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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34476E it is the complementary color #CBB891. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34476E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34476E shade: #394769, #4A597C, #5B6B8F, #6C7DA2 and #7D8FB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34476E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34476E shade: #34476E, #23355B, #122348, #011135 and #000022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34476E shade: #34476E, #34376E, #40346E, #50346E and #60346E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34476E shade: #34476E, #34376E and #34346E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34476E shade matches the following richer shades: #34476E, #27427C, #193E89 and #0C3996

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34476E shade: #34476E, #414C61, #4E5054, #5B5547 and #69593A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34476E shade: #34676E, #34576E, #34476E, #34386E and #3F346E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34476E shade: #192336, #273552, #34476E, #41598B and #4E6BA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34476E shade: #34476E, #67346E and #5F6E34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34476E shade: #34476E, #6E3447 and #476E34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34476E shade: #34476E, #67346E, #6E5B34 and #3C6E34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34476E shade: #34476E, #6E3465, #6E5B34 and #346E3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 35 / 0 / 57

HEX #34476E

RGB 52 71 110

HSL 220.34, 0.36%, 0.32%

LAB 30.31, 4.69, -24.9

 

Complementary color

CMYK 0 / 9 / 29 / 20

HEX #CBB891

RGB 203 184 145

HSL 40.34, 0.36%, 0.68%

LAB 75.46, 0.81, 22.31

 

CMYK 46 / 32 / 0 / 59

HEX #394769

RGB 57 71 105

HSL 222.5, 0.3%, 0.32%

LAB 30.39, 4.41, -21.58

 

CMYK 40 / 28 / 0 / 51

HEX #4A597C

RGB 74 89 124

HSL 222, 0.25%, 0.39%

LAB 37.94, 3.8, -21.59

 

CMYK 36 / 25 / 0 / 44

HEX #5B6B8F

RGB 91 107 143

HSL 221.54, 0.22%, 0.46%

LAB 45.25, 3.33, -21.67

 

CMYK 33 / 23 / 0 / 36

HEX #6C7DA2

RGB 108 125 162

HSL 221.11, 0.23%, 0.53%

LAB 52.36, 2.95, -21.8

 

CMYK 31 / 21 / 0 / 29

HEX #7D8FB5

RGB 125 143 181

HSL 220.71, 0.27%, 0.6%

LAB 59.29, 2.62, -21.97

 

CMYK 53 / 35 / 0 / 57

HEX #34476E

RGB 52 71 110

HSL 220.34, 0.36%, 0.32%

LAB 30.31, 4.69, -24.9

 

CMYK 62 / 42 / 0 / 64

HEX #23355B

RGB 35 53 91

HSL 220.71, 0.44%, 0.25%

LAB 22.51, 5.79, -25.03

 

CMYK 75 / 51 / 0 / 72

HEX #122348

RGB 18 35 72

HSL 221.11, 0.6%, 0.18%

LAB 14.39, 7.5, -25.25

 

CMYK 98 / 68 / 0 / 79

HEX #011135

RGB 1 17 53

HSL 221.54, 0.96%, 0.11%

LAB 6, 9.18, -25.36

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 53 / 35 / 0 / 57

HEX #34476E

RGB 52 71 110

HSL 220.34, 0.36%, 0.32%

LAB 30.31, 4.69, -24.9

 

CMYK 53 / 50 / 0 / 57

HEX #34376E

RGB 52 55 110

HSL 236.9, 0.36%, 0.32%

LAB 25.53, 15.52, -32.47

 

CMYK 42 / 53 / 0 / 57

HEX #40346E

RGB 64 52 110

HSL 252.41, 0.36%, 0.32%

LAB 25.78, 20.73, -32.01

 

CMYK 27 / 53 / 0 / 57

HEX #50346E

RGB 80 52 110

HSL 268.97, 0.36%, 0.32%

LAB 27.54, 25.36, -29.1

 

CMYK 13 / 53 / 0 / 57

HEX #60346E

RGB 96 52 110

HSL 285.52, 0.36%, 0.32%

LAB 29.58, 30.28, -25.74

 

CMYK 53 / 35 / 0 / 57

HEX #34476E

RGB 52 71 110

HSL 220.34, 0.36%, 0.32%

LAB 30.31, 4.69, -24.9

 

CMYK 53 / 50 / 0 / 57

HEX #34376E

RGB 52 55 110

HSL 236.9, 0.36%, 0.32%

LAB 25.53, 15.52, -32.47

 

CMYK 53 / 53 / 0 / 57

HEX #34346E

RGB 52 52 110

HSL 240, 0.36%, 0.32%

LAB 24.68, 17.58, -33.84

 

CMYK 53 / 35 / 0 / 57

HEX #34476E

RGB 52 71 110

HSL 220.34, 0.36%, 0.32%

LAB 30.31, 4.69, -24.9

 

CMYK 69 / 47 / 0 / 51

HEX #27427C

RGB 39 66 124

HSL 220.94, 0.52%, 0.32%

LAB 28.86, 10.3, -36.06

 

CMYK 82 / 55 / 0 / 46

HEX #193E89

RGB 25 62 137

HSL 220.18, 0.69%, 0.32%

LAB 28, 16.25, -45.57

 

CMYK 92 / 62 / 0 / 41

HEX #0C3996

RGB 12 57 150

HSL 220.43, 0.85%, 0.32%

LAB 27.31, 24.07, -54.71

 

CMYK 53 / 35 / 0 / 57

HEX #34476E

RGB 52 71 110

HSL 220.34, 0.36%, 0.32%

LAB 30.31, 4.69, -24.9

 

CMYK 33 / 22 / 0 / 62

HEX #414C61

RGB 65 76 97

HSL 219.38, 0.2%, 0.32%

LAB 32.16, 1.22, -13.72

 

CMYK 7 / 5 / 0 / 67

HEX #4E5054

RGB 78 80 84

HSL 220, 0.04%, 0.32%

LAB 33.98, 0.09, -2.63

 

CMYK 0 / 7 / 22 / 64

HEX #5B5547

RGB 91 85 71

HSL 42, 0.12%, 0.32%

LAB 36.32, -0.18, 9.06

 

CMYK 0 / 15 / 45 / 59

HEX #69593A

RGB 105 89 58

HSL 39.57, 0.29%, 0.32%

LAB 38.64, 1.77, 20.35

 

CMYK 53 / 6 / 0 / 57

HEX #34676E

RGB 52 103 110

HSL 187.24, 0.36%, 0.32%

LAB 40.5, -14.97, -9.22

 

CMYK 53 / 21 / 0 / 57

HEX #34576E

RGB 52 87 110

HSL 203.79, 0.36%, 0.32%

LAB 35.35, -5.54, -17.06

 

CMYK 53 / 35 / 0 / 57

HEX #34476E

RGB 52 71 110

HSL 220.34, 0.36%, 0.32%

LAB 30.31, 4.69, -24.9

 

CMYK 53 / 49 / 0 / 57

HEX #34386E

RGB 52 56 110

HSL 235.86, 0.36%, 0.32%

LAB 25.82, 14.84, -32.01

 

CMYK 43 / 53 / 0 / 57

HEX #3F346E

RGB 63 52 110

HSL 251.38, 0.36%, 0.32%

LAB 25.68, 20.45, -32.18

 

CMYK 54 / 35 / 0 / 79

HEX #192336

RGB 25 35 54

HSL 219.31, 0.37%, 0.15%

LAB 13.68, 2, -13.76

 

CMYK 52 / 35 / 0 / 68

HEX #273552

RGB 39 53 82

HSL 220.47, 0.36%, 0.24%

LAB 22.26, 3.53, -19.46

 

CMYK 53 / 35 / 0 / 57

HEX #34476E

RGB 52 71 110

HSL 220.34, 0.36%, 0.32%

LAB 30.31, 4.69, -24.9

 

CMYK 53 / 36 / 0 / 45

HEX #41598B

RGB 65 89 139

HSL 220.54, 0.36%, 0.4%

LAB 38.08, 6.14, -30.57

 

CMYK 53 / 36 / 0 / 35

HEX #4E6BA7

RGB 78 107 167

HSL 220.45, 0.36%, 0.48%

LAB 45.53, 7.21, -35.5

 

CMYK 53 / 35 / 0 / 57

HEX #34476E

RGB 52 71 110

HSL 220.34, 0.36%, 0.32%

LAB 30.31, 4.69, -24.9

 

CMYK 6 / 53 / 0 / 57

HEX #67346E

RGB 103 52 110

HSL 292.76, 0.36%, 0.32%

LAB 30.56, 32.46, -24.14

 

CMYK 14 / 0 / 53 / 57

HEX #5F6E34

RGB 95 110 52

HSL 75.52, 0.36%, 0.32%

LAB 43.99, -15.55, 30.21

 

CMYK 53 / 35 / 0 / 57

HEX #34476E

RGB 52 71 110

HSL 220.34, 0.36%, 0.32%

LAB 30.31, 4.69, -24.9

 

CMYK 0 / 53 / 35 / 57

HEX #6E3447

RGB 110 52 71

HSL 340.34, 0.36%, 0.32%

LAB 29.98, 27.99, 0.31

 

CMYK 35 / 0 / 53 / 57

HEX #476E34

RGB 71 110 52

HSL 100.34, 0.36%, 0.32%

LAB 42.37, -25.44, 27.87

 

CMYK 53 / 35 / 0 / 57

HEX #34476E

RGB 52 71 110

HSL 220.34, 0.36%, 0.32%

LAB 30.31, 4.69, -24.9

 

CMYK 6 / 53 / 0 / 57

HEX #67346E

RGB 103 52 110

HSL 292.76, 0.36%, 0.32%

LAB 30.56, 32.46, -24.14

 

CMYK 0 / 17 / 53 / 57

HEX #6E5B34

RGB 110 91 52

HSL 40.34, 0.36%, 0.32%

LAB 39.66, 2.21, 25.25

 

CMYK 45 / 0 / 53 / 57

HEX #3C6E34

RGB 60 110 52

HSL 111.72, 0.36%, 0.32%

LAB 41.78, -29.4, 27.02

 

CMYK 53 / 35 / 0 / 57

HEX #34476E

RGB 52 71 110

HSL 220.34, 0.36%, 0.32%

LAB 30.31, 4.69, -24.9

 

CMYK 0 / 53 / 8 / 57

HEX #6E3465

RGB 110 52 101

HSL 309.31, 0.36%, 0.32%

LAB 31.14, 32.92, -17.41

 

CMYK 0 / 17 / 53 / 57

HEX #6E5B34

RGB 110 91 52

HSL 40.34, 0.36%, 0.32%

LAB 39.66, 2.21, 25.25

 

CMYK 53 / 0 / 44 / 57

HEX #346E3E

RGB 52 110 62

HSL 130.34, 0.36%, 0.32%

LAB 41.58, -30.33, 21.09

 

Description

Color code: HEX #34476E | qconv.com Color code: HEX #34476E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 71 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 71 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 35 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 35% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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