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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #343F2E it is the complementary color #CBC0D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #343F2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #343F2E shade: #393F29, #4A513C, #5B634F, #6C7562 and #7D8775

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #343F2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #343F2E shade: #343F2E, #232D1B, #121B08 and #010900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #343F2E shade: #333E2C, #373E2C, #3C3E2C, #3E3B2C and #3E362C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #343F2E shade: #333E2C, #2E3E2C, #2C3E30, #2C3E34 and #2C3E39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #343F2E shade matches the following richer shades: #333E2C, #304624, #2D4F1B, #2B5812 and #28600A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #343F2E shade: #333E2C, #353535, #382C3E, #3A2446 and #3D1B4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #343F2E shade: #3C3E2C, #373E2C, #333E2C, #2E3E2C and #2C3E2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #343F2E shade: #0B0E0A, #1F261B, #333E2C, #46563E and #5A6D4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #343F2E shade: #343F2E, #2C3E3B and #3E2C3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #343F2E shade: #343F2E, #2C333E and #3E2C33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #343F2E shade: #343F2E, #2C3E3B, #372C3E and #3E2C2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #343F2E shade: #343F2E, #2C3B3E, #372C3E and #3E2F2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 27 / 75

HEX #343F2E

RGB 52 63 46

HSL 98.82, 0.16%, 0.21%

LAB 25.21, -8.36, 8.97

 

Complementary color

CMYK 3 / 8 / 0 / 18

HEX #CBC0D1

RGB 203 192 209

HSL 278.82, 0.16%, 0.79%

LAB 79.04, 6.96, -7.12

 

CMYK 10 / 0 / 35 / 75

HEX #393F29

RGB 57 63 41

HSL 76.36, 0.21%, 0.2%

LAB 25.52, -7.02, 12.7

 

CMYK 9 / 0 / 26 / 68

HEX #4A513C

RGB 74 81 60

HSL 80, 0.15%, 0.28%

LAB 33.28, -7.08, 11.45

 

CMYK 8 / 0 / 20 / 61

HEX #5B634F

RGB 91 99 79

HSL 84, 0.11%, 0.35%

LAB 40.76, -7.13, 10.34

 

CMYK 8 / 0 / 16 / 54

HEX #6C7562

RGB 108 117 98

HSL 88.42, 0.09%, 0.42%

LAB 48, -7.16, 9.35

 

CMYK 7 / 0 / 13 / 47

HEX #7D8775

RGB 125 135 117

HSL 93.33, 0.07%, 0.49%

LAB 55.04, -7.19, 8.44

 

CMYK 17 / 0 / 27 / 75

HEX #343F2E

RGB 52 63 46

HSL 98.82, 0.16%, 0.21%

LAB 25.21, -8.36, 8.97

 

CMYK 22 / 0 / 40 / 82

HEX #232D1B

RGB 35 45 27

HSL 93.33, 0.25%, 0.14%

LAB 17.05, -8.47, 10.28

 

CMYK 33 / 0 / 70 / 89

HEX #121B08

RGB 18 27 8

HSL 88.42, 0.54%, 0.07%

LAB 8.39, -8.11, 9.14

 

CMYK 89 / 0 / 100 / 96

HEX #010900

RGB 1 9 0

HSL 113.33, 1%, 0.02%

LAB 1.82, -3.34, 2.67

 

CMYK 18 / 0 / 29 / 76

HEX #333E2C

RGB 51 62 44

HSL 96.67, 0.17%, 0.21%

LAB 24.74, -8.57, 9.61

 

CMYK 11 / 0 / 29 / 76

HEX #373E2C

RGB 55 62 44

HSL 83.33, 0.17%, 0.21%

LAB 25.07, -6.78, 10.13

 

CMYK 3 / 0 / 29 / 76

HEX #3C3E2C

RGB 60 62 44

HSL 66.67, 0.17%, 0.21%

LAB 25.53, -4.49, 10.82

 

CMYK 0 / 5 / 29 / 76

HEX #3E3B2C

RGB 62 59 44

HSL 50, 0.17%, 0.21%

LAB 24.75, -1.64, 9.79

 

CMYK 0 / 13 / 29 / 76

HEX #3E362C

RGB 62 54 44

HSL 33.33, 0.17%, 0.21%

LAB 23.15, 1.62, 7.59

 

CMYK 18 / 0 / 29 / 76

HEX #333E2C

RGB 51 62 44

HSL 96.67, 0.17%, 0.21%

LAB 24.74, -8.57, 9.61

 

CMYK 26 / 0 / 29 / 76

HEX #2E3E2C

RGB 46 62 44

HSL 113.33, 0.17%, 0.21%

LAB 24.35, -10.73, 9.02

 

CMYK 29 / 0 / 23 / 76

HEX #2C3E30

RGB 44 62 48

HSL 133.33, 0.17%, 0.21%

LAB 24.3, -10.69, 6.31

 

CMYK 29 / 0 / 16 / 76

HEX #2C3E34

RGB 44 62 52

HSL 146.67, 0.17%, 0.21%

LAB 24.41, -9.75, 3.83

 

CMYK 29 / 0 / 8 / 76

HEX #2C3E39

RGB 44 62 57

HSL 163.33, 0.17%, 0.21%

LAB 24.56, -8.5, 0.73

 

CMYK 18 / 0 / 29 / 76

HEX #333E2C

RGB 51 62 44

HSL 96.67, 0.17%, 0.21%

LAB 24.74, -8.57, 9.61

 

CMYK 31 / 0 / 49 / 73

HEX #304624

RGB 48 70 36

HSL 98.82, 0.32%, 0.21%

LAB 27.12, -15.98, 17.77

 

CMYK 43 / 0 / 66 / 69

HEX #2D4F1B

RGB 45 79 27

HSL 99.23, 0.49%, 0.21%

LAB 29.98, -23.19, 26.3

 

CMYK 51 / 0 / 80 / 65

HEX #2B5812

RGB 43 88 18

HSL 98.57, 0.66%, 0.21%

LAB 33, -29.05, 33.68

 

CMYK 58 / 0 / 90 / 62

HEX #28600A

RGB 40 96 10

HSL 99.07, 0.81%, 0.21%

LAB 35.67, -33.98, 38.87

 

CMYK 18 / 0 / 29 / 76

HEX #333E2C

RGB 51 62 44

HSL 96.67, 0.17%, 0.21%

LAB 24.74, -8.57, 9.61

 

CMYK 0 / 0 / 0 / 79

HEX #353535

RGB 53 53 53

HSL 0, 0%, 0.21%

LAB 22.16, 0, -0

 

CMYK 10 / 29 / 0 / 76

HEX #382C3E

RGB 56 44 62

HSL 280, 0.17%, 0.21%

LAB 20, 9.58, -9.33

 

CMYK 17 / 49 / 0 / 73

HEX #3A2446

RGB 58 36 70

HSL 278.82, 0.32%, 0.21%

LAB 18.38, 17.86, -17.31

 

CMYK 23 / 66 / 0 / 69

HEX #3D1B4F

RGB 61 27 79

HSL 279.23, 0.49%, 0.21%

LAB 17.18, 26.86, -25.33

 

CMYK 3 / 0 / 29 / 76

HEX #3C3E2C

RGB 60 62 44

HSL 66.67, 0.17%, 0.21%

LAB 25.53, -4.49, 10.82

 

CMYK 11 / 0 / 29 / 76

HEX #373E2C

RGB 55 62 44

HSL 83.33, 0.17%, 0.21%

LAB 25.07, -6.78, 10.13

 

CMYK 18 / 0 / 29 / 76

HEX #333E2C

RGB 51 62 44

HSL 96.67, 0.17%, 0.21%

LAB 24.74, -8.57, 9.61

 

CMYK 26 / 0 / 29 / 76

HEX #2E3E2C

RGB 46 62 44

HSL 113.33, 0.17%, 0.21%

LAB 24.35, -10.73, 9.02

 

CMYK 29 / 0 / 24 / 76

HEX #2C3E2F

RGB 44 62 47

HSL 130, 0.17%, 0.21%

LAB 24.28, -10.91, 6.93

 

CMYK 21 / 0 / 29 / 95

HEX #0B0E0A

RGB 11 14 10

HSL 105, 0.17%, 0.05%

LAB 3.68, -1.52, 1.37

 

CMYK 18 / 0 / 29 / 85

HEX #1F261B

RGB 31 38 27

HSL 98.18, 0.17%, 0.13%

LAB 14.15, -5.8, 6.29

 

CMYK 18 / 0 / 29 / 76

HEX #333E2C

RGB 51 62 44

HSL 96.67, 0.17%, 0.21%

LAB 24.74, -8.57, 9.61

 

CMYK 19 / 0 / 28 / 66

HEX #46563E

RGB 70 86 62

HSL 100, 0.16%, 0.29%

LAB 34.61, -11.37, 11.98

 

CMYK 17 / 0 / 28 / 57

HEX #5A6D4F

RGB 90 109 79

HSL 98, 0.16%, 0.37%

LAB 43.76, -13.23, 14.49

 

CMYK 17 / 0 / 27 / 75

HEX #343F2E

RGB 52 63 46

HSL 98.82, 0.16%, 0.21%

LAB 25.21, -8.36, 8.97

 

CMYK 29 / 0 / 5 / 76

HEX #2C3E3B

RGB 44 62 59

HSL 170, 0.17%, 0.21%

LAB 24.63, -7.98, -0.5

 

CMYK 0 / 29 / 6 / 76

HEX #3E2C3A

RGB 62 44 58

HSL 313.33, 0.17%, 0.21%

LAB 20.56, 11.11, -5.67

 

CMYK 17 / 0 / 27 / 75

HEX #343F2E

RGB 52 63 46

HSL 98.82, 0.16%, 0.21%

LAB 25.21, -8.36, 8.97

 

CMYK 29 / 18 / 0 / 76

HEX #2C333E

RGB 44 51 62

HSL 216.67, 0.17%, 0.21%

LAB 21.02, 0.04, -7.89

 

CMYK 0 / 29 / 18 / 76

HEX #3E2C33

RGB 62 44 51

HSL 336.67, 0.17%, 0.21%

LAB 20.3, 9.64, -1.24

 

CMYK 17 / 0 / 27 / 75

HEX #343F2E

RGB 52 63 46

HSL 98.82, 0.16%, 0.21%

LAB 25.21, -8.36, 8.97

 

CMYK 29 / 0 / 5 / 76

HEX #2C3E3B

RGB 44 62 59

HSL 170, 0.17%, 0.21%

LAB 24.63, -7.98, -0.5

 

CMYK 11 / 29 / 0 / 76

HEX #372C3E

RGB 55 44 62

HSL 276.67, 0.17%, 0.21%

LAB 19.89, 9.17, -9.52

 

CMYK 0 / 29 / 24 / 76

HEX #3E2C2F

RGB 62 44 47

HSL 350, 0.17%, 0.21%

LAB 20.17, 8.86, 1.32

 

CMYK 17 / 0 / 27 / 75

HEX #343F2E

RGB 52 63 46

HSL 98.82, 0.16%, 0.21%

LAB 25.21, -8.36, 8.97

 

CMYK 29 / 5 / 0 / 76

HEX #2C3B3E

RGB 44 59 62

HSL 190, 0.17%, 0.21%

LAB 23.71, -5.25, -3.86

 

CMYK 11 / 29 / 0 / 76

HEX #372C3E

RGB 55 44 62

HSL 276.67, 0.17%, 0.21%

LAB 19.89, 9.17, -9.52

 

CMYK 0 / 24 / 29 / 76

HEX #3E2F2C

RGB 62 47 44

HSL 10, 0.17%, 0.21%

LAB 20.98, 6.29, 4.54

 

Description

Color code: HEX #343F2E | qconv.com Color code: HEX #343F2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 63 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 63 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 27 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 27% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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