

HSL 232.05, 0.44%, 0.37%

LAB 29.5, 18.98, -41.84

 

CMYK 53 / 61 / 0 / 47

HEX #3F3487

RGB 63 52 135

HSL 247.95, 0.44%, 0.37%

LAB 27.47, 28.52, -45.08

 

CMYK 36 / 61 / 0 / 47

HEX #563487

RGB 86 52 135

HSL 264.58, 0.44%, 0.37%

LAB 29.87, 33.82, -41.08

 

CMYK 62 / 54 / 0 / 70

HEX #1D234C

RGB 29 35 76

HSL 232.34, 0.45%, 0.21%

LAB 15.41, 11.55, -26.32

 

CMYK 61 / 54 / 0 / 58

HEX #29316A

RGB 41 49 106

HSL 232.62, 0.44%, 0.29%

LAB 22.68, 15.66, -34.51

 

CMYK 61 / 54 / 0 / 47

HEX #343E87

RGB 52 62 135

HSL 232.77, 0.44%, 0.37%

LAB 29.22, 19.65, -42.29

 

CMYK 61 / 54 / 0 / 35

HEX #404CA5

RGB 64 76 165

HSL 232.87, 0.44%, 0.45%

LAB 35.94, 23.36, -49.67

 

CMYK 56 / 49 / 0 / 26

HEX #535FBC

RGB 83 95 188

HSL 233.14, 0.44%, 0.53%

LAB 43.73, 22.78, -50.62

 

CMYK 61 / 54 / 0 / 47

HEX #343E87

RGB 52 62 135

HSL 232.77, 0.44%, 0.37%

LAB 29.22, 19.65, -42.29

 

CMYK 0 / 61 / 4 / 47

HEX #873482

RGB 135 52 130

HSL 303.61, 0.44%, 0.37%

LAB 36.4, 45.82, -27.18

 

CMYK 28 / 0 / 61 / 47

HEX #618734

RGB 97 135 52

HSL 87.47, 0.44%, 0.37%

LAB 51.97, -27.58, 39.5

 

CMYK 61 / 54 / 0 / 47

HEX #343E87

RGB 52 62 135

HSL 232.77, 0.44%, 0.37%

LAB 29.22, 19.65, -42.29

 

CMYK 0 / 61 / 53 / 47

HEX #87343F

RGB 135 52 63

HSL 352.05, 0.44%, 0.37%

LAB 33.91, 36.51, 11.67

 

CMYK 53 / 0 / 61 / 47

HEX #3F8734

RGB 63 135 52

HSL 112.05, 0.44%, 0.37%

LAB 50.25, -39.48, 37.09

 

CMYK 61 / 54 / 0 / 47

HEX #343E87

RGB 52 62 135

HSL 232.77, 0.44%, 0.37%

LAB 29.22, 19.65, -42.29

 

CMYK 0 / 61 / 4 / 47

HEX #873482

RGB 135 52 130

HSL 303.61, 0.44%, 0.37%

LAB 36.4, 45.82, -27.18

 

CMYK 0 / 8 / 61 / 47

HEX #877C34

RGB 135 124 52

HSL 52.05, 0.44%, 0.37%

LAB 51.63, -5.33, 39.93

 

CMYK 61 / 0 / 57 / 47

HEX #34873A

RGB 52 135 58

HSL 124.34, 0.44%, 0.37%

LAB 49.93, -41.69, 33.65

 

CMYK 61 / 54 / 0 / 47

HEX #343E87

RGB 52 62 135

HSL 232.77, 0.44%, 0.37%

LAB 29.22, 19.65, -42.29

 

CMYK 0 / 61 / 22 / 47

HEX #873469

RGB 135 52 105

HSL 321.69, 0.44%, 0.37%

LAB 35.26, 41.67, -13.3

 

CMYK 0 / 8 / 61 / 47

HEX #877C34

RGB 135 124 52

HSL 52.05, 0.44%, 0.37%

LAB 51.63, -5.33, 39.93

 

CMYK 61 / 0 / 39 / 47

HEX #348753

RGB 52 135 83

HSL 142.41, 0.44%, 0.37%

LAB 50.31, -37.53, 20.69

 

Description

Color code: HEX #343E87 | qconv.com Color code: HEX #343E87 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 62 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 62 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 54 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 54% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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