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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #344A0E it is the complementary color #CBB5F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #344A0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #344A0E shade: #394A09, #4A5C1C, #5B6E2F, #6C8042 and #7D9255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #344A0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #344A0E shade: #344A0E, #233800, #122600, #011400 and #000200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #344A0E shade: #33480D, #43480D, #483E0D, #482E0D and #481E0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #344A0E shade: #33480D, #23480D, #13480D, #0D4818 and #0D4828

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #344A0E shade matches the following richer shades: #33480D and #354F06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #344A0E shade: #33480D, #314114, #2F3A1B, #2D3322 and #2B2C29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #344A0E shade: #483F0D, #42480D, #33480D, #23480D and #13480D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #344A0E shade: #020300, #1A2607, #33480D, #4B6B14 and #638E1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #344A0E shade: #344A0E, #0D482F and #460D48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #344A0E shade: #344A0E, #0D3348 and #480D33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #344A0E shade: #344A0E, #0D482F, #230D48 and #480D27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #344A0E shade: #344A0E, #0D4840, #230D48 and #480D15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 81 / 71

HEX #344A0E

RGB 52 74 14

HSL 82, 0.68%, 0.17%

LAB 28.54, -18.86, 31.08

 

Complementary color

CMYK 16 / 25 / 0 / 5

HEX #CBB5F1

RGB 203 181 241

HSL 262, 0.68%, 0.83%

LAB 77.34, 19.4, -26.96

 

CMYK 23 / 0 / 88 / 71

HEX #394A09

RGB 57 74 9

HSL 75.69, 0.78%, 0.16%

LAB 28.87, -16.84, 33.42

 

CMYK 20 / 0 / 70 / 64

HEX #4A5C1C

RGB 74 92 28

HSL 76.88, 0.53%, 0.24%

LAB 36.36, -17.48, 33.33

 

CMYK 17 / 0 / 57 / 57

HEX #5B6E2F

RGB 91 110 47

HSL 78.1, 0.4%, 0.31%

LAB 43.63, -17.83, 32.34

 

CMYK 16 / 0 / 48 / 50

HEX #6C8042

RGB 108 128 66

HSL 79.35, 0.32%, 0.38%

LAB 50.71, -18.02, 31.11

 

CMYK 14 / 0 / 42 / 43

HEX #7D9255

RGB 125 146 85

HSL 80.66, 0.26%, 0.45%

LAB 57.63, -18.12, 29.86

 

CMYK 30 / 0 / 81 / 71

HEX #344A0E

RGB 52 74 14

HSL 82, 0.68%, 0.17%

LAB 28.54, -18.86, 31.08

 

CMYK 38 / 0 / 100 / 78

HEX #233800

RGB 35 56 0

HSL 82.5, 1%, 0.11%

LAB 20.77, -18.04, 28.61

 

CMYK 53 / 0 / 100 / 85

HEX #122600

RGB 18 38 0

HSL 91.58, 1%, 0.07%

LAB 12.7, -16.29, 18.43

 

CMYK 95 / 0 / 100 / 92

HEX #011400

RGB 1 20 0

HSL 117, 1%, 0.04%

LAB 4.58, -8.97, 6.69

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2 0

HSL 120, 1%, 0%

LAB 0.39, -0.8, 0.57

 

CMYK 29 / 0 / 82 / 72

HEX #33480D

RGB 51 72 13

HSL 81.36, 0.69%, 0.17%

LAB 27.76, -18.31, 30.7

 

CMYK 7 / 0 / 82 / 72

HEX #43480D

RGB 67 72 13

HSL 65.08, 0.69%, 0.17%

LAB 29.05, -10.59, 32.39

 

CMYK 0 / 14 / 82 / 72

HEX #483E0D

RGB 72 62 13

HSL 49.83, 0.69%, 0.17%

LAB 26.31, -1.92, 29.95

 

CMYK 0 / 36 / 82 / 72

HEX #482E0D

RGB 72 46 13

HSL 33.56, 0.69%, 0.17%

LAB 21.43, 8.44, 25.04

 

CMYK 0 / 58 / 82 / 72

HEX #481E0D

RGB 72 30 13

HSL 17.29, 0.69%, 0.17%

LAB 17.16, 18.69, 20.11

 

CMYK 29 / 0 / 82 / 72

HEX #33480D

RGB 51 72 13

HSL 81.36, 0.69%, 0.17%

LAB 27.76, -18.31, 30.7

 

CMYK 51 / 0 / 82 / 72

HEX #23480D

RGB 35 72 13

HSL 97.63, 0.69%, 0.17%

LAB 26.79, -25, 29.43

 

CMYK 74 / 0 / 82 / 72

HEX #13480D

RGB 19 72 13

HSL 113.9, 0.69%, 0.17%

LAB 26.16, -29.96, 28.59

 

CMYK 82 / 0 / 67 / 72

HEX #0D4818

RGB 13 72 24

HSL 131.19, 0.69%, 0.17%

LAB 26.12, -29.96, 23.14

 

CMYK 82 / 0 / 44 / 72

HEX #0D4828

RGB 13 72 40

HSL 147.46, 0.69%, 0.17%

LAB 26.37, -27, 14.04

 

CMYK 29 / 0 / 82 / 72

HEX #33480D

RGB 51 72 13

HSL 81.36, 0.69%, 0.17%

LAB 27.76, -18.31, 30.7

 

CMYK 33 / 0 / 92 / 69

HEX #354F06

RGB 53 79 6

HSL 81.37, 0.86%, 0.17%

LAB 30.31, -21.48, 35.66

 

CMYK 29 / 0 / 82 / 72

HEX #33480D

RGB 51 72 13

HSL 81.36, 0.69%, 0.17%

LAB 27.76, -18.31, 30.7

 

CMYK 25 / 0 / 69 / 75

HEX #314114

RGB 49 65 20

HSL 81.33, 0.53%, 0.17%

LAB 25.21, -14.8, 24.71

 

CMYK 19 / 0 / 53 / 77

HEX #2F3A1B

RGB 47 58 27

HSL 81.29, 0.36%, 0.17%

LAB 22.69, -10.82, 17.7

 

CMYK 12 / 0 / 33 / 80

HEX #2D3322

RGB 45 51 34

HSL 81.18, 0.2%, 0.17%

LAB 20.21, -6.29, 9.96

 

CMYK 2 / 0 / 7 / 83

HEX #2B2C29

RGB 43 44 41

HSL 80, 0.04%, 0.17%

LAB 17.81, -1.15, 1.79

 

CMYK 0 / 13 / 82 / 72

HEX #483F0D

RGB 72 63 13

HSL 50.85, 0.69%, 0.17%

LAB 26.63, -2.55, 30.26

 

CMYK 8 / 0 / 82 / 72

HEX #42480D

RGB 66 72 13

HSL 66.1, 0.69%, 0.17%

LAB 28.96, -11.09, 32.28

 

CMYK 29 / 0 / 82 / 72

HEX #33480D

RGB 51 72 13

HSL 81.36, 0.69%, 0.17%

LAB 27.76, -18.31, 30.7

 

CMYK 51 / 0 / 82 / 72

HEX #23480D

RGB 35 72 13

HSL 97.63, 0.69%, 0.17%

LAB 26.79, -25, 29.43

 

CMYK 74 / 0 / 82 / 72

HEX #13480D

RGB 19 72 13

HSL 113.9, 0.69%, 0.17%

LAB 26.16, -29.96, 28.59

 

CMYK 33 / 0 / 100 / 99

HEX #020300

RGB 2 3 0

HSL 80, 1%, 0.01%

LAB 0.7, -0.68, 1.04

 

CMYK 32 / 0 / 82 / 85

HEX #1A2607

RGB 26 38 7

HSL 83.23, 0.69%, 0.09%

LAB 13.36, -11.51, 16.55

 

CMYK 29 / 0 / 82 / 72

HEX #33480D

RGB 51 72 13

HSL 81.36, 0.69%, 0.17%

LAB 27.76, -18.31, 30.7

 

CMYK 30 / 0 / 81 / 58

HEX #4B6B14

RGB 75 107 20

HSL 82.07, 0.69%, 0.25%

LAB 41.31, -25.34, 41.57

 

CMYK 30 / 0 / 81 / 44

HEX #638E1B

RGB 99 142 27

HSL 82.43, 0.68%, 0.33%

LAB 54.11, -31.9, 51.69

 

CMYK 30 / 0 / 81 / 71

HEX #344A0E

RGB 52 74 14

HSL 82, 0.68%, 0.17%

LAB 28.54, -18.86, 31.08

 

CMYK 82 / 0 / 35 / 72

HEX #0D482F

RGB 13 72 47

HSL 154.58, 0.69%, 0.17%

LAB 26.52, -25.33, 9.83

 

CMYK 3 / 82 / 0 / 72

HEX #460D48

RGB 70 13 72

HSL 297.97, 0.69%, 0.17%

LAB 15.79, 34.54, -22.65

 

CMYK 30 / 0 / 81 / 71

HEX #344A0E

RGB 52 74 14

HSL 82, 0.68%, 0.17%

LAB 28.54, -18.86, 31.08

 

CMYK 82 / 29 / 0 / 72

HEX #0D3348

RGB 13 51 72

HSL 201.36, 0.69%, 0.17%

LAB 19.73, -4.9, -16.82

 

CMYK 0 / 82 / 29 / 72

HEX #480D33

RGB 72 13 51

HSL 321.36, 0.69%, 0.17%

LAB 14.98, 31.44, -9.07

 

CMYK 30 / 0 / 81 / 71

HEX #344A0E

RGB 52 74 14

HSL 82, 0.68%, 0.17%

LAB 28.54, -18.86, 31.08

 

CMYK 82 / 0 / 35 / 72

HEX #0D482F

RGB 13 72 47

HSL 154.58, 0.69%, 0.17%

LAB 26.52, -25.33, 9.83

 

CMYK 51 / 82 / 0 / 72

HEX #230D48

RGB 35 13 72

HSL 262.37, 0.69%, 0.17%

LAB 9.9, 26.56, -32.45

 

CMYK 0 / 82 / 46 / 72

HEX #480D27

RGB 72 13 39

HSL 333.56, 0.69%, 0.17%

LAB 14.47, 29.83, -1.12

 

CMYK 30 / 0 / 81 / 71

HEX #344A0E

RGB 52 74 14

HSL 82, 0.68%, 0.17%

LAB 28.54, -18.86, 31.08

 

CMYK 82 / 0 / 11 / 72

HEX #0D4840

RGB 13 72 64

HSL 171.86, 0.69%, 0.17%

LAB 26.99, -20.42, -0.49

 

CMYK 51 / 82 / 0 / 72

HEX #230D48

RGB 35 13 72

HSL 262.37, 0.69%, 0.17%

LAB 9.9, 26.56, -32.45

 

CMYK 0 / 82 / 71 / 72

HEX #480D15

RGB 72 13 21

HSL 351.86, 0.69%, 0.17%

LAB 13.94, 28.1, 11.37

 

Description

Color code: HEX #344A0E | qconv.com Color code: HEX #344A0E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 74 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 74 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 81 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 81% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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